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= Hi , Infidelity = " Hi , Infidelity " is the sixth episode of the third season of the American mystery television series Veronica Mars , and the fiftieth episode overall . Written by John Enbom and directed by Michael Fields , the episode premiered on The CW on November 17 , 2006 . The series depicts the adventures of Veronica Mars ( Kristen Bell ) as she deals with life as a college student while moonlighting as a private detective . In this episode , Veronica investigates an accusation that she plagiarized a criminology paper only to find out that her teacher is having an affair with Mindy O 'Dell ( Jamie Ray Newman ) . Meanwhile , Stosh " Piz " Piznarski ( Chris Lowell ) invites Veronica to go bowling , and Wallace Fennel ( Percy Daggs III ) must choose between basketball and his studies . The episode features the return of Laura San Giacomo as Harmony Chase and the introduction of the recurring character of Max ( Adam Rose ) . San Giacomo and Colantoni , who had previously co @-@ starred on the sitcom Just Shoot Me ! , lobbied for more storylines together after rekindling their friendship during production of " Charlie Don 't Surf " , her first appearance . Rose 's character had been planned to begin a later romantic relationship with Mac since the writing of this episode and went on to fulfill this role in several future episodes . At the time of its initial broadcast , the episode was watched by 2 @.@ 75 million people and received mixed to positive reviews from television critics . = = Plot = = Following the events of the previous episode , Veronica confronts Claire Nordhouse ( Krista Kalmus ) for faking her rape after she publishes a story on it . Wallace Fennel and a lawyer are taken in to Dean O ’ Dell ’ s ( Ed Begley , Jr . ) office , where he is caught for cheating on a test . Veronica ’ s criminology paper is praised by her teacher , Hank ( Patrick Fabian ) leading her to praise him incessantly . Harmony Chase ( Laura San Giacomo ) , a former client who asked Keith Mars ( Enrico Colantoni ) to investigate her possibly adulterous husband , calls him and asks him on a date . Tim Foyle ( James Jordan ) , Hank 's teaching assistant , tells Veronica that she plagiarized her paper , even though she did not . Hank gives her three days to prove that she is innocent . Veronica learns that a student named Jeff Ratner accused her . Veronica goes to a computer student and ascertains the email address of the person who faked her paper . Stosh " Piz " Piznarski invites Veronica bowling , and she invites Parker ( Julie Gonzalo ) as well . Veronica gets caught snooping in the Dean ’ s office , although she makes up a hasty lie that she was searching for class notes , and it diverts his attention . Wallace decides not to drop the class on whose test he cheated . Veronica proves that the essay hers was supposedly plagiarized from was posted after she turned in her paper ; nevertheless , she still wants to find who framed her . Parker Lee , Veronica , Piz , and Logan ( Jason Dohring ) bowl and have fun together . When Veronica and Logan get room service , Veronica spots Jeff Ratner and questions him . Parker is romantically interested in Piz , and she tasks Veronica with talking to him about her . After talking to Mercer Hayes ( Ryan Devlin ) , Parker informs Veronica that she remembers Mercer 's cologne from the night of her rape . Veronica goes to Sheriff Lamb ( Michael Muhney ) with this news ; Wallace drops basketball to study for the class . Veronica runs into Keith at the hotel before learning that the room that belongs to " Rory Finch " is actually Hank , who is having an affair with Mrs. O ’ Dell . On their second date , Harmony suggests that they have sex , but Keith declines the proposal . On the way back , Keith ’ s becomes involved in a traffic collision , but the airbag catches him . This traumatic experience makes him go back to Harmony , and they sleep together . Veronica talks to Tim Foyle , who made her follow the trail of " Rory Finch " deliberately in order for her to discover the professor ’ s affair . Tim was the professor ’ s protégé , and he wants Veronica to discover Hank 's flaws before she becomes more involved with him . Logan runs up to Veronica and tells her that Mercer has been arrested for the rapes on campus , despite the fact that he believes that Mercer is innocent . Logan begs Veronica to defend Mercer , as he was with him the night of one of the rapes . However , he refuses to tell Veronica what they were doing . = = Production = = " Hi , Infidelity " was written by John Enbom and directed by Michael Fields , marking Enbom 's twelfth writing credit and Fields 's sixth directing credit for the series . The episode features the second of three appearances by Laura San Giacomo as Harmony Chase . She and Enrico Colantoni had become friends when they co @-@ starred on the sitcom Just Shoot Me ! . They rekindled their friendship during production of " Charlie Don 't Surf " , San Giacomo 's first appearance , so they lobbied for more storylines together . Thomas was open to the possibility , saying , " I wouldn 't hesitate to go back to this , because I was really happy with how it played out . " Adam Rose made his first appearance in this episode as a suspect ; he would make appearances later in the season as well . From the very beginning of his appearances , Rose 's character , Max , was planned to begin a romantic relationship with Mac ( Tina Majorino ) . Rose was roommates with Michael Mitchell , who played Bronson , another love interest for Mac . When Rose received the call that he would have a romantic storyline with Mac , he reportedly stated , " but I thought that 's what my roommate was doing . " = = Reception = = = = = Ratings = = = At the time of its initial broadcast , " Hi , Infidelity " was viewed by 2 @.@ 75 million people , ranking 94th out of 97 in the weekly rankings . = = = Reviews = = = Eric Goldman of IGN gave the episode a 7 @.@ 8 out of 10 , indicating that it was " good " , but his review was mixed . Comparing it with the rest of the season , he opined that it suffered from some of the same problems of previous episodes . He thought that the actions of many of the characters in " Hi , Infidelity " were out of character or unrealistic . While writing that " the rape storyline is still not feeling nearly as weighty as it should , " he praised the development of the rape mystery for hinting that there were larger forces at work . Price Peterson of TV.com gave a positive review , praising the case @-@ of @-@ the @-@ week 's emotional connection to Veronica for " [ raising ] the stakes " and Piz 's increased role . He also believed that all the series regulars , excluding Wallace , had an important and interesting role to play . Television Without Pity gave the episode an " A " , which is one of its highest ratings given for the season . Alan Sepinwall praised the episode compared to the first few episodes of the season , writing it balanced Veronica 's character traits well , including her jealousy and generosity . He also wrote that it showed her as a character with some " baser instincts " , giving the scene with Jeff as an example . Rowan Kaiser , writing for The A.V. Club , gave a mixed review . The reviewer was very critical of what he called the " ' radical feminist fakes her own rape ' " storyline , but he praised the episode as the first one of the third season to make the college setting feel natural . Although he thought that the case @-@ of @-@ the @-@ week contributed to his overall positive view of the episode , he thought that " it 's mostly the little things that make it work " , pointing out Piz 's increased role as an example .

= Ceratopsia = Ceratopsia or Ceratopia ( / ˌsɛrəˈtɒpsiə / or / ˌsɛrəˈtoʊpiə / ; Greek : " horned faces " ) is a group of herbivorous , beaked dinosaurs that thrived in what are now North America , Europe , and Asia , during the Cretaceous Period , although ancestral forms lived earlier , in the Jurassic . The earliest known ceratopsian , Yinlong downsi , lived between 161 @.@ 2 and 155 @.@ 7 million years ago . The last ceratopsian species , Triceratops prorsus , became extinct during the Cretaceous – Paleogene extinction event , 66 million years ago . Early members of the ceratopsian group , such as Psittacosaurus , were small bipedal animals . Later members , including ceratopsids like Centrosaurus and Triceratops , became very large quadrupeds and developed elaborate facial horns and frills extending over the neck . While these frills might have served to protect the vulnerable neck from predators , they may also have been used for display , thermoregulation , the attachment of large neck and chewing muscles or some combination of the above . Ceratopsians ranged in size from 1 meter ( 3 ft ) and 23 kilograms ( 50 lb ) to over 9 meters ( 30 ft ) and 5 @,@ 400 kg ( 12 @,@ 000 lb ) . Triceratops is by far the best @-@ known ceratopsian to the general public . It is traditional for ceratopsian genus names to end in " -ceratops " , although this is not always the case . One of the first named genera was Ceratops itself , which lent its name to the group , although it is considered a nomen dubium today as its fossil remains have no distinguishing characteristics that are not also found in other ceratopsians . = = Anatomy = = Ceratopsians are easily recognized by features of the skull . On the tip of a ceratopsian upper jaw is the rostral bone , an edentulous ( toothless ) ossification , unique to ceratopsians . Othniel Charles Marsh recognized and named this bone , which acts as a mirror image of the predentary bone on the lower jaw . This ossification evolved to morphologically aid the mastication of plant matter . Along with the predentary bone , which forms the tip of the lower jaw in all ornithischians , the rostral forms a superficially parrot @-@ like beak . Also , the jugal bones below the eye are very tall and flare out sideways , making the skull appear somewhat triangular when viewed from above . This triangular appearance is accentuated in later ceratopsians by the rearwards extension of the parietal and squamosal bones of the skull roof , to form the neck frill . The epoccipital is a distinctive bones found lining the frills of ceratopsians . The name is a misnomer , as they are not associated with the occipital bone . Epoccipitals begin as separate bones that fuse during the animal 's growth to either the squamosal or parietal bones that make up the base of the frill . These bones were ornamental instead of functional , and may have helped differentiate species . Epoccipitals probably were present in all known ceratopsids with the possible exception of Zuniceratops . They appear to have been broadly different between short @-@ frilled ceratopsids ( centrosaurines ) and long @-@ frilled ceratopsids ( chasmosaurines ) , being elliptical with constricted bases in the former group , and triangular with wide bases in the latter group . Within these broad definitions , different species would have somewhat different shapes and numbers . In centrosaurines especially , like Centrosaurus , Pachyrhinosaurus , and Styracosaurus , these bones become long and spike- or hook @-@ like . A well @-@ known example is the coarse sawtooth fringe of broad triangular epoccipitals on the frill of Triceratops . When regarding the ossification 's morphogenetic traits , it can be described as dermal . The term epoccipital was coined by famous paleontologist Othniel Charles Marsh in 1889 . = = History of study = = The first ceratopsian remains known to science were discovered during the U.S. Geological and Geographical Survey of the Territories led by the American geologist F.V. Hayden . Teeth discovered during an 1855 expedition to Montana were first assigned to hadrosaurids and included within the genus Trachodon . It was not until the early 20th century that some of these were recognized as ceratopsian teeth . During another of Hayden 's expeditions in 1872 , Fielding Bradford Meek found several giant bones protruding from a hillside in southwestern Wyoming . He alerted paleontologist Edward Drinker Cope , who led a dig to recover the partial skeleton . Cope recognized the remains as a dinosaur , but noted that even though the fossil lacked a skull , it was different from any type of dinosaur then known . He named the new species Agathaumas sylvestris , meaning " marvellous forest @-@ dweller " . Soon after , Cope named two more dinosaurs that would eventually come to be recognized as ceratopsids : Polyonax and Monoclonius . Monoclonius was notable for the number of disassociated remains found , including the first evidence of ceratopsid horns and frills . Several Monoclonius fossils were found by Cope , assisted by Charles Hazelius Sternberg , in the summer of 1876 near the Judith River in Chouteau County , Montana . Since the ceratopsians had not been recognised yet as a distinctive group , Cope was uncertain about much of the fossil material , not recognizing the nasal horn core , nor the brow horns , as part of a fossil horn . The frill bone was interpreted as a part of the breastbone . In 1888 and 1889 , Othniel Charles Marsh described the first well preserved horned dinosaurs , Ceratops and Triceratops . In 1890 Marsh classified them together in the family Ceratopsidae and the order Ceratopsia . This prompted Cope to reexamine his own specimens and to realized that Triceratops , Monoclonius , and Agathaumas all represented a single group of similar dinosaurs , which he named Agathaumidae in 1891 . Cope redescribed Monoclonius as a horned dinosaur , with a large nasal horn and two smaller horns over the eyes , and a large frill . = = Classification = = Ceratopsia was coined by Othniel Charles Marsh in 1890 to include dinosaurs possessing certain characteristic features , including horns , a rostral bone , teeth with two roots , fused neck vertebrae , and a forward @-@ oriented pubis . Marsh considered the group distinct enough to warrant its own suborder within Ornithischia . The name is derived from the Greek κερας / keras meaning ' horn ' and οψις / opsis meaning ' face ' . As early as the 1960s , it was noted that the name Ceratopsia is actually incorrect linguistically and that it should be Ceratopia . However , this spelling , while technically correct , has been used only rarely in the scientific literature , and the vast majority of paleontologists continue to use Ceratopsia . As the ICZN does not govern taxa above the level of superfamily , this is unlikely to change . = = = Taxonomy = = = Following Marsh , Ceratopsia has usually been classified as a suborder within the order Ornithischia . While ranked taxonomy has largely fallen out of favor among dinosaur paleontologists , some researchers have continued to employ such a classification , though sources have differed on what its rank should be . Most who still employ the use of ranks have retained its traditional ranking of suborder , though some have reduced to the level of infraorder . This list of ceratopsian genera by classification and location follows a review by Thomas R. Holtz , Jr. in 2010 . Ceratopsia Albalophosaurus - ( Japan ) Micropachycephalosaurus - ( Shandong , eastern China ) Stenopelix - ( Germany ) Yinlong - ( Xinjiang , western China ) Family Chaoyangsauridae Chaoyangsaurus - ( Liaoning , northeastern China ) Xuanhuaceratops - ( Hebei , China ) Family Psittacosauridae Psittacosaurus - ( China & Mongolia ) Neoceratopsia Archaeoceratops - ( Gansu , northwestern China ) Auroraceratops - ( Gansu , northwestern China ) Helioceratops - ( Jilin , northwestern China ) Koreaceratops - ( South Korea ) Kulceratops - ( Uzbekistan ) Liaoceratops - ( Liaoning , northeastern China ) Microceratus - ( Mongolia ) Mosaiceratops - ( central China ) Yamaceratops - ( Mongolia ) Family Leptoceratopsidae Asiaceratops - ( China , Mongolia , Uzbekistan ) Cerasinops - ( Montana , US ) Gryphoceratops - ( Alberta , Canada ) Ischioceratops - ( China ) Leptoceratops - ( Alberta , Canada & Wyoming , US ) Montanoceratops - ( Montana , US ) Prenoceratops - ( Montana , US ) Udanoceratops - ( Mongolia ) Unescoceratops - ( Alberta , Canada ) Zhuchengceratops - ( Zhucheng , China ) Family Bagaceratopidae Ajkaceratops - ( Hungary ) Bagaceratops - ( Mongolia ) Bainoceratops - ( Mongolia ) Gobiceratops - ( Mongolia ) Lamaceratops - ( Mongolia ) Family Protoceratopsidae Breviceratops - ( Mongolia ) Graciliceratops - ( Mongolia ) Magnirostris - ( Inner Mongolia , China ) Protoceratops - ( Mongolia ) Superfamily Ceratopsoidea Turanoceratops - ( Uzbekistan ) Zuniceratops - ( New Mexico , US ) Family Ceratopsidae Subfamily Centrosaurinae Albertaceratops - ( Alberta , Canada & ? Montana , USA ) Avaceratops - ( Montana , USA ) Brachyceratops - ( Montana , USA & Alberta , Canada ) Centrosaurus - ( Alberta , Canada ) Coronosaurus - ( Alberta , Canada ) Diabloceratops - ( Utah , USA ) Monoclonius - ( Montana , USA & Alberta , Canada ) Nasutoceratops - ( Utah , USA ) Rubeosaurus - ( Montana , USA ) Spinops - ( Alberta , Canada ) Styracosaurus - ( Alberta , Canada & Montana , USA ) Xenoceratops - ( Alberta , Canada ) Tribe Pachyrhinosaurini Achelousaurus - ( Montana , USA ) Einiosaurus - ( Montana , USA ) Pachyrhinosaurus- ( Alberta , Canada & Alaska , USA ) Sinoceratops - ( Shandong , China ) Subfamily Ceratopsinae Ceratops - ( Montana , USA & Alberta , Canada ) Subfamily Chasmosaurinae Agathaumas - ( Wyoming , USA ) Agujaceratops - ( Texas , USA ) Anchiceratops - ( Alberta , Canada ) Arrhinoceratops - ( Alberta , Canada ) Chasmosaurus - ( Alberta , Canada ) Coahuilaceratops - ( Coahuila , Mexico ) ? Dysganus - ( Montana , USA ) Judiceratops - ( Montana , USA ) Kosmoceratops - ( Utah , USA ) Medusaceratops - ( Montana , USA ) Mojoceratops - ( Alberta & Saskatchewan , Canada ) Pentaceratops - ( New Mexico , USA ) ? Polyonax - ( Colorado , USA ) Utahceratops - ( Utah , USA ) Vagaceratops - ( Alberta , Canada ) Tribe Triceratopsini Eotriceratops - ( Alberta , Canada ) Nedoceratops - ( Wyoming , USA ) Ojoceratops - ( New Mexico , USA ) Regaliceratops - ( Alberta , Canada ) Tatankaceratops - ( South Dakota , USA ) Titanoceratops - ( New Mexico , USA ) Torosaurus - ( Wyoming , Montana , South Dakota , North Dakota , & Utah , USA & Saskatchewan , Canada ) Triceratops - ( Montana & Wyoming , USA & Saskatchewan & Alberta , Canada ) Possible ceratopsians from the Southern Hemisphere include the Australian Serendipaceratops , known from an ulna , and Notoceratops from Argentina is known from a single toothless jaw ( which has been lost ) . Craspedodon from the Late Cretaceous ( Santonian ) of Belgium may also be a ceratopsian , specifically a neoceratopsian closer to ceratopsoidea than protoceratopsidae . Possible leptoceratopsid remains have also been described from the early Campanian of Sweden . = = = Phylogeny = = = Paleontologists today agree on the overall structure of the ceratopsian family tree , although there are differences on individual taxa . There have been several cladistic studies performed on basal ceratopsians since 2000 . None have used every taxon listed above and many of the differences between the studies are still unresolved . In clade @-@ based phylogenetic taxonomy , Ceratopsia is often defined to include all marginocephalians more closely related to Triceratops than to Pachycephalosaurus . Under this definition , the most basal known ceratopsians are Yinlong , from the Late Jurassic Period , along with Chaoyangsaurus and the family Psittacosauridae , from the Early Cretaceous Period , all of which were discovered in northern China or Mongolia . The rostral bone and flared jugals are already present in all of these forms , indicating that even earlier ceratopsians remain to be discovered . The clade Neoceratopsia includes all ceratopsians more derived than psittacosaurids . Another subset of neoceratopsians is called Coronosauria , which currently includes all ceratopsians more derived than Auroraceratops . Coronosaurs show the first development of the neck frill and the fusion of the first several neck vertebrae to support the increasingly heavy head . Within Coronosauria , three groups are generally recognized , although the membership of these groups varies somewhat from study to study and some animals may not fit in any of them . One group can be called Protoceratopsidae and includes Protoceratops and its closest relatives , all Asian . Another group , Leptoceratopsidae , includes mostly North American animals that are more closely related to Leptoceratops . The Ceratopsoidea includes animals like Zuniceratops , which are more closely related to the family Ceratopsidae . This last family includes Triceratops and all the large North American ceratopsians and is further divided into the subfamilies Centrosaurinae and Ceratopsinae ( also known as Chasmosaurinae ) . = = = = Farke phylogeny = = = = Andrew Farke and his colleagues in 2014 published a description of a new neoceratopsian , Aquilops americanus , through the peer @-@ reviewed science journal PLOS ONE . They analysed their taxa as well as most other primitive ceratopsians to get a consensus cladogram . They created their own data matrix and through it found that many groups of ceratopsians could be supported , and that Aquilops was a basal neoceratopsian that could potentially be a protoceratopsid , leptoceratopsid , or ceratopsid , although any one of these groups would have a large ghost lineage with Aquilops . Their study also found an equal consensus cladogram finding Ajkaceratops not as a neoceratopsian but a protoceratopsid . Nothing else about the cladograms changed . = = = = Xu / Makovicky / Chinnery Phylogeny = = = = Xu Xing of the Chinese Institute of Vertebrate Paleontology and Paleoanthropology ( IVPP ) in Beijing , along with Peter Makovicky , formerly of the American Museum of Natural History ( AMNH ) in New York City and others , published a cladistic analysis in the 2002 description of Liaoceratops . This analysis is very similar to one published by Makovicky in 2001 . Makovicky , who currently works at the Field Museum of Natural History in Chicago , also included this analysis in his 2002 doctoral thesis . Xu and other colleagues added Yinlong to this analysis in 2006 . Brenda Chinnery , formerly of the Museum of the Rockies in Bozeman , Montana , independently described Prenoceratops in 2005 and published a new phylogeny . In 2006 , Makovicky and Mark Norell of the AMNH incorporated Chinnery 's analysis into their own and also added Yamaceratops , although they were not able to include Yinlong . The cladogram presented below is a combination of Xu , Makovicky , and their colleagues ' most recent work . Chaoyangsaurus is recovered in a more basal position than Psittacosauridae , although Chinnery 's original analysis finds it within Neoceratopsia . Protoceratopsidae is considered to be the sister group of Ceratopsoidea . The fragmentary Asiaceratops was included in these studies and is found to have a variable position , either as a basal neoceratopsian or as a leptoceratopsid , most likely due to the amount of missing information . Removal of Asiaceratops stabilizes the entire cladogram . Makovicky 's latest analysis includes IVPP V12722 ( " Xuanhuasaurus " ) , a Late Jurassic ceratopsian from China that , at the time , was awaiting publication , but has since been published as Xuanhuaceratops . Kulceratops and Turanoceratops are considered nomina dubia in this study . Makovicky believes Lamaceratops , Magnirostris , and Platyceratops to be junior synonyms of Bagaceratops , and Bainoceratops to be synonymous with Protoceratops . = = = = You / Dodson Phylogeny = = = = You Hailu of Beijing 's Chinese Academy of Geological Sciences , was a co @-@ author with Xu and Makovicky in 2002 but , in 2003 , he and Peter Dodson from the University of Pennsylvania published a separate analysis . The two presented this analysis again in 2004 . In 2005 , You and three others , including Dodson , published on Auroraceratops and inserted this new dinosaur into their phylogeny . In contrast to the previous analysis , You and Dodson find Chaoyangsaurus to be the most basal neoceratopsian , more derived than Psittacosaurus , while Leptoceratopsidae , not Protoceratopsidae , is recovered as the sister group of Ceratopsidae . This study includes Auroraceratops , but lacks seven taxa found in Xu and Makovicky 's work , so it is unclear how comparable the two studies are . Asiaceratops and Turanoceratops are each considered nomina dubia and not included . Along with Dong Zhiming , You described Magnirostris in 2003 , but to date has not included it in any of his cladograms . = = Paleobiology = = = = = Biogeography = = = Ceratopsia appears to have originated in Asia , as all of the earliest members are found there . Fragmentary remains , including teeth , which appear to be neoceratopsian , are found in North America from the Albian stage ( 112 to 100 million years ago ) , indicating that the group had dispersed across what is now the Bering Strait by the middle of the Cretaceous Period . Almost all leptoceratopsids are North American , aside from Udanoceratops , which may represent a separate dispersal event , back into Asia . Ceratopsids and their immediate ancestors , such as Zuniceratops , were unknown outside of western North America , and were presumed endemic to that continent . The traditional view that ceratopsoids originated in North America was called into question by the 2009 discovery of better specimens of the dubious Asian form Turanoceratops , which confirmed it as a ceratopsid . It is unknown whether this indicates ceratopsids actually originated in Asia , or if the Turanoceratops immigrated from North America . = = = Individual variation = = = Unlike almost all other dinosaur groups , skulls are the most commonly preserved elements of ceratopsian skeletons and many species are known only from skulls . There is a great deal of variation between and even within ceratopsian species . Complete growth series from embryo to adult are known for Psittacosaurus and Protoceratops , allowing the study of ontogenetic variation in these species . Significant sexual dimorphism has been noted in Protoceratops and several ceratopsids . = = = Ecological role = = = Psittacosaurus and Protoceratops are the most common dinosaurs in the different Mongolian sediments where they are found . Triceratops fossils are far and away the most common dinosaur remains found in the latest Cretaceous rocks in the western United States , making up as much as 5 / 6ths of the large dinosaur fauna in some areas . These facts indicate that some ceratopsians were the dominant herbivores in their environments . Some species of ceratopsians , especially Centrosaurus and its relatives , appear to have been gregarious , living in herds . This is suggested by bonebed finds with the remains of many individuals of different ages . Like modern migratory herds , they would have had a significant effect on their environment , as well as serving as a major food source for predators . Although ceratopsians are generally considered herbivorous , a few paleontologists , such as Darren Naish and Mark Witton , have speculated online that at least some ceratopsians may have been opportunistically omnivorous . = = = Posture and locomotion = = = Most restorations of ceratopsians show them with erect hindlimbs but semi @-@ sprawling forelimbs , which suggest that they were not fast movers . But Paul and Christiansen ( 2000 ) argued that at least the later ceratopsians had upright forelimbs and the larger species may have been as fast as rhinos , which can run at up to 56 km or 35 miles per hour . = = = Daily activity patterns = = = A nocturnal lifestyle has been suggested for the primitive ceratopsian Protoceratops . However , comparisons between the scleral rings of Protoceratops and Psittacosaurus and modern birds and reptiles indicate that they may have been cathemeral , active throughout the day at short intervals . = = = Paleopathology = = = Activity @-@ related bone fractures have been documented in ceratopsians . Periostitis has also been documented in the shoulder blade of a ceratopsian . = = Timeline of genera = =

= Truth in Numbers ? = Truth in Numbers ? Everything , According to Wikipedia is a 2010 American documentary film that explores the history and cultural implications of the online , user @-@ editable encyclopedia Wikipedia . The film considers the question of whether all individuals or just experts should be tasked with editing an encyclopedia . The site 's history and background is given , along with commentary from Wikipedia founders Jimmy Wales and Larry Sanger . Commentators that appear in the film include author Howard Zinn , Len Downie of The Washington Post , Bob Schieffer of CBS News , former Encyclopædia Britannica chief Robert McHenry and former Central Intelligence Agency director James Woolsey . The documentary discusses incidents that shed a negative light on Wikipedia , including the Essjay controversy and the Wikipedia biography controversy . The long @-@ delayed film premiered at Wikimania 2010 in Gdańsk in July 2010 , and was screened at the Paley Center for Media in New York City in October 2010 . It was shown as part of the Savannah Film Festival on November 3 , 2010 , at Savannah College of Art and Design 's Trustees Theater . Truth in Numbers ? received a mixed reception , with favorable commentary from author Ted Leonsis , in the AOL publication Urlesque , and coverage at the Savannah Film Festival by Carlos Serrano of District . = = Contents = = Truth in Numbers ? Everything , According to Wikipedia , an American documentary film , explores the history and cultural implications of Wikipedia . The film presents Wikipedia as a new form of communication and cultural dialog . The directors attempt to answer the question of whether ordinary individuals should be tasked with collecting knowledge for presentation online , or this should be relegated solely to academic scholars in specific fields . The film gives an overview of the history of the enterprise , as well as biographical information on founder Jimmy Wales . Wales is shown discussing Wikipedia with an Indian reader , who points out an inaccuracy in an article . Wales proceeds to show the reader how to click the " edit " tab on the website . Wikipedia founder Larry Sanger is featured in the documentary and speaks critically about the website 's embracing of editors from the general public as opposed to soliciting expert contributors . Journalism and media commentators who appear and are interviewed in the film include author Howard Zinn ; Len Downie , ( executive editor of The Washington Post ) ; Bob Schieffer ( CBS News ) ; Robert McHenry ( former chief of Encyclopædia Britannica ) ; James Woolsey ( former director of the Central Intelligence Agency ) ; Chris Wilson ( reporter for Slate Magazine ) ; Cade Metz ( reporter for The Register who has written critically about Wikipedia ) ; Richard Branson and Noam Chomsky . The film documents an initiative in India and Africa called " Wikipedia Academies " . Controversies discussed in the film include the Essjay controversy , where a member of Wikipedia made false assertions about his academic background ; and the Wikipedia biography controversy , where false statements were inserted into the Wikipedia entry for journalist John Seigenthaler . Musician KRS @-@ One comments about the site after reading his biography on Wikipedia : " I can say to you , these are the facts but they are not true . " = = Production = = = = = Conception = = = The idea for the film originated from a suggestion by Michael Ferris Gibson , who had made the 2005 documentary 24 Hours on Craigslist . Gibson , a producer on the film , met with co @-@ director Nic Hill . Gibson financed Hill 's travels while making the film . The working title for the film was Truth in Numbers : The Wikipedia Story . Gibson chose to finance the film through a request for funding from Internet visitors ; the initial request drew in US $ 20 @,@ 000 in initial investment . The production team made their initial work on the project known to Internet viewers via the website www.wikidocumentary.org. Another collaborative website focused on the documentary was formed at Wikia , located at wikidocumentary.wikia.com. Regarding his financing strategy , Gibson commented to the San Francisco Chronicle , that smaller incremental donations from multiple individuals showed genuine interest in his initiative . = = = Filming = = = Filming started in August 2006 at the Wikimania 2006 conference , and by April 2007 the team had aggregated 100 hours of footage . Co @-@ director Hill accompanied Wales during 2007 , filming him as he journeyed around the globe . Hill took a two @-@ person film crew and traveled to China , Indonesia , India , South Africa , Australia and Europe , interviewing editors and contributors . Hill is himself an editor of Wikipedia , starting an article about a graffiti artist . Gibson and Hill required expertise in the creative and funding aspects of film @-@ making and invited Scott Glosserman to join the venture . Glosserman 's involvement with the film began during the 2007 – 2008 Writers Guild of America strike . After Glosserman signed on , the breadth of the endeavor became larger . The film ended up taking an additional three years to finish after Glosserman joined the production . Eric Koretz served as director of photography ; he joined the team during a shift in focus in January 2008 . Koretz used a Panasonic AG @-@ HPX500 P2 HD camcorder . He commented to industry publication Videography about the choice of technique , that due to the intensity of the production team 's travel schedule tape format would not have been an option . He stated he preferred using P2 cards over the HDD @-@ based format due to its superior reliability . During the editing process , Glen Echo Entertainment utilized eight Apple Macintosh computers with Intel processors , equipped with Apple 's Final Cut Pro editing software . = = = Re @-@ focus = = = Glosserman and the rest of the production team met together to put together a focus for the film ; they centered their efforts on answering the question : " How does Wikipedia get at the truth ? " They also wanted to provide information for everyday individuals wanting to know about Wikipedia 's background and functioning . Experts were sought out , including the author of The Age of American Unreason Susan Jacoby , to discuss Wikipedia 's approach to scholars knowledgeable about specific subject matter . Glosserman commented in an interview with IndieWire , " We tried to get people offering compelling arguments for either side of any particular topic because our intention was to be objective and to let the viewer make up his or her own mind . " The narrative structure of the film What the Bleep Do We Know ! ? served as an inspiration for Glosserman during the production process . As a non @-@ profit project , the film had received more than $ 55 @,@ 000 in donations by March 2009 . = = Release = = The release for the film was originally planned for 2007 , then 2008 and 2009 , before its 2010 release . Clips of the film were shown at Wikimania 2007 in Taipei prior to its completion . Editors in the audience had mixed views on the film . In 2008 , footage from the film was used in an official fundraising video by the Wikimedia Foundation . The film had its premiere at Wikimania 2010 in Gdańsk in July 2010 , before an audience of approximately 300 people . A trailer for the movie was released in October 2010 . The film was screened at the Paley Center for Media in New York City on October 20 , 2010 . It was shown in conjunction with the Robert M. Batscha University Seminar Series . The Paley Center screening included an online streaming broadcast — the first simultaneous film screening and panel question @-@ and @-@ answer for online and local audiences . The panel discussion was moderated by The New York Times journalist Noam Cohen , and featured both co @-@ directors , in addition to Wikimedia Foundation representative Samuel Klein and Wikipedian in Residence at the British Museum Liam Wyatt . After the event , SnagFilms subsequently made the film available for free for six days to viewers in the United States . The film was screened at the Savannah Film Festival on November 3 , 2010 , at Savannah College of Art and Design 's Trustees Theater . It was scheduled for a limited theatrical release in the United States on November 30 , 2010 . = = Reception = = Wales wrote favorably about the film in 2007 during its production , and noted , " Director Nic Hill is making what looks to be a fabulous film about Wikipedia and Wikipedians worldwide . " However , Wales commented negatively about the delayed release , in a statement to PRNewser . He said the movie was dated due to its delay . He commented that the documentary was lopsided towards reliance on expert commentary and did not feature enough weight towards depicting community involvement in the online project . Wales posted to a Wikimedia Foundation mailing list , " the film was poorly received in Poland , and it is seriously out of date . " Larry Sanger commented he thought the film was , " Not too bad , from what I saw . " Wikimedia Foundation board member Samuel Klein commented , " In general , I like the film a lot more after seeing it for the second time , in a very different audience ( and seeing their live reactions ) . " Sage Ross , an attendee of Wikimania 2010 , commented that the film appears to take a mainly negative point of view towards Wikipedia , " The film gives a lot of focus to some shallow or misleading lines of criticism , and on an intellectual level , it comes off as largely anti @-@ Wikipedia , contrasting the reasonable @-@ sounding arguments of mature critics with the naive optimism of youthful Wikipedians . " Author Ted Leonsis commented favorably about the documentary , at his blog , Ted 's Take , characterizing it as , " A great film about the Wikipedia movement . " He concluded , " This is a must see film , a premiere film . You gotta watch it to remain socially relevant ! " Daniel D 'Addario reviewed Truth in Numbers ? Everything , According to Wikipedia for the AOL Inc. publication , Urlesque . D 'Addario commented , " the film raises interesting questions about authority , only somewhat intentionally . " He noted the dated bits observing , " Truth in Numbers ? may well be coming too late . " D 'Addario concluded his assessment by noting that at the time of his review , the Wikipedia article for the film was under threat of being deleted : " According to the site , the entry for Truth in Numbers ? is being considered for deletion – it links to few other articles on the site , and is an ' orphan . ' Given the tenor of Truth in Numbers ? , which combines avid interest in Wikipedia with wide @-@ eyed dismay at much of its particulars , this is either very surprising or not surprising at all . " In his review for the Savannah Film Festival , Carlos Serrano of District wrote that though the subject matter covered a lot of ground , it utilized an efficient presentation : " Sounds like a lot to put in to one movie , but the film manages to make good use of its 85 minute running time . " Serrano commented on the presentation of Jimmy Wales during the film , " In the end , I came out of the theater thinking of him as a three @-@ dimensional figure , very much a man with passion but neither completely good or evil . To be honest , this is very important in a film like this and is a definite plus for the movie . " Serrano recommended the documentary , and concluded , " This is definitely a solid film . ... This film is definitely worth a viewing . It ’ s interesting , well made , and presents varied perspectives on Wikipedia that help the narrative stay interesting . "

= Hope Highway = The Hope Highway , also known as the Hope Road Turnoff , is a Forest Highway located in the Kenai Peninsula Borough , in the U.S. state of Alaska . The highway connects the city of Hope to the Seward Highway , and travels through 17 miles ( 27 km ) of the Chugach National Forest . The road passes the ghost town of Sunrise City and several smaller settlements , remnants of the gold rush that occurred in that area . The highway was created circa 1928 and was designated as Forest Highway 14 by the Federal Highway Administration . = = Route description = = The Hope Highway begins at an intersection with the Seward Highway ( AK @-@ 1 ) , inside Chugach National Forest . The highway proceeds north , traveling through several miles of pine forest , in a valley in the Kenai Mountain range . The highway passes alongside the Resurrection Creek , which was the source for the settlement of this area . The road proceeds through the abandoned settlement of Sunrise City , which was an old mining town . The roadway proceeds to the Turnagain Arm , and turns in a westward direction . The road continues along the arm for several miles before entering the city of Hope . The highway passes through Hope , intersecting the Old Hope Highway and several smaller streets before exiting the town and reentering the forest . The highway reaches its northern terminus , an access road to the Porcupine Creek Campgrounds . The entire length of the Hope Highway is located in the Chugach National Forest . No portion of the highway is listed on the National Highway System . = = = Traffic = = = Traffic on the Hope Highway is very low , with the highest traffic count being just over 400 vehicles daily , at its intersection with the Seward Highway . The daily average vehicle count for the highway is just under 300 . = = History = = The Hope Highway was first established in 1928 . The original highway connected the city of Hope to Moose Pass , which then took people to Anchorage via the Alaska Railroad . The Seward Highway was completed in 1951 , which allowed travelers to get to Hope without having to transport their vehicle on a train . The highway operated as an improved dirt road until 1952 or 1953 , when the highway was finally paved . The portion of the highway that connected Hope to the campgrounds was created in the 1970s . Around the same time as the extension of the route , the Hope Highway was rerouted around the city of Hope , with the original path that traveled through the city being renamed the Old Hope Highway . In 1982 , during the expansion of the Federal Forest Highway System , the Hope Highway was added to the system , due to its location and local importance . = = Major junctions = = The entire highway is in Kenai Peninsula Borough . = = Old Hope Highway = = The Old Hope Highway is a short , historic route of the Hope Highway located in the city of Hope . The road is just 0 @.@ 259 miles ( 0 @.@ 417 km ) long , and connects the Hope Highway to the central region of Hope . The road has an unpaved , gravel surface , and passes several small businesses and homes located in Hope . The road was part of the original Hope Highway , which was created in 1928 , and remained part of the highway until circa 1970 , when the highway was rerouted around Hope .

= Super Mario Land = Super Mario Land is a 1989 side @-@ scrolling platform video game , the first in the Super Mario Land series , developed and published by Nintendo as a launch title for their Game Boy handheld game console . In gameplay similar to that of the 1985 Super Mario Bros. , but resized for the smaller device 's screen , the player advances Mario to the end of 12 levels by moving to the right and jumping across platforms to avoid enemies and pitfalls . Unlike other Mario games , Super Mario Land is set in Sarasaland , a new environment depicted in line art , and Mario pursues Princess Daisy . The game introduces two Gradius @-@ style shooter levels . At Nintendo CEO Hiroshi Yamauchi 's request , Game Boy creator Gunpei Yokoi 's Nintendo R & D1 developed a Mario game to sell the new console . It was the first portable version of Mario and the first to be made without Mario creator and Yokoi protégé Shigeru Miyamoto . Accordingly , the development team shrunk Mario gameplay elements for the device and used some elements inconsistently from the series . Super Mario Land was expected to showcase the console until Nintendo of America bundled Tetris with new Game Boys . The game launched alongside the Game Boy first in Japan ( April 1989 ) and later worldwide . Super Mario Land was later rereleased for the Nintendo 3DS via Virtual Console in 2011 again as a launch title , which featured some tweaks to the game 's presentation . Initial reviews were laudatory . Reviewers were satisfied with the smaller Super Mario Bros. , but noted its short length . They considered it among the best of the Game Boy launch titles . The handheld console became an immediate success and Super Mario Land ultimately sold over 18 million copies , more than that of Super Mario Bros. 3 . Both contemporaneous and retrospective reviewers praised the game 's soundtrack . Later reviews were critical of the compromises made in development and noted Super Mario Land 's deviance from series norms . The game begot a series of sequels , including the 1992 Super Mario Land 2 : 6 Golden Coins , 1994 Wario Land : Super Mario Land 3 , and 2011 Super Mario 3D Land , though many of the original 's mechanics were not revisited . The game was included in several top Game Boy game lists and debuted Princess Daisy as a recurring Mario series character . = = Gameplay = = As a side @-@ scrolling platform game and the first in the Super Mario Land series , Super Mario Land is similar in gameplay to its forebears : as Mario , the player advances to the end of the level by moving to the right and jumping across platforms to avoid enemies and pitfalls . In Super Mario Land , Mario travels to Sarasaland to save Princess Daisy from Tatanga , an evil spaceman . Two of the game 's twelve levels are " forced @-@ scrolling " Gradius @-@ style shooters where Mario helms a submarine or airplane and fires projectiles towards oncoming enemies and bosses . Levels end with a platforming challenge to reach an alternative exit located above the regular exit . The former leads to a bonus minigame that awards extra lives . Unlike other Mario games , which take place in the Mushroom Kingdom , Super Mario Land is set in Sarasaland and drawn in line art . Mario pursues Princess Daisy , in her debut , rather than the series standard damsel in distress , Princess Peach . Koopa shells explode rather than slide , Mario throws bouncing balls rather than fireballs , 1 @-@ Up Mushroom power @-@ ups are depicted as hearts , and the level @-@ end flagpoles are replaced with a platforming challenge . Some elements recur from previous Mario games , such as blocks suspended in midair , pipes that lead to other areas , and Goomba enemies . = = Development = = Super Mario Land was developed by Nintendo R & D1 and published by Nintendo in 1989 as a launch title for their Game Boy handheld console . Nintendo CEO Hiroshi Yamauchi believed that fun games sold consoles , so when the company created the Game Boy handheld console , he wanted a fun game that would feature Nintendo 's mascot , Mario , and subsequently sell consoles . The job fell to Nintendo R & D1 , a development team led by Game Boy inventor Gunpei Yokoi . Yokoi had previously created the Game & Watch series and worked with his protégé , Shigeru Miyamoto , on the game that invented Mario , Donkey Kong . Super Mario Land was the fourth Super Mario title , the first portable Mario game , and the first in the series to be made without Miyamoto . Absent Miyamoto 's direction , the development team used elements new and inconsistent with the series as Super Mario Land shrunk elements of the series to fit the portable device 's small screen . Yokoi , the head of R & D1 , served as producer , and Satoru Okada served as director . They had previously developed Metroid ( 1986 ) and Kid Icarus ( 1986 ) together , and the two subsequently designed the Game Boy — Yokoi on its industrial design , and Okada on its engineering . Their Super Mario Land was planned as the portable console 's showcase title until Henk Rogers brought Tetris to Nintendo of America and convinced Minoru Arakawa that the addictive computer game would help Nintendo reach the largest audience . The company subsequently chose to bundle Tetris with every Game Boy purchase . The Game Boy was released in Japan in April 1989 , North America in July , and Europe in September 1990 , and Super Mario Land was a launch title . The game 's official first released was on April 21 , 1989 , in Japan , and its North American release followed in August . About 22 years later , Super Mario Land was released for the Nintendo 3DS via Virtual Console on June 6 , 2011 , as one of its opening titles . Its added features include an increased size ( about 60 percent zoom ) and an optional " shades of green " color palette to match the effect of the original Game Boy 's monochrome . = = Reception = = Critics saw Super Mario Land as a " smaller " and shorter version of Super Mario Bros. IGN 's Lucas Thomas wrote that the protagonist , enemies , and overall game were shorter , and noted that Mario himself was just 12 pixels in height on the Game Boy 's small screen . With this in mind , Thomas was concerned about player " eyestrain " in rereleases of the game . Still , IGN 's Levi Buchanan thought the game made no compromises in its size reduction . At the time of its release in 1989 , reviewers were excited to have a portable Mario game . Paul Rand of Computer and Video Games called the game " an arcade machine in your pocket " and the graphics " remarkable " for their size . French games magazine Player One felt that Super Mario Land adequately compromised where necessary to bring Mario to a portable device . Electronic Gaming Monthly 's Steve Harris considered the game " fantastic " and " very fun to play " , albeit short . Ed Semrad and Donn Nauert of the same outlet both declared Super Mario Land " easily the best Game Boy cart " of the time . Complex 's Gus Turner wrote that the graphics were " simple " , and Official Nintendo Magazine said the game was " ridiculously short " . Eurogamer reported that the game could be finished in under an hour . Complex 's Gus Turner wrote that the game had the fun , intuitiveness , and difficulty associated with the series , and Tony Mott of Superplay said the game proved that Nintendo 's Game Boy " had playability to match " its competitors . Matt Regan of Mean Machines agreed : " Playability to the nth degree ! " British magazines Mean Machines and The Games Machine both commented on the game 's number of secrets to find . Eurogamer 's Chris Schilling called Hirokazu Tanaka 's soundtrack " surely one of the all @-@ time greats " , and Official Nintendo Magazine said it was among the " greatest videogame music ever composed " . Player One , Eurogamer , and Complex too complimented the music . Player One further pronounced Super Mario Land a " masterpiece " , " the pinnacle of portable video gaming " . Following the Game Boy 's " overnight success " , Super Mario Land sold over 18 million copies — more than that of Super Mario Bros. 3 . = = Legacy = = The game begot a Super Mario Land series of portable Mario games . Super Mario Land 2 : 6 Golden Coins added a non @-@ linear overworld and introduced Wario , an evil version of Mario , as the game 's villain . The subsequent Wario Land : Super Mario Land 3 began the Wario franchise . After 19 years , the 2011 title Super Mario 3D Land for the Nintendo 3DS became Mario 's first game in stereoscopic 3D . Audrey Drake of IGN argued that both Wario Land and Super Mario 3D Land were not " legitimate sequels " , and wrote that the latter felt more like " Super Mario Bros. 3 with Mario Galaxy influences " than a successor to Super Mario Land 2 . Super Mario Land is remembered for its miniaturized Super Mario elements and " twist on just about every Mario mainstay imaginable " . Many of its new elements did not recur later in the series , making Super Mario Land strange compared to the rest of the series , or what IGN 's Thomas described as a " singular oddball " . IGN 's Marc Nix felt retrospectively that Super Mario Land was the only uninspired Mario game , with " funky voids of white " and UFOs instead of the " strikingly original " Mushroom Kingdom . Mean Machines was also put off by the alien theme , easy difficulty , and dot matrix screen blur . IGN 's Travis Fahs wrote that the game was comparatively not as " ambitious " as Super Mario Bros. 3 . Mean Machines felt as if it was not " a true Mario game " , not worth its originally high review score , and " in retrospect , not really a classic " . Eurogamer 's Schilling wrote that Mario felt different — lighter , with more friction — and that the game felt " radical and distinctive " for the risks it took . IGN 's Thomas cited " out of place " gameplay elements like the shooter levels , exploding Koopa shells , non @-@ extinguishing fireballs , and non @-@ Princess Peach plot as departures from the series . Thomas attributed this to Mario creator Miyamoto 's lack of involvement in the game 's development , which he described as " famously hands @-@ off " . Schilling of Eurogamer instead blamed the Game Boy 's technical limitations . But he too was perplexed by the new sphinx , seahorse , and Moai head enemies , and considered the exploding Koopa shells a " cruel trick " disdainful of the series ' core gameplay . Super Mario Land 's shooter levels , new to the series , were not revisited in subsequent series games . And subsequent series games such as Super Mario Land 2 both dropped the original 's tiny scale and chose the classic fire flower fireballs over the first installment 's bouncing balls . The game was included in multiple rankings of top Game Boy games , and Official Nintendo Magazine listed it at 73 in its top 100 Nintendo games . After her debut in Super Mario Land , Princess Daisy reaffiliated as Luigi 's girlfriend and appears in later Mario series sports and racing games .

= Stop ! ! Hibari @-@ kun ! = Stop ! ! Hibari @-@ kun ! ( ストップ ! ! ひばりくん ! , Sutoppu ! ! Hibari @-@ kun ! ) is a Japanese manga series written and illustrated by Hisashi Eguchi . It was serialized in Weekly Shōnen Jump from October 1981 to November 1983 , and the chapters were published in four tankōbon volumes by Shueisha from November 1982 to January 1984 . The series was adapted into a 35 @-@ episode anime television series by Toei Animation that aired on Fuji Television from May 1983 to January 1984 . The story focuses on Kōsaku Sakamoto , a high school student who goes to live with yakuza boss Ibari Ōzora and his four children — Tsugumi , Tsubame , Hibari and Suzume — after the death of his mother . Kōsaku is shocked to learn that Hibari , who looks and behaves as a girl , was assigned male at birth . Eguchi wanted to create a romantic comedy manga where the main female character is a cross @-@ dressing boy so as to poke fun at the genre . He took more time to draw the chapters compared to his earlier manga , and as the serialization continued , he found it increasingly difficult to keep up a weekly pace for the chapters . He eventually abandoned the series after the editor @-@ in @-@ chief of Weekly Shōnen Jump refused his request to release the chapters every other week . From July 2009 to February 2010 , Shogakukan published a three @-@ volume Stop ! ! Hibari @-@ kun ! Complete Edition omnibus collection , which features various revisions to the originally published chapters in addition to newly drawn cover art . Stop ! ! Hibari @-@ kun ! has been described as achieving a dizzying reality with Hibari by contrasting a girlish exterior with a male interior . The series has been praised for its overall light and pop literary style , and the delicate touch in how Hibari is drawn has been described as so attractive that it makes the reader forget that it is a gag manga . However , the jokes surrounding the yakuza characters have been criticized as extreme and no longer humorous in modern times . The series has been described as having had a hand in paving the way for the J @-@ pop phenomenon . = = Plot = = Stop ! ! Hibari @-@ kun ! follows Kōsaku Sakamoto , a high school student whose mother tells him on her deathbed to live with her friend and yakuza boss Ibari Ōzora and his family in Tokyo after she dies . Although Kōsaku is initially unsure about his situation , he is relieved when he meets Ibari 's four children : Tsugumi , Tsubame , Hibari and Suzume . Kōsaku is attracted to Hibari from the start , but he is shocked to learn that Hibari , who looks and behaves as a girl , was assigned male at birth — something only known within the Ōzora Group and Hibari 's family . A group of four girls led by Kaori Hanazono begin to suspect that Hibari may be a guy , but Tsubame takes Hibari 's place during a health checkup , effectively quelling any suspicions . Hibari begins to show an immediate interest in Kōsaku , so in an effort to distance himself from Hibari , Kōsaku joins the Wakaba Academy boxing club . Also in the club is Makoto Shiina , who is attracted to Hibari , and Rie Kawai , the club manager who Kōsaku likes . Hibari soon joins the club as its second manager shortly before they go on a training camp in Kujūkuri at the end of the year . At the start of the new school year , Hibari is scouted to join the girl 's volleyball team after the captain , Jun Ōtori , witnesses Hibari 's athletic prowess . Although Hibari refuses , Jun continues to pursue Hibari until Jun is overwhelmed by Hibari 's superhuman ability to spike the ball . After Kaori and her friends try to embarrass Hibari during swim class , they once again suspect that Hibari may be a guy , but Hibari prevents them from getting any proof during the school sponsored summer camp . After Hibari refuses several advances from a popular guy at school named Takuto Honda , Hibari starts openly flirting with Kōsaku at school . Shiina becomes enraged at Kōsaku for earning Hibari 's affection , but Shiina and Kōsaku grow closer as friends after they fight it out and Kōsaku reassures him that there is nothing going on between him and Hibari . When Kōsaku is out jogging one day , he helps out a girl named Sayuri Kōenji who was being harassed by three guys from the Kokuryū High School boxing club , although Hibari deals with them before Kōsaku can do anything . Despite this , Sayuri is instantly enamored by Kōsaku and hires a detective to find out more about him , leading her to discover Hibari 's secret . Hibari has another run @-@ in with the Kokuryū boxing club members after they harass Tsubame at a festival . The Kokuryū boxing club challenges the Wakaba boxing club to some inter @-@ school matches , but this turns out to be a ruse to get a chance to gang up on Hibari . However , the Ōzora Group intercedes , allowing Hibari to knock out the Kokuryū boxing club 's leader . Sayuri transfers into Kōsaku 's class , and she blackmails him into going on a date with her in exchange for not revealing Hibari 's secret . During the school festival , Kōsaku 's class acts out a Sleeping Beauty play with Kōsaku as the prince and Hibari as the princess , culminating in Hibari giving Kōsaku a French kiss on stage . Ibari agrees to look after Gekijirō Taiga , the son of one of his close friends , who Kōsaku is surprised to learn is a trans man . = = = Characters = = = Kōsaku Sakamoto ( 坂本 耕作 , Sakamoto Kōsaku ) is the protagonist of Stop ! ! Hibari @-@ kun ! ! and is originally from Kumamoto.Ch. 33 He is a pure @-@ hearted high school student who constantly refuses Hibari 's advances toward him , Ch . 2 , 3 , 10 , 17 but as time goes on , he becomes increasingly concerned that he is being influenced by Hibari.Ch. 8 , 22 , 35 , 38 Kōsaku treats Hibari kindly , and helps to maintain Hibari 's secret.Ch. 25 , 50 , 51 Initially unskilled at fighting , Ch . 3 he joins the Wakaba Academy boxing club in an effort to get stronger because of Hibari 's inherent strength , Ch . 8 which he achieves as the series progresses.Ch. 38 Kōsaku is voiced by Tōru Furuya . Hibari Ōzora ( 大空 ひばり , Ōzora Hibari ) is the titular character of Stop ! ! Hibari @-@ kun ! ! . Hibari is a high school student assigned male at birth who looks and behaves as a girl , much to Ibari 's dismay.Ch. 2 , 4 , 8 Hibari prefers being referred to as Ibari 's daughter , Ch . 6 , 8 , 15 and has expressed an interest in having breasts.Ch. 6 According to Suzume , Hibari becomes more feminine after Kōsaku starts living at the Ōzora household.Ch. 8 Hibari show an interest in Kōsaku early on , Ch . 9 and continues to make advances toward him throughout the series.Ch. 17 , 22 , 35 Hibari gets bolder as the series progresses , including openly flirting with Kōsaku at school , Ch . 37 and kissing him.Ch. 18 , 48 , 51 Hibari is extremely athletic and intelligent , in addition to being physically strong despite Hibari 's relatively small body frame.Ch. 5 , 7 , 8 , 22 Hibari is voiced by Satomi Majima . Ibari Ōzora ( 大空 いばり , Ōzora Ibari ) is the boss of the Ōzora Group , a yakuza organization.Ch. 1 As the father of Tsugumi , Tsubame , Hibari and Suzume , he wants the Ōzora Group to be family @-@ oriented.Ch. 4 Ibari is extremely distressed by Hibari 's usual behavior , partly because Hibari is his only choice to inherit the Ōzora Group.Ch. 2 He has a weak heart and frequently gets attacks whenever he is overly excited or shocked by something.Ch. 2 , 4 , 8 , 28 Ibari had been in love with Kōsaku 's mother , but she ended up marrying a Matagi hunter.Ch. 19 Ibari is voiced by Jōji Yanami . Tsugumi Ōzora ( 大空 つぐみ , Ōzora Tsugumi ) is the eldest daughter who has acted as a motherly figure to her family after their mother died . She dropped out of art school in her second year and became a professional illustrator.Ch. 31 Tsugumi is voiced by Fumi Hirano . Tsubame Ōzora ( 大空 つばめ , Ōzora Tsubame ) is the second daughter and is two years older than Hibari . Like her father , Tsubame is against Hibari acting as a girl , Ch . 5 , 7 and constantly gets mad at Hibari for wearing her clothes , Ch . 4 , 23 , 44 although Tsubame sometimes wears Hibari 's clothes , too.Ch. 6 Tsubame and Hibari are nearly identical except for their hair and eye color , and they impersonate each other on certain occasions.Ch. 7 , 13 , 18 Tsubame is voiced by Kyōko Irokawa . Suzume Ōzora ( 大空 すずめ , Ōzora Suzume ) is the youngest daughter and is a precocious elementary school student.Ch. 14 , 19 , 48 She is scared of flat @-@ faced men.Ch. 4 , 28 Suzume is voiced by Tomiko Suzuki . Sabu ( サブ ) is a member of the Ōzora Group . He is in love with Tsugumi.Ch. 32 Sabu is voiced by Norio Wakamoto . Seiji ( 政二 ) is a member of the Ōzora Group . He looks scary , but he has a timid personality.Ch. 2 , 4 , 18 He scares Kōsaku awake in the mornings.Ch. 6 , 9 , 20 Seiji is voiced by Toku Nishio . Makoto Shiina ( 椎名 まこと , Shiina Makoto ) is Kōsaku 's classmate who likes Hibari.Ch. 3 , 12 He is a member of the boxing club , and initially hates Kōsaku for earning Hibari 's affection , Ch . 8 but as the series progresses , the two become friends.Ch. 38 Shiina is voiced by Katsuji Mori . Rie Kawai ( 可愛 理絵 , Kawai Rie ) is a normal girl with a gentle personality who is attracted to Shiina.Ch. 12 She joined the boxing club as a manager because of him.Ch. 17 She leaves the boxing club when she learns Shiina likes Hibari , Ch . 30 but she rejoins the club after she gets over him.Ch. 50 Rie is voiced by Hiromi Tsuru . Mitsuo Kaji ( 梶 みつを , Kaji Mitsuwo ) is one of Tsubame 's classmates and is the boxing club captain.Ch. 10 , 13 He is an overbearing guy and is very pushy towards Tsubame whom he likes.Ch. 13 , 18 His family members have the same face as him.Ch. 18 He is voiced by Kōzō Shioya . Kaori Hanazono ( 花園 かおり , Hanzono Kaori ) is Kōsaku 's classmate.Ch. 23 She is jealous of Hibari 's popularity at school , Ch . 6 and takes pride in her devious personality.Ch. 7 , 27 Along with her three friends , they try to embarrass Hibari.Ch. 24 , 27 Kaori is voiced by Seiko Nakano . Sayuri Kōenji ( 高円寺 さゆり , Kōenji Sayuri ) is a rich girl one year younger than Kōsaku.Ch. 50 She falls in love easily and will do anything she can to bring her love to fruition . When something surprises her , she composes a haiku.Ch. 43 Sayuri is voiced by Yuriko Yamamoto . = = Media = = = = = Manga = = = Stop ! ! Hibari @-@ kun ! is written and illustrated by Hisashi Eguchi . Following the conclusion of his manga Hinomaru Gekijō ( ひのまる劇場 ) in 1981 , Eguchi wanted to go against the notion at the time that there was currently a golden age of romantic comedy manga in shōnen manga magazines . In response , Eguchi thought of creating a romantic comedy manga where the main female character is a cross @-@ dressing boy , and in doing so , poke fun at the genre by developing it as the antithesis of a romantic comedy . Eguchi drew up the storyboard for the first chapter in about 30 minutes in a cafe , and came up with the title Stop ! ! Hibari @-@ kun ! as a reference to Hisashi Sekiya 's manga Stop ! Nii @-@ chan ( ストップ ! にいちゃん ) . In wanting to highlight the comedy of having a character like Hibari , Eguchi realized that the cuter he could draw Hibari , the more effective the jokes would be , so he tried to draw Hibari as cute as he could . Eguchi had often rushed when drawing his earlier manga Susume ! ! Pirates ( すすめ ! ! パイレーツ ) , but starting with Stop ! ! Hibari @-@ kun ! , he raised the standards he held for his art and had to began taking more time to draw the chapters . In addition , Eguchi was very particular about the appearance of his manuscripts , so he never used white @-@ out to correct any drawing errors because he disliked how it looked . As the serialization continued , Eguchi found it increasingly difficult to keep up a weekly pace for the chapters , leading him to take frequent hiatuses and later say that " drawing weekly isn 't something humans can do . " Furthermore , the editor @-@ in @-@ chief of Weekly Shōnen Jump at the time , Shigeo Nishimura , refused his request to release the chapters every other week . When it came time to draw what would end up being the last serialized chapter , Eguchi completed the chapter 's storyboard , but ultimately submitted only about two @-@ thirds of the chapter , leaving out the last five pages . After he submitted the chapter 's manuscript , Eguchi fled to a hotel and secluded himself for a day , only coming out after Nishimura called him to say that he could not deal with him anymore on a weekly basis . As a result , Eguchi abandoned the serialization and the editorial department decided to discontinue the series . Stop ! ! Hibari @-@ kun ! was serialized in the manga magazine Weekly Shōnen Jump from the October 19 , 1981 issue to the November 28 , 1983 issue . The individual chapters were collected and published in four tankōbon volumes by Shueisha from November 1982 to January 1984 . Inspired by Katsuhiro Otomo , Eguchi fought against the established design format for the volumes that at the time was " set in stone " for series serialized in Weekly Shōnen Jump . Futabasha later published it in three volumes in July 1991 , and again in two volumes in February 1995 . Shueisha republished it in four volumes from May to June 2001 . Home @-@ sha published it in two volumes in January 2004 . In an interview in 2007 , Eguchi expressed a desire to continue some of his older series , but stated that a continuation of Stop ! ! Hibari @-@ kun ! would be difficult . Starting in 2009 , Eguchi began working with Shogakukan on releasing a Stop ! ! Hibari @-@ kun ! Complete Edition omnibus collection , which features various revisions to the originally published chapters in addition to newly drawn cover art . Not wanting to end the Complete Edition with an abrupt conclusion like he had done before , Eguchi found the storyboard for the final chapter and used it as a basis to newly draw the last five pages he had omitted 27 years earlier . Shogakukan published the Complete Edition in three volumes from July 2009 to February 2010 ; Shogakukan later republished the series in another three volumes from May to July 2012 . In 2010 , Eguchi did not rule out the possibility of someday drawing a continuation of the series , but he said it probably would not be a story under the title Stop ! ! Hibari @-@ kun ! . = = = Anime = = = A 35 @-@ episode anime television series adaptation , produced by Toei Animation and directed by Takashi Hisaoka . It aired from May 20 , 1983 to January 27 , 1984 on Fuji Television . The screenplay was written by : Shigeru Yanagawa , Tokio Tsuchiya , Hiroshi Toda , Tomomi Tsutsui , Takeshi Shudo and Yumi Asano . The character design used in the anime was provided by Yoshinori Kanemori , and the music was composed by Kōji Nishimura . The series was later released by Universal J to two DVD compilation volumes from February to March 2003 . A DVD box set was released by TC Entertainment in September 2014 . The opening theme is " Stop ! ! Hibari @-@ kun ! " ( ストップ ! ! ひばりくん ! ) sung by Yuki Yukino and the ending theme is " Kongara Connection " ( コンガラ ・ コネクション ) sung by Ai Hoshino . = = Reception and legacy = = Psychologist Tamaki Saitō described Stop ! ! Hibari @-@ kun ! as achieving a " dizzying reality " with Hibari " by contrasting a girlish exterior with a male interior " , and went on to say that the series could be seen as a " continuation of the sartorial perversion lineage " of cross @-@ dressing characters . Manga critic Haruyuki Nakano has called Stop ! ! Hibari @-@ kun ! a unique and outstanding gag manga for its juxtaposition of Hibari being a boy and the heir to a yakuza organization . Nakano largely attributes this successful combination to Eguchi 's ability to draw girls that are not only cute , but also have good taste and sex appeal . The delicate touch in how Hibari is drawn has been described as so attractive that it makes the reader forget that it is a gag manga . In writing for the magazine Cyzo , manga critic Jyamao wrote that because of its overall light and pop literary style , none of the indecency or immorality cross @-@ dressing may engender comes through , which he surmises is why the anime was able to air during prime time . Jyamao notes the more extreme nature of the jokes surrounding the yakuza characters in comparison to the jokes involving cross @-@ dressing , and that some jokes such as those involving drugs would not be humorous today . Manga commentator Nobunaga Minami lauded Eguchi for being a pioneer in drawing characters with a high fashion sense in Stop ! ! Hibari @-@ kun ! , which he says effectively changed fashion in shōnen manga from being seen as a " symbol " to now being treated as an " accessory " . Eguchi 's attention to detail is also praised , such as drawing Kōsaku wearing Chuck Taylor All @-@ Stars in one chapter . The series has been called effervescent and having had a hand in paving the way for the J @-@ pop phenomenon . When Tegami Bachi author Hiroyuki Asada read Stop ! ! Hibari @-@ kun ! in junior high school , he admired its novel sensibility , and Eguchi 's art also influenced him . According to Eguchi , some people who read Stop ! ! Hibari @-@ kun ! were influenced to start cross @-@ dressing .

= Guitar Hero = The Guitar Hero series ( sometimes referred to as the Hero series ) is a series of music rhythm games first published in 2005 by RedOctane and Harmonix , and distributed by Activision , in which players use a guitar @-@ shaped game controller to simulate playing lead , bass guitar , and rhythm guitar across numerous rock music songs . Players match notes that scroll on @-@ screen to colored fret buttons on the controller , strumming the controller in time to the music in order to score points , and keep the virtual audience excited . The games attempt to mimic many features of playing a real guitar , including the use of fast @-@ fingering hammer @-@ ons and pull @-@ offs and the use of the whammy bar to alter the pitch of notes . Most games support single player modes , typically a Career mode to play through all the songs in the game , and both competitive and cooperative multiplayer modes . With the introduction of Guitar Hero World Tour in 2008 , the game includes support for a four @-@ player band including vocals and drums . The series initially used mostly cover versions of songs created by WaveGroup Sound , but most recent titles feature soundtracks that are fully master recordings , and in some cases , special re @-@ recordings , of the songs . Later titles in the series feature support for downloadable content in the form of new songs . In 2005 , RedOctane , a company specializing in the manufacture of unique game controllers , was inspired to create Guitar Hero based on RedOctane 's experience creating hardware for Konami 's Guitar Freaks arcade game . They enlisted Harmonix , who previously developed several music video games , for development assistance . The first game in the series was made on a budget of $ 1 million . The series became extremely successful , leading to the acquisition of RedOctane by Activision in 2007 . Harmonix was acquired by MTV Games and went on to create the Rock Band series of music games in the same vein as Guitar Hero . Activision brought Neversoft ( primarily known for their Tony Hawk series of skateboarding games ) on board for future development duties . Additional companies , such as Budcat Creations and Vicarious Visions have assisted in the adaptation of the games for other systems . The series currently has eight major releases ( six Guitar Hero games , two DJ Hero games and Band Hero ) and five expansions on gaming consoles . There are spin @-@ offs for Windows and Macintosh systems , mobile phones , the Nintendo DS ( the Guitar Hero : On Tour series ) , and an arcade game . The Guitar Hero franchise was a primary brand during the emergence of the popularity of rhythm games as a cultural phenomenon in North America . Such games have been utilized as a learning and development tool for medical purposes . The first game in the series was considered by several journalists to be one of the most influential video games of the first decade of the 21st century . The series has sold more than 25 million units worldwide , earning US $ 2 billion at retail , claimed by Activision to be the 3rd largest game franchise after the Mario and Madden NFL franchises ; the third main title of the series , Guitar Hero III : Legends of Rock is also claimed by Activision to be the first single video game title to exceed $ 1 billion in sales . Despite early success , the series , along with the overall rhythm game genre , suffered from poor sales starting in 2009 . Activision had stated in early 2011 that the series was on hiatus for 2011 , while a seventh main title in the series was under development ; this title was later cancelled due to the poor quality of the emerging product . Activision later shut down sales of the series ' downloadable content , although users who purchased material from it previously may still play what they bought . In 2015 , Activision announced the first new title to the series in 5 years , Guitar Hero Live , released in October 2015 . The title is considered a reboot of the series , with development being performed by FreeStyleGames , who had developed the DJ Hero games previously . = = History = = = = = Origins and development at Harmonix ( 2005 @-@ 2006 ) = = = Guitar Hero was created from a partnership between RedOctane , then their own company that produced specialized video game controllers , and Harmonix , a music video game development company who had previously produced Frequency , Amplitude and Karaoke Revolution . RedOctane was seeking to bring in a Guitar Freaks @-@ like game , highly popular in Japan at the time , into Western markets , and approached Harmonix about helping them to develop a music game involving a guitar controller . Both companies agreed to it , and went on to produce Guitar Hero in 2005 . The title was highly successful , leading to the development of its successful sequel Guitar Hero II in 2006 . While the original controllers for the first Guitar Hero game were designed by Ryan Lesser , Rob Kay , Greg LoPiccolo and Alex Rigopulous of Harmonix and built by the Honeybee Corporation of China , subsequent iterations and future controllers were developed inhouse at RedOctane , with development led primarily by Jack McCauley . = = = Sale to Activision and development by Neversoft ( 2006 @-@ 2009 ) = = = Both RedOctane and Harmonix experienced changes in 2006 . RedOctane was bought by Activision in June — who spent US $ 100 million to acquire the Guitar Hero franchise — while it was announced in October that Harmonix would be purchased by MTV Networks . As a result of the two purchases , Harmonix would no longer develop future games in the Guitar Hero series . Instead , that responsibility would go to Neversoft , a subsidiary of Activision known for developing the Tony Hawk 's series of skateboarding games . Neversoft was chosen to helm the Guitar Hero series after Neversoft founder , Joel Jewett , admitted to the RedOctane founders , Kai and Charles Huang , that his development team for Tony Hawk 's Project 8 went to work on weekends just to play Guitar Hero . Activision CEO Bobby Kotick believed that Neversoft would help them bring great games to the series , but on reflection , stated that had Activision explored Harmonix further as a continued developer for the series , things " may have turned out differently " . In addition , Activision began seeking other markets for the game ; a Nintendo DS version of the series was developed by Vicarious Visions , while a Guitar Hero Mobile series was created for mobile phones . The company also began considering the expansion of the series to band @-@ specific titles with Guitar Hero : Aerosmith . Later , in November 2008 , Activision acquired Budcat Creations , another development studio that had helped with the PlayStation 2 versions of Guitar Hero III and World Tour , announcing that they would be helping to develop another game in the Guitar Hero series . In 2007 , Harmonix and MTV Games released a new music title through rival publisher Electronic Arts , called Rock Band . It expanded upon the gameplay popularized by the Guitar Hero series by adding drum and microphone instruments , allowing players to simulate playing songs as bands . Activision followed suit with the release of Guitar Hero World Tour in 2008 , which supported multiple instruments . In 2009 , Activision tripled its Guitar Hero offerings , and in addition to further continuation of the existing main series with Guitar Hero 5 and expansions , they introduced the titles Band Hero , geared towards more family @-@ friendly pop music , and DJ Hero , a game based on turntablism and featuring a number of mixes . With the release of Guitar Hero 5 , Activision considered the series to have moved away from its heavy metal basis into a broader selection of music . Guitar Hero 5 is the first game in the series to use a new version of the series ' logo ; previous games used a logo in a font with sharper " points " on the letters , which was considered " idiosyncratic with a vengeance " to match the games ' emphasis on heavy metal music . Activision used the services of the Pentagram design studio to refashion the game 's logo . Pentagram developed a new font , removing some of the " aggressive odd " features to make the typeface more suitable and amendable to design feature incorporation to other games such as Band Hero and DJ Hero . = = = Decline and hiatus ( 2009 @-@ 2015 ) = = = The results of the expanded offerings did not contribute well to the series , alongside the late @-@ 2000s recession ; sales of most rhythm games including Guitar Hero and DJ Hero did not meet expectations , falling about 50 % short of projected targets . Activision announced it would be cutting back to only 10 SKUs within 2010 instead of the 25 in 2009 . Though RedOctane and Neversoft continued to develop the 6th main game , Guitar Hero : Warriors of Rock , until its completion , both studios were later shuttered by Activision , moving key personnel into Activision directly for future game development , and in the case of Neversoft , closing its Guitar Hero division , while transferring future development duties for the series to Vicarious Visions , another Activision studio which had been fundamental in building the Wii and Nintendo DS versions of the games . In November 2010 , Activision also closed Budcat Creations , the arm of the publisher that was primarily responsible for porting the Guitar Hero games to the PlayStation 2 . Ahead of Activision 's 2010 fourth quarter financial report in February 2011 , Activision disbanded its Guitar Hero business unit and announced that it would cease development of the planned 2011 Guitar Hero game . Activision cited " continued declines in the music genre " to explain its decision . The closure also affected the DJ Hero series , as Activision stated that there were no plans to publish a music game during 2011 . Activision 's vice president Dan Winters later clarified that the company was " just putting Guitar Hero on hiatus " and that they were " just not making a new game for next year , that 's all " . In a July 2011 interview with Forbes , Kotick stated that while the publisher was " going to stop selling Guitar Hero altogether " , they were " going to go back to the studios and we ’ re going to use new studios and reinvent " the series , but a former teammember of Vicarious Visions has stated that as of 2012 , all development of Guitar Hero has come to an end within Activision . Another source close to Vicarious Visions had reported to Kotaku that while Guitar Hero 7 was in development under an Activision studio , the game was considered a " disaster " . The cancelled game omitted the additional instruments and used only a guitar peripheral , redesigning the unit to include a 6 @-@ button mechanism replacing the strum bar ; the resulting unit was considered too expensive to manufacture and purchase . The developers had also started the game development from scratch to try to create new characters and venues that would be more reactive to the actual songs being played to give the feel of a music video , but ultimately this proved too much of a challenge and had to be scrapped . Further , with a limited budget , the song selection was limited to " low @-@ budget " hits of the 1990s , or at times reusing songs that had previously been included in Guitar Hero games . Though the team had a two @-@ year development cycle , it was closed down after Activision president Eric Hirshber had seen the current state of the project at the one @-@ year point . Another potential Guitar Hero project was discovered by the archival site Unseen64 for a game titled Hero World , a massively multiplayer online game that would link the Guitar Hero and DJ Hero games . The game had been developed by FreeStyle Games , sometime after the release of DJ Hero 2 , with the main development duties passed to Virtual Fairground , using their platform The Ride , an Adobe Flash @-@ based platform that would let the game be played in a web browser . The game was cancelled in 2011 along with other pending Guitar Hero projects . No further downloadable content for either Guitar Hero or DJ Hero was made after February 2011 , though Activision committed to releasing content that was already in development by that time due to fan response ; later , in a move described by Game Informer as " the final nail in [ the series ' ] coffins " , Activision announced it would discontinue all DLC sales for the series ( although customers can still play tracks they have already bought ) as of March 31 , 2014 . Though Activision had moved away from the Guitar Hero series , the lessons learned helped them and developer Toys for Bob to handle the manufacturing and outsourcing issues that came with the highly successful Skylanders toy and video game franchise . = = = Guitar Hero Live = = = In April 2015 , Activision announced a new entry in the series , titled Guitar Hero Live . The title was developed by Activision 's internal studio FreeStyleGames , who previously had worked on the DJ Hero spinoff titles . FreeStyleGames were given free reign to reboot the Guitar Hero series for next @-@ generation consoles . One of their first innovations was to drop the standard five @-@ button guitar controller , ultimately designing a six @-@ button guitar controller , with two rows of three buttons each , allowing them to mimic actual guitar fingering . Guitar Hero Live was released with both career and an online mode . The career mode used full @-@ motion video taken from the perspective of a lead guitarist underneath the note highway , to create an immersive experience to the player . The online mode , called GHTV , discarded the previous downloadable content approach and used a music video channel approach to stream playable songs to players , adding new songs to the catalog on a weekly basis . The game was released in October 2015 . Though the game was praised as a reinvention of the Guitar Hero series , the game did not sell as well as Activision expected ; due to lowered forecasts , Activision let go of a significant fraction of FreeStyleGames ' developers . = = Games = = = = = Main titles = = = The original Guitar Hero was released on the PlayStation 2 in November 2005 . Guitar Hero is notable because it comes packaged with a controller peripheral modeled after a black Gibson SG guitar . Rather than a typical gamepad , this guitar controller is the primary input for the game . Playing the game with the guitar controller simulates playing an actual guitar , except it uses five colored " fret buttons " and a " strum bar " instead of frets and strings . The development of Guitar Hero was inspired by Konami 's Guitar Freaks video game , which at the time , had not seen much exposure in the North American market ; RedOctane , already selling guitar @-@ shaped controllers for imported copies of GuitarFreaks , approached Harmonix about creating a game to use an entirely new Guitar controller . The concept was to have the gameplay of Amplitude with the visuals of Karaoke Revolution , both of which had been developed by Harmonix . The game was met with critical acclaim and received numerous awards for its innovative guitar peripheral and its soundtrack , which comprised 47 playable rock songs ( most of which were cover versions of popular songs from artists and bands from the 1960s through modern rock ) . Guitar Hero has sold nearly 1 @.@ 5 million copies to date . The popularity of the series increased dramatically with the release of Guitar Hero II for the PlayStation 2 in 2006 . Featuring improved multiplayer gameplay , an improved note @-@ recognizing system , and 64 songs , it became the fifth best @-@ selling video game of 2006 . The PlayStation 2 version of the game was offered both separately and in a bundle with a cherry red Gibson SG guitar controller . Guitar Hero II was later released for the Xbox 360 in April 2007 with an exclusive Gibson Explorer guitar controller and an additional 10 songs , among other features . About 3 million units of Guitar Hero II have sold on the PlayStation 2 and Xbox 360 . Guitar Hero III : Legends of Rock was released in late 2007 for the PlayStation 2 , PlayStation 3 , Xbox 360 , Wii , Microsoft Windows , and Mac OS X platforms . The title is the first installment of the series to include wireless guitars bundled with the game and also the first to release a special bundle with two guitars . The game includes Slash and Tom Morello as playable characters in addition to the existing fictional avatars ; both guitarists performed motion capture to be used for their characters ' animation in the game . Guitar Hero World Tour , previously named Guitar Hero IV , is the fourth full game in the series and was released on October 26 , 2008 for PlayStation 2 , PlayStation 3 , Xbox 360 , and Wii . Analysts had expected that future Guitar Hero games in 2008 would include additional instrument peripherals to compete against Rock Band ; Guitar Hero World Tour was confirmed as in development following the announcement of the merger between Activision and Vivendi Games in December 2007 . Activision 's CEO Bobby Kotick announced on April 21 , 2008 that Guitar Hero World Tour will branch out into other instruments including vocals . Guitar Hero World Tour includes drums and vocals , and can be bought packaged with a new drum set controller , a microphone , and the standard guitar controller . A larger number of real @-@ world musicians appear as playable characters , including Jimi Hendrix , Billy Corgan , Hayley Williams , Zakk Wylde , Ted Nugent , Travis Barker , Sting , and Ozzy Osbourne . Guitar Hero World Tour also features custom song creation that can be shared with others . Guitar Hero 5 , the fifth main entry in the series , was confirmed in December 2008 . It was released on September 1 , 2009 , and includes 85 songs from 83 different artists . The game includes new game modes and features , including its ' Party Mode , ' which gives players the ability to drop @-@ in and out and change difficulties in the middle of a song . Artists including Johnny Cash , Matt Bellamy , Carlos Santana , Kurt Cobain and Shirley Manson appear as playable characters in the game . Guitar Hero : Warriors of Rock , the sixth main console game in the series , was released on September 28 , 2010 . It is the last game in the series developed by Neversoft 's Guitar Hero division prior to its dissolution , with Vicarious Visions assisting on the Wii version with added Nintendo DS functionality . The game has been described as returning to the roots of the Guitar Hero series ; while it still allows for full band play , the soundtrack 's focus is on rock and roll music and an emphasis on guitar " shredding " . The game introduced a career @-@ based " Quest Mode " , narrated by Gene Simmons , that guides the players to complete songs to unlock " warriors of rock " to join them in saving " demigod of rock " and his guitar from his imprisonment by " the Beast " . Following a five @-@ year hiatus , as described below , Activision announced Guitar Hero Live for release in late 2015 on most seventh @-@ generation and eighth @-@ generation consoles . Live was developed to rebuild the game from the ground up , and while the gameplay remains similar to the earlier titles , focusing primarily on the lead guitar , it uses a 3 @-@ button guitar controller with each button having " up " and " down " positions , making for more complex tabulators . The game using live footage of a rock concert , taken from the perspective of the lead guitarist , as to provide a more immersive experience . = = = Series expansions = = = Guitar Hero Encore : Rocks the 80s for the PlayStation 2 , which was released in July 2007 , was the final game developed by Harmonix for the series . Though it was produced after Harmonix were purchased by MTV Games , it was part of their contractual obligation to complete the game . The game , as suggested by its name , features tracks primarily from the 1980s . Guitar Hero : Aerosmith was the first band @-@ centric game for the series . On September 4 , 2007 , Billboard announced that the band Aerosmith was " working closely with the makers of Guitar Hero IV , which will be dedicated to the group 's music . " On February 15 , 2008 , Activision announced that Guitar Hero : Aerosmith would be released on June 29 , 2008 . Guitar Hero : Aerosmith is developed by Neversoft for the Xbox 360 and PlayStation 3 versions , while the Wii version of the game is developed by Vicarious Visions and the PlayStation 2 version is developed by Budcat Creations . The game features a track selection composed of 60 % of Aerosmith songs , with other songs from Joe Perry 's solo work or artists that have inspired or performed with Aerosmith , including Run D.M.C .. The series ' next band @-@ centric title , Guitar Hero : Metallica , was released on March 29 , 2009 . Guitar Hero : Metallica is based on the full band experience of World Tour while offering similar features on Metallica 's history and music as found in Guitar Hero : Aerosmith . In addition , Metallica 's album , Death Magnetic , was available as downloadable content for Guitar Hero III simultaneously with the release of the album , with the content being forward @-@ compatible with Guitar Hero World Tour and Guitar Hero : Metallica . Since the PlayStation 2 version does not support downloading , three extra songs were included from Death Magnetic and are as follows : " Broken , Beat , and Scarred " , " Cyanide " , and " My Apocalypse " . A new feature in the game , where the drummer can access a mode called Expert + , has also been added . Expert + mode was implemented to allow faster bass pedal beats , fast to the point where it would normally be out of the playable range of a single bass pedal , and was intended for a dual bass pedal . Guitar Hero Smash Hits ( titled Guitar Hero : Greatest Hits in Europe and Australia ) was released in June 2009 . It features full @-@ band versions of 48 songs from earlier Guitar Hero games that only used the guitar controller . Unlike the previous versions , each of the songs is based on a master recording that includes some live tracks . The game follows a similar model as Guitar Hero : Metallica , and was developed by Neversoft and Beenox Studios for the PlayStation 3 , Xbox 360 , PlayStation 2 , and Wii . Guitar Hero : Van Halen was released on December 22 , 2009 , though customers that purchased Guitar Hero 5 under a special promotion received a copy of the game early . Like the other band @-@ centric games , Guitar Hero : Van Halen includes 25 songs from the band Van Halen , including 3 guitar solos by Eddie Van Halen , in addition to 19 guest acts such as Queen , Weezer , Blink @-@ 182 , Foo Fighters , The Offspring and Queens of the Stone Age . Another new title to the series , Band Hero , was announced in May 2009 . Band Hero features Top 40 hits aimed at family audiences , and include the full band play style of Guitar Hero 5 . The game was developed for the Nintendo DS , using the Guitar Hero On Tour Guitar Grip , a new " drum skin " to fit the DS Lite , and the DS 's microphone to support the full band experience . Musician Taylor Swift appears as a playable character in the game , as do the members of No Doubt . DJ Hero was announced by Activision in May 2009 . Prior to the announcement , the company had purchased FreeStyleGames , a small developer of music games , to help produce localized downloadable content for Guitar Hero games and a then @-@ unannounced music game , later revealed to be DJ Hero . DJ Hero uses a special turntable @-@ based controller for players to perform with on various song mixes in the game . The game also incorporates the use of a Guitar Hero controller on ten specially arranged tracks ; Bright has suggested that future Guitar Hero games after Guitar Hero 5 may include the use of the turntable control . A sequel , DJ Hero 2 , was officially announced in June 2010 for release in the last quarter of 2010 , featuring more than 70 mashups from over 85 artists . The game includes several new gameplay modes , including an " Empire " career mode , head @-@ to @-@ head DJ battles , social multiplayer modes , and a jump @-@ in and out Party Play mode similar to Guitar Hero 5 . The game also includes more vocal options for singing and rapping to songs , and a freestyle mode for players . = = = Portable versions = = = Guitar Hero : On Tour was released on the Nintendo DS hand @-@ held system on June 22 , 2008 . The game includes a peripheral , dubbed the " Guitar Grip " , a rectangular device that fits into the second slot of the Nintendo DS or DS Lite . The peripheral only features the first four fret buttons and a strap so the Nintendo DS can be held sideways comfortably for play . The game also includes a guitar pick shaped stylus for use with strumming in the game , which players move across the touchscreen . Guitar Hero : On Tour was developed by Vicarious Visions , who also ported the Guitar Hero games to Nintendo 's Wii console . A sequel , Guitar Hero On Tour : Decades , was released in November 2008 , featuring music spanning four decades . A third title in the series , Guitar Hero On Tour : Modern Hits , was announced following various rumors of its existence , and was released in June 2009 , featuring songs recorded since the year 2000 . Both games use the " Guitar Grip " controller , and allow two players to compete against each other using any version of the On Tour series , with songs being shared between versions . Band Hero was also ported to the Nintendo DS by Vicarious Visions , expanding the play to include vocals ( through the DS microphone ) and drumming . The drumming uses a special " drum skin " adapter designed for the Nintendo DS Lite to map the unit 's face buttons to four drum pads . However , the peripheral is not compatible with the original Nintendo DS model or the Nintendo DSi . However , since the drum skin is not electronic but a rubber cover switch that duplicates certain buttons on the DS Lite , a player can simply press the buttons in time to play the drums . The game includes four @-@ player local wireless play in a similar manner as Guitar Hero 5 allowing any combination of instruments to be used . The game has a set of 30 songs ; some are from Band Hero and others are from several Guitar Hero games ' set lists . Guitar Hero : On Tour does not work on the Nintendo DSi and Nintendo 3DS because unlike the Nintendo DS , they do not have Game Boy Advance slots . Band Hero is limited to vocals and drums on the two consoles for the same reason . = = = Mobile phone versions = = = Guitar Hero III Mobile was released for mobile phones in 2007 and 2008 , and was developed by MachineWorks Northwest LLC . The base version of the game includes 15 songs from both Guitar Hero II and Guitar Hero III , and has released a three @-@ song add @-@ on pack every month since January 2008 . The title has been downloaded by users one million times , with both Verizon and Hands @-@ On Mobile claiming that over 250 @,@ 000 songs are played a day on the platform . The two companies produced two other mobile @-@ based Guitar Hero games ; Guitar Hero III : Backstage Pass , released in July 2008 , adds role @-@ playing elements to manage the band 's success in addition to the core rhythm game , while the mobile version of Guitar Hero World Tour , released in December 2008 , expands each included track for play on both lead guitar and drums , mimicking the expansion of the console series to the full band . Glu Mobile developed the mobile version of Guitar Hero 5 , released in the last quarter of 2009 . = = = Other games = = = Activision and RedOctane also worked with Basic Fun , Inc. to produce Guitar Hero Carabiner , a handheld electronic game that features 30 and 60 @-@ second clips of ten of the songs from Guitar Hero and Guitar Hero II . Activision and Konami , who had previously worked together to make sure that the Guitar Hero series meets with Konami 's patents on music games , developed an arcade console version of the game , titled Guitar Hero Arcade , distributed to arcades in early 2009 . The game is completely based on the Guitar Hero III gameplay , but reducing some of the features such as the use of the Whammy bar , Star Power Button ( Star Power may only be activated by lifting the Guitar ) and Practice Modes , but keeping the ability to download new songs for the cabinet from the Internet . The arcade game has come under some scrutiny by the American Society of Composers , Authors and Publishers ( ASCAP ) , who believe the use of the game in arcades is equivalent to " public performances " and seek additional fees to be paid by operators of the game . = = = Planned games = = = No more Guitar Hero games were released on the PlayStation 2 after 2009 , with the double release of Guitar Hero 5 and Band Hero . It was expected that the 2010 entry for Guitar Hero , Warriors of Rock , would be the final entry developed by Neversoft , based on claims that Neversoft would be letting go of its Guitar Hero division , with Vicarious Visions likely poised to take over future development . Further industry rumors pointed at the closure of RedOctane Studios and Underground Development ( the development studio for Guitar Hero : Van Halen ) as further results from the scaling @-@ back ; Activision moved the controller hardware development within their own division to continue to support the series , with RedOctane founders Kai and Charles Huang remaining with Activision . A week prior to these announcements , the Guitar Hero division CEO at Activision , Dan Rosensweig , left the company , leading to some speculation on whether Rosensweig 's departure influenced these changes . Activision and RedOctane had trademarked the titles " Guitar Villain " , " Drum Villain " , " Keyboard Hero " and " Sing Hero " . RedOctane originally trademarked the titles " Drum Hero " and " Band Hero " , but the work performed towards the Drum Hero title was eventually folded into the gameplay for Guitar Hero World Tour , and Band Hero became its own game . Later , as of October 2009 , Activision reapplied for a Drum Hero trademark . Pi Studios , which had previously helped to port Rock Band to the Wii , had started work on the karaoke title Sing Hero before Activision cancelled its development . Dave Mustaine , frontman for Megadeth , stated he had been in talks with Activision and Neversoft for a Guitar Hero @-@ related product . It was later revealed that Dave Mustaine was working with Activision for music in Guitar Hero : Warriors of Rock , including an original track ( " Sudden Death " ) recorded specifically for the game . Two Guitar Hero products that were announced but never released were a Red Hot Chili Peppers @-@ themed title and a PlayStation Portable title that would have featured a drum component . = = Gameplay = = The core gameplay of the Guitar Hero games is a rhythm game similar to Konami 's Guitar Freaks and to a lesser extent Harmonix 's previous music games such as Frequency and Amplitude . The guitar controller is recommended for play , although a standard console controller can be used instead . However , the guitar controller has been required for play ever since the inclusion of drum and vocal parts in the series . The game supports toggling the handedness of the guitar , allowing both left @-@ handed and right @-@ handed players to utilize the guitar controller . While playing the game , an extended guitar neck is shown vertically on the screen ( the frets horizontal ) , often called the " note highway " , and as the song progresses , colored markers or " gems " indicating notes travel down the screen in time with the music ; the note colors and positions match those of the five fret keys on the guitar controller . Once the note ( s ) reach the bottom , the player must play the indicated note ( s ) by holding down the correct fret button ( s ) and hitting the strumming bar in order to score points . Success or failure will cause the on @-@ screen Rock Meter to change , showing how well the player is playing ( denoted by red , yellow , and green sections ) . Should the Rock Meter drop below the red section , the song will automatically end , with the player booed off the stage by the audience . Successful note hits will add to the player 's score , and by hitting a long series of consecutive successful note hits , the player can increase their score multiplier . There is a window of time for hitting each note , similar to other rhythm games such as Dance Dance Revolution , but unlike these games , scoring in Guitar Hero is not affected by accuracy ; as long as the note is hit within that window , the player receives the same number of points . Selected special segments of the song will have glowing notes outlined by stars : successfully hitting all notes in this series will fill the " Star Power Meter " . The Star Power Meter can also be filled by using the whammy bar during sustained notes within these segments . Once the Star Power Meter is at least half full , the player can activate " Star Power " by pressing the select button or momentarily lifting the guitar into a vertical position . When Star Power is activated , the scoring multiplier is doubled until Star Power is depleted . The Rock Meter also increases more dramatically when Star Power is activated , making it easier for the player to make the Rock Meter stay at a high level . Thus , Star Power can be used strategically to play difficult sections of a song that otherwise might cause the player to fail . In the earlier entries of the series ( up until Guitar Hero : Aerosmith ) , activating Star Power meant that players could not accrue more Star Power until the Star Power meter was fully drained and the effect ended . Starting with Guitar Hero : World Tour , more Star Power can be collected even if the effect is active by completing more Star Power phrases , extending the Star Power 's duration by doing so . When playing in cooperative play ( with a bassist / rhythm guitarist in Guitar Hero II through Guitar Hero : Aerosmith or as a band in Guitar Hero : World Tour ) , Star Power is shared between all the players and activation of Star Power is dependent on all players simultaneously activating it . Notes can be a single note , or composed of two to five notes that make a chord . Both single notes and chords can also be sustained , indicated by a colored line following the note marker ; the player can hold the sustained note ( s ) keys down for the entire length for additional points . During a sustained note , a player may use the whammy bar on the guitar to alter the tone of the note . Also , regardless of whether sustains are hit early or late , if the fret is held for the full duration of the hold , the game will always award the same amount of score increase for the note . In addition , the games support virtual implementations of " hammer @-@ ons " and " pull @-@ offs " , guitar @-@ playing techniques that are used to successfully play a fast series of notes by only changing the fingering on the fret buttons without having to strum each note . Sequences where strumming is not required are indicated on @-@ screen by notes with a white outline at the top of the marker instead of the usual black one , with Guitar Hero III : Legends of Rock adding a white @-@ glowing effect to make these notes clearer . Guitar Hero World Tour features transparent notes that are connected by a purple outline ; players may either simply tap the correct fret for these notes without strumming or utilize a touchpad on World Tour 's guitar controller to mimic the slide technique . In addition , notes can now be played while a sustained note is being played . World Tour also adds an open string note for bass players , represented by a line across the fret instead of any note gems , that is played by strumming without holding down any fret buttons ( the sixth installment , Warriors of Rock , features an open note sustain for bass instruments as well ) . Guitar Hero World Tour introduced drums and vocal tracks in addition to lead and bass guitar . Drum tracks are played similar to guitar tracks ; the player must strike the appropriate drum head or step down on the bass drum pedal on the controller when the note gems pass the indicated line . Certain note gems , when using a drum controller that is velocity @-@ sensitive , are " armored " , requiring the player to hit the indicated drum pad harder to score more points . Vocal tracks are played similar to games such as Karaoke Revolution where the player must match the pitch and the pacing of the lyrics to score points . Guitar Hero 5 allows players to create a band of up to four players using any combination of instruments . While the song is playing , the background visuals feature the players ' chosen avatar , along with the rest of the band performing in one of several real and fictional venues . The reaction of the audience is based on the performance of the player judged by the Rock Meter . Guitar Hero II added special lighting and other stage effects that were synchronized to the music to provide a more complete concert experience . The games developed by Neversoft feature a simple storyline , usually about a band 's quest for fame , which is told through animations played throughout the game . These animations were created by Chris Prynoski and his studio , Titmouse , Inc . , who have also done animations for the animated show Metalocalypse . = = = Game modes = = = The main mode of play in the Guitar Hero games is Career Mode , where the player and in @-@ game band travel between various fictional performance arenas and perform sets of four to six songs . It is by completing songs in this mode that the songs are unlocked for play across the rest of the game . Players can choose their on @-@ stage character , their guitar of choice , and the venue in which they wish to play . In this mode , the player can earn money from his / her performances that is redeemable at the in @-@ game store , where bonus songs , additional guitars and finishes , your characters clothing and bonus content can be unlocked . Quick Play mode is a quicker method of playing songs , as it allows the player to select a track and difficulty , selecting the character , venue , and guitar and guitar skin for the player based on the song chosen . After successfully completing a song , the player is given a score , a percentage of how many notes they hit and a rating from three to five stars , and two in rare cases depending on his / her final score on the song , with money being awarded in Guitar Hero World Tour . The games have also added multiplayer modes . Cooperative modes allow two players to play lead and either bass or rhythm guitar on the same song , working together towards the same score . A competitive Face @-@ Off mode allows two players to play against each other at different difficulty levels , each attempting to earn the best score on a song . Each player plays different portions of the song . There is also a Pro Face @-@ Off mode , where two players battle at the same difficulty level . Unlike standard Face @-@ off , each player attempts to play all of the notes in a song , while still trying to earn the highest score . In Guitar Hero World Tour this was advanced on , as players could play a Pro Face @-@ Off game against each other on any difficulty level , the lower your difficulty , the more points were awarded so a player on a low difficulty could potentially beat a player on a more challenging difficulty . Guitar Hero III introduced Boss Battles , in which two players face off against each other , attempt to collect " distractions " to throw at their opponent , trying to make them fail . With Guitar Hero World Tour , up to four players can play cooperatively on lead and bass guitar , drums , and vocals , while a total of eight players can compete in a Battle of the Bands . The Xbox 360 , PlayStation 3 , and Wii versions of the games support multiplayer modes over their respective network services . The four difficulty levels for each song afford the player a learning curve in order to help him / her progress in skill . The first difficulty level , Easy , only focuses on the first three fret buttons while displaying a significantly reduced amount of notes for the player to play . Medium introduces the fourth ( blue ) fret button , and Hard includes the final fret button while adding additional notes . The addition of the orange fret button forces players to move their fingers up and down the neck . Expert does not introduce any other frets to learn , but adds more notes in a manner designed to challenge the player and to simulate the player 's hands to move in a sequence similar to a real guitar . A difficulty added in World Tour is Beginner , which only requires the player to strum to the basic rhythm ; holding the fret buttons becomes unnecessary . Another new difficulty only for drums was added to Metallica known as Expert + , which uses the double bass pedal . Guitar Hero : Warriors of Rock is the sixth installment in the franchise and introduced a new take on the Career mode of previous games . Rather than being a quest for fame and glory with the band travelling through different venues , Warriors of Rock features the " Quest Mode " as the primary campaign mode . Quest Mode tells the story of an ancient warrior who was defeated by a powerful monster and his mystical guitar was lost . The player must amass a team of rockers to help recover this guitar and defeat the monster ( called " The Beast " ) . As the player progresses through the mode , the rockers joining them will transform based on the number of stars earned from songs played . These transformations will empower the player with extra abilities in a song such as constant score multipliers or Star Power bonuses . These abilities are each unique to the individual rockers and by using them effectively , it is possible now to earn up to forty stars for a single song . = = = Characters and customization = = = When playing through Career mode or in other parts of the Guitar Hero games , the player has the option to select one of several pre @-@ created avatar characters , who will be shown performing on stage as the player attempts a song , but otherwise has no effect on the gameplay . A certain number of characters are available at the start of the game , but the player must spend in @-@ game money earned by successful performances to unlock other characters . Many of the characters reappear throughout the series , with the character roster changing as new characters are added or removed . Standby characters that have appeared in nearly all the games include the metalhead Axel Steel , extreme / Viking / thrash metalhead Lars Ümlaut , punk rocker Johnny Napalm , alternative rocker Judy Nails , and hard rocker Casey Lynch . The developers utilized these characters in more detail within Warriors of Rock , where each was given a unique setlist and venue based on their musical style , as well as a unique power within the game 's Quest mode . Several games in the series feature caricatures of celebrity artists , such as Slash , Tom Morello and Bret Michaels in Guitar Hero III , Ozzy Osbourne and Jimi Hendrix in World Tour , Kurt Cobain in Guitar Hero 5 , and Taylor Swift and the band No Doubt in Band Hero . The band @-@ specific games , Aerosmith , Metallica , and Van Halen also feature the members of the respective bands . However , in late 2009 , both Courtney Love and the members of No Doubt sought legal action against Activision for the misuse of their in @-@ game characters singing or performing songs by other artists , which the musicians believe fell outside of their contract . The ability for the players to create their own avatars was added in Guitar Hero World Tour , and was based on Neversoft 's existing character creation tools from the Tony Hawk series . Later games on the Xbox 360 and Wii allowed players to use the respective console 's avatars as members of the band . In addition to unlocking characters , in @-@ game money can be used to buy clothing , accessories and instruments that they are seen playing with . The guitars can also be customized with special finishes purchasable through the in @-@ game store . Guitar Hero World Tour includes the ability to fully customize any component of the guitar . The in @-@ game store in the series is also used to unlock bonus songs or special videos with interviews about the game or with the artists involved . = = = Soundtracks = = = Most of the games in the Guitar Hero series feature a selection of songs ranging from the 1960s to present day rock music from both highly successful artists and bands and independent groups . Guitar Hero Encore : Rocks the 80s features songs primarily from the 1980s , while Guitar Hero : Aerosmith , Metallica , and Van Halen feature music from the respective bands and groups that inspired or worked with the bands . Songs with profanities have been censored . Many of the Guitar Hero games developed for the recent generation of consoles ( Xbox 360 , PlayStation 3 , and Wii ) support downloadable content , allowing players to purchase new songs to play in the respective titles . Songs each cost approximately $ 2 through the various online stores for the console 's platform . Prior to Guitar Hero 5 , downloadable content for earlier games will not work in other games in the series , save for songs from Metallica 's Death Magnetic , which were available for Guitar Hero III , World Tour , and Metallica . Existing World Tour downloadable content for World Tour will be forward @-@ compatible with Guitar Hero 5 , Band Hero and Guitar Hero Warriors of Rock , and for a small fee , some songs from both Guitar Hero World Tour and Guitar Hero Smash Hits can be exported to both Guitar Hero 5 and Band Hero , limited by music licensing . Activision has also stated that they are considering a monthly subscription service to deliver downloadable content to user for future games . Guitar Hero World Tour introduced a music creation mode that will allow players to create and share songs ( excluding vocals ) via the " GHTunes " service , which was also used in all other Guitar Hero games and Band Hero since its inclusion . The creation tools were improved with Guitar Hero 5 and Band Hero to allow longer songs and other means of generating songs in real @-@ time . In the first two games and the 2007 expansion Guitar Hero Encore : Rocks the 80s , the majority of the songs on the main career mode set lists are covers of the original song ; for example , a song may be presented as " Free Bird as made famous by Lynyrd Skynyrd " . Guitar Hero III : Legends of Rock introduces a much larger range of original recordings , and World Tour featured a setlist that contained all master recordings . The covers throughout the games are mostly recreated by WaveGroup Sound who has worked before to create songs for Beatmania , Dance Dance Revolution , and Karaoke Revolution , making small changes to the guitar portions to make them more adaptable for gameplay . Almost all of the unlockable bonus songs are songs performed by the original artist for the game ( the only exception is the song " She Bangs the Drums " by The Stone Roses , which is featured in Guitar Hero III : Legends of Rock ) . Prior to the release of Guitar Hero III : Legends of Rock , Activision worked with the iTunes Store to provide more than 1300 tracks of Guitar Hero @-@ related music across more than 20 compilations , including most of the tracks from the games in the series , called " Guitar Hero Essentials " . These compilations , such as " Killer Guitar Solos " and " Guitar Anthems of the ' 80s " , include songs related to but not contained within the Guitar Hero series . Dusty Welch of RedOctane stated , " Where there ’ s music , there ’ s Guitar Hero , and with iTunes , we are able to provide fans with a central location for downloading their favorite rock anthems . " Following the merger of Activision and Blizzard , the new company announced that it planned on creating an alternative to iTunes based on the Guitar Hero brand that would allow for downloading songs and their associated note tracks for the Guitar Hero games . = = Reception and sales = = Games in the Guitar Hero series have been generally well received by critics . The initial games were highly praised by reviewers . Neversoft 's first entry to the series , Guitar Hero III , was considered to be too difficult , with many difficult songs presenting players with " walls of notes " ; the developers later acknowledged this . Subsequent efforts in Guitar Hero : Aerosmith and Guitar Hero World Tour were seen to have some improvements , with Guitar Hero : Metallica considered to be a well @-@ polished title and , at that time , the best Guitar Hero title Neversoft has produced . Guitar Hero 5 's improvements toward social gameplay were complemented by reviewers and considered a further improvement upon the series . Entertainment Weekly put it on its end @-@ of @-@ the @-@ decade , " best @-@ of " list , saying , " An addictive videogame provides the illusion of musical mastery for even the least gifted : . How do you get to Carnegie Hall ? Tap , tap , tap . " Upon release , the first game was seen as an unexpected hit , earning over US $ 45 million with about 1 @.@ 5 million copies sold . Guitar Hero II was significantly more financially successful , with over 1 @.@ 3 million copies sold and sales over US $ 200 million . Guitar Hero III , according to Activision , was the first single video game to sell more than US $ 1 billion at retail , with nearly 3 @.@ 5 million copies sold during the first seven months of 2008 . World Tour continued the series ' high sales records with 3 @.@ 4 million units sold in the United States during 2008 . More than 60 million downloadable tracks have been purchased across the series as of February 2010 . Both Guitar Hero III and World Tour were listed on a March 2011 list from the NPD Group of top grossing games in unadjusted sales in the United States since 1995 ; Guitar Hero III tops the list with total sales of $ 830 @.@ 9 million . Overall , the Guitar Hero series has sold more than 25 million units worldwide , earning US $ 2 billion at retail . Activision claimed the series to be the 3rd largest game franchise in 2009 after the Mario and Madden NFL franchises . = = Cultural impact = = The Guitar Hero series has made a significant cultural impact , becoming a " cultural phenomenon " . The series has helped to rekindle music education in children , influenced changes in both the video game and music industry , has found use in health and treatment of recovering patients , and has become part of the popular culture vernacular . Several journalists , including 1UP.com , Wired , G4TV , the San Jose Mercury News , Inc . , The Guardian , and Advertising Age , considered Guitar Hero to be one of the most influential products of the first decade of the 21st century , attributing it as the spark leading to the growth of the rhythm game market , for boosting music sales for both new and old artists , for introducing more social gaming concepts to the video game market , and , in conjunction with the Wii , for improving interactivity with gaming consoles . = = Legal and practical issues = = = = = PlayStation 3 incompatibility = = = Sony 's PlayStation 3 console has no compatibility with the PlayStation 2 Guitar Hero controller on the system . While Guitar Hero and Guitar Hero II are fully backward @-@ compatible through the hardware PlayStation 2 emulation in the initial North American release of the console , it was impossible at launch to use the guitar controller to play either game . Kai Huang , of RedOctane , states that they are " working on that with Sony right now – looking at how we can get all the PlayStation 2 guitars that are out there , and all the owners of them , to use them on the PlayStation 3 . " Nyko , an accessories company , was poised to make a special PlayStation 2 controller adapter for the PlayStation 3 , but put the product on hold due to technical difficulties . Tac , another accessories company , also made a PlayStation 2 controller adapter for a PlayStation 3 game console so players could use their Guitar Hero guitar controllers that were made for the PlayStation 2 with a PlayStation 3 . However , the May 2007 PlayStation 3 V1.80 system update has made the guitar controller compatible with generic PlayStation 2 controller to USB adapters when playing Guitar Hero and Guitar Hero II . In addition , Pelican Accessories has released a special controller adapter that supports both games , including the ability to switch the handedness of the guitar . = = = Patent litigation = = = Gibson Guitar Corporation , whose guitar likenesses have appeared in the Guitar Hero series from the first game to Guitar Hero Aerosmith , informed Activision on January 7 , 2008 , that it believed the games infringe its U.S. Patent 5 @,@ 990 @,@ 405 . Gibson claimed that this covers technology that simulates a concert performance via pre @-@ recorded audio and a musical instrument . In response , Activision filed a suit seeking a declaration that it was not in violation of the Gibson patent ; Activision also asserted that Gibson had given an implied license by waiting to assert the patent and that the patent was invalid . On March 17 , 2008 , Gibson sued six retailers ( GameStop , Amazon.com , Wal @-@ Mart , Target , Toys " R " Us and Kmart ) for selling Guitar Hero products . Subsequently , on March 21 , 2008 , Gibson also filed a lawsuit against EA , MTV , and Harmonix over their game Rock Band also for violation of its patent , to which a Harmonix spokesperson stated that Gibson 's claims are " completely without merit " . Activision lawyer Mary Tuck stated in their legal filings that they believe that Gibson initiated the lawsuit due to the fact that " Activision was not [ interested ] in renewing the License and Marketing Support Agreement " with Gibson Guitars . In February 2009 , the United States District Court for the Central District of California ruled against Gibson in their case against Activision , stating that the controllers are not musical instruments but " toys that represent other items " , and that Gibson 's patent only covers instruments that send out analog signals . Activision and Gibson settled the suit following this ruling . Activision , through John Devecka , owns all of Devecka Enterprises ' US and international patents that deal with music games . All patents issued by the USPTO are presumed valid . In February 2010 , Activision was sued by the Patent Compliance Group ( PCG ) for releasing Guitar Hero products with false patent claims , with the PCG asserting that games like Guitar Hero 5 and Band Hero were marked with up to 10 patents that are not used within the games along with several other improper patent pending claims . PCG claims that " Acts of false marketing deter innovation and stifle competition in the marketplace . " PCG 's qui tam lawsuit is seeking up to $ 500 per unit sold if Activision is found liable . = = = Oversaturation = = = Many critics believed that the number of releases of Guitar Hero games was " milking " the brand name and oversaturating the market . PaRappa the Rapper creator Masaya Matsuura stated that the video game market was growing stale and needed to move beyond games that simply challenge the player to mimic the playing of licensed music . Ryan Geddes of IGN stated that he " hit the wall with play @-@ along music games " , and challenged the game makers to explore other ways to combine music and video games . Analysts stated that such games must continue to innovate instead of just providing more songs in order to prevent " genre fatigue " . Jesse Divnich of Electronic Entertainment and Design Research commented that , much like Dance Dance Revolution , Guitar Hero and other music games explosively grew initially due to significant new features from other games but have become stagnant due to focusing on content over features , and suggested that for the genre to continue to grow , they must look to incremental changes as done with the first @-@ person shooter genre . Former CEO for RedOctane , Kelly Sumner , believed that Activision " abused " the series , as " they tried to get too much out of the franchise too quickly " . The series has also been criticized for its release model in contrast to the Rock Band series , causing some players to hold contempt towards Activision . Harmonix considered the Rock Band series as a " music platform " , and supported it with downloadable content and the ability to import songs from its games and expansions into most other games of the series . Critics argued that Guitar Hero should have been doing the same , either through releasing expansions that could be incorporated into the main games of the series , or by issuing the songs as downloadable content . The release of Guitar Hero : Smash Hits , reworking older songs from the series to full four @-@ instrument band support but otherwise adding no additional material , was called " the definition of ' milking ' " by reviewers , with no observable technical limitation as to why the songs could not be added as downloadable content . Ars Technica recognized that licensing issues might have limited when songs from one single game could be played in others of the series ( such as the case for The Beatles : Rock Band ) , but that such cross @-@ compatibility should have been a high priority for rhythm games . Furthermore , some expansions were praised for the additional content beyond the note @-@ matching gameplay ; Guitar Hero : Metallica is considered to be one of the series ' best works to be developed by Neversoft in part due to the care that the developers took with imaging the band and the available extras for the game . Activision later revealed that both Guitar Hero 5 and Band Hero would support playing songs from both Guitar Hero World Tour ( both on @-@ disc and downloadable content ) and Guitar Hero Smash Hits , with music licensing being the only limiting factor on which songs could be made forward @-@ compatible . The large number of Guitar Hero and Rock Band titles on the market is considered to be partially responsible for the sharp decline of music game sales in the latter half of 2009 , along with the effects of the late @-@ 2000s recession . The market for rhythm games was $ 1 @.@ 4 billion in 2008 , but dropped to $ 700 million in 2009 even though more titles were available that year . Former Neversoft project director Brian Bright noted that at one point in 2009 , they were responsible for the release of three games that year ( Guitar Hero 5 , Metallica , and Band Hero ) and supporting other studios for the development of two additional games , causing the studio to lose focus both in development and marketing efforts . According to Bright , sales of all the Guitar Hero games released in 2009 totaled the number of sales of the 2008 title World Tour , demonstrating the dilution of the marketing . Though Activision had originally planned on tripling the offerings of the Guitar Hero series in 2010 , the company readjusted their plans , reducing the number of offerings and focusing more on selling digital downloadable content for the series . Only two titles , Guitar Hero : Warriors of Rock and DJ Hero 2 were released in 2010 , both scheduled for the " back half of 2010 " . Analysts believe that the market will evolve to support a smaller number of titles each year , averaging at a " healthy " value $ 500 – 600 million in revenues annually . Kotick believed that part of the downfall of Guitar Hero was due to Activision 's introduction of DJ Hero , which they gave too much focus and left the core Guitar Hero games without the " nourishment and care " needed to continue to innovate in the series . Activision Publishing chief executive Mike Griffith , in response to questions about Activision 's approach to the Guitar Hero market , noted that Guitar Hero continues to outsell the Rock Band series in both number of sales and revenue , with consumers continuing to buy the separate games on the market , and considered the market acceptance of the multiple games as validation for their model . Regardless , after releasing 25 different SKUs ( between games and bundle packages ) in 2009 , Activision opted to reduce that number to 10 in 2010 , recognizing the music game genre was not as profitable as it once was . Activision later opted to put future development of the series on hold in early 2011 citing weak sales in the rhythm game genre , a move that many journalists attributed to Activision 's earlier oversaturation . = = List of games = = All games are published by Activision , except the first Guitar Hero and the PS2 version of Guitar Hero II , which were published by RedOctane .

= Fieldfare = The fieldfare ( Turdus pilaris ) is a member of the thrush family Turdidae . It breeds in woodland and scrub in northern Europe and Asia . It is strongly migratory , with many northern birds moving south during the winter . It is a very rare breeder in the British Isles , but winters in large numbers in the United Kingdom , Southern Europe , North Africa and the Middle East . It is omnivorous , eating a wide range of molluscs , insects and earthworms in the summer , and berries , grain and seeds in the winter . Fieldfares often nest in small colonies , possibly for protection from predators . The nest is built in a tree where five or six eggs are laid . The chicks are fed by both parents and leave the nest after a fortnight . There may be two broods in southern parts of the range but only one further north . Migrating birds and wintering birds often form large flocks , often in the company of Redwings . The fieldfare is 25 cm ( 10 in ) long , with a grey crown , neck and rump , a plain brown back , dark wings and tail and white underwings . The breast and flanks are heavily spotted . The breast has a reddish wash and the rest of the underparts are white . The sexes are similar in appearance but the females are slightly more brown . The male has a simple chattering song and the birds have various guttural flight and alarm calls . = = Etymology = = The English common name fieldfare dates back to at least the eleventh century . The Anglo @-@ Saxon word feldefare perhaps meant traveller through the fields . The species was described by Linnaeus in his Systema naturae ( 1758 ) under its current scientific name . The name Turdus pilaris comes from two separate Latin words for thrush . No subspecies are recognised . = = Description = = The fieldfare is easily recognisable with its slate @-@ grey head , nape and rump , dark brown back , blackish tail and boldly speckled breast . In flight , its white under wing @-@ coverts and axillaries are conspicuous . The harsh flight call " tsak tsak " is also distinctive . The forehead and crown of the male are bluish @-@ grey and each feather has a central brownish @-@ black band . The lores and under @-@ eye regions are black and there are faint , pale streaks above the eyes . The ear coverts , nape , hind neck and rump are bluish @-@ grey , usually with a white streak near the shaft of each rump feather . The scapulars and mantle feathers are dark chestnut @-@ brown with dark central streaks and pale tips . There are fourteen tail feathers each with a pointed tip , the outer two slightly shorter than the others giving a rounded tail . They are brownish @-@ black , with inconspicuous darker bars visible in some lights . The outer edge of each tail feather is fringed with grey near the base and the outer pair of feathers have a narrow white border on the inner edge . The chin , throat and upper breast are creamy @-@ buff with bold streaks and speckles of brownish @-@ black . The lower breast is creamy @-@ white with a diminishing buff tinge and fewer speckles and the belly is similarly creamy @-@ white , with the speckles restricted to the uppermost parts . The primaries are brownish @-@ black with the leading edge fringed grey and the inner edge of the outer feathers grey near the base whereas the inner feathers are fringed with brown near the base . The secondaries are similar but fringed with chestnut @-@ brown on the leading edge . The upper wing @-@ coverts are brownish @-@ black and similar to the outer primaries in their margin colouration . The axillaries and under wing @-@ coverts are white and the under tail @-@ coverts have dark greyish @-@ brown bases and margins and white centres and tips . The beak is strong , with a slight curve and a notch near the tip . It is orange @-@ yellow in winter , with the upper mandible somewhat brownish and both mandible tips brownish @-@ black . In the summer both mandibles of the male 's beak are yellow . The irises are dark brown and the legs and feet are brown . The average adult length is 25 cm ( 9 @.@ 8 in ) , the winglength is 14 @.@ 5 cm ( 5 @.@ 7 in ) and the tarsal length 3 @.@ 5 cm ( 1 @.@ 4 in ) . The female is very similar to the male but the upper parts are somewhat more brownish and the feathers on the crown have narrower black central stripes . The throat and breast are paler with fewer , smaller markings . The beak is similar to the male 's winter beak . The juvenile are a duller colour than the adults with pale coloured streaks on the feathers that have dark streaks in the adult . The young assume their adult plumage after their first moult in the autumn . The call is mostly uttered in flight and is a harsh " tsak tsak tsuk " . The same sound , but softer , is made more conversationally when individuals gather in trees . When angry or alarmed they emit various warning sounds reminiscent of the mistle thrush ( Turdus viscivorous ) . The male has a rather feeble song that he sings in the breeding season . It is a mixture of a few phrases like those of the common blackbird ( Turdus merula ) interspersed with whistles , guttural squeaks and call notes . This is sung on the wing and also from a tree and a subdued version of this song with more warbling notes is sung by a group of birds at communal roosts . = = Distribution and habitat = = The fieldfare is a migratory species with a palearctic distribution . It breeds in northern Norway , northern Sweden , Finland , Belgium , Germany , Switzerland , Austria , the Czech Republic , Slovakia , Hungary , Poland and Siberia as far east as Transbaikal , the Aldan River and the Tian Shan Mountains in North West China . Its winter range extends through West and South Europe to North Africa , though it is uncommon in the Mediterranean region . Eastern populations migrate to Anatolia , Israel , Iran and Northwest India , and occasionally Northeast India . It is a vagrant to Iceland , Greenland , Spitsbergen , the Canary Islands , the Balearic Islands , Madeira , Corsica , Sardinia , Sicily , Malta and Cyprus . In the summer the fieldfare frequents mixed woodland of birch , alder , pine , spruce and fir , often near marshes , moorland or other open ground . It does not avoid the vicinity of humans and can be seen in cultivated areas , orchards , parks and gardens . It also inhabits open tundra and the slopes of hills above the tree line . In the winter , groups of fieldfares are chiefly found in open country , agricultural land , orchards and open woodland . They are nomadic , wandering wherever there is an abundance of berries and insects . Later in the year they move on to pastureland and cultivated fields . = = Behaviour = = The flight of the fieldfare is slow and direct . It takes several strong beats then closes its wings briefly before flapping on . It is highly gregarious , quite shy and easily scared in the winter and bold and noisy in the breeding season . When a group is in a tree they all tend to face in the same direction , keeping up a constant chatter . When foraging on the ground , often in association with redwings , the group works its way up wind , each bird pausing every so often to stand erect and gaze around before resuming feeding . When alarmed they fly off down wind and the feeding group reforms elsewhere . In woodland they do not skulk in the undergrowth as do blackbirds or song thrushes , instead they perch in the open on bushes and high branches . They roost socially , sometimes in overgrown hedges and shrubberies but usually on the ground . Common sites are in rough grass among bushes or clumps of rushes , in young plantations , on stubble and in the furrows of ploughed fields . Migration southwards from the breeding range starts in October but the bulk of birds arrive in the United Kingdom in November . Some of these are still on passage and carry on into continental Europe but others remain . The passage @-@ migrants return in April and they and the resident migrants depart from the United Kingdom mostly by early May . The fieldfare is omnivorous . Animal food in the diet includes snails and slugs , earthworms , spiders and insects such as beetles and their larvae , flies and grasshoppers . When berries ripen in the autumn these are taken in great number . Hawthorn , holly , rowan , yew , juniper , dog rose , Cotoneaster , Pyracantha and Berberis are all relished . Later in the winter windfall apples are eaten , swedes attacked in the field and grain and seeds eaten . When these are exhausted , or in particularly harsh weather , the birds may move to marshes or even the foreshore where molluscs are to be found . = = Breeding = = The breeding season starts in May in Poland but further north in Scandinavia may not start until early July . The female fieldfare builds a cup @-@ shaped nest with no attempt at concealment . The location is often in woodland but may be in a hedgerow , garden , among rocks , in a pile of logs , in a hut or on the ground . Fieldfares usually nest in close proximity to others of the same species . The adults will defend the nest aggressively and nesting gregariously may offer protection from predators . The nest is built of dried grasses and weeds with a few twigs and a little moss , with a lining of mud and an inner lining of fine grasses . There are usually five to six eggs in a clutch , but occasionally three , four , seven or eight eggs are laid . The eggs vary in size from 28 @.@ 8 by 20 @.@ 9 millimetres ( 1 @.@ 13 in × 0 @.@ 82 in ) to 33 @.@ 5 by 23 @.@ 4 millimetres ( 1 @.@ 32 in × 0 @.@ 92 in ) and are variable in colour . Many are pale blue speckled with fine brown dots and resemble those of the common blackbird . Others are bright blue , with or without larger red @-@ brown splotches . Incubation starts before all the eggs are laid and lasts for thirteen to fourteen days . The female does all or most of the incubation . The chicks are altricial and both parents bring food to them . They are usually ready to leave the nest after fourteen to sixteen days and there may be two broods in the season , especially in the southern parts of the breeding range . = = Status and conservation = = The fieldfare has an extensive range , estimated at 10 million square kilometres ( 3 @.@ 8 million square miles ) , and a large population , including an estimated forty two to seventy two million individuals in Europe . There are thought to be up to twenty thousand individuals in Russia and the global population is estimated to be between forty four and ninety six million individuals . The population size appears to be stable and the bird is not believed to approach the thresholds for the population decline criteria of the IUCN Red List of Threatened Species ( i.e. , declining more than 30 % in ten years or three generations ) , and is therefore evaluated as being of " Least Concern " . In the United Kingdom , at the extreme edge of the fieldfare 's breeding range , only a handful of pairs breed . It is therefore classified by the RSPB as a Red List species as of January 2013 .

= Type 94 Nambu pistol = The Type 94 Nambu 8 mm Pistol ( Type 94 Handgun , Japanese : 九四式拳銃 Kyūyon @-@ Shiki Kenjū ) is a semiautomatic pistol developed by Kijirō Nambu and his associates for the Imperial Japanese Army . Development of the Type 94 pistol began in 1929 , and after several redesigns the final prototype was tested and officially adopted by the Japanese Army in late 1934 ( Japanese calendar , 2594 ) . The Type 94 pistol entered production in 1935 . Approximately 71 @,@ 000 pistols were manufactured before production ended in 1945 . The Type 94 pistol was designed for , and popular among , Japanese tank and aircraft crews who preferred a smaller , lightweight design . Japanese weapons experts have subsequently criticized some design elements of the Type 94 ; in particular the pistol could be fired unintentionally before the breech was fully locked if the sear bar on the side of the receiver was jarred loose and the pistol was improperly handled . Additionally , the process to disassemble the pistol is overly complex and awkward . The build quality of the Type 94 pistol declined over its production run ; " last ditch " pistols made in 1945 were crudely manufactured . = = History = = The Type 94 Nambu pistol was designed by Kojiro Nambu after he retired from the Japanese Army and founded the Nambu Rifle Manufacturing Company . Design for the Type 94 Nambu pistol commenced in 1929 with the goal of reducing the bulk and price of previous Nambu designs . The Imperial Japanese Army felt a smaller pistol of domestic design that could accommodate the standard 8 × 22mm Nambu cartridge was needed to substitute the larger , heavier , and only official military pistol , the Type 14 Nambu . The demand for officer 's handguns had increased as a result of Japan 's invasion of Manchuria during the Second Sino @-@ Japanese War . A new design was also wanted by the Japanese Army to include a magazine safety , to prevent unintentional discharges during cleaning that were common among Japanese personnel . Naming of the Type 94 pistol reflects the change in Japanese nomenclature with the 94 reckoning back to the mythical foundation of Japan in 660 BC therefore year 2594 instead of the traditional emperor reign period used to name the Type 26 revolver or Type 14 Nambu pistol . The final prototype for the Type 94 was officially adopted by the Japanese Army in late 1934 after several redesigns . Production began under the supervision of the Nagoya Army Arsenal at the Nambu Rifle Manufacturing Company and later its successor , Chuo Kogyo Company , Ltd . An estimated 71 @,@ 000 pistols were produced for the military but the exact quantity is unknown because of the production of unserialized pistols and undated pistols . During World War II the pistol became a preferred weapon for tank crews and paratroopers who required a smaller , more convenient pistol . The Type 94 was never officially adopted by the Imperial Japanese Navy but was available to officers through the Japanese officer 's union . = = Design = = The Type 94 pistol is operated by a different mechanism than previous Japanese sidearms . Unlike previously designed Nambu pistols , the Type 94 operates with a concealed hammer and with a firing pin rather than a hammer . According to authors , Harry L. Derby and James D. Brown , the firing pin is inherently weak and is prone to breakage because of a recess cut provided for the crossbolt and is prone to breaking at this point . The sturdier hammer firing mechanism was developed and included in the Type 94 to replace the poor striker on the Type 14 Nambu . The locking system is a rising @-@ block type which floats independently between the lugs underneath the chamber end of the barrel . The single coil mainspring is positioned around the barrel around the barrel instead of to the rear of the barrel as found on other Nambu pistols . The grip is smaller than other Japanese pistols and is finished with smooth wood but according to author Jeff Kinard , are more comfortable for use by men with smaller hands . The magazine holds a maximum of six rounds because of the smaller grip and it is considered difficult to reload the weapon , with pressure from the bolt holding it inside the pistol . The magazine catch protrudes far enough to occasionally disengage when the pistol is placed on its left side on a hard surface . The magazine could also disengage if squeezed into or jarred in a holster . The manual safety lever is located on the left rear of the frame and has the kanji for fire and safe stamped onto the frame . The front blade sight on the muzzle of the Type 94 pistol and the rear fixed V were occasionally inaccurately positioned making them useless when the weapon is being aimed . The rear sight was reduced from a U @-@ shape to a simple notch in 1944 with the front blade being left unchanged but less attention to detail being applied as World War II progressed . = = = Final production = = = The quality of Type 94 Nambu pistols decreased towards the end of World War II as the Japanese faced bombing raids from allied forces and material shortages increased . This drastic change in quality from late March 1945 , onwards with all quality standards appearing to disappear towards the end of June 1945 . The smooth wooden finished grip was replaced by a bakelite checkered pattern . Many pistols were not serialized and no pistols have been reported that bear July 1945 manufacture date . Only four unserialized and undated pistols are known to exist and include mismatch parts with no inspection marks , lanyard loops , and extractors . A small number of pistols made during the final production stages include earlier production dates and appear to have been salvaged from previously discarded pistols that had minor or cosmetic defects . = = Disassembly = = Disassembly of the Type 94 Nambu pistol is considered difficult and can lead to damage to the pistol if done carelessly . After clearing the Type 94 , the operator must draw the slide against the magazine follower to hold the bolt to the rear of the pistol . This will allow the crossbolt to be released after the firing pin is depressed . Removal of the crossbolt without depressing the firing pin will damage both the firing pin and the crossbolt . Removing the crossbolt is further complicated as the disassemblers hands are both holding the pistol and depressing the firing pin . = = Holster = = Holsters for the Type 94 pistol were generally made from either pigskin or cowhide leather and ranged in color from tan to dark reddish brown . Holsters faced the same degradation in quality as the Type 94 pistol . As supplies of leather were exhausted in Japan , holsters manufactured in 1944 became fabricated from olive drab fabric . The Type 94 pistol holster is distinguishable from other Japanese holsters having a pointed closure flap and a vertically positioned magazine pouch . The pouch tow has a narrow extension to accommodate a cleaning rod . The majority of holsters were made in civilian owned tanneries with some ink stamped with arsenal and inspection marks . A belt loop and two shoulder strap " D " rings are provided on the rear of the holster and are made from brass , galvanized steel , or nickel plating . = = Unintentional firing = = The poor design of the breech allowed the Type 94 Nambu to be fired unintentionally . The sear bar on the Type 94 Nambu converts the forward pull of the trigger into a lateral movement that frees the hammer . Because the sear bar is on the outside of the pistol , it could be jarred loose during engagement if the pistol was cocked and handled carelessly . The forward end of the sear bar would need to be depressed approximately 2mm to cause the weapon to fire . The ability to fire the Type 94 without pulling the trigger gave rise to war stories of Japanese soldiers surrendering , only to fire the pistol , earning the pistol monikers such as the " suicide special " and the " surrender pistol " . These stories are widely discredited because of the difficulty to fire the weapon by squeezing the sear bar . If the safety is engaged on the Type 94 it is impossible for the weapon to discharge unintentionally .

= Jifna = Jifna ( Arabic : جفنا , Jifnâ ) is a Palestinian village in the Ramallah and al @-@ Bireh Governorate in the central West Bank , Palestine , located 8 kilometers ( 5 @.@ 0 mi ) north of Ramallah and 23 kilometers ( 14 mi ) north of Jerusalem . A village of about 1 @,@ 400 people , Jifna has retained a Christian majority since the 6th century CE . Its total land area consists of 6 @,@ 015 dunams , of which 420 are designated as built @-@ up areas , most of the remainder being covered with olive , fig and apricot groves . Jifna is governed by a village council , led ( 2008 ) by chairman Jabi Na 'im Kamil . Jifna was known as Gophnah ( In Hebrew גופנה ) at the time of the First Jewish @-@ Roman War , and after its conquest became a Roman regional capital . Later the town grew less significant politically , but nevertheless prospered under Byzantine and Arab rule due to its location on a trade route . St. George 's Church in Jifna was built in the 6th century CE , but fell into disrepair and was not rebuilt until the arrival of the Crusaders in the late 10th century . However , it again fell into ruin after the Crusaders were driven out by the Ayyubids . In modern times , the ruins of St. George 's Church have become a tourist attraction . During the period of Ottoman control in Palestine the tower of an ancient Roman structure in Jifna became the location of a jail house . Jifna has local traditions and legends relating to the Holy Family , and to the village water @-@ spring . It is also locally known for its apricot harvest festival ; each year , during the late Spring period , hundreds travel to the village to harvest the fruit during its brief season . = = History = = = = = Biblical era and Roman / Byzantine rule = = = It was suggested by Edward Robinson that Jifna was Ophni of Benjamin , mentioned in the Book of Joshua as one of the " twelve cities . " Nothing thereafter is recorded in its history until the time of the Roman conquest during the 1st century BCE , when it appears in various records as " Gophna " . Gophna was described by Flavius Josephus as the second city of Judea , after Jerusalem , in his account of the First Jewish @-@ Roman Wars during the 1st century CE . The town is depicted as Gophna in the Map of Madaba , situated north of Gibeon ( al @-@ Jib ) , and is also mentioned in the Talmud as Ben Gufnin , a " city of priests " . The latter portion of its Talmudic name derives from the Hebrew root word gefen , meaning " vine " . Known by the Romans as Cofna , Jifna was a regional capital in the Iudaea Province under the Roman Empire . Around 50 BCE the Roman general Cassius sold the population into slavery , for failure to pay taxes . They were freed , however , by Mark Antony shortly after he came to power . Jifna was within the area under Hananiah 's command in 66 CE , during the First Jewish @-@ Roman War , and was the headquarters of one of the twelve toparchies ( minor realms ) of Judea . The Roman emperor Vespasian occupied the town in 68 CE , established an army garrison there , and concentrated within the city Jewish priests and other local notables who had surrendered to him . Titus , the future Roman emperor , passed through Gophna during his march to besiege Jerusalem in 70 CE . The building of a church dedicated to Saint George during the 6th century CE indicates that by this time Jifna , now under Byzantine rule , had become a Christian town . Besides the church , other remains from this era are located in Jifna , including a Jewish tomb , a tower ( Burj Jifna ) once used by the Ottomans as a prison , a Roman villa , an olive oil press and a winery . = = = Middle Ages = = = Jifna , along with most of Palestine , was annexed by the Rashidun Caliphate under Umar ibn al @-@ Khattab after the Battle of Ajnadayn in 634 . The town became less politically significant under the Arab dynasties of the Umayyads , Abbasids and Fatimids , but remained a major regional center for trade and commerce , due to its location along the Jerusalem – Nazareth road . It was known by the Arabs as Gafeniyyah . Sources are vague , but it is likely that St. George 's Church fell into disrepair during the early decades of Islamic rule , and that unfavorable circumstances for the Christian population prevented them from rebuilding it . However , it was partially rebuilt with old materials by the Crusaders , who conquered the area in 1099 . The Crusaders built a large courtyard building in Jifna . It had a monumental gate with a portcullis , with a large vaulted hall and thick walls of fine masonry . After their defeat to the Ayyubids under Saladin in 1187 , the church again fell into ruin . A document dated 1182 with the signature of one Raymundus de Jafenia , might indicate a Christian presence at this time . According to the American biblical scholar Edward Robinson , there are remains of massive walls in the center of the village , now filled by houses . They were relics of a castle built by the Crusaders . However , the masonry has no characteristics of the Crusader period ; rather , the remains display the Arab architectural style of the post @-@ Crusader period , most likely of the 18th century , judging by the dressing of the stones . = = = Ottoman era = = = After the Crusaders were succeeded by the Ayyubids and then the Mamluks , the Ottoman Empire conquered Palestine in 1517 , and Jifna came under their control for the following 400 years . In 1596 it appeared in the tax registers under the name of " Jifna an @-@ Nasara " , being in the nahiya ( subdistrict ) of Jerusalem of the Jerusalem Sanjak , with a population of 21 households . The villagers paid a fixed tax @-@ rate of 33 @.@ 3 % on agricultural products , including wheat , barley , olive trees , vineyards , fruit trees , goats and beehives , in addition to occasional revenues ; a total of 6 @,@ 470 akçe . It was under the administration of the Bani Zeid subdistrict , part of the larger Jerusalem District , throughout Ottoman rule , being the only all @-@ Christian village in the district . During this period , the main commodity of Jifna was olive oil . Ottoman activity in the village was minimal , but they used the remains of Jifna 's castle , known as " Burj Jifna " , as a jail house sometime during the 19th century . In the early 1830s , Ibrahim Pasha of Egypt conquered most of the Levant , including Palestine . In 1834 there was a revolt against the Egyptian authorities in the Jifna area ; 26 residents of Jifna were subsequently exiled to Egypt for their alleged participation in the uprising . They were joined , voluntarily , by two prominent local priests . An Eastern Orthodox Church was built in the village in 1858 , and a larger Latin ( Roman Catholic ) church dedicated to St. Joseph was built in 1859 , adjacent to the ruins of St. George 's Church . In the courtyard of St. George 's Church is a sarcophagus . St. George 's Church has continued to serve as a place of worship into the modern era and has been the site of archaeological excavation since the mid @-@ 19th century . Mass is still held at its altar on certain occasions . In 1882 the Palestine Exploration Fund 's Survey of Western Palestine described Jifna as an Important Christian village , with a Latin Church and a convent . Also in the 1880s , Jifna was frequently taxed by Ottoman authorities . It also came into consistent armed conflict with another Christian village , Bir Zeit , which in one incident , resulted in the deaths of five men from that village . In retaliation , residents of Bir Zeit uprooted and burned 125 of Jifna 's olive groves . = = = Modern times = = = In 1917 , during World War I , the Ottomans were defeated by British and Arab forces . After a brief period of military rule , Jifna and its region came under the control of the League of Nations British Mandate , in 1922 . In 1947 the United Nations proposed the partitioning of Palestine into separate Jewish and Arab states , with Jifna being a part of the projected Arab state . However , after the 1948 Arab @-@ Israeli War the whole West Bank region , including Jifna , was annexed by Transjordan to form the Kingdom of Jordan , and the Arab state was stillborn . In 1967 Israel occupied the West Bank , after their victory in the Six @-@ Day War . After the 1995 Interim Agreement on the West Bank and the Gaza Strip between the Palestinian National Authority ( PNA ) and Israel , Jifna was placed in " Area B " . Thus , its administrative and civil affairs were transferred to the PNA , while security matters remained in Israeli control . Throughout the ongoing Second Intifada , which began in 2000 , Jifna has not experienced violence to the same extent as other parts of the West Bank , such as in nearby Ramallah , but its residents face travel restrictions and economic hardship . On 31 July 2015 a 15 @-@ year @-@ old resident was shot dead by an IDF sniper after allegedly throwing a firebomb at an army outpost . = = Geography and climate = = Jifna is located on the slope of a hill , standing at an elevation of about 661 meters ( 2 @,@ 169 ft ) above sea level . It is situated at the intersection of two ancient trade routes , the mountainous north @-@ south route and the east @-@ west route connecting the Jordan Valley with the Mediterranean seacoast . In 1945 its land area consisted of 5 @,@ 939 dunams , 52 dunams of which were classified as built @-@ up area in 1945 . Today Jifna has a total jurisdiction over 6 @,@ 015 dunams , 420 of which are designated as built @-@ up and roughly 2 @,@ 000 planted with olive , apricot and other fruit trees . The village is located 8 kilometers ( 5 @.@ 0 mi ) northwest of Ramallah and al @-@ Bireh and about 23 kilometers ( 14 mi ) north of Jerusalem . The Palestinian refugee camp of Jalazone was built on Jifna 's southern lands and is connected to the village by road . The villages of Dura al @-@ Qar ' and Ein Siniya are located adjacent to Jifna to the east and northeast respectively . Other nearby localities include Abu Qash to the southwest , Beitin to the southeast , Ein Yabrud to the east , ' Atara to the north and Bir Zeit to the northwest . Jifna is connected to the main Ramallah @-@ Nablus highway by a road at the eastern side of the village . Jifna experiences a temperate Mediterranean climate . Based on data for nearby Ramallah , average monthly high temperatures range from 53 ° F ( 12 ° C ) in January to 84 ° F ( 29 ° C ) in July / August , the corresponding lows being 39 ° F ( 4 ° C ) and 63 ° F ( 17 ° C ) . Rain is usually restricted to the winter season , from around November until the end of April . The months that receive the most precipitation are January and December and the annual rainfall is 23 @.@ 2 inches ( 590 mm ) . = = Demographics = = According to Edward Robinson , Jifna 's population in 1838 consisted of about 200 people , of whom only 42 were adult males . In a 1945 land and population survey carried out by Sami Hadawi , Jifna had 910 inhabitants . The modern inhabitants of Jifna belong mainly to eight families , four of whom are originally from the village , while the other five have , at various times , migrated from other countries such as Syria . In 1994 , Jifna experienced a wave of emigration , with about half of its population leaving the town to pursue better livelihoods elsewhere . The first census carried by the Palestinian Central Bureau of Statistics ( PCBS ) shows that Jifna had a population of 961 , of whom 623 ( 64 @.@ 8 % ) were classified as refugees in 1997 . The gender distribution was 465 males ( 48 @.@ 4 % ) and 494 females ( 51 @.@ 6 % ) . The age distribution was : Under 15 , 330 ( 34 % ) ; 15 – 29 , 275 ( 29 % ) ; 30 – 65 , 304 ( 32 % ) ; Over 65 , 50 ( 5 % ) . The population of Jifna continues to grow . According to the PCBS , Jifna 's mid @-@ year population estimate for 2006 was 1 @,@ 358 . An informal estimate from Autumn 2006 gives the population as 1 @,@ 500 , " 25 % of whom have had to move to Jerusalem or Ramallah to find jobs " . The 2007 census by the PCBS listed Jifna 's population as 1 @,@ 716 , of which 856 were males and 860 females . = = = Religion = = = The remains of the Byzantine @-@ era church in Jifna testifies to the existence of a Christian community prior to the Muslim conquest . It continued to exist during the Middle Ages and the village is still inhabited mainly by Christians . The names of Christian inhabitants from Jifna appeared in a 10th @-@ century inscription on a stone above the gate of St. George 's Monastery in the Wadi Qelt . Ottoman tax records from the late 16th century reveal that Jifna had a Christian population at the time also . An informal survey in 1927 found 550 inhabitants , of whom 325 were Catholics and the remainder reportedly " Christians of other denominations " . Palestinian Christians make up about 80 % of the residents , while the remaining 20 % are Muslims , mostly refugees . It is certain that most of the Christian residents of Jifna in the 12th century were local inhabitants . Apart from local Christians there was also a Frankish settlement , as is attested by the ruins of a maison forte ( manor ) built in the lower part of the village . In Jifna , like in many other sites in Palestine , the Crusaders built their settlement in the heart of the local Christian settlement . = = Economy = = Although most of Jifna 's cultivable land is covered with olive groves as well as fig , walnut and apricot trees and grape vines , agriculture is no longer the village 's main source of income . Many of the village 's former farmers are living off other businesses , including restaurants , other small family @-@ owned industries , and simple commerce . Unlike some other West Bank localities , unemployment is a minor issue in Jifna . However , the average income is low because of the unstable political situation in the Palestinian territories , Israeli checkpoints , the West Bank barrier and the 2006 freezing by Israel of funds to the Palestinian territories — although the latter no longer applies to the West Bank . According to the PCBS , 98 @.@ 5 % of Jifna 's 201 households are connected to electricity through a public network . The same percentage is connected to a sewage system , mostly through a cesspit . Pipe water is provided for 98 % of the households primarily through a public network ( 97 @.@ 5 % ) , but some residents receive water through a private system ( 1 @.@ 5 % ) . The village is home to the Jifna Women 's Charitable Society which offers health services and recreational activities for women and children . = = = Small businesses = = = There are three restaurants in Jifna : Al @-@ Burj Restaurant , Red Valley Restaurant and Garden , and Tabash Restaurant , as well as a hotel : al @-@ Murouj Pension . In 2003 , the Odeh family of Jifna opened a leisure complex — called the Dream Day Resort — in the village . The complex , containing a half @-@ Olympic @-@ size swimming pool , a children 's pool and a jacuzzi is frequented by residents in Jifna and the surrounding area . Al @-@ Burj Restaurant — also known as " Burj Jifna " — specializes in Palestinian cuisine and contains a café and a Palestinian culture hall . Situated in the center of the village , the restaurant is the site of Jifna 's old city . With international funding , the local youth club restored the area , adding bright accents to the stone masonry . The restaurant has become a center of tourism and the complex provides tours for its rooms , olive oil presses and ancient ramparts . Tabash Restaurant was founded in 1962 by a Palestinian refugee family from Jaffa . Initially known as al @-@ Wadi Bar , it received its current name in 1972 . The owners and the employees of the restaurant are from the Tabash family . = = Culture = = = = = Traditions = = = There are a number of local traditions in Jifna . A prominent legend among Jifna 's inhabitants is that the Holy Family rested near an oak tree in the town on their way from Jerusalem . The legend 's origins are due to Jifna 's location along the ancient Jerusalem @-@ Nazareth road . A nearby mountain was named Jabal ad @-@ Dik ( " Mount of the Rooster " ) because of a traditional story . According to the tradition , a Jew that lived in Jifna had visited Jerusalem during the Passion . Seeing Jesus rise from the dead , the man immediately converted and told his wife what he saw . His wife refused to believe him unless the rooster she had just killed would come back to life . Instantly , the rooster flew away towards the mountain . The story was recited in some monasteries on Holy Thursday together with other biblical readings . A legend exists about Jifna 's spring — which the village has used for centuries — concerning how it periodically runs low on water . Popular belief is that this is the work of the djinniye ( female spirit ) . According to Palestinian researcher Tawfiq Canaan , " In Jifna the priest has to go on such an occasions to the dry spring to repeat prayers and burn incense , and thus reconcile the djinniye or force her to let the water flow " . Like many Palestinian villages , the women of Jifna have their own traditional dress . Costumes in the village , known as rumi abyad ( " Greek White " ) and rumi aswad ( " Greek Black " ) , were dresses of hand @-@ woven linen embroidered with the Jifna 's own motifs . Preparing burbara , a sweet pudding @-@ like dish made from whole grain wheat , on the Feast of Saint Barbara has been a tradition in Jifna for several centuries . = = = Festivals = = = In April – May 2005 Jifna hosted the first annual International Artists ' Workshop in Palestine . The festival , known as the " Jifna Spring " was the first held in a rural village instead of a major city such as Hebron or Ramallah . During the festival , dozens of artists from all over the world collaborated on several projects , including stone sculptures , metalwork , photography , mural paintings and installation pieces . Many of the works were influenced by the " specificity and qualities " of Jifna , while others dealt with the subject of Palestinian identity . Jifna , locally famous for its apricot harvest , hosts an annual two @-@ day apricot festival in the first week of May . Hundreds of West Bankers flock to participate in the harvest . The festival is also used by Palestinian politicians as an opportunity to give speeches praising Palestinian farmers and encouraging boycotts on Israeli products and reliance on domestic agriculture . = = Government = = Jifna is governed by a village council consisting of ten members including the chairman . The council was founded in 1954 , when a prominent resident , Nasri Ilias Samara , pressured the Jordanian authorities to recognize the institution , even though a village was normally required to have a population of at least 1 @,@ 000 inhabitants for permission to establish a village council . The decision was approved by Jordan 's then prime minister . Representatives from Jifna 's largest families formed the original council 's body , appointing Smara as chairman and Salim Issa Musleh as vice chairman . Jabi Na 'im Kamil was elected as the chairman in 2005 and the Badil ( Alternative ) list — which represents a leftist alliance of the Democratic Front for the Liberation of Palestine and the Palestinian People 's Party — won most of the council seats . = = Education = = Jifna contains one gender @-@ mixed primary school and kindergarten , founded by the Latin Patriarchate of Jerusalem in 1856 and managed by Jifna 's Catholic church . The school 's staff comprises eight teachers and two nuns , as well as four teachers for the kindergarten . Students who have graduated from the school commute to Ramallah or Bir Zeit daily for their secondary and tertiary education . Most university students attend the nearby Bir Zeit University .

= Ha ' K 'in Xook = Ha ' K 'in Xook ( Mayan pronunciation : [ haʔ k ’ in ʃoːk ] ) , also known as Ruler 6 , was an ajaw of Piedras Negras , an ancient Maya settlement in Guatemala . He ruled during the Late Classic Period , from 767 – 780 AD . Ha ' K 'in Xook was a son of Itzam K 'an Ahk II , and he ascended the throne upon the death of his brother , Yo 'nal Ahk III . Ha ' K 'in Xook 's reign seems to have ended either with his death or his abdication in favor of his brother K 'inich Yat Ahk II ; archaeologists and Mayanists have not come to a clear consensus on this . Ha ' K 'in Xook left behind several monuments , including stelae at Piedras Negras and a stone fragment from El Porvenir . In addition , a stone seat known as Throne 1 which was erected by K 'inich Yat Ahk II , records either the death or abdication of Ha ' K 'in Xook . = = Biography = = = = = Reign of Piedras Negras = = = Ha ' K 'in Xook , who has also been referred to as Ruler 6 , was likely the son of Itzam K 'an Ahk II , based on a translation of Stela 23 . According to both Simon Martin and Nikolai Grube , as well as Johnson , Ha ' K 'in Xook 's name translates to " Water Sun Shark " . Of note , his name does not feature a turtle glyph , a feature found in all the previous rulers of Piedras Negras , as well as his successor . He ascended the throne on February 14 , 767 AD ( 9 @.@ 16 @.@ 16 @.@ 0 @.@ 4 , 7 K 'an 17 Pop in the Long Count ) , following the death of his brother Yo 'nal Ahk III . Ha ' K 'in Xook 's kingship of Piedras Negras had originally been overlooked by Tatiana Proskouriakoff , who instead assigned the title Ruler 6 to a misidentified sajal — or Maya leader — of La Mar. Not much is known about the rule of Ha ' K 'in Xook ; his reign , along with that of Yo 'nal Ahk III , has been referred to as " shadowy " by Flora Clancy , and James L. Fitzsimmons argues that Ha ' K 'in Xook seems to have been a weaker ruler when compared to the reign of Itzam K 'an Ahk II because Ha ' K 'in Xook erected few monuments , and he did not reinforce his power on a larger scale , choosing only to do so at local polities . The only notable recorded event that has been preserved during the life of Ha ' K 'in Xook is of an incident that took place at El Cayo , most likely related to the burial of a contemporary sajal . According to Zachary Nathan Nelson , the reign of Ha ' K 'in Xook seems to have been relatively free from war , as none of his extant stelae show representation of captives , and known records do not indicate any sort of " bellicose action " in the region during his reign . = = = Death or abdication = = = Ha ' K 'in Xook yielded the throne on March 24 , 780 AD ( 9 @.@ 17 @.@ 9 @.@ 5 @.@ 11 10 Chuwen 19 Sip ) . The reason why his reign came to an end has been a topic of debate . Some believe that his reign ended with his abdication . Throne 1 , when translated , notes that he " abandoned / transferred rulership " , which American Mayanist Stephen D. Houston interprets to mean that he abdicated in favor of his brother , K 'inich Yat Ahk II . Mayanist David Stuart also noted that the wording on the throne " implies a more active event on the ruler 's part " , but that " ' lose ' might be more neutral as far as an interpretation goes . " However , the exact phrase on the monument is yaktaaj ajawlel , which is the same wording that was used when the " burden " of leadership passed from K 'ak ' Tiliw Chan Yopaat , the k 'ul ahaw of Quiriguá , to his successor Sky Xul during his burial ten days after his demise in 785 AD . As such , this may suggest that , rather than abdicating , Ha ' K 'in Xook died in 780 AD , and his successor , K 'inich Yat Ahk II , took up rule later . The deciphered glyphs on Throne 1 note that K 'inich Yat Ahk II later " remembered " Ha ' K 'in Xook at the Paw Stone Place in some way , and that the new king may have possibly wept at the memory of Ha ' K 'in Xook , according to anthropologist Oswaldo Chinchilla Mazariegos . Regardless , K 'inich Yat Ahk II took up the throne on May 31 , 781 AD ( 9 @.@ 17 @.@ 10 @.@ 9 @.@ 4 1 K 'an 7 Yaxk 'in ) , almost a year following the end of Ha ' K 'in Xook 's reign . Despite this lengthy gap , there appears to be no evidence of anyone ruling Piedras Negras between the two kings . = = Monuments = = = = = Stelae = = = Several stelae have been found that were erected by Ha ' K 'in Xook , including Stelae 13 , 18 , and 23 . Stela 13 would appear to be the earliest , showing the oldest dedicatory date assigned to Ha 'K'in Xook , and it " captures the essence of the period @-@ ending celebration . " This 2 @.@ 39 @-@ metre ( 7 @.@ 8 ft ) tall stela retains stylistic elements of other niche stelae , but also shows a different form . It depicts the king scattering incense , similar to iconography found on Piedras Negras Stelae 2 and 32 . Clancy has argued that the stela contains iconography pertaining to three motifs : divination , " the quest " , and accession . Divination is shown via the act of Ha ' K 'in Xook scattering the incense . This motif had been introduced earlier in the iconography of Piedras Negras by K 'inich Yo 'nal Ahk II . The stela also features Ha ' K 'in Xook wearing a unique headdress ; it is depicted as being composed of three knots and forehead scrolls , a projecting Water Lily Jaguar , and a flexible rectangular emblem made from a jaguar pelt and a thick net . It has been postulated that this headdress was inspired by the headdress worn by an enthroned figure from the underworld featured on Stela 5 . Clancy argues that this headdress is a representation of " the royal theme of quest " , due to its iconographic similarity to other stelae at Piedras Negras . In addition , Stela 13 remains Ha ' K 'in Xook 's only extant image . Not much remains of Stela 18 , and what is left is badly worn . However , archaeologist Sylvanus Morley claimed that it expressed a Calendar Round date of 6 Ahaw 13 K 'ayab ( corresponding to a Long Count date of 9 @.@ 17 @.@ 5 @.@ 0 @.@ 0 or Dec. 27 , 775 ) , which Martin and Grube note is within Ha ' K 'in Xook 's reign . Stela 23 is the king 's accession monument . Originally carved on all four faces , this stela is in poor condition because it tipped over and shattered . The largest portions remaining include the base , and remnants of a basal panel of glyphs that feature the feet of two individuals . Similar to Stela 18 , Martin and Grube argue that Stela 23 dates to the rulership of Ha ' K 'in Xook because the Calendar Round date on the monument is contemporary with the date found on Stela 13 . This stele details a puluuy utz 'itil ceremony for Ha ' K 'in Xook 's dead father , Itzam K 'an Ahk II , and , when translated , reads " Ruler 6 [ Ha ' K 'in Xook ] , child of Ruler 4 [ Itzam K 'an Ahk II ] … acceded to the rulership " , seemingly proving that Ha ' K 'in Xook was indeed the offspring of Itzam K 'an Ahk II . All three of the stelae were discovered by Teoberto Maler in 1901 near one of the site 's main temple , the O @-@ 13 pyramid . Stela 13 was possibly erected on a terrace reached by the pyramid 's main stairway , and Stela 18 lies in a row on the plaza in front of the aforementioned stairway . Stela 23 , on the other hand , was erected at the very base of the pyramid . This pyramid was most likely the burial place for Itzam K 'an Ahk II , and — seeing as how Ha ' K 'in Xook , Yo 'nal Ahk III , and K 'inich Yat Ahk II all revered the site as a dynastic shrine — it is further evidence to back the argument that Ha ' K 'in Xook was the son of Itzam K 'an Ahk II . = = = Other = = = As mentioned before , Throne 1 details either the death or abdication of Ha ' K 'in Xook . However , it should be noted that the throne was not constructed by the king himself , but rather by his successor , K 'inich Yat Ahk II . The throne was later deliberately broken apart by Piedras Negras 's enemies , but has since been reconstructed . In addition to on @-@ site remains and relics , a fragment of stone found at El Porvenir and aptly called the " El Porvenir Fragment " was also discovered that bore the name of Ha ' K 'in Xook .

= Tommy Lawton = Thomas " Tommy " Lawton ( 6 October 1919 – 6 November 1996 ) was an English football player and manager . A strong centre @-@ forward with excellent all @-@ round attacking skills , he was able to head with the ball with tremendous power and accuracy . Despite losing much of his best years to World War II , he scored 260 goals in 433 league and cup competitions in 14 full seasons in the Football League . Born in Farnworth and raised in Bolton , he played amateur football at Rossendale United , before he turned professional at Burnley on his 17th birthday . He also played cricket for Burnley Cricket Club , before his potential as a footballer won him a £ 6 @,@ 500 move to Everton in January 1937 . He went on to finish as the First Division 's top @-@ scorer in 1937 – 38 and 1938 – 39 , helping Everton to finish as champions of the Football League in the latter campaign . League football was then suspended for seven full seasons due to the outbreak of war in Europe , during which time he scored 24 goals in 23 appearances for England whilst guesting for Everton and a number of other clubs . In November 1945 , he moved to Chelsea for £ 14 @,@ 000 , and scored a club record 26 goals in 34 league games in the 1946 – 47 season . In November 1947 , he made a surprise move to Third Division South club Notts County for a British record transfer fee of £ 20 @,@ 000 . He helped the club to win promotion as champions in 1949 – 50 , before he moved on to Brentford in March 1952 for a club record £ 16 @,@ 000 . In January 1953 , Brentford appointed him player @-@ manager , though he would only remain in charge for nine months . He joined Arsenal as a player in November 1953 for £ 10 @,@ 000 , where he saw out the remainder of his playing career . He had a promising start to his managerial career by leading Kettering Town to the Southern League title in 1956 – 57 , but then only had two more seasons as manager , getting relegated with Notts County in 1957 – 58 and then relegated with Kettering Town in 1963 – 64 . During the 1970s he struggled with debt and related legal problems , which were reported in the media as an example of a celebrated person having fallen from grace . He scored 22 goals in his 23 England appearances over a ten @-@ year international career from 1938 to 1948 , including four against Portugal in May 1947 . He helped England to win two British Home Championship titles outright ( 1946 – 47 and 1947 – 48 ) , and to share the Championship in 1938 – 39 . He fell out of international contention at the age of 28 due to his contempt for manager Walter Winterbottom , his decision to drop out of the First Division , and the emergence of Jackie Milburn and Nat Lofthouse . As well as his England caps , he also represented The Football League XI and played in a special Great Britain game against Europe in 1947 . He married twice , and had two children and one step @-@ child . His ashes are held in the National Football Museum , and he was inducted into the English Football Hall of Fame in 2003 . = = Early life = = Thomas Lawton was born on 6 October 1919 to Elizabeth Riley and Thomas Lawton senior in Farnworth , Lancashire . His father was a rail @-@ road signalman of Irish extraction , and his mother worked as a weaver at Harrowby Mill . His father left the family 18 months after Lawton was born , and Elizabeth moved back into her parents ' home in Bolton . Elizabeth 's father , James Hugh " Jim " Riley , became Lawton 's surrogate father . Lawton 's natural footballing ability earned him a place on the Bolton Town Schools team in 1930 . He was picked by Lancashire Schools at the age of 13 . Despite scoring a hat @-@ trick in a trial game for England Schoolboys , he never earned a full England Schoolboy cap . At the age of 14 he began playing for Hayes Athletic in the Bolton Senior League , and went on to score 570 goals in three seasons . The FA 's rules meant he was unable to turn professional at a club until he was 17 , and Lawton 's grandfather rejected Bolton Wanderers 's offer for Lawton to work as a delivery driver for two years before turning professional at the club . Lawton instead played as an amateur for Rossendale United in the Lancashire Combination , scoring a hat @-@ trick on his debut against Bacup . He took up temporary work at a tannery , and then joined Burnley as assistant groundsman after his mother rejected an offer from Sheffield Wednesday as she objected to him travelling to Sheffield on a daily basis . = = Club career = = = = = Burnley = = = Lawton played his first game for Burnley Reserves against Manchester City Reserves in September 1935 , and though he struggled in this game he went on to become a regular Reserve team player by the age of 16 . After a poor run of form from Cecil Smith , Lawton was selected ahead of Smith for the Second Division game against Doncaster Rovers at Turf Moor on 28 March 1936 ; aged 16 years and 174 days , this made him the youngest centre @-@ forward ever to play in the Football League . Rovers centre @-@ half Syd Bycroft , also making his league debut , marked Lawton out of the game , which ended in a 1 – 1 draw . Burnley had played poorly , though Lawton was praised for his " keen and fearless " performance by the Express & News newspaper . He retained his place for the following game , and scored two goals in a 3 – 1 victory over Swansea Town at Vetch Field . He picked up a groin strain in his third appearance which caused him to miss two fixtures , before he returned to the first team for the final four games of the 1935 – 36 season ; he claimed three more goals to take his season tally to five goals from seven games . Lawton continued to train his heading skills intensely in the summer of 1936 , and also played cricket for Burnley Cricket Club as a batsman in the Lancashire League . He scored a six against both Learie Constantine and Amar Singh . He scored 369 runs in 15 completed innings for an average of 24 @.@ 06 . He turned professional at Burnley at the age of 17 on wages of £ 7 a week . His grandfather attempted to negotiate a £ 500 signing @-@ on fee on his behalf but was rebuffed after the club alerted Charles Sutcliffe , Secretary of the Football League , who informed them that any attempt to circumvent the league 's maximum wage was illegal . Lawton scored in his first appearance since signing the contract after just 30 seconds , before going on to record a hat @-@ trick in a 3 – 1 win over Tottenham Hotspur , scoring a goal with either foot and one with his head . = = = Everton = = = In January 1937 , First Division club Everton paid Burnley £ 6 @,@ 500 to secure Lawton 's services , and also gave his grandfather a job as deputy groundsman at Goodison Park ; the fee was a record for a player under 21 . The move to Everton made him a teammate of Dixie Dean , his boyhood idol , who he was expected to gradually replace as first choice centre @-@ forward . He later recalled that on his way to Goodison Park on his first day as an Everton player he was told by a tram conductor that " You 're that young Lawton , aren 't you ? You 'll never be as good as Dixie . " Dean was finally rested on 13 February , which allowed Lawton to make his first team debut against Wolverhampton Wanderers at Molineux ; the match ended in a 6 – 2 defeat , though Lawton scored a penalty . He spent the rest of the season at inside @-@ left , with Dean at centre @-@ forward , and ended the 1936 – 37 campaign with four goals in 11 games . He started the 1937 – 38 season in the Reserves , but was installed as first choice centre @-@ forward in September after Dean was dropped for punching club secretary Theo Kelly . On 2 October , Lawton scored the winning penalty in a 2 – 1 victory over Merseyside derby rivals Liverpool at Anfield . He ended the campaign with 28 goals in 39 appearances to become the division 's top @-@ scorer . Everton had a young but highly effective team for the 1938 – 39 campaign , and Lawton was praised for the way he led the attack , with the Evening Standard 's Roland Allen describing Lawton as a " clever footballer , bringing his wing men into the game with shrewd flicks and widely flung and accurate passes " after Everton recorded a 2 – 1 victory over Arsenal at Highbury . The game against Arsenal was part of a run of six wins in the first six games of the campaign , during which time Lawton scored eight goals . Everton lost their lead at the top of the table to Derby County over Christmas , but returned to form and to first position by Easter . They faced a difficult final run of games , but beat Chelsea and recorded two victories over Sunderland to secure the club 's fifth league title , finishing four points ahead of second @-@ place Wolverhampton Wanderers . Lawton scored 34 goals in 38 league games to finish as the division 's top @-@ scorer for the second successive season . However , in the summer he wrote to Leicester City to request that the club buy him from Everton ; it was reported that he reached out to Leicester as they were managed by Tom Bromilow , his former Burnley manager . Everton were fifth in the league and Lawton was the division 's top @-@ scorer with four goals when league football was suspended three games into the 1939 – 40 season due to the outbreak of World War II . Lawton later remarked that " I 'm convinced that if it hadn 't been for the War , we 'd have won the Championship again , the average age of those players was about 24 or 25 " . = = = World War II = = = Lawton continued to play for both Everton and England during the war . However the FA decided to not award full caps for England appearances during the war , and as a result his 24 goals in 23 international games were not counted in statistics for the official England team . As was common for footballers during the war , he also made guest appearances for a number of clubs besides Everton , including Leicester City , Greenock Morton , Chester City , Aldershot , and Tranmere Rovers . He was called up to the British Army in January 1940 , and his status as an England international saw him recruited to the Royal Army Physical Training Corps . He also played for the British Army team and his Area Command team . He was posted in Birkenhead , which allowed him to frequently appear for Everton . On Christmas Day 1940 , he played for Everton against Liverpool at Anfield in the morning and for Tranmere Rovers at Crewe Alexandra in the afternoon . Explaining this later , he said , ' The Tranmere people came into the dressing room and asked if anyone wanted to play as they were two men short . I said , " Go on , I 'll help you out . " And I did . ' In 1942 he scored a hat @-@ trick for England in a 5 – 4 win over Scotland at Hampden Park . Later in the year he scored six goals for Aldershot in a 9 – 0 win over Luton Town . On 16 October 1943 , he scored four goals in an 8 – 0 victory over Scotland at Maine Road . = = = Chelsea = = = In July 1945 , Lawton handed in a transfer request at Everton as he wanted a move to a Southern club so as to see more of his increasingly estranged wife . In November 1945 , he was sold to Chelsea for a fee of £ 14 @,@ 000 . Chelsea continued to play regional wartime fixtures as national league football had not resumed for the 1945 – 46 season , and Lawton also continued his uncapped appearances for the England national team . In the summer of 1946 , following his demobilisation , he coached for the FA in a summer camp in Switzerland . He scored a club record 26 goals in 34 league games in the 1946 – 47 season . However he struggled to settle at Stamford Bridge and came into conflict with manager Billy Birrell after refusing to go on a pre @-@ season tour of Sweden in 1947 , which resulted in him requesting a transfer . He favoured a move to Arsenal , but this was ruled out by the Chelsea hierarchy . Lawton turned down an approach by Sunderland manager Bill Murray as he held out hope that Chelsea would relent and allow him a move to Arsenal . = = = Notts County = = = In November 1947 , Lawton was sold to Notts County of the Third Division South for a British record transfer fee of £ 20 @,@ 000 . He made the surprise decision to drop down two divisions so as to be reunited with manager Arthur Stollery , his former masseur and friend at Chelsea , and because he was promised a job outside of football upon his retirement by vice @-@ chairman Harold Walmsley . Walmsley told the Nottingham Guardian Journal that " we are prepared to spend to the limit to put this old club back where it belongs " . He scored two goals on his home debut , a 4 – 2 win over Bristol Rovers in front of 38 @,@ 000 spectators at Meadow Lane – a massive increase on previous home games of typically 6 @,@ 000 to 7 @,@ 000 supporters . He ended the 1947 – 48 season with 24 goals in as many games , though was resented by the club 's directors after he insisted on pay rises for his teammates and stopped the practice of director 's friends and family travelling to away games on the team coach . He formed a productive forward partnership with Jackie Sewell in the 1948 – 49 campaign , and scored 23 goals in 40 league and cup appearances . County finished in mid @-@ table despite scoring 102 goals , 15 more than champions Swansea . Stollery was sacked and upon Lawton 's suggestion the club appointed Eric Houghton as manager after Lawton turned down the role as player @-@ manager . Lawton and Sewell 's understanding grew throughout the 1949 – 50 campaign , and Lawton finished as the division 's top @-@ scorer with 31 goals in 37 league games as County won promotion as champions , seven points ahead of second @-@ placed Northampton Town . Promotion was secured with a 2 – 0 win over local rivals Nottingham Forest at Meadow Lane on 22 April . However he struggled with poor form during the 1950 – 51 season as his first marriage was coming to an end and he came into increasing conflict with his teammates . He was angered when the club sold Jackie Sewell to Sheffield Wednesday in March 1951 – breaking Lawton 's own transfer record in the process – as he felt the move showed a lack of ambition from the club 's directors . He also found that the well paid job he was promised outside of football did not transpire . His tally of nine goals in 31 games in 1950 – 51 and 13 goals in 31 games in 1951 – 52 was disappointing , and he was made available for transfer . = = = Brentford = = = In March 1952 , Lawton joined Second Division side Brentford for a club record £ 16 @,@ 000 fee . Manager Jackie Gibbons left the club at the start of the 1952 – 53 season and was succeeded by his assistant Jimmy Bain , who proved ill @-@ suited to management , and so in January 1953 Lawton was appointed as player @-@ manager , with Bain as his assistant . However he lost the dressing room due to his excessive demands of the players , and the strains of management were having a negative impact on his form . Brentford also lost their best players having sold both Ron Greenwood and Jimmy Hill . He signed two veterans in former Notts County teammate Frank Broome and Ian McPherson to play on the wings , who , with Lawton , formed an attacking trio with a combined age of 104 . They got off to a poor start to the 1953 – 54 season , and Lawton resigned as manager after the Griffin Park crowd began to mock the forward line by singing Dear Old Pals . = = = Arsenal = = = In November 1953 , Lawton was traded to First Division champions Arsenal for £ 7 @,@ 500 plus James Robertson ( valued at £ 2 @,@ 500 ) . He was signed by manager Tom Whittaker , who had previously found success in bringing in veterans such as Ronnie Rooke and Joe Mercer . However Lawton was limited to ten appearances in the 1953 – 54 campaign after picking up an injury on his debut . He also played in the 1953 Charity Shield , scoring one goal as Arsenal beat Blackpool 3 – 1 . He scored seven goals in 20 appearances throughout the 1954 – 55 season , including winning goals against Chelsea and Cardiff City . He scored a hat @-@ trick past Cardiff City on the opening day of the 1955 – 56 season , before he announced his decision to leave Arsenal to pursue a career in management eight games into the campaign . " More than 20 years of soccer . What glorious years . Years that all the money in the world couldn 't buy . I have been lucky . I have played with great clubs ; I have escaped serious injury ; I have played for my country ; I have even captained my country ; I have won many of the game 's top honours . Soccer has been good to me and I hope that I have repaid the game in some small way . I have had great experiences . I have met some wonderful people . I have memories that nobody can take away from me . If I could turn the clock back 20 years , I would still go into the game as a full @-@ time professional and I can say to any lad who is contemplating a career in football : Go ahead son ... providing you are willing to work and work hard and providing you are willing to learn the craft thoroughly . You will meet some of the grandest fellows you could ever wish to meet and you will have a pleasant , healthy life and be quite well paid for it . = = International career = = Lawton was called up to play for The Football League XI against a League of Ireland XI at Windsor Park on 21 September 1938 , and scored four goals in what finished as an 8 – 2 win . A month later he went on to win his first cap for England on 22 October , England 's first game of the 1938 – 39 British Home Championship , a 4 – 2 defeat to Wales at Ninian Park , and converted a penalty kick to mark his first England appearance with a goal . This made him the youngest player to score on his England debut , a record which lasted until Marcus Rashford broke it in 2016 . Four days after Lawton 's debut , he scored again for England at Highbury in a 3 – 0 win over ' The Rest of Europe ' , a team of players selected from Italy , Germany , France , Belgium , Hungary and Norway . Later in the year he also scored in victories over Norway and Ireland . He played in all four games of 1939 , scoring against Scotland and Italy ; the goal against Scotland secured a 2 – 1 win in front of 149 @,@ 269 spectators at Hampden Park . Newly appointed England manager Walter Winterbottom played Lawton in England 's first official match in seven years on 28 September 1946 , a 7 – 2 win over Ireland . He played the remaining three fixtures of 1946 , and scored four goals in a 8 – 2 victory over the Netherlands at Leeds Road on 27 November . On 10 May 1947 , he scored two goals playing for the Great Britain XI in a 6 – 1 victory over a Rest of Europe XI that was billed as the ' Match of the Century ' . Five days later he scored four goals in a 10 – 0 victory over Portugal at Lisbon 's Estádio Nacional . On 21 September , he scored after just 12 seconds in a 5 – 2 win over Belgium at Heysel Stadium . He retained his place in the England team following his club move to Notts County , and in doing so became the first Third Division footballer to represent England when he scored from the penalty spot in a 4 – 2 win over Sweden on 19 November . However he only won three further caps in 1948 , his final appearance coming in a 0 – 0 draw with Denmark in Copenhagen on 26 September . He had become increasingly disillusioned with the England set @-@ up , and told Walterbottom that " if you think you can teach Stanley Matthews to play on the wing and me how to score goals , you 've got another think coming ! " Walterbottom was also frustrated by Lawton 's smoking habit , and preferred Jackie Milburn ahead of Lawton . Hopes of any future comeback were ended by the emergence of powerful centre @-@ forward Nat Lofthouse , who made his England debut in November 1950 . = = Style of play = = Lawton was widely regarded as the finest centre @-@ forward of his generation . He boasted a strong physique and good ball control skills , as well as a great passing range and a powerful shot . He was naturally right @-@ footed , though worked to improve his left foot to a good enough standard to be considered a two @-@ footed player . His greatest strength though was his ability to head the ball , as he possessed muscular legs to give himself a strong jump and long hang @-@ time , and was also able to time his jumps to perfection . Stanley Matthews surmised that " Quite simply , Tommy was the greatest header of the ball I ever saw . " Lawton was never booked throughout his career . = = Coaching career and later life = = An Arsenal director helped Lawton to find employment as player @-@ manager at Southern League side Kettering Town on wages of £ 1 @,@ 500 a year . He signed a number of players from Football League clubs , including Jim Standen ( Arsenal ) , Amos Moore ( Aston Villa ) , Jack Wheeler ( Huddersfield Town ) , Jack Goodwin ( Brentford ) , Bob Thomas ( Fulham ) , Norman Plummer ( Leicester City ) , Harry McDonald ( Crystal Palace ) and Geoff Toseland ( Sunderland ) . Kettering were ten points clear at the top of the table by Christmas . In January 1956 he turned down an approach from Notts County to return as manager . Kettering won the league title in 1956 – 57 , finishing eight points ahead of Bedford Town , with Lawton scoring 15 of Kettering 's 106 league goals . He was appointed as Notts County manager in May 1957 , controversially replacing caretaker @-@ manager Frank Broome , who had steered the club away from the Second Division relegation zone ; Broome was installed as his assistant . He was unable to make new signings as he was unable to move on any of the club 's 33 playing staff . He did though take on forwards Jeff Astle and Tony Hateley as apprentices , who would both go on to have long careers in the First Division . Lawton agreed to go without his wages for six months so as to improve the club 's finances . County were relegated at the end of the 1957 – 58 season , finishing one point short of safety , and Lawton was sacked . He received a total of just three months pay for his time at the club , having only a verbal offer of a three @-@ year contract to fall back on , and nothing in writing . After being sacked as Notts County manager , Lawton ran the Magna Charta public house in Lowdham from October 1958 . An employee stole £ 2 @,@ 500 from the business and Lawton decided to leave the pub trade after four years . He then took up a job selling insurance . He returned to football management with Kettering Town for the 1963 – 64 season as a caretaker following the resignation of Wally Akers , but the season ended with Kettering being relegated from the Southern League Premier Division . He was offered the job on a permanent basis , but turned it down so as to concentrate on his job as an insurance salesman . He lost his job in insurance in 1967 , and then opened a sporting goods shop that bore his name after going into partnership with a friend , but was forced to close the business after just two months due to poor sales . After a period on unemployment benefits he found work at a betting company in Nottingham . He returned to Notts County to work as a coach and chief scout from 1968 to 1970 . He was sacked after new manager Jimmy Sirrel decided to appoint his own backroom staff , and Lawton returned to unemployment . In May 1970 , he wrote to Chelsea chairman Richard Attenborough asking for a loan of £ 250 and for possible employment ; Attenborough lent him £ 100 . He was interviewed by Eamonn Andrews on ITV 's Today programme on his fall from England star to the unemployment line . After his financial troubles became public knowledge he was offered a lucrative job as director of his own subsidiary furniture company by a large furnishing company on Tottenham Court Road , however the company went into liquidation the following year . He continued to write cheques in the company 's name , and in June 1972 pleaded Guilty to seven charges of obtaining goods and cash by deception . He was sentenced to three years probation , and ordered to pay £ 240 compensation and £ 100 in costs . In 1972 a testimonial match was organised by Everton on Lawton 's behalf to help him pay off his debts of around £ 6 @,@ 000 . However his financial situation was still bleak , and on two occasions he narrowly avoided a prison sentence for failing to pay his rates after an Arsenal supporters club and later an anonymous former co @-@ worker stepped in to pay the bill for him . In August 1974 , he was again found Guilty of obtaining goods by deception after failing to repay a £ 10 debt to a publican , and was sentenced to 200 hours of Community service and ordered to pay £ 40 costs . In 1984 he began writing a column for the Nottingham Evening Post . Brentford also organised a testimonial match for him in May 1985 . Lawton 's health deteriorated in his old age and he died in November 1996 , aged 77 , as a result of pneumonia . His ashes were donated to the National Football Museum . He was inducted into the English Football Hall of Fame in 2003 . = = Personal life = = Lawton married Rosaleen May Kavanagh in January 1941 ; the marriage bore one child , Amanda . Rosaleen never watched Lawton play football during their ten @-@ year marriage . Divorce was granted with a decree nisi in March 1951 after Rosaleen was found to have committed adultery with Notts County director Adrian Van Geffen ; Lawton never saw Amanda again and was not required to pay child support . He would not hear from his daughter until she was convicted of stealing from playwright George Axelrod in 1968 , by which time Rosaleen was on her fourth marriage and living in Jamaica . Lawton married second wife Gladys Rose in September 1952 , who bore him a son , Thomas Junior . Gladys was also divorced , and her ex @-@ husband cited Lawton as a co @-@ respondent in the divorce proceedings as the pair had begun their relationship whilst Gladys was still married ; her family were staunch Catholics , and Gladys was ostracised by her family following her divorce . Gladys had a daughter , Carol , from her previous marriage , who Lawton raised as his own . Thomas Junior went on to play rugby union for Leicester Tigers . He starred alongside Thora Hird and Diana Dors in 1953 film The Great Game , playing himself in a cameo role . Throughout the 1950s he went on to appear on What 's My Line ? amongst other radio and television programmes . He published a total of four books : Tommy Lawton 's all star football book ( 1950 ) , Soccer the Lawton way ( 1954 ) , My Twenty Years of Soccer ( 1955 ) , and When the Cheering Stopped ( 1973 ) . = = Career statistics = = = = = Club playing statistics = = = Sourced from Tommy Lawton profile at the English National Football Archive ( subscription required ) = = = International playing statistics = = = Sourced from Tommy Lawton profile at the England Football Online website = = = Managerial statistics = = = Sourced from Tommy Lawton profile at the English National Football Archive ( subscription required ) Notes Statistics at Kettering Town not recorded . = = Honours = = England British Home Championship winner : 1938 – 39 ( shared ) , 1946 – 47 , 1947 – 48 Everton Football League First Division champion : 1938 – 39 Notts County Football League Third Division South champion : 1949 – 50 Arsenal Charity Shield winner : 1953 Kettering Town Southern Football League champion : 1956 – 57 = = = Specific = = = = = = General = = =

= Trials and Tribble @-@ ations = " Trials and Tribble @-@ ations " is the 104th episode of the American science fiction television series Star Trek : Deep Space Nine , the sixth episode of the fifth season . It was written as a tribute to the original series of Star Trek , in the 30th anniversary year of the show ; sister series Voyager produced a similar episode , " Flashback " . The idea for the episode was suggested by René Echevarria , and Ronald D. Moore suggested the link to " The Trouble with Tribbles " . The pair were credited for their work on the teleplay , with the story credit going to Ira Steven Behr , Hans Beimler and Robert Hewitt Wolfe . Set in the 24th century , the series follows the adventures on Deep Space Nine , a space station located near a stable wormhole between the Alpha and Gamma quadrants of the Milky Way Galaxy . In this episode , Captain Benjamin Sisko ( Avery Brooks ) and the crew travel back in time to prevent the assassination of Captain James T. Kirk ( William Shatner ) of the USS Enterprise by a Klingon using a booby @-@ trapped tribble . Moore had originally suggested re @-@ visiting the planet seen in The Original Series episode " A Piece of the Action " but was convinced by Echevarria that the digitally inserted shots previously seen in Forrest Gump ( 1994 ) could be done on a small budget . After a test shot was completed , the rest of the production team were also convinced that it could be achieved . The budget was set at $ 3 million , with extensive work completed on matching the film techniques used during The Original Series . Some original costumes were found for the Klingons while others were made from patterns created by Robert Blackman . Greg Jein created new models of the Enterprise as well as Deep Space Station K7 and the Klingon cruiser , while 1 @,@ 400 tribbles were purchased from a company owned by Majel Barrett . Charlie Brill returned to Star Trek to appear once more as Arne Darvin , and Deidre L. Imershein was cast in part due to her being friends with one of the production crew members . Walter Koenig , who portrayed Ensign Pavel Chekov in The Original Series , showed the Deep Space Nine cast how to work the consoles on the Enterprise sets . " Trials and Tribble @-@ ations " was warmly received by critics with praise directed at the nostalgia and level of detail seen on screen . It was the most watched episode of the fifth season . " Trials and Tribble @-@ ations " was nominated in three Primetime Emmy Award categories and for the Hugo Award for Best Dramatic Presentation but did not win any awards . It was released on VHS initially alongside " The Trouble with Tribbles " , and later as part of the normal release schedule . It was subsequently released as part of the season five DVD set . = = Plot = = On board Deep Space Nine , Captain Benjamin Sisko ( Avery Brooks ) is being queried by Department of Temporal Investigations agents Dulmer ( Jack Blessing ) and Lucsly ( James W. Jansen ) . The Captain explains that he was on the USS Defiant , returning from Cardassian space with the Bajoran Orb of Time . They had picked up a hitchhiker on the way , a human called Barry Waddle . Suddenly the ship found itself some 200 light years away from its previous location and a hundred years in the past , near Deep Space Station K7 and found the USS Enterprise in orbit . They discover that the hitch @-@ hiker was Arne Darvin ( Charlie Brill ) , a Klingon agent who had previously been caught by Captain James T. Kirk ( William Shatner ) on K7 whilst trying to poison a shipment of grain . Fearing that Darvin may be attempting to assassinate Kirk , the crew dress in period uniforms and investigate the Enterprise . They attempt to interact with history as little as possible whilst investigating Darvin . The crew does not initially recognize the Klingons of the time period , and when Worf ( Michael Dorn ) is asked about the difference in appearance , he replies that the matter is not discussed with outsiders ( this is further expanded on in the Star Trek : Enterprise episodes " Affliction " and " Divergence " ) . Doctor Julian Bashir ( Alexander Siddig ) and Chief Miles O 'Brien ( Colm Meaney ) get involved in a bar brawl between the Enterprise crew and a number of Klingons on shore leave . Captain Kirk disciplines them on the Enterprise alongside Chief Engineer Montgomery Scott ( James Doohan ) and Ensign Pavel Chekov ( Walter Koenig ) . Bashir and O 'Brien notice that the ship is covered with tribbles . Lieutenant Commander Worf ( Michael Dorn ) and Odo ( René Auberjonois ) trail Darvin as he returns to the Defiant . There , Darvin admits that he planted a bomb in a tribble to kill Kirk . Sisko and Lieutenant Jadzia Dax ( Terry Farrell ) board the Enterprise but can find no trace of a bomb . They travel to K7 , and scans indicate that the bomb is in the grain storage compartments . They enter the compartments and discover that the poisoned grain has all been eaten by tribbles , who are now all dead . Suddenly Captain Kirk opens the compartment and is covered in falling tribbles . Dax and Sisko find the bomb before it can kill Kirk and the Defiant transports it into space where it explodes . The crew of the Defiant use the Bajoran Orb to travel back to the present time , and Sisko finishes explaining the situation to the Temporal Agents . The episode ends with Quark ( Armin Shimerman ) in his bar on Deep Space Nine 's promenade , with numerous tribbles around him . = = Production = = = = = Premise and writing = = = As the 30th anniversary of Star Trek was approaching , a number of plans were being put into place . The film Star Trek : First Contact was entering production , a television special was planned to celebrate the franchise and George Takei had been cast to appear in the Star Trek : Voyager episode " Flashback " . Producer Ira Steven Behr later recalled that he thought that Deep Space Nine might end up being missed out as he considered it to be the " middle child " of the franchise . However , Rick Berman contacted Behr and asked him if he would be interested in doing something to celebrate the anniversary . Behr agreed to discuss it with the staff writers . Initially , there was concern that if the proposed episode aired during the actual anniversary week ( around September 8 ) , that it would have to serve as the season opener , pre @-@ empting the already planned opener . The writers discussed potential ideas . Ronald D. Moore had previously brought back Montgomery Scott for the Star Trek : The Next Generation episode " Relics " and since Takei was appearing in Voyager , they felt that having a member of the main cast from The Original Series return would be repetitive . Some consideration was given by Moore to sending the DS9 crew to the gangster @-@ type planet visited by Kirk in the episode " A Piece of the Action " . It was René Echevarria who suggested a time @-@ travel episode , which was seen as an expensive proposition . Echevarria , however , pressed for the idea . Moore suggested inserting the DS9 crew into " The Trouble with Tribbles " , suggesting it could resolve the question of why a constant stream of tribbles kept hitting Kirk in the head . When the discussion came to inserting the DS9 crew into the bar @-@ brawl scene , Berman liked the idea but was unsure if it could actually be done . Visual effects supervisor Gary Hutzel created test footage and screened it for Behr and Moore , who thought that it was simply footage from the original episode . Once Hutzel revealed that an additional security officer had been seamlessly added to the sequence , the episode was green @-@ lit . During the scripting process , " The Trouble with Tribbles " was regularly consulted , so the writers could decide where to insert characters . The Temporal Agents , Dulmer and Lucsly , were so named as they were anagrams of Mulder and Scully from The X @-@ Files . Original " Tribbles " creator David Gerrold was contacted by The New York Times , who wanted to interview him about the anniversary and the rumored " tribbles " episode . When he questioned Berman about the episode , Berman initially denied it . Gerrold responded that he didn 't want to embarrass anyone , but would like to be able to endorse the project . Berman asked what the endorsement would cost , to which Gerrold requested public acknowledgement of his work and to be cast as an extra in the episode . Berman agreed . Gerrold compared inserting new footage into an existing episode to Back to the Future Part II ( 1989 ) and later said that he would have gone in a different direction had he written the story . Nonetheless , he felt the final product ended up being better than anything he would have created . = = = Directing , cinematography and music = = = A number of directors were considered for the episode , with Jonathan West being given the job . West had previously been the cinematographer on staff for both Deep Space Nine and The Next Generation , as well as directing several episodes of the franchise . He had nine days of preparation time before shooting began . He sought to match the same production values as The Original Series but found that lighting style and color saturation to film had changed in the intervening years . Visual effects supervisor Dan Curry directed some of the second @-@ unit sequences , and together with West and cinematographer Kris Krossgrove worked to rectify these issues . This was achieved by switching to a finer grain of film , by utilizing different lenses as well as by shooting from specific angles . With Gerrold on set as an extra , West used him as an unofficial advisor on matching the scenes from " The Trouble with Tribbles " . The actual digital insertion of actors was conducted in the same manner as seen in the film Forrest Gump ( 1994 ) . The original footage was remastered , and was seen as such an improvement that it inspired the subsequent clean @-@ up and re @-@ release of all of " Original Series " episodes . This remaster was conducted by Hutzel and was the first transfer since 1983 , when a version was created for VHS and laser disc release . Hutzel identified 19 scenes from " The Trouble with Tribbles " which were matched in " Trials and Tribble @-@ ations " . The scene matching between the new footage and the old took nine weeks to complete with a budget of $ 3 million . It involved both two @-@ dimensional and three @-@ dimensional tracking shots as well as insertion of matte shots and the use of both blue and green screens for the actors . Not all shots seen in the episode were actually taken from " The Trouble with Tribbles " . The scene where Sisko meets Kirk on the bridge towards the end of the episode was instead taken from the episode " Mirror , Mirror " . Due in part to the special effects , the costuming , the set re @-@ constructions and the residual payments to The Original Series cast , Behr later described " Trials and Tribble @-@ ations " as " probably the most expensive hour of episodic TV ever produced " . The only member of The Original Series cast who was spoken to directly by the producers was Leonard Nimoy , who was enthusiastic about the idea and was surprised that it had taken them so long to come up with the idea . The remaining cast members were each contacted through Paramount 's legal department . Dennis McCarthy wanted to re @-@ work the Jerry Fielding score previously used on " The Trouble with Tribbles " . He said that he intended to use the production equipment and orchestra available to bring the score up to the same scale previously seen on Deep Space Nine . However , the producers wanted a new score and so McCarthy explained that he composed it in a Fielding @-@ inspired mindset . The only piece that was directly re @-@ recorded by McCarthy was the Alexander Courage " Theme from Star Trek " , which involved a 45 piece orchestra . = = = Design and makeup = = = Art director Randy McIlvain led the set re @-@ creation for the Enterprise and K7 , describing the excitement over working on the episode as " contagious " . McIlvain spent a fair amount of time getting the window angles correct on the sets . Mike Okuda re @-@ created the graphics seen on the Enterprise sets using a computer , whilst others were re @-@ drawn by artist Doug Drexler . Some sets were not re @-@ created in full , such as the bridge , which required parts of it to be later added digitally . The captain 's chair from the bridge re @-@ creation was later one of the Star Trek items to be auctioned by Christie 's . Set designer Laura Richarz watched " The Trouble with Tribbles " carefully looking for small details to replicate on the new sets , such as the legs of benches in the bar on K7 . However , she said her biggest challenge was tracking down the chairs seen on the space station . She contacted John M. Dwyer , who had worked on the original episode . He explained to her that the company which created the original chairs had gone out of business . After searching shops selling retro furniture , the production team found a single chair that matched those seen in the original episode . It was purchased and a mold was made to create more chairs . The actors were impressed when they saw the resulting sets , with Terry Farrell exclaiming " Wow , we 're on the Enterprise ! " Greg Jein had already been working on a new model of the USS Excelsior for the " Flashback " episode of Voyager when he saw the test footage for " Trials and Tribble @-@ ations " . He promised to make a new model of the Enterprise too , but warned that he didn 't know when he would have time to do it . He actually started work on it immediately , and together with his colleagues he not only built a 5 @.@ 5 feet ( 1 @.@ 7 m ) long model of the Enterprise , but created a new model of Deep Space Station K7 and the Klingon cruiser as well . The Enterprise model was the first to be built of the original Star Trek starship in more than 30 years . Other props were also recreated , with around 1 @,@ 400 tribbles created for the various scenes . They were purchased from Lincoln Enterprises , a company set up by Majel Barrett , widow of Star Trek creator Gene Roddenberry . The rest of the era @-@ specific props were newly created , and were made by Steve Horsch . Costume designer Robert Blackman was concerned over the re @-@ creation of the Klingon uniforms seen in The Original Series as he thought that the metallic material used would be nearly impossible to create accurately . He was subsequently relieved to have found four original costumes and an additional shirt in the costume archives , calling them a " godsend " . His team created patterns from other costumes to remake them . Make @-@ up supervisor Michael Westmore had previously worked on a television series during the 1960s and recalled what type of make @-@ up was available at the time . He had the team restrict themselves to techniques of that era to ensure that the DS9 crew blended properly into the scenes . The hairstyles of the crew were also meant to be reminiscent of The Original Series , with Alexander Siddig sporting a style previously seen on James Doohan . René Auberjonois said that his new hairstyle reminded him of Jerry Lee Lewis . = = = Filming and casting = = = The cast and crew were enthusiastic on set , with editor Steve Tucker calling it a " giddy party " . Behr said of the cast and crew in the episode that " They all were having fun . Just sitting on those sets , being on that bridge , it was a hoot , a real hoot . " Deidre L. Imershein was brought in at the last minute to play Lt. Watley , as she was a friend of one of the production crew and had previously appeared as a Risan pleasure girl in The Next Generation episode " Captain 's Holiday " . She was brought in because none of the actresses the producers had seen during the casting process could say the role 's one line ( " Deck 15 " ) convincingly enough . Her involvement led to the role 's being expanded into a second scene where she was revealed to be Bashir 's great @-@ grandmother . Charlie Brill returned to film new scenes as Klingon agent Arne Darvin , while original series writer Gerrold was allowed to appear as an extra in two scenes as a crewman from the Enterprise . In one of those scenes he was holding an original tribble from " The Trouble with Tribbles " . Walter Koenig was on hand as well during the filming of the episode to teach the DS9 actors how the consoles were operated on the Enterprise . Koenig later commented that he was paid eight times as much for this and the residual payment as he had been for the original episode . A string of other visitors came to the set during filming , including Majel Barrett and former The Next Generation producer ( and TOS co @-@ producer ) Bob Justman . = = Reception = = Before the episode was shown , a half @-@ hour special was shown on the Sci Fi Channel about the making of " Trials and Tribble @-@ ations " on November 2 , 1996 . Paramount also promoted the episode by arranging the placement of around 250 @,@ 000 tribbles in subways and buses across the United States . It received Nielsen ratings of 7 @.@ 7 % , placing it in sixth place in the timeslot . This meant that it had been watched by 7 @.@ 7 % of all households . It was the most watched episode of the fifth season during its initial broadcast . The last time the series had received similar ratings was nearly a year earlier with season four 's " Little Green Men " . Two reviewers watched the episode for Tor.com. Torie Atkinson described " Trials and Tribble @-@ ations " as a " perfect episode " , and " one of the best Star Trek episodes ever made , in any series . " She praised the humour and the references , and found Dax in her role as a stand @-@ in for fans of The Original Series . She gave the episode a score of six out of six . Eugene Myers wasn 't disappointed following the hype about the episode , saying that it was " steeped in nostalgia " . He thought that the bomb @-@ in @-@ a @-@ tribble plot was ingenious and allowed the episode to step outside of merely being good due to the success of " The Trouble with Tribbles " . His favourite scene was the constant stream of tribbles hitting Kirk in the head because Sisko and Dax were throwing them out of the grain compartment while looking for the bomb . He also gave the episode a score of six out of six . Zack Handlen in his review for The A.V. Club , called the episode a " delight " and a " lark " . He thought that having Brill film new scenes showed some continuity between the old and the new , and thought that the special effects worked well enough . He summed it up by saying , " It 's not tightly plotted , and once the initial rush of nostalgia fades , there isn 't a lot of depth or suspense to replace it . But there are laughs , more than enough to justify the experiment , and the nostalgia never fades away entirely . " In the book Deep Space and Sacred Time : Star Trek in the American Mythos , Jon Wagner and Jan Lundeen compared the temporal agents seen in " Trials and Tribble @-@ ations " to the police detectives seen in the television series Dragnet . Gem Wheeler , in her list of the best episodes of Deep Space Nine for website Den of Geek , listed " Trials and Tribble @-@ ations " as the sixth best . In a list of the top 100 episodes of the Star Trek franchise , " Trials and Tribble @-@ ations " was placed in 32nd place by Charlie Jane Anders at io9 . " Trials and Tribble @-@ ations " was nominated for three Creative Arts Emmy Awards in the Outstanding Art Direction for a Series , Outstanding Hairstyling for a Series and Outstanding Special Visual Effects . However , it was not successful in any of those categories . It was also nominated for the Hugo Award for Best Dramatic Presentation , as " The Trouble with Tribbles " had been in 1968 . = = Home media release = = The tie @-@ in novelization of " Trials and Tribble @-@ ations " was written by Diane Carey and published by Pocket Books . In 1998 , a " Talking Tribble Gift Set " was released which contained both " The Trouble with Tribbles " and " Trials and Tribble @-@ ations " on VHS . " Trials and Tribble @-@ ations " was first released in the normal run of VHS issues as part of a two episode cassette alongside " The Assignment " in the United Kingdom on October 1 , 1999 . A single episode release followed in the United States and Canada on July 10 , 2001 . It was released on DVD as part of the season five box set on October 7 , 2003 .

= Tintin in the Congo = Tintin in the Congo ( French : Tintin au Congo ; French pronunciation : ​ [ tɛ ̃ tɛn o kɔ ̃ go ] ) is the second volume of The Adventures of Tintin , the comics series by Belgian cartoonist Hergé . Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children 's supplement Le Petit Vingtième , it was serialised weekly from May 1930 to June 1931 before being published in a collected volume by Éditions de Petit Vingtième in 1931 . The story tells of young Belgian reporter Tintin and his dog Snowy , who are sent to the Belgian Congo to report on events in the country . Amid various encounters with the native Congolese people and wild animals , Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone . Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts , Tintin in the Congo was a commercial success within Belgium and was also serialised in France . Hergé continued The Adventures of Tintin with Tintin in America in 1932 , and the series subsequently became a defining part of the Franco @-@ Belgian comics tradition . In 1946 , Hergé re @-@ drew and coloured Tintin in the Congo in his distinctive ligne @-@ claire style for republication by Casterman , with further alterations made at the request of his Scandinavian publisher for a 1975 edition . In the late 20th century , Tintin in the Congo came under criticism for both its perceived racist colonial attitude toward the Congolese and for its glorification of big @-@ game hunting ; accordingly , attempts were made in Belgium , Sweden , the United Kingdom , and the United States to either ban the work or restrict its availability to children . Critical reception of the work has been largely negative , with commentators on The Adventures of Tintin describing it as one of Hergé 's weakest works . = = Synopsis = = Belgian reporter Tintin and his dog Snowy travel to the Belgian Congo , where a cheering crowd of native Congolese greet them . Tintin hires a native boy , Coco , to assist him in his travels , and shortly after , Tintin rescues Snowy from a crocodile . A criminal stowaway attempts to kill Tintin , but monkeys throw coconuts at the stowaway that knock him unconscious . A monkey kidnaps Snowy , but Tintin saves him . The next morning , Tintin , Snowy , and Coco crash their car into a train , which the reporter fixes and tows to the village of the Babaorum tribe . He meets the king , who accompanies him on a hunt the next day . A lion knocks Tintin unconscious , but Snowy rescues him by biting off its tail . Tintin gains the admiration of the natives , making the Babaorum witch @-@ doctor Muganga jealous . When he cures a man using quinine , he is hailed as a Boula Matari ( " Breaker of rocks " ) . With the help of the criminal stowaway , Muganga accuses Tintin of destroying the tribe 's sacred idol . The enraged villagers imprison Tintin , but then turn against Muganga when Coco shows them footage Tintin had made of the witch @-@ doctor and the stowaway conspiring to destroy the idol . Tintin becomes a hero in the village , and a local woman bows down to him , saying , " White man very great ! Has good spirits ... White mister is big juju man ! " Angered , Muganga starts a war between the Babaorum and their neighbours , the M 'Hatuvu , whose king leads an attack on the Babaorum village . Tintin outwits them , and the M 'Hatuvu cease hostilities and come to idolise Tintin . Muganga and the stowaway plot to kill Tintin and make it look like a leopard attack , but Tintin survives and saves Muganga from a boa constrictor ; Muganga pleads mercy and ends his hostilities . The stowaway attempts to capture Tintin again and eventually succeeds disguised as a Catholic missionary . They fight across a waterfall , and the stowaway is eaten by crocodiles . After reading a letter from the stowaway 's pocket , Tintin finds that someone called " A.C. " has ordered his elimination . Tintin captures a criminal who tried to rendezvous with the stowaway and learns that " A.C. " is the American gangster Al Capone , who is trying to gain control of African diamond production . Tintin and the colonial police arrest the rest of the diamond smuggling gang and Tintin and Snowy return to Belgium . = = History = = = = = Background = = = Georges Remi — best known under the pen name Hergé — was employed as editor and illustrator of Le Petit Vingtième ( " The Little Twentieth " ) , a children 's supplement to Le Vingtième Siècle ( " The Twentieth Century " ) , a staunchly Roman Catholic , conservative Belgian newspaper based in Hergé 's native Brussels . Run by the Abbé Norbert Wallez , the paper described itself as a " Catholic Newspaper for Doctrine and Information " and disseminated a far @-@ right , fascist viewpoint . According to Harry Thompson , such political ideas were common in Belgium at the time , and Hergé 's milieu was permeated with conservative ideas revolving around " patriotism , Catholicism , strict morality , discipline , and naivety " . In 1929 , Hergé began The Adventures of Tintin comic strip for Le Petit Vingtième , a series about the exploits of a fictional Belgian reporter named Tintin . Following the success of Tintin in the Land of the Soviets , serialised weekly in Le Petit Vingtième from January 1929 to May 1930 , Hergé wanted to send Tintin to the United States . Wallez insisted he write a story set in the Belgian Congo , then a Belgian colony and today the Democratic Republic of the Congo . Belgian children learned about the Congo in school , and Wallez hoped to encourage colonialist and missionary zeal in his readership . He believed that the Belgian colonial administration needed promotion at a time when memories " were still fairly fresh " of the 1928 visit to the colony by the Belgian King Albert and Queen Elisabeth . He also hoped that some of his readers would be inspired to work in the Congo . Hergé characterised Wallez 's instructions in a sarcastic manner , saying Wallez referred to the Congo as " our beautiful colony which has great need of us , tarantara , tarantaraboom " . He already had some experience in illustrating Congolese scenes ; three years previously , Hergé had provided two illustrations for the newspaper that appeared in an article celebrating the fiftieth anniversary of Henry Morton Stanley 's expedition to the Congo . In one of these , Hergé depicted a native Congolese bowing before a European , a scene that he repeated in Tintin in the Congo . As in Land of the Soviets , where Hergé had based his information about the Soviet Union almost entirely on a single source , in Tintin in the Congo he used limited source material to learn about the country and its people . He based the story largely on literature written by missionaries , with the only added element being that of the diamond smugglers , possibly adopted from the " Jungle Jim @-@ type serials " . Hergé visited the Colonial Museum of Tervuren , examining their ethnographic collections of Congolese artefacts , including costumes of the Leopard Men . He adopted hunting scenes from André Maurois 's novel The Silence of Colonel Bramble , while his animal drawings were inspired by Benjamin Rabier 's prints . He also listened to tales of the colony from some of his colleagues who had been there , but disliked their stories , later claiming : " I didn 't like the colonists , who came back bragging about their exploits . But I couldn 't prevent myself from seeing the Blacks as big children , either . " = = = Original publication , 1930 – 31 = = = Tintin in the Congo was serialised under the French title of Tintin au Congo in Le Petit Vingtième from 5 May 1930 to 11 June 1931 ; it was syndicated to the French Catholic newspaper Cœurs Vaillants . Drawn in black and white , it followed the same formula employed in Land of the Soviets , remaining " essentially plotless " according to Michael Farr , and consisting of largely unrelated events that Hergé improvised each week . Hergé later commented on the process of writing these early adventures , stating , " The Petit Vingtième came out on Wednesday evening , and I often didn 't have a clue on Wednesday morning how I was going to get Tintin out of the predicament I had put him in the previous week . " The strip 's visual style was similar to that of Land of the Soviets . In the first instalment of Tintin in the Congo , Hergé featured Quick and Flupke , two young boys from Brussels whom he had recently introduced in another Le Petit Vingtième comic strip , in the crowd of people saying goodbye to Tintin . Like Land of the Soviets , Tintin in the Congo was popular in Belgium . On the afternoon of 9 July 1931 , Wallez repeated the publicity stunt he had used when Soviets ended by having a young actor , Henry de Doncker , dress up as Tintin in colonial gear and appear in Brussels and then Liège , accompanied by 10 African bearers and an assortment of exotic animals hired from a zoo . Co @-@ organised with the Bon Marché department store , the event attracted 5 @,@ 000 spectators in Brussels . In 1931 , Brussels @-@ based Éditions de Petit Vingtième collected the story together into a single volume , and Casterman published a second edition in 1937 . By 1944 the book had been reprinted seven times , and had outsold each of the other seven books in the series . The series ' success led Wallez to renegotiate Hergé 's contract , giving him a higher salary and the right to work from home . = = = Second version , 1946 = = = In the 1940s , after Hergé 's popularity increased , he redrew many of the original black @-@ and @-@ white Tintin stories in colour using the ligne claire ( " clear line " ) drawing style he had developed , so that they fitted in visually with the newer Adventures of Tintin that he had produced . Hergé first made some changes in this direction in 1940 , when the story was serialised in the Flemish @-@ language Het Laatste Nieuws . At Casterman 's prompting , Tintin in the Congo was subsequently fully re @-@ drawn , and the new version was published in 1946 . As a part of this modification , Hergé cut the page length from 110 plates to the standard 62 pages , as suggested by the publisher Casterman . He also made several changes to the story , cutting many of the references to Belgium and colonial rule . For example , in the scene where Tintin teaches Congolese school children about geography , he states in the 1930 – 31 version , " My dear friends , today I 'm going to talk to you about your country : Belgium ! " whereas in the 1946 version , he instead gives them a mathematics lesson . Hergé also changed the character of Jimmy MacDuff , the owner of the leopard that attacks Tintin , from a black manager of the Great American Circus into a white " supplier of the biggest zoos in Europe . " In the 1946 colour version , Hergé added a cameo appearance from Thomson and Thompson , the two detectives that he had introduced in the fourth Tintin story , Cigars of the Pharaoh ( 1932 – 34 ) , which was chronologically set after the Congolese adventure . Adding them to the first page , Hergé featured them in the backdrop , watching a crowd surrounding Tintin as he boards a train and commenting that it " Seems to be a young reporter going to Africa ... " In the same frame , Hergé inserted depictions of himself and his friend Edgar P. Jacobs ( the book 's colourist ) into the crowd seeing Tintin off . = = = Later alterations and releases = = = When Tintin in the Congo was first released by the series ' Scandinavian publishers in 1975 , they objected to page 56 , where Tintin drills a hole into a live rhinoceros , fills it with dynamite , and blows it up . They asked Hergé to replace this page with a less violent scene , which they believed would be more suitable for children . Hergé agreed , as he regretted the scenes of big @-@ game hunting in the work soon after producing it . The altered page involved the rhinoceros running away unharmed after accidentally knocking down and triggering Tintin 's gun . Although publishers worldwide had made it available for many years , English publishers refused to publish Tintin in the Congo because of its racist content . In the late 1980s , Nick Rodwell , then agent of Studios Hergé in the United Kingdom , told reporters of his intention to finally publish it in English and stated his belief that publishing the original 1931 black and white edition would cause less controversy than releasing the 1946 colour version . After more delay , in 1991 — sixty years after its original 1931 publication — it was the last of The Adventures of Tintin to see publication in English . The 1946 colour version appeared in English in 2005 , published by Egmont . = = Critical analysis = = Hergé biographer Pierre Assouline believed that Hergé 's drawing became more assured throughout the first version of the story without losing any of its spontaneity . He thought that the story began in " the most inoffensive way " , and that throughout the story Tintin was portrayed as a Boy Scout , something he argued reflected Hergé 's " moral debt " to Wallez . Biographer Benoît Peeters opined that Tintin in the Congo was " nothing spectacular " , with some " incredibly cumbersome " monologues , but he thought the illustrations " a bit more polished " than those in Land of the Soviets . Believing the plot to be " extremely simple " , he thought that Tintin 's character was like a child manipulating a world populated by toy animals and lead figurines . Michael Farr felt that , unlike the previous Tintin adventure , some sense of a plot emerges at the end of the story with the introduction of the American diamond @-@ smuggling racket . Philippe Goddin thought the work to be " more exciting " than Land of the Soviets and argued that Hergé 's depiction of the native Congolese was not mocking but a parody of past European militaries . By contrast , Harry Thompson believed that " Congo is almost a regression from Soviets " , in his opinion having no plot or characterisation ; he described it as " probably the most childish of all the Tintin books . " Simon Kuper of the Financial Times criticised both Land of the Soviets and Tintin in the Congo as the " worst " of the Adventures , opining that they were " poorly drawn " and " largely plot @-@ free " . Farr saw the 1946 colour version as poorer than the black and white original ; he said it had lost its " vibrancy " and " atmosphere " , and that the new depiction of the Congolese landscape was unconvincing and more like a European zoo than the " parched , dusty expanses of reality " . Peeters took a more positive attitude towards the 1946 version , commenting that it contained " aesthetic improvements " and " clarity of composition " because of Hergé 's personal development in draughtsmanship , as well as an enhancement in the dialogue , which had become " more lively and fluid . " In his psychoanalytical study of the series , Jean @-@ Marie Apostolidès highlighted that in the Congolese adventure , Tintin represented progress and the Belgian state was a model for the natives to imitate . In doing so , he argued , they could become more European and thus civilised from the perspective of Belgian society , but that instead they ended up appearing as parodies . Opining that Tintin was imposing his own view of Africa onto the Congolese , Apostolidès remarked that Tintin appeared as a god @-@ figure , with evangelical overtones in the final scene . Literary critic Tom McCarthy concurred that Tintin represented the Belgian state , but also suggested that he acted as a Christian missionary , even being " a kind of god " akin to the character of Kurtz in Joseph Conrad 's Heart of Darkness ( 1899 ) . McCarthy compared the scene where Tintin exposes Muganga as a fraud to that in which the character of Prospero exposes the magician in William Shakespeare 's The Tempest . = = Criticism = = = = = Racism = = = In the late 20th and early 21st centuries , several campaigners and writers characterised Tintin in the Congo as racist due to its portrayal of the Congolese as infantile and stupid . According to Tom McCarthy , Hergé depicted the Congolese as " good at heart but backwards and lazy , in need of European mastery . " There had been no such controversy when originally published , because it was only following the Wind of Change and decolonisation , which occurred during the 1950s and 1960s , that Western attitudes towards indigenous Africans shifted . Harry Thompson argued that one must view Tintin in the Congo in the context of European society in the 1930s and 1940s , and that Hergé had not written the book to be " deliberately racist " . He argued that it reflected the average Belgian view of Congolese people at the time , one that was more " patronising " than malevolent . Jean @-@ Marie Apostolidès supported this idea , as did biographer Benoît Peeters , who asserted , " Hergé was no more racist than the next man . " After meeting Hergé in the 1980s , Farr commented , " You couldn 't have met someone who was more open and less racist . " Contrastingly , biographer Pierre Assouline stated that in 1930s Belgium , Hergé would have had access to literature by the likes of André Gide and Albert Londres that was critical of the colonial regime . Assouline claimed that Hergé instead chose not to read such reports because they conflicted with the views of his conservative milieu . Laurence Grove — President of the International Bande Dessinée Society and an academic at the University of Glasgow — concurred , remarking that Hergé adhered to prevailing societal trends in his work , and that " [ w ] hen it was fashionable to be a colonial racist , that 's what he was . " Comic book historian Mark McKinney noted that other Franco @-@ Belgian comic artists of the same period had chosen to depict the native Africans in a more favourable light , citing the examples of Jijé 's 1939 work Blondin et Cirage ( Blondy and Shoe @-@ Black ) , in which the protagonists are adopted brothers , one white , the other black , and Tif et Tondu , which was serialised in Spirou from 1939 to 1940 and in which the Congolese aid the Belgians against their American antagonists . Farr and McCarthy stated that Tintin in the Congo was the most popular Tintin adventure in Francophone Africa . According to Thompson , the book remained hugely popular in the Congo even after the country achieved independence in 1960 . Nevertheless , government figures in the Democratic Republic of the Congo ( DRC ) have criticised the book . In 2004 , after the Belgian Minister of Foreign Affairs Karel De Gucht described President Joseph Kabila 's provisional DRC government as incompetent , Congolese Information Minister Henri Mova Sakanyi accused him of " racism and nostalgia for colonialism " , remarking that it was like " Tintin in the Congo all over again . " De Gucht refused to retract his statement . In July 2007 , British human rights lawyer David Enright complained to the United Kingdom 's Commission for Racial Equality ( CRE ) that he came across the book in the children 's section of Borders bookshop while shopping with his wife and two sons . The CRE called on bookshops to remove the comic , stating that it contained " hideous racial prejudice " by depicting Congolese who " look like monkeys and talk like imbeciles . " Responding that it was committed to letting its " customers make the choice " , Borders moved the book to an area reserved for adult graphic novels . UK bookseller Waterstone 's followed suit . Another British retailer , WHSmith , said that the book was sold on its website , but with a label that recommended it for readers aged 16 and over . The CRE 's attempt to ban the book was criticised by Conservative Party politician Ann Widdecombe , who remarked that the organisation had more important things to do than regulate the availability of historical children 's books . The media controversy increased interest in the book , and Borders reported that its sales of Tintin in the Congo had been boosted 4 @,@ 000 % , while it also rose to eighth on the Amazon.com bestseller list . Publisher Egmont UK also responded to racism concerns by placing a protective band around the book with a warning about its content and writing an introduction describing its historical context . Tintin in the Congo also came under criticism in the United States ; in October 2007 , in response to a complaint by a patron , the Brooklyn Public Library in New York City placed the graphic novel in a locked back room , only permitting access by appointment . Tintin in the Congo became part of a drawn @-@ out media debate in Sweden after national newspaper Dagens Nyheter reported the removal of Tinin in the Congo from a children 's library in Kulturhuset in Stockholm in September 2011 . The incident , nicknamed " Tintin @-@ gate " , led to heated discussions in mainstream and social media concerning accusations of racism and censorship . In August 2007 , Congolese student Bienvenu Mbutu Mondondo filed a complaint in Brussels , claiming that the book was an insult to the Congolese people and required banning . Public prosecutors investigated and initiated a criminal case . The matter was eventually transferred to a civil court in April 2010 . Mondondo 's lawyers argued that Tintin in the Congo amounted to " a justification of colonisation and of white supremacy " , and Mondondo called it " racist and xenophobic " . Alain Berenboom , lawyer for both Moulinsart , the company which controls Hergé 's estate , and Casterman , the book 's publisher , argued that the cartoonist 's depiction of the Congolese " wasn 't racism but kind paternalism " . He said that banning it would set a dangerous precedent for the availability of works by other historical authors , such as Charles Dickens or Jules Verne , which contain similar stereotypes of non @-@ white ethnicities . The court ruled in February 2012 that the book would not be banned , deciding that it was " clear that neither the story , nor the fact that it has been put on sale , has a goal to ... create an intimidating , hostile , degrading , or humiliating environment " , and that it therefore did not break Belgian law . Belgium 's Centre for Equal Opportunities warned against " over @-@ reaction and hyper political correctness " . Shortly after , Swedish @-@ Belgian Jean @-@ Dadaou Monyas filed a similar complaint , which was supported by Afrosvenskarna , an interest group for Swedes of African descent . The complaint to the Chancellor of Justice was turned down as violations of hate speech restrictions in the Swedish Fundamental Law on Freedom of Expression must be filed within one year of publication , and the latest Swedish edition of Tintin in the Congo appeared in 2005 . The South African comics writer Anton Kannemeyer has parodied the perceived racist nature of the book to highlight what he sees as the continuing racist undertones of South African society . In his Pappa in Afrika ( 2010 ) , a satire of Tintin in the Congo , he portrays Tintin as an Afrikaner with racist views of indigenous Africans . = = = Hunting and animal cruelty = = = Tintin in the Congo shows Tintin taking part in what Michael Farr described as " the wholesale and gratuitous slaughter " of animals ; over the course of the Adventure , Tintin shoots several antelope , kills an ape to wear its skin , rams a rifle vertically into a crocodile 's open mouth , injures an elephant for ivory , stones a buffalo , and ( in earlier editions ) drills a hole into a rhinoceros before planting dynamite in its body , blowing it up from the inside . Such scenes reflect the popularity of big @-@ game hunting among whites and affluent visitors in Sub @-@ Saharan Africa during the 1930s . Hergé later felt guilty about his portrayal of animals in Tintin in the Congo and became an opponent of blood sports ; when he wrote Cigars of the Pharaoh ( 1934 ) , he had Tintin befriend a herd of elephants living in the Indian jungle . Philippe Goddin stated that the scene in which Tintin shoots a herd of antelope was " enough to upset even the least ecological reader " in the 21st century . When India Book House first published the book in India in 2006 , that nation 's branch of the People for the Ethical Treatment of Animals issued a public criticism , and chief functionary Anuradha Sawhney stated that the book was " replete with instances that send a message to young minds that it is acceptable to be cruel to animals . "

= Andrew Johnston ( singer ) = Andrew Johnston ( born 23 September 1994 ) is a British singer who rose to fame when he appeared as a boy soprano on the second series of the UK television talent show Britain 's Got Talent in 2008 . Although he did not win the competition , he received a contract to record with Syco Music , a label owned by the Britain 's Got Talent judge Simon Cowell . Johnston 's debut album , One Voice , was released in September of the same year , and reached number four on the UK Albums Chart . Although Johnston originally performed as a treble , his voice has since matured to baritone , and he is now a member of the National Youth Choir . Johnston was born in Dumfries , Scotland , and his parents separated when he was an infant . He and his mother moved to Carlisle , where they lived in " poverty " . He became head chorister at Carlisle Cathedral , and was bullied at school because of his love of classical music . While some journalists have argued Britain 's Got Talent producers took advantage of Johnston 's background , others have hailed his story as inspirational . In 2009 , he graduated from Trinity School . Johnston now studies full @-@ time at the Royal Northern College of Music . = = History = = = = = Early life and Carlisle Cathedral Choir = = = Johnston was born on 23 September 1994 in Dumfries , Scotland , the son of Andrew Johnston and Morag Brannock . He was given the extensive name Andrew Aaron Lewis Patrick Brannock John Grieve Michael Robert Oscar Schmidt Johnston . Johnston 's parents separated when he was eight months old , and from that time he lived with his mother and three older siblings in Carlisle , Cumbria , in the north of England , where he attended Trinity School . Johnston tried out for Carlisle Cathedral Choir at the age of six at the recommendation of Kim Harris , a teacher at his primary school . He was auditioned by the choirmaster Jeremy Suter and accepted into the choir at the age of seven . Johnston 's mother , who had no previous association with the cathedral , described her feelings of being overwhelmed by emotion at having her boy singing in such a " stunning building among those extraordinary voices " . His mother also described Johnston 's busy regimen of practice four times a week and all day Sundays , saying that it took up all of their spare time . However , she said that the cathedral staff became like a family to her son , and that " it was such a lovely , safe , close feeling for him " . Johnston , who attended Trinity School , was subject to abuse and threats from bullies which drove him to contemplate quitting the choir , but he was helped through the ordeal by his choirmaster and the dean and canons of the cathedral . By the time of his participation in Britain 's Got Talent , Johnston was head chorister . In September 2008 , after his appearance on Britain 's Got Talent but before the release of his first album , Johnston embarked on a tour of Norway with the choir , performing at Stavanger Cathedral and Utstein Abbey , among other places . The tour was conceived because the Diocese of Stavanger is connected with the Diocese of Carlisle through the Partnership for World Mission . This was Johnston 's last tour with the choir . Johnston features as head chorister on one of the choir 's albums , The Choral Music of F.W Wadely , released in November 2008 . = = = Britain 's Got Talent = = = Johnston was entered as a competitor in the second series of Britain 's Got Talent by his mother . He passed the first public audition , singing " Pie Jesu " from Andrew Lloyd Webber 's Requiem . Amanda Holden , one of the competition 's judges , was brought to tears , and the audience offered Johnston a standing ovation . Johnston was tipped as the favourite to win the competition . Later , Johnston described his initial audition as daunting , saying that " it was scary singing in front of 2 @,@ 500 people . I had never sang on stage before – then there was also Simon , Amanda and Piers " . He won his semi @-@ final heat on 27 May 2008 , receiving the most public votes on the night and thereby qualifying for the final . He sang " Tears in Heaven " by Eric Clapton ; judge Holden told him he had " a gift from God in [ his ] voice " . At the final on 30 May , he again sang " Pie Jesu " . He finished in third place , behind the winner , the street dancer George Sampson and runners @-@ up , the dance group Signature . Johnston left the stage in tears , later saying that he " was upset . But when you see the talent that was there , it was an honour just to be in the final " . The day after the final , Cowell 's publicist Max Clifford said that it was " quite possible " that Cowell would be offering record contracts to some of the finalists , including Johnston . Johnston and other contestants then embarked on a national arena tour . During his initial audition , Johnston claimed that he was bullied and victimised from the age of six because of his singing . When asked how he dealt with the issue , he stated " I carry on singing . " There were claims in the Daily Mail , a UK @-@ based tabloid newspaper , that the programme 's producers had deliberately overstated the extent of Johnston 's bullying as a " sob story " , suggesting that sympathy rather than his singing got him many of the votes . However , in The Times , Johnston 's success story was described as " the stuff of fairytales " , as he was successful despite having been raised in " poverty " . Johnston said he did not talk about being bullied because he was told to do so by producers , but " because I believed it would help people who were going through what I had gone through be stronger " . Johnston has subsequently visited schools and elsewhere to help other victims of bullying . He said " I want to use my experience of bullies to help other kids " . = = = One Voice = = = On 12 June 2008 , while Johnston was travelling with the Britain 's Got Talent Live Tour , it was announced that Johnston had signed a record deal with Syco Music , a division of Sony BMG , and that his first album would be produced after the tour . The deal was reportedly for £ 1 million . After signing with Syco , Johnston made public appearances , including performing at Andrew Lloyd Webber 's birthday celebrations on 14 September , and at Carlisle United 's Brunton Park . Johnston 's debut album , One Voice , was released on 29 September 2008 . It includes a cover of " Walking in the Air " , performed with Faryl Smith . The album was recorded over a six @-@ week period in London , and the track listing was chosen by Cowell . Johnston described the recording process as " brilliant " , and that it was " really good – just to be in a recording studio and meet the different people " . The album debuted in the British charts at number five , and finished the week at number four . The album was later certified gold , having sold 100 @,@ 000 copies , and Johnston was presented a gold disc by daytime television presenter Penny Smith . Critics responded positively to the album , with Kate Leaver , writing for the Korea JoongAng Daily , saying Johnston " has truer talent than hordes of his musical elders " and that " the vulnerability " of Johnston 's performance on the album " makes for a haunting musical experience " . In Music Week , the album was described as " highly @-@ anticipated " , and Johnston was called " exceptionally @-@ talented " . After the album 's release , Johnston became involved in the Sing Up campaign , appearing in schools around the country to encourage other young people to join choirs . In December 2008 , Johnston made a guest appearance at Whitehaven 's Christmas fair , and performed at a carol service in Bradford . Johnston was also invited to turn on the Carlisle Christmas lights and perform at the celebrations . Mike Mitchelson , of Carlisle City Council , described Johnston as " one of our local heroes " . = = = Hiatus and 2010s = = = In September 2009 , Johnston announced that he would be taking a year off from singing as his voice had broken , changing him to a tenor . He had previously performed as a treble . He said " the tutors at [ the Royal Northern College of Music ] said they 'll be able to train my voice up again . It 's the same as it ever was , just deeper " . Johnston 's voice then changed from a tenor to a baritone . After remaining out of the spotlight for two years , he joined the National Youth Choir , saying " I 'm just another lad in there – no one focuses on Britain 's Got Talent and I 'm happy about that " . In 2011 , he was awarded a Royal School of Church Music Gold medal ; public performances that year included a charitable concert , alongside organists John Bromley and Tony Green , at St Paul 's Church , Helsby in November . In September 2013 , Johnston began to study for a Bachelor of Music degree at the Royal Northern College of Music , under the tutelage of Jeff Lawton , who had previously tutored him at the Junior College . He immediately joined the college 's Chamber Choir and the Manchester Cathedral choir , but said that he intended to still sing with the Carlisle Cathedral choir where possible . While a student , Johnston 's singing was adversely affected by a broken nose , the result of an unprovoked attack in a Carlisle nightclub on New Year 's Day , 2014 . = = Personal life = = Johnston 's family home is in Stanwix , Carlisle . His mother , Morag Brannock , worked for the Office for National Statistics before giving up her job to support her son 's career . Prior to his Britain 's Got Talent appearances , he attended Trinity School , and later received tuition from a personal tutor . Johnston said that he " had a lot of support from local people when ... taking part in Britain 's Got Talent " , and was given a civic award for outstanding achievement by Carlisle City Council in March 2009 . Johnston 's interests include jujitsu , in which he has a black belt . The Carlisle newspaper News and Star reported in September 2012 that Johnston had become the youngest person in the world to be granted a licence to teach the sport . = = Discography = = Studio albums

= Illinois ( Sufjan Stevens album ) = Illinois ( styled Sufjan Stevens Invites You To : Come On Feel the Illinoise on the cover ; sometimes written as Illinoise ) is a 2005 concept album by American indie folk songwriter Sufjan Stevens . It is his fifth studio album , and features songs referencing places , events , and persons related to the U.S. state of Illinois . Illinois is Stevens ' second based on a U.S. state — part of a planned series of fifty that began with the 2003 album Michigan that Stevens has since acknowledged was a gag . Stevens recorded and produced the album at multiple venues in New York City using low @-@ fidelity studio equipment and a variety of instruments between late 2004 and early 2005 . The artwork and lyrics explore the history , culture , art , and geography of the state — Stevens developed them after analyzing criminal , literary , and historical documents . Following a July 4 , 2005 release date , Stevens promoted Illinois with a world tour . Critics praised the album for its well @-@ written lyrics and complex orchestrations ; in particular , reviewers noted Stevens ' progress as a songwriter since the release of Michigan . Illinois was named the best @-@ reviewed album of 2005 by review aggregator Metacritic , and was included on several reviewers ' " best of the decade " lists — including those of Paste , NPR , and Rolling Stone . The album amounted to Stevens ' greatest public success to date : it was his first to place on the Billboard 200 , and it topped the Billboard list of " Heatseekers Albums " . The varied instrumentation and experimental songwriting on the album invoked comparisons to work by Steve Reich , Neil Young , and The Cure . Besides numerous references to Illinois history , geography , and attractions , Stevens continued a theme of his songwriting career by including multiple references to his Christian faith . = = Background , recording , and tour = = Stevens launched his 50 @-@ state project in 2003 with the album Michigan and chose to focus on Illinois with this recording because " it wasn 't a great leap " , and he liked the state because he considered it the " center of gravity " for the American Midwest . Before creating the album , Stevens read literature by Illinois authors Saul Bellow and Carl Sandburg , and studied immigration records and history books for the state — he made the deliberate decision to avoid current events and focused on historical themes . He also took trips through several locations in Illinois and asked friends and members of Internet chat rooms for anecdotes about their experiences in the state . Although he began work in 2004 on Oregon @-@ themed songs and briefly considered releasing a Rhode Island 7 " , Stevens has since not released another album focused on a state , saying in a November 2009 interview with Paste that " the whole premise was such a joke , " and telling Andrew Purcell of The Guardian in October 2009 " I have no qualms about admitting [ the fifty states project ] was a promotional gimmick . " An Arkansas @-@ related song was released through NPR as " The Lord God Bird " and material intended for New Jersey and New York became The BQE . All of the songs on Illinois were written , recorded , engineered , and produced by Stevens , with most of the material being recorded at The Buddy Project studio in Astoria , Queens , and in Stevens ' Brooklyn apartment . As with his previous albums , Stevens recorded in various locations , with additional piano recorded in St. Paul 's Church in Brooklyn ; strings and vocals performed in collaborators ' apartments ; electronic organ recorded in the New Jerusalem Recreational Room in Clarksboro , New Jersey ; and vibraphone played at Carroll Music Studios in New York City . Stevens mostly created the album without collaboration , focusing on the writing , performance , and technical creation of the album by himself : " I was pretty nearsighted in the construction of Illinois . I spent a lot of time alone , a few months in isolation working on my own and in the studio . I let things germinate and cultivate independently , without thinking about an audience or a live show at all . " Stevens employed low @-@ fidelity recording equipment , which allowed him to retain creative control and keep costs low on recording Illinois . Typically , his process involved recording to 32 kHz 8 @-@ track tape using inexpensive microphones such as the Shure SM57 and AKG C1000 . He then employed Pro Tools for mixing and other production tasks . After consulting with Michael Kaufmann and Lowell Brams of Asthmatic Kitty about the amount of material he had recorded , Stevens decided against a double album , saying that would be " arrogant " . In 2006 , several tracks recorded during these sessions were sent to Seattle @-@ based musician and producer James McAllister for additional instrumentation and production , and were released in 2006 on the follow @-@ up album The Avalanche : Outtakes and Extras from the Illinois Album . Among these outtakes are three separate recordings of the song " Chicago " — including the " Multiple Personality Disorder Version " , which was produced during a subsequent tour . The " Adult Contemporary Easy Listening Version " of the song was supposed to appear on the Illinois album , but was changed at the last minute . Illinois was released on July 4 , 2005 , through Rough Trade Records in Europe and was distributed domestically by Asthmatic Kitty Records starting July 5 , 2005 . Although he initially had no plans to perform this material live , less than two weeks after the release of Illinois , Stevens embarked on a North American tour to promote the album , performing with a string section of eight to ten members named the Illinoisemakers . He deliberately chose to avoid television as a promotional tool and focused on the tour performances themselves . He was supported on some dates by opening acts Liz Janes ( who is also signed to Asthmatic Kitty ) and Laura Veirs as well as Illinois collaborator Shara Nova 's solo project My Brightest Diamond . He toured in support of the album again from September through November 2006 , this time including dates in several European cities . During the 2006 dates , Stevens and his band transitioned from wearing University of Illinois @-@ themed outfits to butterfly suits and bird wings . = = Musical style and thematic elements = = Reviewers have noted similarities between this album and those of musicians and composers in several musical genres — from pop to contemporary classical , even show tunes and jazz @-@ based time signatures . The lyrics and their rich thematic elements have been noted for their literary quality , earning comparisons to Ralph Waldo Emerson , Henry David Thoreau , William Carlos Williams , and Walt Whitman . = = = Musical style = = = Reviewers of Illinois have compared Stevens ' style to Steve Reich , Vince Guaraldi , the Danielson Famile , Neil Young , Nick Drake , and Death Cab for Cutie . Stevens ' use of large orchestral arrangements in his music — much of it played by himself through the use of multi @-@ track recording — has been noted by several reviewers . Rolling Stone summarized the musical influences of Illinois , saying " the music draws from high school marching bands , show tunes and ambient electronics ; we can suspect Steve Reich 's Music for 18 Musicians is an oft @-@ played record in the Stevens household , since he loves to echo it in his long instrumental passages . " A review in The A.V. Club referred to some of the vocal work as " regressively twee communalism " , but found Stevens ' music overall to be " highly developed " . The song " Come On ! Feel the Illinoise ! " uses a saxophone part from " Close to Me " by The Cure . The creation of Illinois marked a shift in Stevens ' emphasis on songwriting and studio work toward live performance and more abstract concepts of motion and sound — subsequent tours and albums emphasized electronic music and modern dance over the indie folk material on Michigan and Illinois . He has ceased writing songs about individual characters with straightforward narratives or concept albums and briefly considered quitting the music business entirely after creating and promoting this album . He also found that the way in which he listened to music had changed after producing Illinois : I think now I listen more as a technician and a researcher . I 'm always hearing music in terms of what I can take out of it , and I think I 've always listened like that . I have a hard time just listening for pleasure . I 'm much less about instinct , and more of a utilitarian listener . Like , what is the use of this song ? What is the usefulness of this melody for this theme or statement ? What are they doing that 's unusual sounding , and how can I learn from that ? Stevens is a classically trained oboist and his knowledge of classical and baroque music influenced many of his arrangements . Stevens himself has noted the influence of composers Igor Stravinsky , Sergei Rachmaninoff , and Edvard Grieg ; along with contemporary composers Terry Riley , Steve Reich , and Philip Glass . The music on this album was written to be grandiose , to match the history of the territory . Stevens used time signature changes in the composition of Illinois for dynamic effect — for instance , " Come On ! Feel the Illinoise ! " begins with a 5 / 4 time signature and then changes to a standard 4 / 4 later in the song . = = = Illinois themes = = = Many of the lyrics in Illinois make references to persons , places , and events related to the state of the same name . " Concerning the UFO Sighting Near Highland , Illinois " is about a UFO sighting by police officers near Highland , Illinois , where several persons reported seeing a large triangular object with three lights flying at night . " Come on ! Feel the Illinoise ! " makes reference to the World 's Columbian Exposition , which took place in Chicago in 1893 . " John Wayne Gacy , Jr . " documents the story of the 1970s Chicago @-@ based serial killer of the same name . Several lyrics make explicit references to events in his life : " [ w ] hen the swingset hit his head " refers to an event in Gacy 's childhood , when a swing hit his head and caused a blood clot in his brain ; " He dressed up like a clown for them / with his face paint white and red " alludes to the nickname given to Gacy — the " Killer Clown " ; and " He put a cloth on their lips / Quiet hands , quiet kiss on the mouth " references Gacy 's use of chloroform to subdue and molest his victims . The song ends with the narrator turning inward with the lyrics : " And in my best behavior , I am really just like him / Look beneath the floorboards for the secrets I have hid . " Stevens stated in a 2009 interview with Paste that " we 're all capable of what [ Gacy ] did . " " Casimir Pulaski Day " interweaves a personal story with the state holiday Casimir Pulaski Day . " The Man of Metropolis Steals Our Hearts " makes references to Superman , whose fictional hometown of Metropolis was partially modeled after Chicago ( the town of Metropolis , Illinois has also capitalized on this association ) . Jessica Hopper of the Chicago Reader noted that Ray Middleton — who was the first actor to play the comic book superhero — was also born in Chicago . " They Are Night Zombies ! ! They Are Neighbors ! ! They Have Come Back from the Dead ! ! Ahhhh ! " makes references to ghost towns of Illinois . Stevens relates experiences from a summer camp he went to as a child in Michigan for " The Predatory Wasp of the Palisades Is Out to Get Us ! " , but moved the locale to Illinois for the sake of the album . The track " Decatur , or , Round of Applause for Your Stepmother ! " includes references to Decatur , Illinois , but Stevens stated the track also acted as " an exercise in rhyme schemes " . Some references to Decatur included in the song were alligator sightings in the area , the equipment manufacturer Caterpillar , and a flood that exhumed a graveyard of soldiers from the Civil War . Other allusions to the state 's people , places , and events include the Black Hawk War , author Carl Sandburg , Stephen A. Douglas , Abraham Lincoln , the Sangamon River , the Chicago Cubs , the Sears Tower dubbed " Seer 's Tower " ( now called Willis Tower ) , and the localities of Jacksonville , Peoria , Metropolis , Savanna Caledonia , Secor , Magnolia , Kankakee , Evansville , and the several locations named Centerville , Illinois . During the tour following the release of Illinois , Stevens ' band wore cheerleader outfits based on those of the University of Illinois . = = = Christianity = = = Although Illinois is a concept album about the U.S. state , Stevens also explored themes related to Christianity and the Bible . As a Christian , he has written and recorded music about spiritual themes throughout his career — particularly on the 2004 album Seven Swans — and prefers to talk about religious topics through song rather than directly in interviews or public statements . The song " Decatur , or , Round of Applause for Your Stepmother ! " includes the line " It 's the great I Am " — taken from the response God gave when Moses asked for his name in the Book of Exodus ( Exodus 3 : 14 ) . " Casimir Pulaski Day " describes the death of a girlfriend due to bone cancer , and the narrator questions God in the process . More abstract allusions appear in " The Man of Metropolis Steals Our Hearts " , which utilizes Superman as a Christ figure and " The Seer 's Tower " , which references the Book of Revelation and the Second Coming of Christ . Songs which were not written with an explicit theological focus — such as " John Wayne Gacy , Jr . " — also feature religious themes such as sin and redemption . = = Artwork = = Divya Srinivasan created the album artwork , depicting a variety of Illinois @-@ related themes , including Abraham and Mary Todd Lincoln , the Sears Tower , and Black Hawk . The album cover reads , " Sufjan Stevens Invites You To : Come On Feel the Illinoise ! " as a wordplay on the common mispronunciation of the state 's name as " ill @-@ i @-@ NOYZ " and a reference to the Slade song " Cum On Feel the Noize " made famous in the United States by the metal band Quiet Riot . The text on the cover caused some confusion over the actual title of the album — it is officially titled Illinois , as opposed to Come on Feel the Illinoise or Illinoise . Paste listed Illinois as having the seventh best album art of the decade 2000 – 2009 . The album also won the PLUG Independent Music Award for Album Art / Packaging of the Year in 2006 . Shortly after the release of the album , reports arose that DC Comics had issued a cease and desist letter to Asthmatic Kitty because of the depiction of Superman on the cover . However , on October 4 , 2005 , Asthmatic Kitty announced that there had been no cease and desist letter ; the record company 's own lawyers had warned about the copyright infringement . On June 30 , 2005 , Asthmatic Kitty 's distributor Secretly Canadian asked its retailers not to sell the album ; however , it was not recalled . On July 5 , the distributor told its retailers to go ahead and sell their copies , as DC Comics agreed to allow Asthmatic Kitty to sell the copies of the album that were already manufactured , but the image was removed from subsequent pressings . Soon after it was made public that the cover would be changed , copies of the album featuring Superman were sold for as high as $ 75 on eBay . On the vinyl edition released on November 22 , 2005 , Superman 's image is covered by a balloon sticker . The image of the balloon sticker was also used on the cover of the Compact Disc and later printings of the double vinyl release . Stevens himself was surprised by the development and also had to pay a fee for referencing lyrics from Woody Guthrie 's folk anthem " This Land Is Your Land " in the track " No Man 's Land " , which was later released on The Avalanche . The 10th anniversary vinyl reissue of Illinois features the Marvel character Blue Marvel , who hails from Chicago , in place of Superman . Asthmatic Kitty obtained permission from Marvel to use the character 's likeness . = = Reception = = Illinois was Sufjan Stevens ' greatest commercial and critical success to date . For the first time , his work charted on the Billboard 200 and received several awards from critics . = = = Sales figures and chart performance = = = In its first week of sales , Illinois sold 9 @,@ 000 copies , 20 % coming from online sales . Overall , the album sold more than 100 @,@ 000 copies by November 2005 and over 300 @,@ 000 by the end of 2009 . It was the first Sufjan Stevens release to place on the Billboard 200 , reaching No. 121 within eight weeks on the chart . It also placed number one on Billboard 's " Heatseekers Albums " list and number four on the " Independent Albums " list , remaining on them for 32 and 39 weeks respectively . = = = Critical reception = = = Critical reception of Illinois was overwhelmingly positive . Review aggregator Metacritic compiled 40 critic reviews of Illinois and gave the album a 90 out of 100 , indicating " universal acclaim " , designating it the best @-@ reviewed album of 2005 . Andy Battaglia of The A.V. Club said that Stevens " has grown into one of the best song @-@ makers in indie rock " with the album . Tim Jonze of NME called Illinois " a brainy little fucker " and described Stevens as " prolific , intelligent and — most importantly — brimming with heart @-@ wrenching melodies . " Rob Sheffield of Rolling Stone responded favorably to the album , praising the " over @-@ the @-@ top arrangements " and Stevens ' " breathy , gentle voice " . Sheffield criticized " John Wayne Gacy , Jr . " , stating that it " symbolizes nothing about American life except the existence of creative @-@ writing workshops " , but elsewhere praised the personal nature of songs such as " Chicago " and " Casimir Pulaski Day " . Michael Metivier of PopMatters described " John Wayne Gacy , Jr . " as " horrifying , tragic , and deeply sad without proselytizing . " Amanda Petrusich of Pitchfork Media described Illinois as " strange and lush , as excessive and challenging as its giant , gushing song titles . " Dave Simpson of The Guardian echoed this sentiment by saying that the music sounds like " The Polyphonic Spree produced by Brian Eno . " The diversity in instrumentation also received a positive review from Entertainment Weekly 's Kristina Feliciano . Jesse Jarnow of Paste praised the playful nature of Illinois , commenting that it had " sing @-@ song " melodies and " jaunty " orchestrations . Jarnow also noted ironic lyrics , citing a line from " The Predatory Wasp of the Palisades is Out to Get Us ! " : " I can 't explain the state I 'm in ... " after a section of the song that references many Illinois landmarks . Q called Illinois a " sizeable step forward " from Michigan , and said Stevens ' love for the state of Illinois is infectious . Uncut 's Andy Gill dubbed the album " an extraordinary achievement " . Catherine Lewis of The Washington Post responded favorably to the album , stating that it has well @-@ written lyrics , comparing Stevens ' rhyming to that of Stephin Merritt . Lewis cited " Casimir Pulaski Day " as one of the most memorable songs of the album . = = = Accolades = = = Illinois achieved lasting fame with inclusion on numerous reviewers ' " best of the year " and " best of the decade " lists . In particular , the album topped the best of the decade list appearing in the November 2009 issue of Paste and NPR named Illinois on their list of " The Decade 's 50 Most Important Recordings " . Pitchfork Media called Illinois the sixteenth best album of the decade , with Stevens ' previous album — Michigan — placing 70 on that same list . The album also won the 2005 New Pantheon Award — a type of Shortlist Music Prize . The album was also included in the book 1001 Albums You Must Hear Before You Die . Finally , Paste listed Stevens as one of their " 100 Best Living Songwriters " in 2006 , primarily due to the writing on Michigan and Illinois . = = Track listing = = Note that the titles of the songs vary slightly from the Compact Disc , digital , and vinyl releases . Full titles come directly from the vinyl album and have been adapted to the English capitalization standards . All songs written and composed by Sufjan Stevens and published by New Jerusalem Music , ASCAP . = = Personnel = = Sufjan Stevens – acoustic guitar ; piano ; Wurlitzer ; bass guitar ; drums ; electric guitar ; oboe ; alto saxophone ; flute ; banjo ; glockenspiel ; accordion ; vibraphone ; alto , sopranino , soprano , and tenor recorders ; Casiotone MT @-@ 70 ; sleigh bells ; shaker ; tambourine ; triangle ; electronic organ ; vocals ; arrangement ; engineering ; recording ; production Julianne Carney – violin Alan Douches – mastering at West West Side Music , Tenafly , New Jersey Jon Galloway – remixing on " Chicago " ( To String Remix ) Marla Hansen – viola The Illinoisemaker Choir – backing vocals and clapping on " The Black Hawk War , or , How to Demolish an Entire Civilization and Still Feel Good About Yourself in the Morning , or , We Apologize for the Inconvenience but You 're Going to Have to Leave Now , or , ' I Have Fought the Big Knives and Will Continue to Fight Them Until They Are Off Our Lands ! ' " , " Chicago " , " The Man of Metropolis Steals Our Hearts " , " They Are Night Zombies ! ! They Are Neighbors ! ! They Have Come Back from the Dead ! ! Ahhhh ! " , and " The Tallest Man , the Broadest Shoulders " Tom Eaton Jennifer Hoover Katrina Kerns Beccy Lock Tara McDonnell Maria Bella Jeffers – cello Katrina Kerns – backing vocals on " Concerning the UFO Sighting Near Highland , Illinois " , " Come On ! Feel the Illinoise ! " , " Jacksonville " , " Prairie Fire That Wanders About " , " The Predatory Wasp of the Palisades Is Out to Get Us ! " , " The Seer 's Tower " , " The Tallest Man , the Broadest Shoulders " , and " The Avalanche " James McAlister – drums , drum engineering Craig Montoro – trumpet , backing vocals on " They Are Night Zombies ! ! They Are Neighbors ! ! They Have Come Back from the Dead ! ! Ahhhh ! " Rob Moose – violin Matt Morgan – backing vocals on " Decatur , or , Round of Applause for Your Stepmother ! " Daniel and Elin Smith – backing vocals and clapping on " Decatur , or , Round of Applause for Your Stepmother ! " Divya Srinivasan – artwork Shara Worden – backing vocals on " Concerning the UFO Sighting Near Highland , Illinois " , " Come On ! Feel the Illinoise ! " , " John Wayne Gacy , Jr . " , " Casimir Pulaski Day " , " Prairie Fire That Wanders About " , " The Predatory Wasp of the Palisades Is Out to Get Us ! " , " The Seer 's Tower " , " The Tallest Man , the Broadest Shoulders " , and " The Avalanche "

= Mycena galericulata = Mycena galericulata is a mushroom species commonly known as the common bonnet , the toque mycena , or the rosy @-@ gill fairy helmet . The type species of the genus Mycena was first described scientifically in 1772 , but was not considered a Mycena until 1821 . It is quite variable in color , size , and shape , which makes it somewhat difficult to reliably identify in the field . The mushrooms have caps with distinct radial grooves , particularly at the margin . The cap 's color varies from grayish @-@ brown to dark brown and the shape ranges from bell @-@ like to bluntly conical to flattened with an umbo . The stem is hollow , white , tough and thin , without a ring and often roots deeply into the wood on which it grows . The gills are white to grayish or even pinkish when mature and are connected by distinct cross @-@ veins . The caps can reach 4 cm ( 1 @.@ 6 in ) in diameter , and have a mealy odor and taste . The spore print is white and the gills are pink at maturity , which can lead to possible confusion with species of the Pluteus genus . M. galericulata mushrooms grow mostly in clusters on the well @-@ decayed stumps of deciduous and coniferous trees from spring to autumn . The species can generally be considered inedible . It is common and widespread in the entire temperate zone of the Northern Hemisphere , but it has also been reported from Africa . = = Taxonomy , classification , and naming = = The fungus was first described scientifically as Agaricus galericulatus by Italian mycologist Giovanni Antonio Scopoli in 1772 , and sanctioned under this name by Elias Magnus Fries in his 1821 Systema Mycologicum . That same year , Samuel Frederick Gray transferred the species to the genus Mycena . Synonyms for the species include Agaricus conicus named by William Hudson in 1778 , Agaricus crispus described by August Johann Georg Karl Batsch in 1893 , Stereopodium galericulatum by Franklin Sumner Earle in 1909 , and Prunulus galericulatus by William Alphonso Murrill in 1916 . Mycena galericulata is the type species of the genus Mycena . It is classified in section Mycena of Mycena in the infrageneric scheme of Rudolph Arnold Maas Geesteranus . In the older ( 1947 ) classification of Alexander H. Smith , he placed it in the subgenus Eumycena , section Typicae — " a most monotonous series of blackish , brown , gray , bluish @-@ gray , or brownish @-@ gray species mostly with ascending gills and generally large to moderate stature . " The specific epithet galericulata is derived from the Latin galer , and means " with a small hat " . Gray called it the " helmetted high @-@ stool " . It is commonly known as the " common bonnet " , the " toque mycena " , or the " rosy @-@ gill fairy helmet " . = = Description = = The cap of M. galericulata is roughly conical when young , and eventually becomes broadly bell @-@ shaped or with a broad umbo that can reach diameters of 2 – 4 cm ( 0 @.@ 8 – 1 @.@ 6 in ) . The cap margin is initially somewhat curved inward , but soon evens out or even becomes uplifted , and often splits radially in age . The surface has radial grooves that extend nearly to the center , and feels greasy but not sticky . The color is somewhat buff @-@ brown on the margin , and fades gradually to pale dirty tan to dirty cinnamon @-@ brown . The flesh is thick in the center of the cap and tapers evenly to the margin , and is watery gray , with a cartilage @-@ like texture . The odor and taste are mildly to strongly farinaceous ( similar to the smell of freshly ground flour ) , to radish @-@ like . The gills are narrowly attached ( adnexed ) to broadly attached or sinuate . The gill spacing ranges from close to somewhat distantly spaced , with 26 – 36 gills reaching the stem ; there are additionally three or four tiers of lamellulae ( short gills that do not extend completely from the cap margin to the stem ) . The gills are strongly intervenose ( possessing cross @-@ veins ) , moderately broad ( 5 – 7 mm ) , white or grayish white , soon flushed with pale pink , with even edges . The stem is 5 – 9 cm ( 2 @.@ 0 – 3 @.@ 5 in ) long , 2 – 4 mm ( 0 @.@ 08 – 0 @.@ 16 in ) thick , equal in width throughout , and with a cartilaginous texture . It is hollow , not hairy , either smooth or twisted with longitudinal striations , often with a long pseudorrhiza ( a subterranean elongation of the stem ) at the base . The stem color is pale grayish @-@ white on the upper portion , and pale grayish @-@ black below ; the base becomes somewhat dirty brown in age , but does not develop reddish stains . Mycena galericulata produces a white spore print . The spores are ellipsoid , 8 – 10 by 5 @.@ 5 – 7 μm , and amyloid — which means they will turn blue @-@ black to black when stained with Melzer 's reagent . The basidia ( spore @-@ bearing cells ) have stout sterigmata , and measure 34 – 40 by 7 – 9 μm . They may be either two @-@ spored or four @-@ spored . There are numerous club @-@ shaped to rounded cheilocystidia ( cystidia on the gill edge ) , that measure 32 – 40 by 8 – 12 μm ; their apices or the entire enlarged portion bear rodlike projections that become increasingly elongated and branched in age . There are no pleurocystidia ( cystidia on the gill face ) . The gill tissue has a very thin cuticle , under which is a narrow hypoderm , while the remainder of the tissue comprises densely matted tufts of mycelia , and stains deep vinaceous @-@ brown in iodine . Clamp connections are present in the hyphae of the four @-@ spored forms . = = = Edibility = = = Opinions on the edibility of the mushroom vary . One source considers them to have a " delicate flavor and texture " , and suggests that they are good when " stewed gently in their own juice and then seasoned with salt , pepper and butter . " Others list the species as inedible , and notes that they have a " mildly rancid " smell , and with a taste ranging from rancid to farinaceous . Another says " unknown , but not recommended . " At any rate , the species falls into the general category of brownish Mycenas that are generally unappetizing as food due to their small size and delicate consistency . = = = Similar species = = = The winter bonnet ( M. tintinnabulum ) is a northern European species that is much smaller ( cap diameter up to 2 @.@ 6 cm ( 1 @.@ 0 in ) across ) and has a brown cap , and has ragged hairs at the base . It generally appears in late autumn to early winter on the stumps of deciduous trees , especially beech . It has pip @-@ shaped spores that are smaller than M. galericulata , around 4 @.@ 5 – 5 @.@ 5 by 2 @.@ 5 – 2 @.@ 8 µm . M. maculata develops pink stains on its gills as it matures ; its spores are 7 – 9 by 4 – 5 μm . Another similar species is M. inclinata , which can be distinguished by gills bearing reddish spots , which may become entirely red with age . It also has whitish , slender , threadlike flecks on the stalk . M. parabolica is thinner , and more fragile . Another Mycena that grows in clusters on decaying hardwoods is M. haematopus , but this species has a vinaceous @-@ brown cap with a scalloped margin , and a stem that bleeds reddish @-@ brown juice when injured . M. excisa closely resembles M. galericulata , but can be distinguished microscopically by the presence of both smooth and roughened cystidia ( bearing finger @-@ like projections ) . = = Ecology , habitat and distribution = = Mycena galericulata is saprobic , and grows on decaying hardwood and softwood sticks , chips , logs , and stumps . It can also grow from submerged wood , which may give it a terrestrial appearance . It typically grows in small clusters or sometimes singly . The fungus fruits from late spring to early winter . A study of litter @-@ decomposing fungi in a coniferous forest in Finland showed that M. galericulata produces extracellular hydrolytic enzymes in the humus and eluvial soil , including β @-@ glucosidase , β @-@ xylosidase , α @-@ glucosidase , butyrate esterase and sulphatase . The enzymes form complexes with inorganic and organic particles in the soil and break down ( depolymerize ) biopolymers such as cellulose , hemicellulose , and starch , which contributes to the cycling of carbon and nutrients . The presence of lead contamination in the soil decreases both the growth and the extracellular hydrolytic enzyme activity of M. galericulata . Mycena galericulata is a very common and widely distributed species , found throughout the entire temperate zone of the Northern Hemisphere . In the United States , it occurs throughout eastern North America and also along the Pacific Coast . It has also been collected in Edo State , Nigeria . Although the mushroom has occasionally been reported from Australia , these collections are probably based on misidentifications , and " Australian records of Mycena galericulata are best regarded as erroneous " . = = = Cited literature = = = Smith AH . ( 1947 ) . North American species of Mycena . Ann Arbor , Michigan : University of Michigan Press .

= Crash Boom Bang ! = For the Roxette album with a similar name , see Crash ! Boom ! Bang ! Crash Boom Bang ! ( known in Japan as Crash Bandicoot Festival ) ( クラッシュ ・ バンディクー フェスティバル , Kurasshu Bandikū Fesutibaru ) is a party game developed by Dimps and published by Vivendi Universal Games in Japan and by Sierra Entertainment internationally for the Nintendo DS . It was released in Japan on July 20 , 2006 , in North America on October 10 , 2006 , in Europe on October 27 , 2006 , and in Australia on November 2 , 2006 . It is the only game in the Crash Bandicoot series to be developed by a Japanese company and the first to be released in Japan before North America . It was also the final game in the series to be released in Japan . Crash Boom Bang ! is the first game to be released exclusively for the Nintendo DS , and the second party game of the series , after Crash Bash . The game 's story centers on a multi @-@ millionaire who uses the characters of the series to unearth a powerful object dubbed the " Super Big Power Crystal " . The game has received largely negative reception from reviewers , who criticized it for having unoriginal , dull gameplay and poor controls . = = Gameplay = = Crash Boom Bang ! ' s stages resemble board games , as each play area is split into a number of squares . The game takes place among four players , with the computer assigned to spare players . All players simultaneously roll dice . The number each player rolls is the amount of squares they move forward . Depending on the type of square that the player lands on , Wumpa Fruit ( which is used as points during the race ) can be won or lost , an item can be obtained , a special event might be triggered , or a mini @-@ game might commence . If a player lands on a fork in the road , the player will have to select the desired direction with either the stylus or the control pad . In the Adventure Mode , the characters compete in a race for the Super Big Power Crystal . This race is made up of six stages , each containing smaller sub @-@ maps . The host of the race , the Viscount , sets a task for each stage . This task must be completed before the player can continue to another map . The player with the most points is the winner of the stage . The overall winner of all the stages is the winner of the Viscount 's race . In the Festival Mode , the gameplay is fundamentally the same as in the Adventure Mode , with the exception of the ability to select stages to play freely . In the My Room mode , the player 's character has his or her own private room in which he or she can either play minigames that have been collected in Adventure Mode , view a collection of items obtained in Adventure Mode , or create a Motion Panel , a unique in @-@ game communication tool can allow customized messages to be sent mid @-@ game to help friends or distract other players ' gameplay . The decorations in My Room is different for each character . Crash Boom Bang ! features forty mini @-@ games that can be played alone or remotely against friends . Balance , timing , and intelligence are required to win these mini @-@ games . When a player is not taking part in a mini @-@ game , he or she can bet Wumpa Fruit on the winner . The player can help players that have been bet on or obstruct players that have not been bet on by using the Motion Panel . If the player has a special item , the player can access the Shop screen from the Bet screen and buy or sell items . = = Plot = = = = = Characters = = = A number of characters from past Crash Bandicoot games return in Crash Boom Bang ! , though only eight are playable . The playable characters include Crash Bandicoot , Coco Bandicoot , Crunch Bandicoot , Pura , Doctor Neo Cortex , Tawna , Pinstripe Potoroo , and Fake Crash . All of the characters physically appear as they do in official Japanese Crash Bandicoot artwork and promotions ( which was the only Sierra Entertainment video game to be introduced the official Japanese Crash Bandicoot artwork and promotions ) , though Crash 's model was altered for the non @-@ Japanese releases to closer resemble his Crash Twinsanity model . The host of the party , the Viscount , is an original character designed specifically for the game . His name in the original Japanese version is " Viscount Devil " , a reference to the Tasmanian devil native to Australia . Other past characters make cameos in the game at one point or another , such as the Lab Assistants , Doctor N. Gin , Tiny Tiger , Doctor Nefarious Tropy and Polar . Aku Aku serves as the player 's tutor , while Uka Uka makes a cameo appearance as a purchaseable item in the shop . = = = Story = = = While developing a resort in Tasmania , the Viscount finds a map of an ancient city containing the fabled Super Big Power Crystal . He attempts to find it himself , but due to the large amount of puzzles , he fails miserably . In the resort , the Viscount decides to gather up the world 's cleverest and strongest bunch of characters and con them into finding the Crystal for him . He sends an invitation to Coco Bandicoot , inviting her and Crash to the World Cannonball Race , where the winner earns $ 100 @,@ 000 @,@ 000 . The race starts in Port Town , with the winners traveling in a boat to a large desert . Legend has it that four stone tablets are buried somewhere in the desert , and the contestants are sent out to dig for them and bring them to the Viscount . According to the stone tablets , the actual location of the Crystal is hidden somewhere on the ancient map . Before he can investigate the matter further , Doctor Neo Cortex swoops in and snatches the map . As the two struggle for the map , the map is torn to shreds . Cortex sends his loyal Lab Assistants to find the pieces of the map scattered throughout the big City and bring them to him . Now that the contestants know about the map , the Viscount decides to reveal his true intentions : the Super Big Power Crystal can grant a single wish who whoever obtains it , and the Viscount is willing to give a large sum of money to those who help him find it . Finding the Power Crystal is impossible without the Final Key , so the Viscount boards his plane to travel to the North Atlantic Ocean in search for the Final Key . But the plane is full , and only a select number of the contestants are able to board . Propelled to the skies by an explosive volcano , the contestants are able to board the Viscount 's plane . On the Viscount 's ship , the Viscount tells the group the story of an explorer who found the Final Key , but was unable to find the Power Crystal . That explorer was the Viscount 's grandfather . As the explorer sailed back to his homeland to recollect his thoughts , his ship crashed into an iceberg and sank , taking the Viscount 's grandfather to a watery grave . " Sounds like a movie " , remarks one of the attendees . The Viscount tells them to dive to the sunken ship and retrieve the Final Key , much to their shock , considering the near @-@ freezing temperatures . Despite this , the group is able to find the Final Key before freezing to death . With all the pieces of the puzzle at hand , the Viscount victoriously enters the Tower , where the Super Big Power Crystal awaits its owner . Just as the Viscount is about to make his wish , Crash steps forward and makes his wish of a large pile of Wumpa Fruit , much to the Viscount 's grief . " May peace prevail on Earth " , says Coco . = = Development = = On developing the mobile phone version of Crash Boom Bang ! , producer Elodie Larre described adapting a party game for the mobile phone as a " big challenge " . Not wanting to make " another multiplayer game where the players just pass the phone to each other " and hoping to attract both old and new fans of the series , the development team decided to integrate the mobile phone itself into the minigames , creating such minigame gimmicks as playing with one hand behind the back , with one eye closed , playing with the chin , etc . The biggest challenge for the team was keeping the minigames inside the phone 's memory , which was cited as slightly inferior to the first PlayStation console . The WarioWare series was described as an influence in making the game . Crash Boom Bang ! is the first game in the series to exclusively feature the Japanese voice cast in all regional versions of the game . The voice cast includes Makoto Ishii in the dual role of Crash and Fake Crash , Risa Tsubaki as Coco , Yōsuke Akimoto as Doctor Cortex , Shinya Fukumatsu as Crunch , Akiko Toda as Tawna , Asuka Tanii as Pura , and Takahiro Yoshino as Pinstripe . = = Reception = = Crash Boom Bang ! received mostly negative reviews , with the game receiving an average ranking of 42 @.@ 45 % at Game Rankings , and a score of 37 out of 100 based on fourteen reviews at Metacritic . Frank Provo of GameSpot criticized the game for its dull minigames and purely cosmetic Crash license , citing that " apart from the way the characters look and the way the Nitro boxes explode , [ ... ] there isn 't a whole lot that 's Crash @-@ like about Crash Boom Bang ! " . Nintendo Power recommended the game only to die @-@ hard Crash fans and advised others to wait for Crash 's next outing . Lesley Smith of Eurogamer criticized the game for a number or reasons , including bad stylus recognition , boring gameplay , terrible graphics and rigged , repetitive mini @-@ games . IGN 's review was one of the most scathing , dubbing Crash Boom Bang ! " a terrible , terrible game with poor organization " and " easily one of the worst games on the system " . More middling reviews have come in from Official Nintendo Magazine , who felt the game was hampered by dodgy controls and a testing user interface , and Pocket Gamer 's Jon Jordan , who dismissed the game 's collection of minigames as " distinctly average and oddly passionless " . Despite the negative reception , Crash Boom Bang ! was the seventh best @-@ selling game in Australia on the week of June 4 to June 10 , 2007 .

= Grade I listed buildings in Somerset = The Grade I listed buildings in Somerset , England , demonstrate the history and diversity of its architecture . The ceremonial county of Somerset consists of a non @-@ metropolitan county , administered by Somerset County Council , which is divided into five districts , and two unitary authorities . The districts of Somerset are West Somerset , South Somerset , Taunton Deane , Mendip and Sedgemoor . The two administratively independent unitary authorities , which were established on 1 April 1996 following the breakup of the county of Avon , are North Somerset and Bath and North East Somerset . These unitary authorities include areas that were once part of Somerset before the creation of Avon in 1974 . In the United Kingdom , the term listed building refers to a building or other structure officially designated as being of special architectural , historical , or cultural significance ; Grade I structures are those considered to be " buildings of exceptional interest " . Listing was begun by a provision in the Town and Country Planning Act 1947 . Once listed , strict limitations are imposed on the modifications allowed to a building 's structure or fittings . In England , the authority for listing under the Planning ( Listed Buildings and Conservation Areas ) Act 1990 rests with English Heritage , a non @-@ departmental public body sponsored by the Department for Culture , Media and Sport ; local authorities have a responsibility to regulate and enforce the planning regulations . Each of the districts include Norman- or medieval @-@ era churches , many of which are included in the Somerset towers , a collection of distinctive , mostly spireless Gothic architecture church towers . The prolific construction of the towers — some started before 1360 — was typically accomplished by a master mason and a small team of itinerant masons , supplemented by local parish labourers , according to Poyntz Wright . But other authors reject this model , suggesting instead that leading architects designed the parish church towers based on early examples of Perpendicular design and ornamentation developed for cathedrals — their most important commissions . Contract builders carried out the plans , adding a distinctive mix of innovative details and decorations as new designs emerged over the years . These are included in the List of towers in Somerset . Apart from the churches , each area has its own characteristics . Most of Bath 's Grade I listed buildings are made from the local golden @-@ coloured Bath Stone , and date from the 18th and 19th centuries . Their dominant architectural style is Georgian . In the Mendip district , the greatest concentrations of these cluster around the cathedral and abbey in Wells and in Glastonbury . North Somerset features bridges and piers along with a selection of Manor houses . The Sedgemoor district has many buildings related to trade and commerce centered on Bridgwater ; while in South Somerset abbeys , priories and farmhouses predominate . Taunton Deane includes the defensive Taunton Castle , similarly Dunster Castle and related buildings in Dunster feature in West Somerset . = = Bath and North East Somerset = = Bath and North East Somerset ( commonly referred to as BANES or B & NES ) is a unitary authority created on 1 April 1996 , following the abolition of the County of Avon . Bath and North East Somerset occupies an area of 220 square miles ( 570 km2 ) , two @-@ thirds of which is green belt . BANES stretches from the outskirts of Bristol , south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border . The city of Bath is the principal settlement in the district , but BANES also covers Keynsham , Midsomer Norton , Radstock and the Chew Valley . BANES has a population of 170 @,@ 000 , about half of whom live in Bath , making it 12 times more densely populated than the rest of the district . Bath and North East Somerset has 663 Grade I listed buildings , one of the highest concentrations in the country , covered by about 100 English Heritage listings . The oldest sites within Bath are the Roman Baths , for which the foundation piles and an irregular stone chamber lined with lead were built during the Roman occupation of Britain , although the current building is from the 18th century . Bath Abbey was a Norman church built on earlier foundations , although the present building dates from the early 16th century and shows a late Perpendicular style with flying buttresses and crocketed pinnacles decorating a crenellated and pierced parapet . The medieval era is represented by the remains of the city walls in Upper Borough Walls . Most of Bath 's Grade I listed buildings are made from the local golden @-@ coloured Bath Stone , and date from the 18th and 19th centuries . Their dominant architectural style is Georgian , which evolved from the Palladian revival style that became popular during the early 18th century . This led to the entire city 's designation as a World Heritage Site . Much of the development , and many of the buildings , were the vision of John Wood , the Elder . The Circus is seen as the pinnacle of Wood 's work . It consists of three long , curved terraces that form a circular space or theatre intended for civic functions and games . The games give a clue to the design , the inspiration for which was the Colosseum in Rome . The best known of Bath 's terraces is the Royal Crescent , built between 1767 and 1774 and designed by Wood 's son , John Wood , the Younger . Around 1770 the neoclassical architect Robert Adam designed Pulteney Bridge , a three @-@ arched bridge spanning the Avon . He used as his prototype an original , but unused , design by Palladio for the Rialto Bridge in Venice . The heart of the Georgian city was the Pump Room , which together with its associated Lower Assembly Rooms was designed by Thomas Baldwin , a local builder responsible for many other buildings in the city , including the terraces in Argyle Street . Great Pulteney Street , where Baldwin eventually lived , is another of his works : this wide boulevard , constructed c . 1789 and over 1 @,@ 000 feet ( 305 m ) long and 100 feet ( 30 m ) wide , is lined on both sides by Georgian terraces . Outside the city of Bath most of the Grade I listed buildings are Norman- or medieval @-@ era churches . Manor houses such as Claverton Manor , which now houses the American Museum in Britain , and the 18th @-@ century Newton Park , which has a landscape garden designed by Capability Brown , also appear in the list ; Newton Park now forms part of the Bath Spa University . The most recent building is the agricultural Eastwood Manor Farm Steading , completed in 1860 . = = Mendip = = Mendip is a local government district which covers a largely rural area of 285 square miles ( 738 km2 ) ranging from the Mendip Hills through on to the Somerset Levels . It has a population of approximately 11 @,@ 000 . The administrative centre of the district is Shepton Mallet . There are 90 Grade I listed buildings in the Mendip district . There are churches in the various towns and villages , however the greatest concentrations of Grade I listed buildings are in Wells and Glastonbury . In Wells these are clustered around the 10th @-@ century Cathedral Church of St Andrew , better known as Wells Cathedral , and the 13th @-@ century Bishop 's Palace . Glastonbury is the site of the Abbey , where construction started in the 7th century , and its associated buildings . The ruined St Michael 's church , damaged in an earthquake of 1275 , stands on Glastonbury Tor , where the site shows evidence of occupation from Neolithic times and the Dark Ages . The Chalice Well has been in use since Pre @-@ Christian times . Glastonbury Abbey had a wider influence outside the town : tithe barns were built at Pilton and West Bradley to hold tithes , and a Fish House was built at Meare along with a summer residence for the Abbot ( now Manor Farmhouse ) . Medieval structures include Farleigh Hungerford Castle , fortified around 1370 , and The George Inn at Norton St Philip , used as an army headquarters during the Monmouth Rebellion in 1685 , and then as a courtroom to try the rebels in the Bloody Assizes . Manor houses such as the 15th @-@ century Seymours Court Farmhouse at Beckington and The Old Manor at Croscombe . Mells Manor followed in the 16th century and in the 17th century Southill House in Cranmore was built . Ston Easton Park and Ammerdown House in Kilmersdon were both completed in the 18th century . The most recent buildings included in the list are churches : the Church of St Peter at Hornblotton , built in 1872 – 74 by Sir Thomas Graham Jackson to replace a medieval church on the same site , and Downside Abbey at Stratton @-@ on @-@ the @-@ Fosse , more formally known as " The Basilica of St Gregory the Great at Downside " , a Roman Catholic Benedictine monastery and the Senior House of the English Benedictine Congregation . The current buildings were started in the 19th century and are still unfinished . = = North Somerset = = North Somerset is a unitary authority which is administered independently of the non @-@ metropolitan county of Somerset . Its administrative headquarters are located in the town hall of Weston @-@ super @-@ Mare , and has a resident population of 193 @,@ 000 living in 85 @,@ 000 households . There are 37 Grade I listed buildings in North Somerset , including the Clifton Suspension Bridge , which joins North Somerset to Bristol and Clevedon Pier which was built between the 1860s and 1890s . It was removed following damage in 1970 and restored , before being rebuilt and reopened to the public in 1998 . Of the listed buildings , manor houses are well represented . They include Clevedon Court , built in the 14th century , and from the 15th century , Ashton Court and Nailsea Court . North Somerset has many religious structures ; the largest number are from the Norman or medieval eras . The oldest is the Church of St. Quiricus and St. Julietta in Tickenham which dates from the 11th century , and there are 8 others from the 12th century . The most recent Grade I building in North Somerset is Tyntesfield , a Victorian Gothic Revival estate near Wraxall . It was acquired by the National Trust in June 2002 after a fund raising campaign to prevent it being sold to private interests and ensure it be opened to the public . The appeal by the National Trust collected £ 8 @.@ 2 million from the public in just 100 days and the Trust also received the largest single grant ever by the National Heritage Memorial Fund ( at £ 17 @.@ 4 million ) , which caused some controversy . The house is built of Bath stone , and is highly picturesque , bristling with turrets and possessing an elaborate roof . = = Sedgemoor = = Sedgemoor district is a low @-@ lying area of land close to sea level between the Quantock and Mendip hills , historically largely marsh ( or moor ) . It contains the bulk of the area also known as the Somerset Levels , including Europe 's oldest known engineered roadway , the Sweet Track . There are 53 Grade I listed buildings in Sedgemoor , 14 of which are in Castle Street , Bridgwater . In 1834 , Castle Street was built on the site of the demolished Bridgwater Castle , as homes for the merchants trading in the town 's port . Outside the town of Bridgwater , the largest concentration of Grade I listed buildings are in the village of Cannington , where the 12th @-@ century Cannington Court and 14th @-@ century Church of St Mary were both associated with a Benedictine nunnery . Cannington is also the site of the 13th @-@ century Gurney Manor and Blackmoor Farmhouse , which was built around 1480 with its own chapel . Although 11th @-@ century churches such as the Church of St Michael at Brent Knoll and the Church of St Mary at Charlynch near Spaxton are still standing only blue lias rubble walling standing on a conical earthwork with a ditch approximately 820 feet ( 250 m ) in circumference are the only remains of Stowey Castle which was destroyed in the 15th century , which may have been as a penalty for the local Lord Audley 's involvement in the Second Cornish Uprising of 1497 led by Perkin Warbeck . Many of the more recent structures in the list are manor houses such as Halswell House , where the south range was built in the 16th @-@ century for Sir Nicholas Halswell and the main north range in 1689 for Sir Halswell Tynte . The most recently constructed building in the list is the Corn Exchange in Bridgwater , built in 1834 . = = South Somerset = = The South Somerset district occupies an area of 370 square miles ( 958 km2 ) , stretching from its borders with Devon and Dorset to the edge of the Somerset Levels . The district has a population of about 158 @,@ 000 , and has Yeovil as its administrative centre . There are 94 Grade I listed buildings in South Somerset . Most are Norman- or medieval @-@ era churches , but there are other religious buildings as well . Muchelney Abbey consists of the remains and foundations of a medieval Benedictine Abbey and an early Tudor house dating from the 16th century , formerly the lodgings of the resident abbot . Stavordale Priory was built as a priory church in the 13th century and was converted into a private residence in 1533 . The Hamstone Stoke sub Hamdon Priory is a 14th @-@ century former priest 's house of the chantry chapel of St Nicholas , which after 1518 become a farm known as Parsonage Farmhouse . It remained a farm until about 1960 , and has been owned by the National Trust since 1946 . Since the Reformation the 13th @-@ century Hanging Chapel in Langport has been a town hall , courthouse , grammar school , museum , and armoury before becoming a masonic hall in 1891 . The house known as The Abbey in Charlton Mackrell takes its name from the site on which it was built , the Chantry Chapel of the Holy Spirit , founded in 1237 . Naish Priory , built around 1400 in East Coker , was never a priory , and similarly the Abbey Farm House and Abbey Barn in Yeovil which date from around 1420 , have always been in lay @-@ ownership ; " abbey " was added to their names in the 19th century . The 140 @-@ foot ( 43 m ) Burton Pynsent Monument was designed in 1757 , by Capability Brown for William Pitt , as a monument to Sir William Pynsent . King Alfred 's Tower , a 161 feet ( 49 m ) high , triangular edifice , stands near Egbert 's stone , where it is believed that Alfred the Great , King of Wessex , rallied the Saxons in May 878 before the Battle of Ethandun . The towers funder , Henry Hoare , planned for it to commemorate the end of the Seven Years ' War against France and the accession of King George III . The other Grade I listed buildings in South Somerset are manor houses , built over long periods by local Lords of the Manor . The Tudor Barrington Court was the first country house acquired by the National Trust , in 1907 , on the recommendation of the antiquarian Canon Hardwicke Rawnsley . Newton Surmaville was built between 1608 and 1612 for Robert Harbin , a Yeovil merchant , on the site of an earlier building , but was extensively altered and enhanced in the 1870s . Lytes Cary and its associated chapel and gardens have parts dating to as early as the 14th century . The architectural historian Nikolaus Pevsner praised it , saying " Yet all parts blend to perfection with one another and with the gentle sunny landscape that surrounds them . " The 17th @-@ century house at Tintinhull is surrounded by a small 20th @-@ century Arts and Crafts garden . Ven House , which stands on an artificially raised terrace , has a rectangular plan of seven bays by five bays , and is built of red brick in Flemish bond , with local Hamstone dressings ; its north and south fronts are divided by two giant Corinthian pilasters . The small William and Mary style house was completed sometime between 1698 and 1700 . It was enlarged between 1725 and 1730 by Decimus Burton , who provided a new drawing @-@ room for Sir W. Medleycott and also an orangery attached to the house . Brympton d 'Evercy , built in stages between about 1220 and the 18th century , has been described , by Auberon Waugh , as " the most beautiful house in England " . = = Taunton Deane = = Taunton Deane has borough status . The district of Taunton Deane covers a population of approximately 100 @,@ 000 in an area of 462 square kilometres ( 178 sq mi ) . It is centered on the town of Taunton , where around 60 @,@ 000 of the population live and the council are based , and includes surrounding suburbs and villages . There are 38 Grade I listed buildings in Taunton Deane . The oldest buildings are churches built before the end of the 12th century , and the Castle Bow , which has been incorporated into the Castle Hotel in Taunton but was originally a gateway into Taunton Castle . The castle was created between 1107 and 1129 , when William Giffard , the Chancellor of King Henry I , fortified the bishop 's hall . It was his successor , Henry of Blois , who transformed the manor @-@ house into a castle in 1138 , during the Civil War that raged during the reign of his brother , King Stephen . Taunton is also the site of Gray 's Alsmhouses , which dates from 1635 , and two buildings in Fore Street from the 16th century . Many of the more recent structures in the list are manor houses such as Cothay Manor and Greenham Barton which were built in Stawley in the 15th century . Poundisford Park and Cothelstone Manor were both built in the 16th century and Hatch Court in 1755 . The most recent building included in the list is in the Quantock Hills . The original 16th century Hestercombe House , was rebuilt in 1909 . In addition to being a listed building the estate is designated Grade I on the English Heritage Register of Parks and Gardens of Special Historic Interest in England . The house was used as the headquarters of the British 8th Corps in the Second World War , and has been owned by Somerset County Council since 1951 . It is used as an administrative centre and is the current base for the Devon and Somerset Fire and Rescue Service . = = West Somerset = = The West Somerset local government district covers a largely rural area , including parts of Exmoor , with a population , according to the 2001 census , of 35 @,@ 075 in an area of 740 square kilometres ( 290 sq mi ) . The largest centres of population are the coastal towns of Minehead and Watchet . The council 's administrative headquarters are in the village of Williton . There are 33 Grade I listed buildings in West Somerset . The oldest is either Culbone Church , one of the smallest churches in England , and pre @-@ Norman in origin , or Tarr Steps , which may originate in the Bronze Age , although other sources date them from around 1400 . Dunster has the greatest concentration of Grade I listed buildings , including Dunster Castle , which was built in 1617 on a site which had supported a castle for the previous 600 years ; the Yarn Market , which was built in 1609 ; Gallox Bridge , which dates from the 15th century and the Priory Church of St George which is predominately from the 15th century but includes part of the earlier church on the same site . Other sites include manor houses such as the medieval buildings at Nettlecombe Court and Orchard Wyndham .

= Gertrude Barrows Bennett = Gertrude Barrows Bennett ( 1883 – 1948 ) was the first major female writer of fantasy and science fiction in the United States , publishing her stories under the pseudonym Francis Stevens . Bennett wrote a number of highly acclaimed fantasies between 1917 and 1923 and has been called " the woman who invented dark fantasy " . Her most famous books include Claimed ( which Augustus T. Swift , in a letter to The Argosy called " One of the strangest and most compelling science fantasy novels you will ever read " ) and the lost world novel The Citadel of Fear . Bennett also wrote an early dystopian novel , The Heads of Cerberus ( 1919 ) . = = Life = = Gertrude Mabel Barrows was born in Minneapolis in 1883 . She completed school through the eighth grade , then attended night school in hopes of becoming an illustrator ( a goal she never achieved ) . Instead , she began working as a stenographer , a job she held on and off for the rest of her life . In 1909 Barrows married Stewart Bennett , a British journalist and explorer , and moved to Philadelphia . A year later her husband died while on an expedition . With a new @-@ born daughter to raise , Bennett continued working as a stenographer . When her father died toward the end of World War I , Bennett assumed care for her invalid mother . During this time period Bennett began to write a number of short stories and novels , only stopping when her mother died in 1920 . In the mid @-@ 1920s , she moved to California . Because Bennett was estranged from her daughter , for a number of years researchers believed Bennett died in 1939 ( the date of her final letter to her daughter ) . However , new research , including her death certificate , shows that she died in 1948 . = = Writing career = = Bennett wrote her first short story at age 17 , a science fiction story titled " The Curious Experience of Thomas Dunbar " . She mailed the story to Argosy , then one of the top pulp magazines . The story was accepted and published in the March 1904 issue . Once Bennett began to take care of her mother , she decided to return to fiction writing as a means of supporting her family . The first story she completed after her return to writing was the novella " The Nightmare , " which appeared in All @-@ Story Weekly in 1917 . The story is set on an island separated from the rest of the world , on which evolution has taken a different course . " The Nightmare " resembles Edgar Rice Burroughs ' The Land That Time Forgot , itself published a year later . While Bennett had submitted " The Nightmare " under her own name , she had asked to use a pseudonym if it was published . The magazine 's editor chose not to use the pseudonym Bennett suggested ( Jean Vail ) and instead credited the story to Francis Stevens . When readers responded positively to the story , Bennett chose to continue writing under the name . Over the next few years , Bennett wrote a number of short stories and novellas . Her short story " Friend Island " ( All @-@ Story Weekly , 1918 ) , for example , is set in a 22nd @-@ century ruled by women . Another story is the novella " Serapion " ( Argosy , 1920 ) , about a man possessed by a supernatural creature . This story has been released in an electronic book entitled Possessed : A Tale of the Demon Serapion , with three other stories by her . Many of her short stories have been collected in The Nightmare and Other Tales of Dark Fantasy ( University of Nebraska Press , 2004 ) . In 1918 she published her first , and perhaps best , novel The Citadel of Fear ( Argosy , 1918 ) . This lost world story focuses on a forgotten Aztec city , which is " rediscovered " during World War I. It was in the introduction to a 1952 reprint edition of the novel which revealed for the first time that " Francis Stevens " was Bennett 's pen @-@ name . A year later she published her only science fiction novel , The Heads of Cerberus ( The Thrill Book , 1919 ) . One of the first dystopian novels , the book features a " grey dust from a silver phial " which transports anyone who inhales it to a totalitarian Philadelphia of 2118 AD One of Bennett 's most famous novels was Claimed ( Argosy , 1920 ; reprinted 1966 and 2004 ) , in which a supernatural artifact summons an ancient and powerful god to 20th century New Jersey . Augustus T. Swift called the novel , " One of the strangest and most compelling science fantasy novels you will ever read " ) . = = Influence = = Bennett has been credited as having " the best claim at creating the new genre of dark fantasy " . It has been said that Bennett 's writings influenced both H. P. Lovecraft and A. Merritt , both of whom " emulated Bennett 's earlier style and themes " . Lovecraft was even said to have praised Bennett 's work . However , there is controversy about whether or not this actually happened and the praise appears to have resulted from letters wrongly attributed to Lovecraft . As for Merritt , for several decades critics and readers believed " Francis Stevens " was a pseudonym of his . This rumor only ended with the 1952 reprinting of Citadel of Fear , which featured a biographical introduction of Bennett by Lloyd Arthur Eshbach . Critic Sam Moskowitz said she was the " greatest woman writer of science fiction in the period between Mary Wollstonecraft Shelley and C.L. Moore " . Because Bennett was the first American woman to have her fantasy and science fiction widely published , she has been recognized in recent years as a pioneering female fantasy author . = = = Novels = = = The Citadel of Fear ( 1918 ; reprinted in Famous Fantastic Mysteries , February 1942 , and in paperback form in 1970 , [ NY : Paperback Library ] and 1984 [ NY : Carroll & Graf ] ) The Labyrinth ( serialized in All @-@ Story Weekly , July 27 , August 3 , and August 10 , 1918 ; later reprinted as a paperback novel ) The Heads of Cerberus 1st book edition . 1952 , Cloth , also leather backed , Reading , PA . Polaris Press ( Subsidiary of Fantasy Fress , Inc . ) ill . Ric Binkley . Intro by Lloyd Arthur Eshbach ( Thrill Book , 15 August 1919 ; reprinted as a paperback novel in 1952 and 1984 ) Avalon ( serialized in Argosy , August 16 to September 6 , 1919 ; not reprinted ) Claimed ( 1920 ; reprinted in 1985 , 1996 , and 2004 ) 192pp , cloth and paper , Sense of Wonder Press , James A. Rock & Co . , Publishers in trade paperback and hard cover . = = = Short stories and novellas = = = " The Curious Experience of Thomas Dunbar " ( Argosy , March , 1904 ; as by G. M. Barrows ) " The Nightmare , " ( All @-@ Story Weekly , April 14 , 1917 ) " Friend Island " ( All @-@ Story Weekly , September 7 , 1918 ; reprinted in Under the Moons of Mars , edited by Sam Moskowitz , 1970 ) " Behind the Curtain " ( All @-@ Story Weekly , September 21 , 1918 , reprinted in Famous Fantastic Mysteries , January 1940 ) " Unseen @-@ Unfeared " ( People 's Favorite Magazine Feb. 10 , 1919 ; reprinted in Horrors Unknown , edited by Sam Moskowitz , 1971 ) " The Elf @-@ Trap " ( Argosy , July 5 , 1919 ) " Serapion " ( serialized in Argosy Weekly , June 19 , June 26 , and July 3 , 1920 ; reprinted in Famous Fantastic Mysteries , July 1942 ) " Sunfire " ( 1923 ; original printed in two parts in Weird Tales , July – August 1923 , and Weird Tales , September 1923 ; also reprinted as trade paperback in 1996 by Apex International ) = = = Collections = = = Possessed : A Tale of the Demon Serapion ( 2002 ; contains the novella " Serapion " , retitled , and the short stories " Behind the Curtain " , " Elf @-@ Trap " and " Unseen @-@ Unfeared " ) Nightmare : And Other Tales of Dark Fantasy ( University of Nebraska Press , 2004 ; contains all Stevens ' known short fiction except " The Curious Experience of Thomas Dunbar " , i.e. " The Nightmare " , " The Labyrinth " , " Friend Island " , " Behind the Curtain " , " " Unseen @-@ Unfeared " , " The Elf @-@ Trap " , " Serapion " and " Sunfire " )

= Man Down ( song ) = " Man Down " is a song by Barbadian singer Rihanna from her fifth studio album , Loud ( 2010 ) . Singer Shontelle and production duo Rock City wrote the song with its main producer , Sham . They wrote it during a writing camp , in Los Angeles of March 2010 , held by Rihanna 's record label to gather compositions for possible inclusion on the then @-@ untitled album . Rock City were inspired by Bob Marley 's 1973 song " I Shot the Sheriff " and set out to create a song which embodied the same feel but female perspective . It is a reggae ballad which incorporates elements of ragga and electronic music . Lyrically , Rihanna is a fugitive after she shoots a man , an action she later regrets . Several critics singled out " Man Down " as Loud 's highlight , while others commented on her prominent West Indian accent and vocal agility . Def Jam released " Man Down " on May 3 , 2011 , as the fifth single from the album . In the United States , the single reached number 59 on the Billboard Hot 100 and number 9 on the Hot R & B / Hip @-@ Hop Songs chart . It has been certified double platinum by the Recording Industry Association of America ( RIAA ) . The song topped the chart in France for five consecutive weeks and reached the top three in Belgium and the Netherlands . Anthony Mandler directed its music video , in which Rihanna 's character shoots a man after he rapes her . The video was criticized by the Parents Television Council , Industry Ears and Mothers Against Violence , who faulted Rihanna for suggesting that murder is an acceptable form of justice for rape victims . However , actress Gabrielle Union , a rape victim , praised the video for being relatable . " Man Down " was on the set list for three of Rihanna 's tours – the Loud Tour ( 2011 ) , the Diamonds World Tour ( 2013 ) and The Anti World Tour ( 2016 ) . = = Background = = In March 2010 , record label Def Jam held a writing camp in Los Angeles for songwriters and producers to compose material for possible inclusion on Rihanna 's then @-@ untitled fifth studio album , Loud . Def Jam rented out nearly every recording studio in Los Angeles in order to create as many songs as possible . Ray Daniels , the manager of musical duo Rock City ( brothers Theron and Timothy Thomas ) , was present during the sessions , and stated that a writing camp typically involves the label hiring ten recording studios for two weeks at the cost of $ 25 @,@ 000 per day . Daniels revealed that it is where songwriters have lyrics but no music , and where producers have music but no lyrics . Shama Joseph , professionally known as Sham , was hired as one of the producers to work on crafting songs at the camp . Sham 's manager had arranged his attendance at the camp through an acquaintance who was an employee of the record label . Sham explained that he found a flight to Los Angeles and began working on music as soon as he arrived , stating that he had " nothing to lose and everything to gain " . He was inspired by a vision of Rihanna performing songs at a concert that were Caribbean themed . Sham felt that Rihanna had not explored Caribbean @-@ themed music since her debut album , Music of the Sun ( 2005 ) . = = Production and recording = = According to Daniels , Rock City knew Sham but they had not heard the West Indian / Caribbean @-@ themed music that he had composed during the camp . Sham played the music to them , to which the brothers responded " Let 's give Rihanna a one @-@ drop ! Like , a response to ' I shot the sheriff ' ! " Together , Sham and Rock City wrote the lyrics to " Man Down " in twelve minutes . In an MTV News interview , Rock City said they intended to write a song that would embody Bob Marley 's " I Shot the Sheriff " ( 1973 ) from a female perspective and to " tap [ Rihanna 's ] island origins in a way that sounded authentic " . Singer Shontelle said that Rihanna called her during the Last Girl on Earth tour and asked her to be involved with the song . She confirmed that Rihanna was present when she was writing her part in the recording studio . Shontelle elucidated that following one of Rihanna 's concerts , the singer exited the stage and immediately returned to the tour bus to work in the studio . Daniels said that once the writing camp had concluded , Rihanna listened to all of the songs which had been composed for her and chose her favorites . In September 2010 , several months after Sham attended the writing camp , Rihanna called him and said that she wanted to record " Man Down " for inclusion on Loud . Rihanna later described the sentiment she wanted to express as " gangsta " , and elaborated on how reggae culture has influenced her musical style : " I 'm super inspired by reggae music [ and it ] has been a part of me since I was born , and I grew up listening to it . I was exciting for me to take this on as my own and do a song like this , especially with the lyrics being like that . " The track was composed during Rihanna 's Last Girl on Earth tour . The song 's instrumental was recorded by Cary Clark at The Village in Los Angeles . Kuk Harrell produced Rihanna 's vocals with Josh Gudwin and Marcos Tovar at Westlake Recording Studios , also in Los Angeles . Bobby Campbell assisted with vocal production and recording . The song was mixed by Manny Marroquin at Larrabee Sound Studios in Los Angeles , assisted by Erik Madrid and Christian Plata . Daniels estimated the total cost of the writing camp to be approximately $ 200 @,@ 000 , averaging $ 18 @,@ 000 for each of the eleven songs which were included on Loud ; the camp consisted of forty writers and producers . Daniels confirmed that Rock City received $ 15 @,@ 000 and Sham $ 20 @,@ 000 for their part in the production of " Man Down " . He said that " to get that twelve minutes of inspiration from a top songwriting team is expensive — even before you take into account the fee for the songwriters " . A cost of $ 53 @,@ 000 for " Man Down " was already incurred prior to Rihanna entering the studio with a vocal producer . Although Makeba Riddick did not serve as the song 's vocal producer , Daniels cited her as an example of how the process works and how much she would charge . It is the responsibility of the vocal producer to tell a singer how to sing the song correctly to achieve the desired sound . Daniels said that Riddick 's fee varies from $ 10 @,@ 000 to $ 15 @,@ 000 , and that the final part of the process is for the song to be mixed and mastered , which incurs a similar fee . He estimated the final cost of writing , producing , vocal producing , mixing and mastering " Man Down " to be $ 78 @,@ 000 . When combined with the marketing and promotional costs , the total expense was $ 1 @,@ 078 @,@ 000 . = = Composition and lyrical interpretation = = " Man Down " is a " murder fantasy " reggae song with " Caribbean @-@ rhythms " and elements of ragga and electronic music . The song , in the key of C minor , has a tempo of 77 beats per minute . Rihanna 's voice spans more than one and a half octaves , from F3 to E ♭ 5 . Slant Magazine critic Sal Cinquemani described " Man Down " as one of Rihanna 's " most confident vocal performances " with her strong Barbadian patois . Jon Pareles of The New York Times said that the singer " plays up her West Indian accent " , and August Brown of the Los Angeles Times described the vocals as reasserting " her Caribbean lilt " . Entertainment Weekly writer Leah Greenblatt described " Man Down " as a song with " island rhythms " . Lyrically , Rihanna is a fugitive after she shoots a man , but later regrets it . Rihanna slowly relays the chain of events which led up to the murder . She cries to her mother about the act that she has committed – " Mama , I just shot a man down " – expressing guilt and remorse for not meaning to kill her attacker , and that he is somebody 's son . As the track develops , Rihanna 's Bajan accent becomes stronger and exaggerated , which climaxes during the bridge as she declares " Why deed I pull dee treeguh , pull dee treeguh , pull dee treeguh , BOOM ! " MuuMuse writer Bradley Stern thought that the track took on a confessional tone . On February 8 , 2009 , Rihanna was reported to have been involved in an altercation with her boyfriend , Chris Brown . He allegedly punched Rihanna and threatened to kill her . Brown turned himself in to the police and pleaded guilty to misdemeanor assault during the trial . August Brown called the murder ballad theme an apparent " warning " to Chris Brown and a response to his song " Deuces " ( 2010 ) , which denounces an ex @-@ lover . Kitty Empire of The Guardian wrote that Brown 's assault on Rihanna gives the song lyrical context , and sings it with a " bittersweet menace " tone . When asked by HipHopDX about how he reacted to listeners of the song saying that it condones violence , Sham dismissed the accusations : I didn ’ t think it made any sense . I think it was because of who it was saying ' I just shot a man down . ' I think it was very hypocritical for some of the parents against violence in media , those same parents have probably allowed their kids to watch all types of movies and programs that have depictions , or things that insinuate violence . So for them to be mad about , number one , an issue that actually exists ? ... A woman feeling like she wants to shoot somebody who ’ s still alive because of something that they took from her , that ’ s real and that ’ s honest . So the emotion is a very true emotion ... and they relive it on a daily basis . I think it was crazy and blown out of proportion .... But people benefit from controversy , and those same people who probably were trying to bring awareness , now they have a voice and now they ’ re ' specialists , ' and they can speak for a group of people all of a sudden . = = Release and reception = = On March 1 , 2011 , Rihanna asked fans to help her choose the next single from Loud using Twitter , saying that she would film a music video in the forthcoming weeks . After an influx of suggestions , the singer said she had narrowed the options down to four songs : " Man Down " , " California King Bed " , " Cheers ( Drink to That ) " and " Fading " . On March 12 , she confirmed that " California King Bed " had been selected as the next international single . However , " Man Down " was sent to rhythmic and urban radio stations in the United States on May 3 , before the May 13 release of " California King Bed " , making " Man Down " and " California King Bed " the fifth and sixth singles from Loud . The song was released in France and Switzerland on July 11 and the Netherlands on July 15 . Kitty Empire called the track " excellent " , and praised it for being an original composition which is reminiscent of a " righteous old reggae murder ballad " . Consequence of Sound writer Ryan Burleson said that " Man Down " and another album track called " Fading " both " stand on their own sonically " , and that the former is an homage to her Caribbean heritage with its dancehall melody . Describing the track as " breezy " , Bradley Stern thought that no other song on Loud embodied Rihanna 's personality more so than on " Man Down " . Cinquemani chose " Man Down " as the best song on Loud , calling Rihanna 's vocal agility " surprising " and noting that the " fully @-@ fledged reggae " song is co @-@ written by a fellow Barbadian @-@ born singer , Shontelle . In her review of Loud , Emily Mackay of NME called its experimentation more " organic " than that on Rihanna 's previous album Rated R ( 2009 ) , citing " Man Down " ' s theme of " doomed youth " . Similarly , Nima Baniamer of Contactmusic.com pointed out that " Man Down " , which she described as " a dark track " that is " haunting " yet " delightfully intriguing " , was reminiscent of the material on Rated R. In their review of Rihanna 's top 20 songs , Time Out ranked " Man Down " as their tenth best track , writing that it is Rihanna at " her badass best " . Complex staff compiled a list of their top 26 Rihanna songs , and ranked " Man Down " in thirteenth place ; Claire Lobenfeld thought that it was the singers most " cinematic " song of her career , and that she elevated the theme of " accidental manslaughter " from " downtrodden " to " adorable " . = = Commercial performance = = In the United States , " Man Down " debuted on the Billboard Hot 100 at number 94 on June 1 , 2011 , peaking at number 59 and spending a total of 14 weeks on the chart . On the Hot R & B / Hip @-@ Hop Songs chart , it peaked at number 9 on August 6 , 2011 , remaining there for 2 weeks and spending a total of 19 weeks charting . It was number 47 on the Hot R & B / Hip @-@ Hop Songs 2011 year @-@ end list . The track peaked at number 56 on the Hot R & B / Hip @-@ Hop Airplay chart , number 20 on the Hot R & B / Hip @-@ Hop Digital Songs chart and number 40 on the Radio Songs chart . " Man Down " was certified double platinum by the Recording Industry Association of America ( RIAA ) , denoting shipments of more than 2 million units . The song reached number 92 on the Canadian Hot 100 . " Man Down " debuted at number 65 on the French Singles Chart on June 6 , 2011 , a month before its release as a single . It rose to number 1 on July 30 , remaining there for 5 consecutive weeks , and was number 2 the week before and for 3 weeks after its chart @-@ topping run . It stayed on the chart until May 12 , 2012 , but re @-@ entered three weeks later . The song , on and off the French chart for the rest the year , continued to appear on it sporadically in 2013 . After a total of 73 weeks on the chart , the track 's last French chart appearance was at number 172 on August 8 , 2013 . In the United Kingdom , " Man Down " entered the Singles Chart at number 117 on June 11 , 2015 , reaching number 75 the following week . The song peaked at number 54 in its fourth week , remaining there for 2 weeks and spending a total of 11 weeks on the chart . On the UK R & B Chart , " Man Down " reached number 15 on June 26 , spending 18 weeks in the top 40 . In Belgium , the song peaked at number 3 in Dutch @-@ speaking Flanders and number 2 in French @-@ speaking Wallonia . It was certified gold by the Belgian Entertainment Association ( BEA ) for selling more than 15 @,@ 000 copies . Although the song spent only 1 week on the Italian Singles Chart ( at number 8 ) , it was certified platinum by the Federazione Industria Musicale Italiana ( FIMI ) in 2014 for selling more than 30 @,@ 000 copies . = = Music video = = = = = Background and synopsis = = = Anthony Mandler directed the music video for " Man Down " in April 2011 on a beach in Portland Parish , on the northeastern Jamaican coast . Rihanna told Rap @-@ Up that the video has a " strong underlying message [ for ] girls like me ! " On May 1 , 2011 , three camera phone teaser photos , of Rihanna on a beach in a white Dolce & Gabbana dress and riding a bicycle in Portland Parish , were released . The music video premiered on BET 's 106 & Park on May 31 , 2011 . In an interview for MTV News , Mandler said that " Man Down " required " a strong narrative and visual " and that fans could expect something " dramatic and shocking and intense and emotions and uplifting and enlightening " . The video opens as the protagonist ( Rihanna ) shoots and kills a man while he walks through a busy train station . She flees before a flashback to the previous day , when she rides her bike , meets friends and is alone in a bedroom at dusk . At a nightclub the protagonist dances and flirts with another club @-@ goer , who then attacks her when she leaves the club . Disheveled , the woman cries in the street after an implied sexual assault , and the video ends as she runs home to grab a gun hidden in a dresser drawer . = = = Analysis and reception = = = Janell Hobson analysed the imagery presented in the video for " Man Down " in her book Body as Evidence : Mediating Race , Globalizing Gender , which " challenges postmodernist dismissals of identity politics and the delusional belief that the Millennial era reflects a ' postracial ' and ' postfeminist ' world . " In the chapter titled " Disclosures : Black Women 's Resistance to Sexual Violence " , Hobson explores how black women have " found the courage " to speak out about sexual violence , protest against it and not remain a silent victim . She recalled Rihanna 's interview for 20 / 20 with Diane Sawyer , which aired on November 6 , 2009 . Having remained silent about her altercation with Brown on the evening of the Grammy Party in February that year , whereby Brown assaulted her , Rihanna decided to speak about it for the first time . The author noted how Sawyer decided to approach the interview by presenting the couples relationship and assault case as an " anomaly " and accused Rihanna of " projecting a ' fake ' imagery of strong black woman " , rather than presenting her another domestic violence victim not only in the United States , but in the world . " I am strong , " Rihanna responded . Hobson wrote that from then on , the singer decided to project an image of " hardcore masculinity and dominatrix @-@ type femininity in her music trajectory " . Subsequently , several of Rihanna 's songs and music videos have courted controversy for their violent themes , which Hobson attributes to the leaking of a photo showing the singers " battered face " on the evening of the assault by TMZ which circulated the internet without the permission of Rihanna . Hobson writes : " Because of this , Rihanna has had to wrest back control of the ' victim ' image foisted on her , and she in turn has challenged us rhetorically and visually to question and examine the power , danger , and violences that shape our relationships . " She continued to highlight the music videos for " Russian Roulette " , " Hard " , " We Found Love " , " Love the Way You Lie " with Eminem which documents domestic violence , and " S & M " , which contains references to bondage and fetishism and is , in part , Rihanna 's response to disparaging critics , as examples . At one point in the video for " S & M " , Rihanna is literally tied up as a victim . However , Hobson noted that Rihanna " rejects the victim stance " in the video for " Man Down " , and elucidated that she played the role of a rape survivor who shot her attacker . She attributed the location of shooting the video in Jamaica as significant , due to how the image of a gun proliferated during 1990s Jamaican dance hall 's to " express female rage " . The prologue depicts Rihanna as a " dark @-@ hooded " femme fatale whereby the narrative explains her motives for murder and provokes the spectator to sympathize with her because she danced in a provocative manner with a man in a club , which Hobson suggests is " somehow deserving of rape " . She continued to explain that Rihanna is inviting the audience to consider what justice means by " pointing both a literal and lyrical gun at the issue " . Hobson concluded that Rihanna is protecting her vulnerability and countering the image of the abused black woman who is looked at unsympathetically in society . Beck Bain of Idolator described the video as " visually stunning " , while Metro writer Lee Ann labelled it as " shocking " . Co @-@ writer of " Man Down " Theron Thomas felt that the video was very theatrical and that Rihanna played her role " perfectly " . He continued to say that had the video been a lyric @-@ by @-@ lyric representation , the narrative would have been more " graphic " . = = = Controversy = = = The Parents Television Council ( PTC ) criticized Rihanna for her portrayal of " cold , calculated execution of murder " in the music video , and argued that murdering a rapist as socially @-@ acceptable justice is impermissible . The group disagreed with Rihanna 's rationale for the storyline : that the video has " a very strong underlying message [ for ] girls " like Rihanna . According to the PTC and Industry Ears , if Chris Brown murdered a woman in a video that premiered on BET " the world would stop " and Rihanna should not have been allowed to release her clip . The week before the council 's statement about the video it had objected to Rihanna and Britney Spears ' performance of the " S & M " remix at the Billboard Music Awards , having called it a " profanity @-@ laced , S & M sex show on prime @-@ time broadcast television " . After the PTC 's statement , Julianne Escobedo Shepherd of AlterNet wrote that the group seemed to employ a double standard ; it had not condemned Kanye West 's music video for " Monster " , in which dead women hang from ceilings and West holds a decapitated head . Shepard added that Eminem and Rihanna 's video for " Love the Way You Lie " had not been criticized , despite " glorified and romanticized " domestic violence . A Mothers Against Violence spokesperson criticised Rihanna for failing to present a solution , rather than encouraging the vulnerable youth , for which rape is a reality for many people . Director Anthony Mandler addressed the controversy in an interview for The Hollywood Reporter , saying that the visual evoked the reaction he intended and that it highlighted an issue still taboo in modern society . He recalled growing up in an era in which artists such as Madonna released controversial music videos , and noted that contemporary videos no longer tackle taboo subjects as frequently . Rihanna responded to the PTC 's criticism on Twitter , and said that parents should not expect her to parent their children and that " touchy subject matters " should not be hidden from children otherwise they will not learn how to adapt in society , and that it empowers abusers even more because children are embarrassed to talk about rape . The singer continued to state that " the industry isn 't ' Parent 's ' R Us ' " and that singers " have the freedom to create art " . In an interview for BET , Rihanna further explain why rape was used as the vehicle to push the story forward in the video despite the lyrics not mentioning rape , saying " Making that into a mini @-@ movie or video , we needed to go back to why it happened . Obviously she 's not a cold @-@ blooded killer . It had to be something so offensive . And we decided to hone in on a very serious matter that people are afraid to address , especially if you 've been victimized in this scenario . " Rihanna added that the character is remorseful for her actions . Actress and women 's @-@ health advocate Gabrielle Union , a rape victim , voiced support for the video on Twitter . Union called it " brave " and , although she did not agree with the eye @-@ for @-@ an @-@ eye sentiment , she could relate to the situation . Union said that every rape victim or survivor is a unique situation , and that they all have an idea of how justice should be served . She admitted that she tried to shoot her rapist , but missed , and that she has since realised that committing murder as a form of justice for herself would not have made the situation better . She continued to say that while it is " understandable " to desire to kill a rapist , unless it is in self @-@ defense then it is not advisable . = = Live performances and covers = = Rihanna has included " Man Down " on the set lists of several concerts and tours , including the 2011 Loud Tour , BBC Radio 1 's Hackney Weekend on May 24 , 2012 and the 2013 Diamonds World Tour . For the Loud Tour , Rihanna performed the song on " a levitating , rotating platform , a conveyer belt and graffiti @-@ laden car shell . " Although Kitty Empire described " Man Down " as " terrific " , the critic felt let down by the " baffling lack of creativity " from Rihanna 's production team for the stage set up during Rihanna 's performance . She wrote that she did not understand why a truck bonnet was in the middle of the stage . Maza praised the tracks placement on the set @-@ list . " Man Down " was performed as the fourth song on the Loud Tour , following its opener " Only Girl ( In the World ) " , " Disturbia " and " Shut Up and Drive " . Maza noted that the tempo of " Man Down " should have " slowed down the momentum she 'd accumulated until then but that was instead an ideal marriage of production and performance . " Instead , the red lights on the stage played up the " ominous " tone of the song as it gradually increased its tempo to the point whereby the end of the song was on the verge of sounding like an incantation . For the Diamonds World Tour , Rihanna performed " Man Down " in a Caribbean @-@ theme section of the show , which also included " You da One " , " No Love Allowed " , " What 's My Name ? " and " Rude Boy " . James Lachno of The Telegraph highlight the Caribbean @-@ themed section as the show 's highlight . Manchester Evening News writer Katie Fitzpatrick commented that Rihanna transported the audience to the Caribbean with a " grinding groove " . However , Gary Graff of The Oakland Press was disappointed with the lack of variety in the section , writing that it was " addled by a sonic sameness , even with Nuno Bettencourt of Extreme , whose guitar was buried in the bass @-@ heavy mix , playing some intriguing licks and accents " . British singer and songwriter Leona Lewis performed a mashup of " Man Down " with her 2008 single " Better in Time " at BBC Radio 1 's Live Lounge in June 2011 . She also included the mashup on the set list of her 2013 Glassheart Tour . Her rendition received a mixed response from critics . Katherine Hollisey @-@ McLean of the Worthing Herald complimented the fusion of " Better in Time " with reggae beats . But The Guardian 's Malcolm Jack thought the performance was cringeworthy and called Lewis a " reasonably priced Rihanna " . = = Charts = = = = Certifications = = = = Release history = =

= Marauders ( Star Trek : Enterprise ) = " Marauders " is the sixth episode of the second season of the American science fiction television series Star Trek : Enterprise , the 32nd episode overall . It first aired on October 30 , 2002 , on the UPN network within the United States . The story was created by executive producers Rick Berman and Brannon Braga with a teleplay by David Wilcox . A similar premise had been included in the original pitch for Star Trek by Gene Roddenberry . Set in the 22nd century , the series follows the adventures of the first Starfleet starship Enterprise , registration NX @-@ 01 . In this episode , while in search of deuterium , Enterprise discovers a mining colony that is being controlled by Klingons who are bullying the inhabitants and hoarding their supplies . The crew conduct repairs on the colony and train the colonists to fight off the Klingons . This episode was mostly filmed on location in a quarry in Ventura County , California , and the majority of the guest stars were stunt performers . Both Larry Cedar and Bari Hochwald had previously appeared in different episodes of Deep Space Nine and Voyager . " Marauders " was watched by 5 @.@ 6 million viewers , the second highest audience for an episode of the second season . Reviews were mixed , with some critics responding negatively to the lack of consequences from the fighting sequences while another praised the characters interactions and felt it was a good example of the western genre . = = Plot = = Captain Jonathan Archer ( Scott Bakula ) , Sub @-@ Commander T 'Pol ( Jolene Blalock ) , and Commander Charles " Trip " Tucker III ( Connor Trinneer ) fly down to a small colony of 76 miners in order to trade for deuterium . They initially try to barter with Tessic ( Larry Cedar ) , the colony 's leader , but he appears reluctant to part with any of the 80 @,@ 000 liters in inventory , which is being held for ' someone else ' . After negotiations however , a deal is struck − 200 liters of deuterium for four power cells and whatever medical supplies Enterprise can spare , on the proviso that the Enterprise crew can fix two offline pumps in two days . Despite deuterium being a valuable commodity , Archer is startled by the lack of basic medical supplies and the run @-@ down nature of the colony . The reason becomes apparent when seven Klingons show up to collect deuterium according to their ' regular arrangement ' . When Tessic informs Korok ( Robertson Dean ) , the leader of the Klingons , that they do not have all the deuterium because two pumps were not working , Korok hits him and gives them four days to meet the order . Later , when Tucker and Archer attempt to talk them into fighting against the Klingons , Tessic tell them to take their 200 liters and leave . However , leaving does not sit well with Archer and he convinces the leader to resist with their support . On Enterprise , T 'Pol teaches some of the colonists how to evade edged @-@ weapon attacks ( from Vulcan martial @-@ art ' Suus @-@ mahna ' ) , while Ensign Hoshi Sato ( Linda Park ) and Lieutenant Malcolm Reed ( Dominic Keating ) teach other colonists how to fire their weapons more accurately . Archer and Tucker then suggest the colonists shift the entire colony to the south 50 meters . When the Klingon marauders arrive , the colony appears deserted and silent . Finally the defenders show themselves , and in the ensuing fight the Klingons are lured into an area surrounded by the capped @-@ off deuterium well heads . On cue , the wells are ignited , surrounding the Klingons with flames . Tessic then tells the Klingons to leave and never come back . After they depart , Archer is rewarded with 2 @,@ 000 liters of deuterium by the grateful miners . = = Production = = The initial pitch for Star Trek : The Original Series by Gene Roddenberry included a similar episode premise called " Kentucky , Kentucky " . This story would have had Captain Robert M. April and the crew of the S.S. Yorktown visit a human colony which had been previously attacked by Viking @-@ like aliens . This resulted in the colonists reverting in appearance to that seen during the American frontier @-@ era . April and his crew band together to help the colonists fight off the aliens . Executive producers Rick Berman and Brannon Braga developed the story , which was turned into a teleplay by David Wilcox . It was directed by Mike Vejar , his fourth episode of the series , although he had also developed several more episodes of the other series in the franchise . Filming on " Marauders " began on August 21 , 2002 , utilising the standing ship sets . The shoot on the following day mostly took place on a sound stage , while the third day 's on set filming used the shuttlepod set as well as a newly created ship 's gym set . The remainder of the eight days filming took place on location at a quarry in Ventura County , California , located about an hour 's journey north west of Los Angeles . Temperatures were mild for that time of year , but the actors were still told to wear sunscreen and drink plenty of water . The actors portraying the Klingons joined on the second of the five days on location , with the majority of them played by stunt men . According to Bakula , the set used for the colony was the largest build so far for Enterprise . Robertson Dean played the sole speaking Klingon , he had previously appeared in the Star Trek : The Next Generation episode " Face of the Enemy " . Other members of the guest cast included Cedar , portraying the colonist Tessic , who had previously appeared in individual episodes of both Star Trek : Deep Space Nine and Voyager . Likewise , Bari Hochwald also appeared in those two series . While appearing in " Marauders " , she was also performing in the play Fedunn at the Odyssey Theatre in Los Angeles . = = Reception and home media = = " Marauders " was first broadcast on the UPN network within the United States on October 30 , 2002 . It was watched by 5 @.@ 6 million viewers , equating to Nielsen ratings of 3 @.@ 9 / 6 percent . This meant that the episode was watched by 3 @.@ 9 percent of possible viewers , and six percent of those watching television at the time . This was the second most watched episode of the season , behind " A Night in Sickbay " , which was broadcast a week prior . J.C. Maçek III , while writing for the website PopMatters , described " Marauders " as forming the first part of a loose trilogy of episodes within the second season focusing on re @-@ introducing the Klingons to the series . The following episodes in the group were said to be " Judgment " and " Bounty " . Jamahl Epsicokhan at his website " Jammer 's Reviews " gave the episode two out of four , said that there was nothing exciting in " Marauders " and that the action sequences towards the end were unrealistic because despite all the apparent violence , not a single person even gets injured during the scene . He called the general premise " classic trek " , but that it lacked depth and didn 't pose any interesting questions . He summed it up by saying it was " a bloodless , light @-@ as @-@ a @-@ feather action show with handsome production values but absolutely and positively no edge . " Michelle Erica Green , reviewing the episode for TrekNation , said that the episode seemed to follow the same story as the 1998 animated film A Bug 's Life , but was very much set in the western genre which inspired Roddenberry 's original Star Trek pitch with other comparisons to the 1960 film The Magnificent Seven . She felt that there was several scenes which enabled some character building moments for Hoshi , Travis Mayweather and Tucker , and described it overall as " a decent genre piece with good character work " . The first home media release of " Marauders " was part of the season two DVD box set , released in the United States on August 7 , 2005 . A release on Blu @-@ ray Disc for season two occurred on August 20 , 2013 .

= Johnny McNichol = John " Johnny " McNichol ( 20 August 1925 – 17 March 2007 ) was a Scottish footballer who played more than 500 games in the Football League in England . An inside forward , he played more than 150 games for Brighton & Hove Albion and more than 200 for each of Chelsea and Crystal Palace . McNichol graduated from junior footballer and apprentice motor mechanic in his native Scotland to a professional contract with English First Division club Newcastle United . After two years , he had found success with the reserve team but was never selected in the first eleven . Brighton & Hove Albion , struggling in the Third Division , broke their transfer record to sign him . McNichol spent four years with the club , acquiring " the reputation as the finest inside @-@ forward in the Third Division " , before moving to the First Division as Chelsea manager Ted Drake 's first signing . He was part of the Chelsea team that won the League championship in the 1954 – 55 season . In 1958 he joined Crystal Palace , whom he captained to promotion from the Fourth Division , and finished his on @-@ field career in the Southern League as player @-@ manager of Tunbridge Wells Rangers . He then spent 25 years working on the commercial side of football with two of his previous clubs . = = Early life and career = = McNichol was born in Kilmarnock , Ayrshire . His father , Danny , died when he was five , so McNichol and seven siblings were raised by their mother , Catherine . He attended St Joseph 's School in Kilmarnock , and started work as a messenger boy for a local draper 's shop when he left school . His shop work stopped him playing football on Saturdays , but he was able to play some midweek football for Junior club Hurlford United . When he was taken on at the local bus garage as an apprentice motor mechanic , he became available on Saturdays as well . Hurlford paid him ten shillings a game , nearly as much as his apprentice 's wages . During the Second World War , McNichol was called up to the Fleet Air Arm as a mechanic , but was able to play friendly matches for Inverness @-@ based club Clachnacuddin . Because of the number of professional players stationed around the country , such matches were played at a fairly high standard . = = Newcastle United = = After the war , McNichol returned to Hurlford , but , amid interest from other clubs , he accepted a trial with Newcastle United . After two trial matches , he signed professional forms with the club on his 21st birthday . McNichol spent two years at Newcastle , but never made a first @-@ team appearance . Behind the likes of England international forwards Roy Bentley and Len Shackleton in the pecking order , he doubled his income working as a motor mechanic for a local funeral director whose " two or three Rolls @-@ Royces [ made ] a nice change from working on bus engines " . In his second season , he was part of the reserve team that won the Central League title , but a disagreement over personal terms on his contract renewal – the Newcastle management felt a lower wage was justified because of the player 's earnings outside the game – prompted McNichol to seek first @-@ team football elsewhere . = = Brighton & Hove Albion = = Brighton & Hove Albion had finished bottom of the Third Division South the season before and were struggling financially , yet manager Don Welsh persuaded the directors to break the club transfer record by paying £ 5 @,@ 000 for a player yet to make his debut in the Football League , and persuaded McNichol to sign . He made his first appearance in the League on 21 August 1948 , at the age of 23 , as Brighton drew with Swindon Town at home . The club finished sixth in the division in McNichol 's first season and eighth , despite having no regular goalscorer – McNichol 's nine goals made him top scorer – in 1949 – 50 . The next year , McNichol played in all of Brighton 's games , the only man so to do , and again finished as top scorer for the season , this time with 14 goals . According to Carder and Harris , he " had a superb season with a brand of play which won him the reputation as the finest inside @-@ forward in the Third Division " . Appointed club captain when Billy Lane took over from Welsh as manager , McNichol flourished under Lane 's attacking policy . He scored 14 goals in the 1951 – 52 season as Brighton narrowly failed to mount a successful challenge to Plymouth Argyle for the title , " was again the star of the side " , and " was thought by many to be the most stylish inside @-@ forward to play for the Albion " . That season , McNichol scored a hat @-@ trick against eventual runners @-@ up Reading , which caught the eye of manager Ted Drake . Shortly before the next season started , he became Drake 's first signing for his new club , Chelsea , at a fee of £ 12 @,@ 000 plus the player Jimmy Leadbetter , a club record fee received for Albion . He had scored 39 goals in all competitions from 165 appearances . Although scouts from bigger clubs had been watching the player since soon after his arrival at the club – he had apparently already turned down moves to Manchester City , Everton and Huddersfield Town – Brighton 's supporters were disappointed , seeing his sale as a backward step . = = Chelsea = = On his Chelsea debut away at Manchester United , McNichol found himself playing at right back after ten minutes when Sid Tickridge sustained an injury . Once restored to the forward line , his goals helped Chelsea avoid relegation to the Second Division at the end of his first season . A " dramatic last @-@ minute goal ... enabled Chelsea to snatch a lucky victory at West Bromwich " with three games left , and he scored the third goal of Chelsea 's 3 – 1 defeat of Manchester City in their last fixture of the season which confirmed their escape from the relegation positions . Two seasons later , Chelsea won the First Division title for the first time . As they beat Charlton Athletic in March 1955 to " maintain their challenging position in the Championship " , The Times ' reporter described how " McNichol filled the role of general , and was instigator of many dangerous movements " . Two weeks later , McNichol , " the most effective of their forwards " , scored twice as a Chelsea team displaying " a propensity to play the man in preference to the ball " beat Tottenham Hotspur 4 – 2 , and the title was confirmed with one game still to play . McNichol had missed only two games in the 42 @-@ game season , and scored 14 goals , a good return for a player in his position ; an inside forward was normally more a creator than a scorer of goals , but his profile on Chelsea 's website describes him as " clever , astute and most of all a clinical finisher " . He stayed at the club for three more seasons , but later lost his place in the side to the young Jimmy Greaves : " There was no disgrace in losing my place to him . I couldn 't grumble about that . We used to get on very well , and he would listen to the instructions I gave him . Then he became world famous ! " The respect was mutual : though Greaves described the Chelsea title @-@ winning side as " almost certainly one of the least talented teams ever to win the title " , he made an exception for McNichol , " the ball player of the team " . In all competitions , he made 202 appearances for Chelsea and scored 66 goals . While at Brighton , McNichol had worked in a local garage , wanting to keep up his skills in case injury put an early end to his football career . When he joined Chelsea , his decision to remain living in the area had upset Drake . In addition , he bought a newsagent 's shop in Hove , so not only did he have to travel by train from the south coast – as did teammates Stan Willemse and Eric Parsons – he further annoyed the Chelsea management by getting up even earlier each morning to open the shop before coming in to training . His wife Connie , whom he had known since childhood , ran the business in his absence . He claimed to have " earned more working in that shop than playing for Chelsea . Even in that championship season . " = = Crystal Palace = = Just ahead of the transfer deadline in March 1958 , McNichol signed for Third Division South club Crystal Palace . He was expected to fill a role " similar to the one he has performed so well at Stamford Bridge – helping in the development of promising young forwards " , and was appointed captain . He scored on his debut for the club , and produced seven goals from the twelve games he played in what remained of the 1957 – 58 season . By October 1958 , manager George Smith felt the player was feeling the strain of his dual role , so relieved him of the captaincy . As McNichol grew older , his playing position became more defensive , as he became first a wing half , then a full back . Palace had been placed in the Fourth Division when the Football League structure was reorganised on national lines prior to the 1958 – 59 season , and McNichol , long since restored to the captaincy , led them to promotion to the Third Division in 1961 , their first promotion for 40 years . Soon afterwards , he applied for the managerial post at former club Brighton & Hove Albion , then in the Second Division , but was unsuccessful . A broken arm suffered in August 1961 forced McNichol to miss a Palace match for the first time in a three @-@ and @-@ a @-@ half @-@ year club career . He played on for two seasons , but his professional career was brought to a close by facial injuries , a fractured cheekbone and broken jaw , sustained during the 1962 – 63 season . In all competitions , he scored 15 goals from 205 appearances . = = Later life and career = = McNichol remained in the South of England , spending four years as player @-@ manager of Tunbridge Wells Rangers in the Southern League . Having sold the newsagents , he returned to Crystal Palace to work in the commercial side of the game , where he was responsible for the establishment of weekly pools and bingo competitions as a means of raising funds for the club . He moved back to Brighton & Hove Albion to occupy a similar role from 1979 to 1992 , and after retirement continued to live in the Saltdean area of Brighton . Despite the successes of his career , McNichol had regrets . He described Chelsea 's decision not to accept their invitation to participate in the inaugural season of the European Cup as his " one big disappointment " , and " thought it was strange at the time " , despite the national team selectors ' preference for players plying their trade for Scottish clubs , that he was never chosen to represent his country . McNichol retained contact with his previous clubs . One of 24 former players and managers nominated as " Albion Legends " as part of Brighton 's centenary events in 2001 , he took an active role in the celebrations . The surviving members of Chelsea 's 1955 title @-@ winning team used to meet for an annual dinner , and were guests of the club at the last match of the 2004 – 05 season as they celebrated their second League title , 50 years after the first . He died of a stroke on 17 March 2007 at the age of 81 . = = Honours = = Newcastle United Reserves The Central League winners : 1947 – 48 Chelsea Football League First Division winners : 1954 – 55 Crystal Palace Football League Fourth Division runners @-@ up : 1960 – 61

= Otra Nota = Otra Nota ( English : Another Note ) is the debut album by American singer Marc Anthony that was released on January 26 , 1993 , by RMM Records . Produced by Sergio George , it was the first album by Anthony to record in salsa after starting his career as a freestyle musician . Recording of the album began after Anthony asked RMM president Ralph Mercado to record Juan Gabriel 's " Hasta Que Te Conocí " in salsa after hearing it on the radio during a taxi ride . Recorded on a low budget , the album peaked at No. 2 on the Billboard Tropical Albums chart and reached No. 30 on the Billboard Top Latin Albums chart . The album was well received by critics who complimented George 's production and Anthony 's youthful voice . Anthony received two awards for " Best New Artists " at the Billboard Latin Music Awards and the Lo Nuestro Awards . The album produced three singles : " Hasta Que Te Conocí " , " Palabras del Alma " , and " Si Tú No Te Fueras " , all of which charted on the Billboard Hot Latin Songs chart . As of 2002 , Otra Nota has sold over 300 @,@ 000 copies . = = Background = = Marc Anthony began his recording career in 1980s as a freestyle musician during which he was a backup vocalist for boy bands such as Menudo and the Latin Rascals . Anthony also wrote songs for his school friend Sa @-@ Fire , including " Boy I 've Been Told " which became a hit on the Billboard Hot 100 chart . Anthony got his start as a lead vocalist when he collaborated with Little Louie Vega on the album When the Night Is Over . The lead single " Ride on the Rhythm " became a number @-@ one hit on the Billboard Hot Dance Club Songs chart . RMM manager Ralph Mercado invited Anthony to record a salsa album , but Anthony declined the offer due to a lack of interest to record in Spanish . The following day , while in a taxi , Anthony was listening to Juan Gabriel 's song " Hasta Que Te Conocí " ( " Until I Met You " ) on the radio and was motivated to record in the song in salsa and told Mercado about his change of decision . Mercado introduced Anthony to Sergio George who would produce the album . According to George , the album was an " total experiment " , citing that it was on low budget , recorded with one musician at a time without a band , and the full production was done on computers while George handled the keyboards . = = Music and lyrics = = The album includes five compositions and three cover songs . The lead track " Palabras del Alma " ( " Words from the Soul " ) is a cover originally performed and written by Ilan Chester . " Si Tú No Te Fueras " ( " If You Would Not Leave " ) was composed by Nelson Frank and Jaime Gutierrez . " Hasta Que Te Conocí " was first performed and written by Juan Gabriel . " El Último Beso " was composed by Anthony 's father Felipe Muñíz . " Make It With You " is a cover of American band Bread 's song . " Necesito Amarte " was written by Luis Castillo who composed songs for RMM recording artists including José Alberto and Tito Nieves . Sergio George co @-@ wrote " ¿ Juego O Amor " ( " Game or Love ? " ) along with Adam Sez . The final track , " Si He de Morir " ( " If I Were to Die " ) was composed by Luis Díaz . = = Commercial reception = = Otra Nota debuted and peaked at No. 2 on the Billboard Tropical Albums chart during the week of April 17 , 1993 , behind Jerry Rivera 's Cuenta Conmigo and remained at this position for eight weeks . During the week of June 11 , 1994 , the album debuted and peaked at No. 30 on the Billboard Top Latin Albums , where it spent nineteen weeks on the chart . Otra Nota has sold over 300 @,@ 000 copies as of 2002 . = = = Singles = = = " Hasta Que Te Conocí " was the first single to be released from the album and peaked at No. 13 on the Billboard Hot Latin Songs chart . The second single " Palabras del Alma " peaked at No. 15 on the Billboard Hot Latin Songs chart . " Si Tú No Te Fueras " was the last single released from the album which peaked at No. 31 on the Billboard Hot Latin Songs chart . = = Critical reception = = Evan Gutierrez of Allmusic gave the album 3 @.@ 5 out of 5 stars and complemented Anthony 's voice as " developed , unique , and individual " and felt that Anthony 's debut " brought quality and passion to his listeners from the beginning . " Gutierrez also found the songs in salsa enjoyable while calling the ballads . Gutierrez praised Sergio George 's arrangements as " outstanding " though he felt the production was outdated in places . Enrique Lopetegui gave the album 3 out of 4 stars , noting that while Anthony was viewed with skepticism on the salsa market , he felt that Anthony " may be the best of the many newborn salseros . " Lopetegui also praised Anthony 's vocals as " excellent " and described the overall album as " noble effort " though he criticized Anthony 's cover of " Make It With You " as unnecessary . In 1994 , Anthony received a Billboard Latin Music Award for " Tropical / Salsa New Artist of the Year " and a Lo Nuestro award for " Tropical - New Artist of the Year " . = = Track listing = = = = Credits and personnel = = The following credits are from Allmusic . = = = Performance credits = = = = = = Technical credits = = = = = Chart performance = =

= St Peulan 's Church , Llanbeulan = St Peulan 's Church , Llanbeulan is a disused medieval church in Llanbeulan , in Anglesey , north Wales . The nave , which is the oldest part of the building , dates from the 12th century , with a chancel and side chapel added in the 14th century . The church has a font of early date , possibly from the first half of the 11th century : one historian has said that it would initially have been used as an altar and that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " . The church is now redundant and has been in the care of the charity , the Friends of Friendless Churches since 2005 . It is a Grade II * listed building , a designation given to " particularly important buildings of more than special interest " , because it is a medieval church of " typical Anglesey type " that has retained its simple character despite 19th @-@ century alterations . = = History and location = = The date of foundation of the church in Llanbeulan is not known for certain , although it is said that a church was founded on this site in 630 by St Peulan . He was a disciple of the Anglesey saint Cybi . The earliest parts of the building date from the 12th century . It was the parish church of the area , and had a chapel of ease at St Mary 's Church , Tal @-@ y @-@ llyn ( now also closed ) . In November 1349 , records of an inquisition in Beaumaris show that the priest serving St Peulan 's was one of a number of Anglesey clergymen to have died about that time , which was when the Black Death was affecting Anglesey . During the 19th century , a significant amount of church rebuilding and restoration work took place throughout Anglesey , and St Peulan 's was given a new roof and new internal fittings at this time . It is now a redundant church and has been in the hands of the Friends of Friendless Churches since 2004 ; it is one of four churches on Anglesey for which the charity has responsibility . The charity holds a 999 @-@ year lease with effect from 10 June 2005 . The church gave its name to the parish of Llanbeulan : the Welsh word llan originally meant " enclosure " and then " church " , and " ‑ beulan " is a modified form of the saint 's name . It is in a thinly populated part of rural Anglesey , about 1 @.@ 75 kilometres ( 1 @.@ 09 mi ) to the south @-@ west of the village of Gwalchmai , and about 3 kilometres ( 1 @.@ 9 mi ) to the south @-@ east of Bryngwran . A grassed track runs from the road to the church . To the east of the church , the churchyard contains a war grave of a Royal Welsh Fusiliers soldier of the First World War . = = Architecture and fittings = = The church is built from rubble masonry , dressed with gritstone . The nave measures 27 feet 6 inches by 15 feet 6 inches ( 8 @.@ 4 by 4 @.@ 7 m ) , the chancel is 15 feet 6 inches by 11 feet 9 inches ( 4 @.@ 7 by 3 @.@ 6 m ) , and the south chapel is 11 feet 3 inches by 16 feet ( 3 @.@ 4 by 4 @.@ 9 m ) . The building has a slate roof with copings of stone . At the west end , there is a gabled bellcote with one bell ; crosses made of iron are fixed to the roofs of the chancel and south chapel . The nave of the church , which has two bays , was probably built in the 12th century . An entrance at the west end of the nave has been blocked up and plastered over on the outside . The chancel , which is smaller than the nave , and a chapel ( on the south side of the building attached to the nave ) were added in the 14th century , and the arches dividing the nave from the chapel and the chancel are of this date . The entrance door , from the 19th century , is positioned on the east side of the chapel and has a pointed archway . Alongside the doorway is a stone inscribed with the year 1637 , and next to that is a round @-@ headed small window dating from the 12th century , reset in the chapel wall of later date . It has been suggested that this window may been reused from the blocked nave entrance . The east window of the chancel , from the 15th century , has two lights topped with trefoils and decorated with carved heads . There is also a blocked 14th @-@ century window in the chancel 's north wall and an early 16th @-@ century window in the south wall . Other windows in the church date from the 17th century ( chapel south window ) and 19th century ( nave ) . The pews date from the 17th century : one stall in the chancel bears an inscribed panel of wood , dated 1664 , recording that it is the seat of William Bold of Treyrddol . There are a number of memorials inside the church from the 17th , 18th and early 19th centuries . The church 's 19th @-@ century fittings , such as the pulpit and altar rail , are plain . The most notable feature of the church is its font , which dates from the late 12th century , or possibly even the first part of the 11th century . It measures 2 feet 1 inch ( 63 @.@ 5 cm ) by 2 feet 11 inches ( 88 @.@ 9 cm ) ( external measurements ) and is 11 inches ( 27 @.@ 9 cm ) deep . It is rectangular and decorated on three sides . One of the shorter sides has a cross with four arms of equal length imposed on a ring ; at the base are two small hemispheres , and the design is framed with bands ( some plain , some decorated with chevrons or a twisted rope pattern ) . It has been suggested that the hemispheres are bee skeps . One of the longer sides has a row of arches forming an arcade above a pattern of lozenges . The other shorter side has a chequerwork pattern . The archeologist David Petts has noted that it is one of a number of fonts on Anglesey that has an area with little or no carving , perhaps because it was never anticipated that the plain side of the font would be seen or because the font was carved after being put in its position in the church . Although similar in style to other Anglesey fonts , its rectangular shape is " unique " , according to Petts , and the cross on one side " finds no parallels among fonts of this period . " One writer , the historian Peter Lord , has suggested that it was initially used as an altar . Accepting the 11th @-@ century dating , Lord stated that " as an altar of the pre @-@ Norman period it is a unique survivor in Wales and , indeed , in Britain " . Petts considers this " unlikely " , suggesting that it may originally have been a reliquary . The Friends of Friendless Churches describes the font as the building 's " chief glory " . It has also been called " the best of Anglesey 's remarkable Romanesque series . " It has similarities of design and style with the fonts of two other churches on Anglesey ( St Llwydian 's Church , Heneglwys and St Iestyn 's Church , Llaniestyn ) and with one of the stone crosses at St Seiriol 's Church , Penmon . = = Assessment = = The church is a Grade II * listed building – the second @-@ highest ( of three ) grade of listing , designating " particularly important buildings of more than special interest " . It was given this status on 5 April 1971 , and has been listed because it is " a rural Medieval church retaining its simple character . " It is described by Cadw ( the Welsh Assembly Government body responsible for the built heritage of Wales ) as a church " of typical Anglesey type " , where the 19th @-@ century restoration work has " retained the simplicity of design and construction " , and also the church 's medieval character . In the 19th century , the writer Samuel Lewis said that it was " small and of rude workmanship " , but had " several curious features " such as the font that made it " valuable " . The antiquarian Angharad Llwyd , writing in 1833 , described it as " a small cruciform structure , situated in a little barren valley " , with the south transept " bearing evidence of very great antiquity . " She stated that there were some windows " in the later English style , of good design , especially the east window of the chancel , which is a very superior composition . "

= The Tramp Dentists = The Tramp Dentists is a 1913 American silent short comedy film released by the newly formed Joker productions by the Universal Film Manufacturing Company . Directed by Allen Curtis , the film 's cast includes Max Asher , Lee Morris , Eddie Boland Joseph Singleton and Bobby Vernon . The film is centered on two tramps , Dusty and Weary , who take over a dentist shop and get rich through their untrained dentistry , extracting teeth with pincers and ice tongs . After earning a large amount of money , the tramps return to their old way of life . Released on October 29 , 1913 , this film was the second Joker comedy . The film received some criticism for its vulgar humor . The film had a wide national release in the United States , but the film is presumed lost . = = Plot = = Two tramps , named Dusty and Weary , awake from their slumber in a hay stock and are overcome with thirst . The two drink from a horse trough and Dusty complains of toothache . The two go to the dentist office only to be kicked out . When the dentist departs on a cruise the two tramps then pose as dentists and occupy the office and pull teeth with pincers and tongs . When the rightful owners return they drive off again . The tramps continue in their venture and quickly make a large sum of money before they desire their old way of life . The two tramps then surrender the office to its rightful owners . = = Cast = = Max Asher Lee Morris Eddie Boland Joseph Singleton Bobby Vernon credited as Sylvion De Jardins = = Production = = The term " tramp dentist " refers to an unskilled individual who practices dentistry . The appearance of the word and its usage was popularized in the 1890s and often applied as a literal definition of a tramp , a traveling long @-@ term homeless person , who engages in dentistry . The term was not exclusive to the United States as noted in Tracey Adams 's A Dentist and a Gentleman : Gender and the Rise of Dentistry in Ontario which refers to local blacksmiths and gunsmiths who would pull teeth and even create dentures of questionable effectiveness and quality . The single reel film was directed by Allen Curtis and released on October 29 , 1913 . The film was the second release of the newly formed Joker line of comedies , following The Cheese Special . The film was not heralded with as much fanfare , but records show that the film was still advertised in theaters in July 1914 . = = Reception = = The Moving Picture World reviewed the film as being a low comedy that featured " somewhat disgusting " dental humor with the extraction of teeth with pincers and ice tongs . A more direct review in response to the film 's comedic antics came from a letter to the editor of The Motion Picture Story Magazine which appealed the vulgar antics in the film as going to alienate members the audience and risk their continued patronage . The film had a wide national release that was shown in theaters throughout the United States . Locations included Chicago , Illinois , Atlanta , Georgia , Oklahoma , Ohio , North Carolina , Pennsylvania , Oregon , Wisconsin , and Kansas . The Tramp Dentists is presumed lost , but the date of disappearance is unknown . If the film were to have survived in Universal 's vaults it would have been deliberately destroyed along with the remaining copies of Universal 's silent era films in 1948 .

= Qedarite = The Qedarites ( also Kedarites / Cedarenes , Cedar / Kedar / Qedar , and Kingdom of Qedar ) were a largely nomadic , ancient Arab tribal confederation . Described as " the most organized of the Northern Arabian tribes " , at the peak of its power in the 6th century BCE it controlled a large region between the Persian Gulf and the Sinai Peninsula . Biblical tradition holds that the Qedarites are named for Qedar , the second son of Ishmael , mentioned in the Bible 's books of Genesis ( 25 : 13 ) and 1 Chronicles ( 1 : 29 ) , where there are also frequent references to Qedar as a tribe . The earliest extrabiblical inscriptions discovered by archaeologists that mention the Qedarites are from the Neo @-@ Assyrian Empire . Spanning the 8th and 7th centuries BCE , they list the names of Qedarite kings who revolted and were defeated in battle , as well as those who paid Assyrian monarchs tribute , including Zabibe , queen of the Arabs ( šar @-@ rat KUR.a @-@ ri @-@ bi ) . There are also Aramaic and Old South Arabian inscriptions recalling the Qedarites , who further appear briefly in the writings of Classical Greek , such as Herodotus , and Roman historians , such as Pliny the Elder , and Diodorus . It is unclear when the Qedarites ceased to exist as a separately defined confederation or people . Allies with the Nabataeans , it is likely that they were absorbed into the Nabataean state around the 2nd century CE . In Islam , Isma 'il is considered to be the ancestral forefather of the Arab people , and in traditional Islamic historiography , Muslim historians have assigned great importance in their accounts to his first two sons ( Nebaioth and Qedar ) , with the genealogy of Muhammad , a Messenger of God in Islam , alternately assigned to one or the other son , depending on the scholar . = = Etymology = = It has been suggested that the name of the Qedarites is derived from the name for Ishamel 's second son Qedar . Though the tribal name is Arabic , it was first transcribed in Assyrian ( 8th century BCE ) and Aramaic ( 6th century BCE ) , as the Arabic alphabet had not yet been developed . In the Mareshah onomasticon , the Qedarites are listed as an ethnic group whose name in Aramaic transliteration is QDRYN . The Arabic triliteral root q @-@ d @-@ r means " to measure , compute , estimate " ; " to decree , appoint , ordain " ; and " to have power , or ability . " Qidr , a noun derived from the same root , means " cauldron , kettle " , and also gives the verbal derivation , " to cook " . Ernst Axel Knauf , a biblical scholar who undertook a historical study of the Ishmaelites and determined that they were known in Assyrian inscriptions as the Šumu 'il , surmises that the name of the Qedarites was derived from the verb qadara , with its meaning of " to ordain , to have power " . As this etymology is a deduction based solely on the prominence of the Qedar among the Šumu 'il tribes , it is viewed as inconclusive by other scholars . = = Geographical scope = = The Qedarites were an " Arab tribal confederation , " or " alliance of nomadic Arab tribes . " According to Philip J. King , theologian and historian , they lived in the northwest Arabian desert and were " an influential force from the 8th to 4th centuries BCE . " Geoffrey Bromiley , historical theologist and translator , transcribes their name as Kedar and states they lived in an area southeast of Damascus and east of the Transjordan . 8th century BCE Assyrian inscriptions place the Qedarites as living in the area to the east of the western border of Babylon . Moving further east into areas of the Transjordan and southern Syria in the 7th century BCE , by the 5th century BCE they had spread into the Sinai and as far as the Nile Delta . Qedarite domination of northwest Arabia involved alliances between the kings of Qedar and the kings of Dedan ( Al-`Ula ) . Historian Israel Eph 'al writes that the " breadth of Qedarite distribution suggests a federation of tribes with various sub @-@ divisions . " Oases in the largely desert region lived in by the Qedarites - such as Dedan , Tayma , and Dumah - played an important role as sites of settlement , trade , and watering @-@ places . Dumah , a remote desert city to the west , known later as Dumat Al @-@ Jandal and today as al @-@ Jawf , was the most important of these , sitting as it did between the empires of Babylonia and Assyria . Serving as the base for Qedarite religious ceremonies , Dumah 's strategic position on the north @-@ south trade route in the area meant that relations with its inhabitants were sought after by both empires , though Dumah and the Qedarites were closer in both geographical and political terms to Babylonia . Those coming from the south and wishing to access Mesopotamia were obliged to pass through Dumah , which also lay on an alternate route to the northwest , leading to the city of Damascus , and from there , on to Assyria and Anatolia . During the period of Persian imperial rule in the region ( c . 550 – 330 BCE ) , the Qedarites exercised control over the desert areas bordering Egypt and Israel and the traffic related to Arabian incense trade upon which Gaza depended . Herodotus ( c . 484 – 425 BCE ) writes of their presence in the northern Sinai near the Egyptian border where they may have been engaged by the Achaemenids , the Persian imperial authorities , to keep that border secure as well as their control of the city of Gaza . = = Historical references = = = = = Extrabiblical = = = = = = = Assyrian inscriptions = = = = The first documented mention of Qedar is from a stele ( c . 737 BCE ) of Tiglath @-@ Pileser III , a king of the Neo @-@ Assyrian Empire , that lists leaders from the western part of Mesopotamia that pay him tribute . To the Assyrians , the Qedarites were known as Qidri or qi @-@ id @-@ ri with other cuneiform inscriptions also using Qadri , Qidarri , Qidari and Qudari ( Neo Babylonian ) . Zabibe ( c . 738 BCE ) is listed among those paying tribute under the title " queen of the Qidri and the Aribi " ( Aribi meaning " Arabs " ) . Also mentioned in Assyrian royal inscriptions is Zabibe 's successor Yatie ( c . 730 BCE ) , who sent forces headed by her brother Baasqanu to aid Merodach @-@ Baladan in his bid to hold onto power in Babylon . Together with an army from Elam , this alliance faced the forces of Sennacherib , on the Assyrian king 's first campaign in 703 BCE . The events of the battle are recorded in the annals of Sennacherib which describe Yatie as " queen of the Arabs , " and tell of the capture of her brother Baasqanu in battle . Israel Eph 'al writes that this is the first mention in Assyrian documents of Arabs as an ethnic element in Babylonia . Statements about the Qedarites in the annals of the Assyrian kings of Ashurbanipal and his son Esarhaddon indicate that the term Kedar was almost synonymous with Arabia . Hazael , who ruled c . 690 – 676 BCE , is described as a Qedarite king by Ashurbanipal and " king of the Arabs " by Esarhaddon . After Sennacherib 's invasion of Babylonia in 691 – 689 BCE , Hazael fled to Dumah . Dumah is referred to as Adummatu by the Assyrians , and the city is described by them as the seat of the Qedar confederation and the base of their cult . Te 'elkhunu and Tabua , both referred to as both " queens of Qidri " and " queens of Aribi , " have Adummatu explicitly denoted as their seat and capital city in the inscriptions . While the capital city for the three other queens referred to as " queens of Aribi " ( Samsi , Zabibe and Yatie ) is not explicitly mentioned , it is thought to have been Adummatu as well . Numerous inscriptions discovered in Dumah itself are further indications for a strong Qedarite presence , one of which asks of three deities known to the Assyrians as gods of Qedar ( Ruda , Nuha and Atarsamain ) for " help in the matter of my love . " The conquest of Adummatu by Sennacherib in 690 BCE and the capture of a Qedarite queen , Te 'elkhunu , who was brought back to Assyria with other loot , including divine images , is also mentioned in the annals of the Assyrian monarchs . Esarhaddon eventually returned the " renewed " images of the Arab gods to Adummatu with Tabua , " who grew up in the palace of Sennacherib , " and was appointed Qedarite queen by Esarhaddon to replace Te 'elkhunu . However , strained relations between the Assyrians and the Qedarites meant that she ruled for only a brief period , with Esarhaddon recognizing Hazael as the king of Qedar after he increased his tribute to the Assyrian monarch by 65 camels . Esarhaddon then appointed Yauta , son of Hazael , as a Qedarite king , following Hazael 's death . That Yauta paid a tribute in the form of 10 minas of gold , 1 @,@ 000 precious stones , 50 camels , and 1 @,@ 000 leather pouches of aromatics is also recorded . The defeat of Ammuladi and Yauta after they mounted Qedarite forces to march against the kings of the Amurru is recorded by Ashurbanipal . Yauta is said to have " roused the people of Arabia to revolt with him . " His wife , Adiya , is the only woman mentioned in Assyrian inscriptions as both a Qedarite queen and the wife of a Qedarite king , and is thought to be the only woman who was not a ruler in her own right . The inscriptions record how Adiya was sent by Yauta to accompany Ammuladi and the Qedarite forces , and their subsequent defeat and capture in 604 BCE by the forces of Kamushaltu , king of Moab and a loyal vassal of the Assyrian empire . Yauta is said to have " fled to the Nabataeans . " His subsequent capture and sentencing in Nineveh are recorded by Ashurbanipal who relates that , " I put a dog chain upon him and made him guard a kennel . " Abiyate was appointed as Yauta 's successor , and soon joined with the Nabataeans to revolt against Assyria again , prompting Ashurbanipal to launch a three @-@ month campaign to end it , beginning in Palmyra , continuing on to Damascus and ending in the southern part of al @-@ Leja . = = = = Old South Arabic and Aramaic inscriptions = = = = Old South Arabic inscriptions mention qdrn ( " Qadirān " or " Qadrān " ) as a person or people . Graffiti found in al @-@ Ula , known as the Graffito of Niran at Dedan , mentions Gashmu I , son of Shahr I , as King of Qedar . A " king of Qedar " is also mentioned in a late 5th century BCE Aramaic inscription on a silver vessel found at Tell Maskhuta in the eastern Nile Delta in lower Egypt . The inscription names him as " Qainū son of Gashmu , " with the vessel described as an , " offering to han- ' Ilāt " . While it does not specifically mention the Qedar and is therefore a subject of debate , an Aramaic inscription dating to 5th century BCE discovered on an incense altar at Lachish and dedicated to , " Iyas , son of Mahaly , the king , " is interpreted by André Lemaire as a possible reference to kings of Qedar . = = = = Classical Antiquity = = = = Herodotus has documented that the Qedarites were called upon to assist Cambyses II of the Persian empire in his invasion of Egypt in 525 BCE . The Qedarites and Nabataens were known to enjoy close relations , even engaging as wartime allies against the Assyrians . It is possible that the Qedarites were eventually incorporated into the Nabataen state which emerged as the strongest Ishmaelite presence in northwestern Arabia c. the 2nd century CE . In The Cambridge Ancient History , some of the ( Arab ) Nabataens mentioned by Diodorus in his retelling of events that took place in 312 BCE are said to be Qedarites . Pliny the Elder ( 23 – 79 CE ) , who refers to the Cedrei and Cedareni ( " Cedarenes " ) in the context of other Arabian tribes , placing their domain to the south of the Conchlei and adjacent to that of the Nabataei , is thought to be referring to the Qedar . Jerome ( c . 357 – 420 CE ) , also writing in Latin , transcribes Qedar as Cedar , and refers to it as a region . In one entry , he describes it as , " a region of the Saracens , who are called Ishmaelites in scripture " ; in another , he writes that it was a " once uninhabitable region across Saracen Arabia " ; and in a third , he writes that it is a " deserted region of the Ishmaelites , whom they now call Saracens . " According to the Catholic Encyclopedia , Theodoret ( c . 393 – c . 457 ) mentions that in his time , the Qedar lived near Babylon . = = = = 19th century = = = = There are brief references to the Qedar in the writings of Western travellers to the Levant in the 19th century . Drawing on biblical motfis , comparisons are made between the Bedouins and the Qedar . For example , Albert Augustus Isaacs describes the imposing spectacle of a Bedouin encampment on a plain upon which , " the black tents of Kedar were spread far and wide . " An earlier account by Charles Boileau Elliot describes the Arabs as falling into two main groups , Fellahs and Bedouins , and identifies the latter with Ishmael and the Qedar as follows : [ ... ] the Bedouins still retain the wandering habits of their father Ishmael ; their ' hand is against every man , and every man 's hand is against ' them ; the wild desert is their home ; the ground their pallet and their canopy the sky ; or , if luxurious their choicest place of sojourn is a little tent ' black as the tents of Kedar ' their progenitor [ ... ] Charles Forster identifies the Arab tribe of the Beni Harb as the modern descendants of the Kedar . He proposes that Beni Harb ( " sons of war " ) is a patronym and nom de guerre that was adopted by the tribe at least 2 @,@ 000 years ago , replacing Kedar as the national moniker . = = = Biblical = = = The descendants of Abraham and Hagar are called Ishmaelites , after Ishmael , their firstborn , and the Qedarites are named for his second son , Qedar . The Bible refers to both the Qedarites and Qedar frequently . Old Testament references include Genesis ( 25 : 13 ) , Isaiah ( 21 : 16 @-@ 17 , 42 : 11 , 60 : 7 ) , Jeremiah ( 2 : 10 , 49 : 28 @-@ 33 ) , Ezekiel ( 27 : 21 ) , and Chronicles ( 1 : 29 ) . Twice , Qedar is used to refer to the actual son of Ishmael , as in the books of Genesis and Chronicles , while remaining references are to his descendants , referring either to his most prominent North Arabian sons , or to the Arabs and Bedouins as a more general collective . The " tents of Kedar " equated with " the peace @-@ hating Meshech " mentioned in the Book of Psalms ( 120 : 5 ) were likely a Qedarite sub @-@ group . In Canticles ( 1 : 5 ) , the tents of the Qedarites are described as black : " Black I am , but beautiful , ye daughters of Jerusalem / As tents of Qedar , as tentcloth of Salam black . " Their tents are said to be made of black goat hair . A tribe of Salam was located just south of the Nabateans in Madain Salih , and Knauf proposed that the Qedarites mentioned in this Masoretic text were in fact Nabataeans and played a crucial role in the spice trade in the 3rd century BCE . Biblical descriptions indicate there were two major types of Qedarites : nomads ( Arabic : wabariya ) living in tents and sedentary people ( Arabic : ḥaḍariya ) living in villages . Jeremiah describes them as " a nation at ease , that dwells securely " ( 49 : 31 ) and notes that they engage in the pagan practice of shaving their temples . Isaiah recalls their warrior activities and skill with the bow . ( 21 : 16f ) Ezekiel associates , " Arabia and all the princes of Kedar , " and indicates that they engaged in sheep / goat trading with the Phoenicians . The three books list the flocks of the Qedarites as including lambs , rams , goats and camels . Jeremiah also tells of a campaign by Nebuchadnezzar ( 630 – 562 BCE ) against the Qedarites during the Babylonian period . Gashmu , the king of the Qedarites mentioned in the 5th century BCE Aramaic inscription described above , is also referred to as " Geshem the Arab " or " Geshem the Arabian " by Nehemiah who lists him as one of his adversaries , since Gashmu stands opposed to Nehemiah 's governorship over Judea in 447 BCE . = = Culture and society = = Biblical and extrabiblical evidence suggests that of the Arabian tribes , the Qedarites were most prominent in their contacts with the world outside of Arabia . Like other nomadic groups , they lived primarily in unfortified encampments . Pastoralists and traders in livestock , such as male lambs , rams and goats , they also played a key role in the prosperity of Gaza 's incense trade , controlling traffic in the desert regions between Egypt and Palestine . As a result of their trading activities , there were clans from among the Qedarites that became wealthy . Though they were vassals under Assyrian rule and were often engaged in rebellion against that empire , the rise to dominance of the Persian empire proved beneficial to the Qedarites . Qedarite control of the trade routes and the access they afforded the Persians translated into what Herodotus described as a friendly relationship . = = = Language = = = The Qedarites are among a number of North Arabian tribes whose interactions with Arameaen tribes beginning in the 8th century BCE resulted in cultural exchanges between these two large Semitic groups . Early Arab tribal groups like the Qedarites spoke early Arab dialects , but as the Arabic alphabet had not yet been developed , they used the Aramaic alphabet to write . " The tongue of Kedar " is used in rabbinical sources as a name for the Arabic language . Papponymy , the practice of naming boys after their grandfathers , was common among the Qedar . Some Qedarites had Aramaic personal names ( e.g. Hazael or Haza @-@ el ) , while others had Arabic personal names ( e.g. Gashmu and Zabibe ) . Aramaic civilization and its peoples were gradually absorbed by the Arabs with Arabic dialects in Lebanon , Palestine , Syria , and Iraq in particular exhibiting the influence of Aramaic . = = = Religion = = = Religious worship among the Qedar , as was the case for most of the inhabitants of Arabia until the 7th century CE , was centered around a polytheistic system in which women rose to prominence . Divine images of the gods and goddesses worshipped by Qedarite Arabs , as noted in Assyrian inscriptions , included representations of Atarsamain , Nuha , Ruda , Daa , Abirillu , and Atarquruma . The female guardian of these idols , usually the reigning queen , served as a priestess ( apkallatu , in Assyrian texts ) who communed with the other world . As mentioned above , there is also evidence that the Qedar worshipped Al @-@ lāt , to whom the inscription on a silver bowl from a king of Qedar is dedicated . In the Babylonian Talmud , which was passed down orally for centuries before being transcribed c . 500 CE , in tractate Taanis ( folio 5b ) , it is said that most Qedarites worshiped pagan gods . = = = Tomb = = = There is a mausoleum assigned to him in Qeydar city Zanjan Province , Iran = = Genealogy = = The biblical view of the late Iron Age political and cultural map describes it as a set of branching genealogies . Biblical figures three generations forward from Terah are invariably described as the eponymous founders of different tribes and polities that interacted with the Kingdom of Judah between the 8th and 6th centuries BCE . Such is the case of the Qedarite Arabs , who according to biblical tradition , are the offspring of the Abraham @-@ Ishmael @-@ Kedar genealogical line . The majority of Sayyid believe they are one of the modern day descendants of Muhammad , and that they are therefore the descendants of Ishmael and his second son Qedar . Abu Ja 'far al @-@ Baqir ( 676 – 743 CE ) wrote that his father Ali ibn Husayn informed him that Mohammed had said : " The first whose tongue spoke in clear Arabic was Ishmael , when he was fourteen years old . " Hisham Ibn Muhammad al @-@ Kalbi ( 737 – 819 CE ) established a genealogical link between Ishmael and Mohammed using writings that drew on biblical and Palmyran sources , and the ancient oral traditions of the Arabs . His book , Jamharat al @-@ Nasab ( " The Abundance of Kinship " ) , seems to posit that the people known as " Arabs " are all descendants of Ishmael . Ibn Kathir ( 1301 – 1373 ) writes , " All the Arabs of the Hijaz are descendants of Nebaioth and Qedar . " Medieval Jewish sources also usually identified Qedar with Arabs and / or Muslims . According to author and scholar Irfan Shahîd , Western scholars viewed this kind of " genealogical Ishmaelism " with suspicion , seeing it as , [ ... ] a late Islamic fabrication because of the confusion in Islamic times which made it such a capacious term as to include the inhabitants of the south as well as the north of the Arabian Peninsula . But shorn of this extravagance , the concept is much more modest in its denotation , and in the sober sources it applies only to certain groups among the Arabs of pre @-@ Islamic times . Some important statements to this effect were made by Muhammed when he identified some Arabs as Ishmaelites and others as not . Ishmaelism in this more limited definition holds that Ishmael was both an important religious figure and eponymous ancestor for some of the Arabs of western Arabia . Prominence is given in Arab genealogical accounts to the first two of Ishmael 's twelve sons , Nebaioth ( Arabic : نبيت , Nabīt ) and Qedar ( Arabic : قيدار , Qaydār ) , who are also prominently featured in the Genesis account . It is likely that they and their tribes lived in northwestern Arabia and were historically the most important of the twelve Ishamelite tribes . In accounts tracing the ancestry of Mohammed back to Ma 'ad ( and from there to Adam ) , Arab scholars alternate , with some citing the line as through Nebaioth , others Qedar .

= Super Science Stories = Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 and 1943 , and again from 1949 to 1951 . Popular launched it under their " Fictioneers " imprint , which they used for magazines paying writers less than one cent per word . Frederik Pohl was hired in late 1939 , at 19 years old , to edit the magazine ; he also edited Astonishing Stories , a companion science fiction publication . Pohl left in mid @-@ 1941 , and Super Science Stories was given to Alden H. Norton to edit ; a few months later Norton rehired Pohl as an assistant . Popular gave Pohl a very low budget , so most manuscripts submitted to Super Science Stories had already been rejected by the higher @-@ paying magazines . This made it difficult to acquire good fiction , but Pohl was able to acquire stories for the early issues from the Futurians , a group of young science fiction fans and aspiring writers . Super Science Stories was an initial success , and within a year Popular increased Pohl 's budget slightly , allowing him to pay a bonus rate on occasion . Pohl wrote many stories himself , to fill the magazine and to augment his salary . He managed to obtain stories by writers who subsequently became very well known , such as Isaac Asimov and Robert Heinlein . After Pohl entered the army in early 1943 , wartime paper shortages led Popular to cease publication of Super Science Stories . The final issue of the first run was dated May of that year . In 1949 the title was revived with Ejler Jakobsson as editor ; this version , which included many reprinted stories , lasted almost three years , with the last issue dated August 1951 . A Canadian reprint edition of the first run included material from both Super Science Stories and Astonishing Stories ; it was unusual in that it printed some original fiction rather than just reprints . There were also Canadian and British reprint editions of the second incarnation of the magazine . The magazine was never regarded as one of the leading titles of the genre , but has received qualified praise from science fiction critics and historians . Science fiction historian Raymond Thompson describes it as " one of the most interesting magazines to appear during the 1940s " , despite the variable quality of the stories . Critics Brian Stableford and Peter Nicholls comment that the magazine " had a greater importance to the history of sf than the quality of its stories would suggest ; it was an important training ground " . = = Publication history = = Although science fiction ( sf ) had been published before the 1920s , it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories , a pulp magazine published by Hugo Gernsback . By the end of the 1930s the field was booming , and several new sf magazines were launched in 1939 . Frederik Pohl , a science fiction fan and aspiring writer , visited Robert Erisman , the editor of Marvel Science Stories and Dynamic Science Stories , to ask for a job . Erisman did not have an opening for him , but told Pohl that Popular Publications , a leading pulp publisher , was starting a new line of low @-@ paying magazines and might be interested in adding a science fiction title . On October 25 , 1939 , Pohl visited Rogers Terrill at Popular , and was hired immediately , at the age of nineteen , on a salary of ten dollars per week . Pohl was given two magazines to edit : Super Science Stories and Astonishing Stories . Super Science Stories was intended to carry longer pieces , and Astonishing focused on shorter fiction ; Super Science Stories was retitled Super Science Novels Magazine in March 1941 , reflecting this policy , but after only three issues the title was changed back to Super Science Stories . Popular was uncertain of the sales potential for the two new titles and decided to publish them under its Fictioneers imprint , which was used for lower @-@ paying magazines . Super Science Stories ' first issue was dated March 1940 ; it was bimonthly , with Astonishing Stories appearing in the alternate months . In Pohl 's memoirs he recalls Harry Steeger , one of the company owners , breaking down the budget for Astonishing for him : " Two hundred seventy @-@ five dollars for stories . A hundred dollars for black and white art . Thirty dollars for a cover . " For Super Science Stories , Steeger gave him an additional $ 50 as it was 16 pages longer , so his total budget was $ 455 per issue . Pohl could only offer half a cent per word for fiction , well below the rates offered by the leading magazines . Super Science Stories sold well , despite Pohl 's limited resources : Popular was a major pulp publisher and had a strong distribution network , which helped circulation . Steeger soon increased Pohl 's budget , to pay bonuses for popular stories . Pohl later commented that he was uncertain whether the additional funds really helped to bring in higher quality submissions , although at the time he assured Steeger it would improve the magazine . Some of the additional money went to Ray Cummings , a long @-@ established sf writer who came to see Pohl in person to submit his work . Cummings refused to sell for less than one cent a word ; Pohl had some extra money available when Cummings first visited him , and though he disliked Cummings ' work was never able to bring himself to reject Cummings submissions , or even to tell him that he could not really afford to pay the rate Cummings was asking . Pohl comments in his memoirs that " for months he [ Cummings ] would turn up regularly as clockwork and sell me a new story ; I hated them all , and bought them all . " By reducing the space he needed to fill with fiction Pohl managed to stretch his budget . A long letter column took up several pages but required no payment , and neither did running advertisements for Popular 's other magazines . Some authors sent inaccurate word counts with the stories they submitted , and savings were made by paying them on the basis of whichever word count was less — the author 's or one done by Popular 's staff . The result was a saving of forty to fifty dollars per issue . Snipped elements of black and white illustrations were also reused to fill space , as multiple uses of the same artwork did not require additional payments to the artist . Towards the end of 1940 Popular doubled Pohl 's salary to twenty dollars per week . In June 1941 Pohl visited Steeger to ask for a further raise , intending to resign and work as a free @-@ lance writer if he was unsuccessful . Steeger was unreceptive , and Pohl commented later " I have never been sure whether I quit or got fired " . Instead of replacing Pohl , Popular assigned editor @-@ in @-@ chief Alden H. Norton to add the magazines to his responsibilities . The arrangement lasted for seven months , after which Norton asked Pohl to return as his assistant . Norton offered Pohl thirty @-@ five dollars a week as an associate editor , substantially more than the twenty dollars a week he had received as editor , and Pohl readily accepted . Pohl was not eligible to be drafted for military service as he was married , but by the end of 1942 his marriage was over and he decided to enlist . As voluntary enlistment was suspended he was unable to immediately join the army , but eventually was inducted on April 1 , 1943 . Paper was difficult to obtain because of the war , and Popular decided to close the magazine down ; the final issue , dated April 1943 , was assembled with the assistance of Ejler Jakobsson . In late 1948 , as a second boom in science fiction publishing was beginning , Popular decided to revive the magazine . Jakobsson later recalled hearing about the revival while on vacation , swimming in a lake , five miles from a phone : " A boy on a bicycle showed on shore and shouted , ' Call your office . ' " When he reached a phone , Norton told him that the magazine was being relaunched and would be given to Jakobsson to edit . Damon Knight , who was working for Popular at the time , also worked on the magazine as assistant editor , although he was not credited . The relaunched magazine survived for almost three years , but the market for pulps was weak , and when Knight left in 1950 to edit Worlds Beyond Jakobsson was unable to sustain support for it within Popular . It ceased publication with the August 1951 issue . = = Contents and reception = = Because of the low rates of pay , the stories submitted to Super Science Stories in its first year had generally already been rejected elsewhere . However , Pohl was a member of the Futurians , a group of science fiction fans that included Isaac Asimov , C.M. Kornbluth , Richard Wilson and Donald Wollheim ; the Futurians were eager to become professional writers and were eager to submit stories to Pohl . The Futurians were prolific ; in Pohl 's first year as an editor he bought a total of fifteen stories from them for the two magazines . Pohl contributed material himself , usually in collaboration with one or more of the Futurians . Particularly after his marriage to Doris Baumgardt in August 1940 , Pohl realized that his salary covered their apartment rent with almost no money left over , and began to augment his income by selling to himself as well as to other magazines . The first story Pohl ever published that was not a collaboration was " The Dweller in the Ice " , which appeared in the January 1941 Super Science Stories . All of the stories Pohl bought from himself were published under pseudonyms , though in fact Pohl used pseudonyms for everything he wrote until the 1950s . The first issue , dated March 1940 , contained " Emergency Refueling " , James Blish 's first published story , two stories by John Russell Fearn ( one under the pseudonym " Thornton Ayre " ) , fiction by Frank Belknap Long , Ross Rocklynne , Raymond Gallun , Harl Vincent and Dean O 'Brien ; and a poem by Kornbluth , " The Song of the Rocket " , under the pseudonym " Gabriel Barclay " . Blish 's most notable contribution to the magazine was " Sunken Universe " , which appeared in the May 1942 issue under the pseudonym " Arthur Merlyn " . This later formed part of " Surface Tension " , one of Blish 's most popular stories . Other writers whose first story appeared in Super Science Stories include Ray Bradbury , Chad Oliver , and Wilson Tucker . Bradbury 's first sale , " Pendulum " , was bought by Norton , and appeared in the November 1941 issue ; Tucker 's writing career began with " Interstellar Way Station " in May 1941 , and Oliver 's " The Land of Lost Content " appeared in the November 1950 Super Science Stories . Asimov appeared four times in Super Science Stories , starting with " Robbie " , his first Robot story , under the title " Strange Playfellow " . Although most stories submitted to Super Science Stories were rejects from the better @-@ paying markets such as Astounding Science Fiction , Pohl recalled in his memoirs that John W. Campbell , the editor of Astounding , would occasionally pass on a good story by a prolific author because he felt readers did not want to see the same authors in every issue . As a result , Pohl was able to print L. Sprague de Camp 's Genus Homo , in the March 1941 Super Science Stories , and Robert Heinlein 's " Let There Be Light " and " Lost Legacy " in the May 1940 and November 1941 issues : these were stories which , in Pohl 's opinion , " would have looked good anywhere " . Pohl also suggested that Campbell rejected some of Heinlein 's stories because they contained mild references to sex . A couple of readers did complain , with one disgusted letter writer commenting " If you are going to continue to print such pseudosophisticated , pre @-@ prep @-@ school tripe as " Let There Be Light " , you should change the name of the mag to Naughty Future Funnies " . The second run of Super Science Stories included some fiction that had first appeared in the Canadian reprint edition , which outlasted the U.S. original and printed eleven stories that had been acquired but not printed by the time Popular shut Super Science Stories and Astonishing down in early 1943 . These included " The Black Sun Rises " by Henry Kuttner , " And Then – the Silence " , by Ray Bradbury , and " The Bounding Crown " by James Blish . From mid @-@ 1950 a reprint feature was established . This led to some reader complaints , with one correspondent pointing out that it was particularly galling to discover that Blish 's " Sunken Universe " , reprinted in the November 1950 issue , was a better story than the original material in the magazine . The magazine also reprinted stories from Famous Fantastic Mysteries , which Popular had acquired from Munsey Publishing in 1941 . Some of the original stories were well @-@ received : for example , Ray Bradbury 's " The Impossible " , which appeared in the November 1949 issue , and was later included in Bradbury 's book The Martian Chronicles , is described by sf historian Raymond Thompson as a " haunting ... comment on man 's attempts to realize his conflicting hopes and dreams " . Thompson also comments positively on Poul Anderson 's early story " Terminal Quest " , in Super Science Stories 's final issue , dated August 1951 ; and on Arthur C. Clarke 's " Exile of the Eons " in the March 1950 issue . John D. MacDonald also contributed good material . The book reviews in Super Science Stories were of a higher standard than elsewhere in the field , and historian Paul Carter regards Astonishing and Super Science Stories as the place where " book reviewing for the first time began to merit the term ' literary criticism ' " , adding that " it was in those magazines that the custom began of paying attention to science fiction on the stage and screen also " . The artwork was initially amateurish , and although it improved over the years , even the better artists such as Virgil Finlay and Lawrence Stevens continued to produce cliched depictions of half @-@ dressed women threatened by robots or aliens . H. R. van Dongen , later a prolific cover artist for Astounding , made his first science fiction art sale to Super Science Stories for the cover of the September 1950 issue . Sf historian Mike Ashley regards Super Science Stories as marginally better than its companion magazine , Astonishing , adding " both are a testament to what a good editor can do with a poor budget " . According to sf critics Brian Stableford and Peter Nicholls , the magazine " had a greater importance to the history of sf than the quality of its stories would suggest ; it was an important training ground " . = = Bibliographic details = = The first run of Super Science Stories was edited by Frederik Pohl from March 1940 through August 1941 ( nine issues ) , and then by Alden H. Norton from November 1941 through May 1943 ( seven issues ) . Ejler Jakobsson was the editor throughout the second run , from January 1949 to August 1951 . The publisher was Popular Publications for both versions , although the first was issued under Popular 's Fictioneers imprint . It was pulp @-@ sized throughout both runs . At launch the magazine had 128 pages and was priced at 15 cents ; the price increased to 20 cents when it went to 144 pages in March 1941 , and again to 25 cents for the May 1943 issue , which had 128 pages again . The second run was priced at 25 cents throughout and had 112 pages . The title was Super Science Stories for both runs except for three issues from March to August 1941 , which were titled Super Science Novels Magazine . The volume numbering was completely regular , with seven volumes of four numbers and a final volume of three numbers . It was bimonthly for the first eight issues , from March 1940 to May 1941 , and then went to a regular quarterly schedule . = = = Canadian and British editions = = = In 1940 , as part of the War Exchange Conservation Act , Canada banned the import of pulp magazines . Popular launched a Canadian edition of Astonishing Stories in January 1942 , which lasted for three bimonthly issues and reprinted two issues of Astonishing and one issue of Super Science Stories . With the August 1942 issue the name was changed to Super Science Stories , and the numeration was begun again at volume 1 number 1 ; as a result the magazine is usually listed by bibliographers as a separate publication from the Canadian Astonishing , but in many respects it was a direct continuation . The price was 15 cents throughout ; it lasted for 21 regular bimonthly issues in a single volume ; the last issue was dated December 1945 . It was published by Popular Publications ' Toronto branch , and the editor was listed as Alden H. Norton . Each issue of the Canadian edition corresponded to one issue of either Astonishing or Super Science : for example , the first two Canadian issues drew their contents from the February 1942 Super Science Stories and the June 1942 Astonishing , respectively . This pattern continued for ten issues . The next issue , dated April 1944 , contained several reprints from the US editions , but also included two original stories that had not appeared anywhere before — these had been acquired for the US magazine and remained in inventory . A total of eleven of these original stories appeared in the Canadian Super Science Stories . Later issues of the magazine also saw many reprints from Famous Fantastic Mysteries ; in tacit acknowledgement of the new source of material , the title was changed to Super Science and Fantastic Stories from the December 1944 issue . The artwork was mostly taken from Popular 's US magazines but some new art appeared , probably by Canadian artists . There was no other Canadian presence : the letters page , for example , contained letters from the US edition . In 1949 , when the second run of the US Super Science Stories began , another Canadian edition appeared , but this was identical in content to the US version . Two British reprint editions of the second run also appeared , starting in October 1949 . The first was published by Thorpe & Porter ; the issues , which were not dated or numbered , appeared in October 1949 and February and June 1950 . The contents were drawn from the US issues dated January 1949 , November 1949 , and January 1950 respectively ; each was 96 pages and was priced at 1 / - . The second reprint edition was published by Pemberton 's ; these were 64 pages and again were undated and were priced at 1 / - . The British issues are abridged versions of US issues from both the first and second series . The titles corresponded to the titles on the US magazine from which the stories were taken , so all were titled Super Science Stories except for the April 1953 issue , which was titled Super Science Novels Magazine .

= HMS Hostile ( H55 ) = HMS Hostile ( H55 ) was an H @-@ class destroyer built for the Royal Navy in the 1930s . During the Spanish Civil War of 1936 – 1939 the ship spent considerable time in Spanish waters , enforcing the arms blockade imposed by Britain and France on both sides of the conflict . She was transferred to Freetown , Sierra Leone , in October 1939 to hunt for German commerce raiders in the South Atlantic with Force K. Hostile participated in the First Battle of Narvik in April 1940 and the Battle of Calabria in July 1940 . The ship was damaged by a mine off Cape Bon in the Strait of Sicily while on passage from Malta to Gibraltar on 23 August 1940 . She was then scuttled by HMS Hero . = = Description = = Hostile displaced 1 @,@ 350 long tons ( 1 @,@ 370 t ) at standard load and 1 @,@ 883 long tons ( 1 @,@ 913 t ) at deep load . The ship had an overall length of 323 feet ( 98 @.@ 5 m ) , a beam of 33 feet ( 10 @.@ 1 m ) , and a draught of 12 feet 5 inches ( 3 @.@ 8 m ) . She was powered by Parsons geared steam turbines , driving two shafts , which developed a total of 34 @,@ 000 shaft horsepower ( 25 @,@ 000 kW ) and gave a maximum speed of 36 knots ( 67 km / h ; 41 mph ) . Steam for the turbines was provided by three Admiralty 3 @-@ drum water @-@ tube boilers . Hostile carried a maximum of 470 long tons ( 480 t ) of fuel oil that gave her a range of 5 @,@ 530 nautical miles ( 10 @,@ 240 km ; 6 @,@ 360 mi ) at 15 knots ( 28 km / h ; 17 mph ) . The ship 's complement was 137 officers and men in peacetime . The ship mounted four 45 @-@ calibre 4 @.@ 7 @-@ inch ( 120 mm ) Mark IX guns in single mounts . For anti @-@ aircraft defence Hostile had two quadruple Mark I mounts for the 0 @.@ 5 inch Vickers Mark III machine gun . She was fitted with two above @-@ water quadruple torpedo tube mounts for 21 @-@ inch ( 533 mm ) torpedoes . One depth charge rail and two throwers were fitted ; 20 depth charges were originally carried , but this increased to 35 shortly after the war began . = = Service = = Hostile was laid down by Scotts Shipbuilding & Engineering Company at Greenock , Scotland on 27 February 1935 , launched on 24 January 1936 , and completed on 10 September 1936 . Excluding government @-@ furnished equipment like the armament , the ship cost £ 253 @,@ 382 . She was assigned to the 2nd Destroyer Flotilla of the Mediterranean Fleet upon commissioning . Hostile patrolled Spanish waters in 1937 during the Spanish Civil War enforcing the edicts of the Non @-@ Intervention Committee . The ship received an overhaul at Gibraltar between 17 November and 15 December 1937 . She resumed patrolling Spanish waters in 1938 and 1939 . After the end of the Spanish Civil War , Hostile was refitted in Sheerness Dockyard between 31 May and 26 July 1939 . She returned to the Mediterranean and was in Malta when World War II began . In October the ship was transferred to Freetown to hunt for German commerce raiders in the South Atlantic with Force K. The ship and her half @-@ sisters , Hardy , Hereward , and Hasty , rendezvoused with the battlecruiser Renown , the aircraft carrier Ark Royal , and the light cruiser Neptune on 17 December . They refuelled in Rio de Janeiro , Brazil , before proceeding to the estuary of the River Plate in case the damaged German pocket battleship Admiral Graf Spee attempted to escape from Montevideo , Uruguay , where she had taken refuge after losing the Battle of the River Plate . Hostile was overhauled at Chatham Dockyard between 26 January and 29 March 1940 and then rejoined the 2nd Destroyer Flotilla , now assigned to the Home Fleet . During the First Battle of Narvik on 10 April the ship engaged the German destroyer Z17 Diether von Roeder and badly damaged her , hitting her at least five times . Hostile was only hit once , but the shell did little damage . She escorted her badly damaged sister ship , Hotspur , to the repair base set up at Flakstadøya in the Lofoten Islands . Hostile briefly escorted the battleship HMS Warspite before she returned to Rosyth for repairs between 27 April and 4 May . The ship briefly returned to Norwegian waters , where she again escorted Warspite , before being transferred to the Mediterranean Fleet in mid @-@ May . On 9 July Hostile participated in the Battle of Calabria as an escort for the heavy ships of Force C and unsuccessfully engaged Italian destroyers , suffering no damage . The ship , together with her sister , Hero , and the destroyers Nubian and Mohawk , were ordered to Gibraltar on 22 August where they were to join Force H. Hostile struck a mine en route on the early morning of 23 August off Cap Bon that broke her back . The explosion killed five men and wounded three others . Mohawk took off the survivors while Hero fired two torpedoes to scuttle her .

= Rocky Mountain Horse = The Rocky Mountain Horse is a horse breed developed in the state of Kentucky in the United States . Despite its name , it originated not in the Rocky Mountains , but instead in the Appalachian Mountains . A foundation stallion , brought from the western United States to eastern Kentucky around 1890 , began the Rocky Mountain type in the late 19th century . In the mid @-@ 20th century , a stallion named Old Tobe , owned by a prominent breeder , was used to develop the modern type ; today most Rocky Mountain Horses trace back to this stallion . In 1986 , the Rocky Mountain Horse Association was formed and by 2005 has registered over 12 @,@ 000 horses . The breed is known for its preferred " chocolate " coat color and flaxen mane and tail , the result of the relatively rare silver dapple gene acting on a black coat , seen in much of the population . It also exhibits a four @-@ beat ambling gait known as the " single @-@ foot " . Originally developed as a multi @-@ purpose riding , driving and light draft horse , today it is used mainly for trail riding and working cattle . = = Breed characteristics = = Rocky Mountain Horses stand between 14 @.@ 2 and 16 hands ( 58 and 64 inches , 147 and 163 cm ) high . Any solid color is accepted by the registry , but a dark brown color called " chocolate " with a pale , " flaxen " mane and tail is preferred . This coloration is the result of the relatively rare silver dapple gene acting on a black base coat . Although uncommon , this gene has been found in over a dozen breeds , including the Rocky Mountain Horse . Minimal white markings are accepted by the registry , although leg markings may not extend above the knee . The physical characteristics are somewhat variable , due to the disparate breeds that created the Rocky Mountain Horse . The Rocky Mountain Horse is known by enthusiasts for its hardiness and ability to withstand winters in the mountains . It is also praised for its good nature and affinity for humans . Rocky Mountain Horses have the highest risk of any breed for the genetic ocular syndrome multiple congenital ocular anomalies ( MCOA ) , originally called equine anterior segment dysgenesis ( ASD ) . MCOA is characterized by the abnormal development of some ocular tissues , which causes compromised vision , although generally of a mild form ; the disease is non @-@ progressive . Genetic studies have shown that the disorder may be tied to the silver dapple gene , as most horses diagnosed with MCOA carry the gene . The breed exhibits a natural ambling gait , called the single @-@ foot , which replaces the trot seen in a majority of horse breeds . Both gaits are an intermediate speed between a walk and a canter or gallop ; ambling gaits are four @-@ beat gaits , whereas the trot is a two @-@ beat gait . The extra footfalls provide additional smoothness to a rider because the horse always has at least one foot on the ground . This minimizes movement of the horse 's topline and removes the bounce of a two @-@ beat gait , caused by a moment of suspension followed by the jolt of two feet hitting the ground as the horse shifts from one pair of legs to the other . The value of an intermediate speed is that the horse conserves energy . More than thirty horse breeds are " gaited , " able to perform a four @-@ beat ambling gait , and some can also trot . Thus , a Rocky Mountain Horse , with rider , can use the single @-@ foot to cover rough ground at around 7 miles per hour ( 11 km / h ) and short stretches of smooth ground at up to 16 miles per hour ( 26 km / h ) . The faster speed is known as the rack . In comparison , the average medium trot speed is 6 to 8 miles per hour ( 9 @.@ 7 to 12 @.@ 9 km / h ) . = = History = = Eastern Kentucky is known for its gaited breeds , created through a mixture of Spanish horses from the southern United States and English horses from the North . American Saddlebreds , Tennessee Walking Horses and Missouri Fox Trotters also originated in the same general geographic area , from the same mixing of Spanish and English blood . Rocky Mountain Horses have a similar history to the Kentucky Mountain Saddle Horse , and together are sometimes called " Mountain Pleasure Horses " . The Rocky Mountain Horse originated in eastern Kentucky from a foundation stallion brought to the Appalachian Mountains from the Rocky Mountains around 1890 . Brought to the area as a colt , oral histories state that the " Rocky Mountain Horse " , as he was known , possessed the preferred chocolate color and flaxen mane and tail found in the breed today , as well as the single @-@ foot gait . He was used to breed local saddle mares , and due to the small area in which he was bred , a local strain of horse originated . This foundation stallion produced a descendent , named Old Tobe , who became the more modern father of the Rocky Mountain Horse breed . Old Tobe was owned by a resident of Spout Springs , Kentucky named Sam Tuttle . For most of the 20th century , Tuttle was a prominent breeder of Rocky Mountain Horses , and helped to keep the strain alive during the Great Depression and World War II . After World War II , despite declining horse populations in the US , Tuttle kept his herd , and continued to use Old Tobe as a breeding stallion . Tuttle held the Natural Bridge State Park concession for horseback riding , and used Old Tobe for trail rides in the park and for siring additional trail horses , the latter until the stallion was 34 years old . Old Tobe died at the age of 37 . The presence of the single @-@ foot gait makes it possible that the breed is in part descended from the Narragansett Pacer , a breed known for passing its gaited ability on to other American breeds . In 1986 , the Rocky Mountain Horse Association was created to increase population numbers and promote the breed ; there were only 26 horses in the first batch of registrations . Since then , the association has , over the life of the registry , registered over 25000 horses as of 2015 , and the breed has spread to 47 states and 11 countries . In order to be accepted by the registry , a foal 's parentage must be verified via DNA testing . Horses must also , after reaching 23 months of age , be inspected to ensure that they meet the physical characteristic and gait requirements of the registry . The Rocky Mountain Horse is listed at " Watch " status by the American Livestock Breeds Conservancy , meaning that the estimated global population of the breed is fewer than 15 @,@ 000 , with fewer than 800 registrations annually in the US . The breed was originally developed for general use on the farms of the Appalachian foothills , where it was found pulling plows and buggies , working cattle and being ridden by both adults and children . Today , it is still used for working cattle , as well as endurance riding and pleasure riding . The breed 's gait and disposition make it sought out by elderly and disabled riders . Each September , the Kentucky Horse Park hosts the International Rocky Mountain Horse Show .

= Somerset County Cricket Club in 2009 = Somerset County Cricket Club competed in four domestic competitions during the 2009 English cricket season : the first division of the County Championship , the Friends Provident Trophy , the first division of the NatWest Pro40 League and the Twenty20 Cup . Through their performance in the Twenty20 Cup , the team qualified for the Champions League Twenty20 . They enjoyed a successful season , but fell short of winning any competitions , prompting Director of Cricket Brian Rose to say " We 've had enough of being cricket 's nearly men . " Consistent performances in the County Championship helped Somerset remain challengers for the competition until the last few weeks of the season , but the batting @-@ friendly pitch at their home ground , the County Ground , Taunton , meant that the county finished with too many draws to claim their first Championship title . Consistency was also key for Somerset 's success in one @-@ day cricket , where they remained unbeaten in the group stage of the Friends Provident Trophy , but were eliminated in the first knock @-@ out round , and finished runners @-@ up by one point in the NatWest Pro40 . In the Twenty20 Cup , Somerset finished as losing finalists . This meant that they qualified for the Champions League Twenty20 , where they progressed into the second group stage of the competition . They failed to win any matches in that phase of the competition , resulting in their elimination . Somerset were captained for the third successive season by their Australian overseas player , Justin Langer , who announced during the season that it would be his last with Somerset . Marcus Trescothick topped the national batting tables , scoring almost 3 @,@ 000 runs in all competitions in 2009 ; as a result , he was named as both Professional Cricketers ' Association ( PCA ) Player of the Year and the PCA 's Most Valuable Player of the Year . = = Background = = After promotion from the second division of the County Championship in 2007 , Somerset were among the first division title contenders in the 2008 . A loss to Lancashire in the final match of the season meant they finished in fourth place . David Foot , writing in Wisden , claimed that too many of the Somerset batsmen had " lost their way " in one @-@ day cricket , as they narrowly avoided relegation in the NatWest Pro40 , and were eliminated in the Friends Provident Trophy . Somerset promoted four players from their academy for the 2009 season , giving contracts to Jos Buttler , Adam Dibble , Chris Jones and James Burke . Of these , only Buttler appeared in the first @-@ team during the season . They also signed David Stiff , a fast bowler capped at Under @-@ 19 level for England , on a two @-@ month contract at the beginning of the season , which was later extended to the end of the season . Ian Blackwell , captain of the side in 2005 and 2006 , left for Durham after coach Andy Hurry and captain Justin Langer made it clear that they regarded fitness as a priority . John Francis and Keith Parsons both retired at the end of 2008 , Francis cited lack of first @-@ team opportunities for his departure , while at the age of 35 , Parsons declared that : " There comes a time when your body tells you it 's time to pack in professional sport . " In his preview of the 2009 season for ESPNcricinfo , Andrew McGlashan identified Somerset 's opening partnerships with bat and ball as their main strengths , but predicted that the middle order would struggle to make an impact in the County Championship , stating that " none [ of the middle order ] jump out as potential match @-@ winners in four @-@ day cricket . " He speculated that the team 's best chance of success would come in the one @-@ day competitions . The Daily Telegraph provided a more positive outlook , claiming that the county had " enough depth in batting and seam bowling to challenge [ for the County Championship ] again . " They identified spin bowling as an area of weakness following the departure of Blackwell . Bob Willis , writing in The Guardian , shared this view , and predicted that Somerset would also be hindered by the difficulty of getting 20 wickets at home , resulting in too many draws . = = Squad = = The following players made at least one appearance for Somerset in first @-@ class , List A or Twenty20 cricket in 2009 . Age given is at the start of Somerset 's first match of the season ( 15 April 2009 ) . = = County Championship = = Although Marcus Trescothick had a season which David Foot described as " imperiously assured " , Somerset failed to win enough matches to pose a real challenge in the 2009 County Championship . The flat pitch at the County Ground , Taunton did not help their efforts ; the imbalance in favour of the batsmen meant that all but one match at the ground was drawn . Sussex 's total of 742 / 5 declared was the fifteenth highest total in the history of the County Championship , while Murray Goodwin 's innings of 344 not out in that match was the sixth highest score by a batsman in the history of the competition . In total , six of Somerset 's eight home matches contained scores of 500 or over in a single innings . In contrast , 500 was reached in only one of their away matches , by Hampshire at The Rose Bowl . The home conditions helped three of Somerset 's batsmen pass 1 @,@ 000 first @-@ class runs in the season , including Craig Kieswetter and Arul Suppiah , who were both awarded their county caps after passing the landmark . Trescothick 's 1 @,@ 817 runs were the most by any batsman in the 2009 competition , finishing over 200 runs ahead of the next most prolific batsman , and he was named as both PCA Player of the Year and the PCA 's Most Valuable Player of the Year for 2009 . He was also selected as part of the team of the year , along with wicket @-@ keeper Kieswetter . In contrast to the strong batting line @-@ up , Foot suggested that Somerset " lacked a seam bowler to compensate for Andrew Caddick 's withdrawal " . Caddick — who made his first @-@ class debut for Somerset in 1991 — only played five matches in 2009 , and announced his intention to retire at the end of the season . He took ten wickets in 2009 , and finished his career as Somerset 's sixth highest wicket @-@ taker of all @-@ time . This placed the majority of the wicket @-@ taking burden upon Charl Willoughby , the South African fast @-@ medium pace bowler . He responded well , and took 54 wickets in the County Championship , more than any other bowler in the first division . He was aided by seam bowlers David Stiff , who returned to the first @-@ class game for the first time since 2006 , and Alfonso Thomas . Stiff took 31 wickets , more than quadrupling his career first @-@ class wicket total , and Thomas took 35 , his highest return in an English domestic season . Somerset lacked an effective spin bowler in 2009 following the departure of Ian Blackwell the previous season , and the spinners combined only claimed 31 wickets , bowling less balls between them than Willoughby alone . Somerset began their season by playing out a high @-@ scoring draw at home against Warwickshire , in which both teams reached 500 in their first innings . James Hildreth scored a triple @-@ century , reaching the milestone earlier in an English season than any player previously , and became the first English player to pass 300 runs in an innings for Somerset since Harold Gimblett in 1948 . In contrast , Somerset had to battle back for a draw in their second match . After Durham scored 543 in their first innings , Somerset collapsed to 69 all out in reply ; only Langer passed 20 runs , while six of his batting colleagues made ducks . After being forced to follow @-@ on , Trescothick , Langer and Kieswetter all scored centuries to secure a draw . Somerset 's third match resulted in their only loss of the County Championship season , coming against Nottinghamshire at Trent Bridge ; and at the end of May , they were second bottom in the first division . Their next match finished in a draw against Lancashire , a result which was always likely after the first day was lost to rain . Somerset next picked up victories against Yorkshire and Sussex before scoring the second @-@ highest ever fourth innings winning total in the County Championship to beat Yorkshire at Taunton . These three wins propelled Somerset to third in the competition at the start of July , and they did not drop below this position for the remainder of the season . In each of their following two matches , at home against Hampshire and away to Worcestershire , Somerset batted first and then enforced the follow @-@ on after bowling their opponents out cheaply . In each their opponents managed to avoid defeat , and both matches resulted in draws . During the Worcestershire match , Langer 's first innings 107 took him past Sir Donald Bradman 's total of 28 @,@ 067 first @-@ class runs to become the highest @-@ scoring Australian batsman . Successive draws against Nottinghamshire , Warwickshire , Sussex and Hampshire meant that Somerset travelled to Durham requiring a victory to maintain any realistic hopes of claiming the County Championship title . No play was possible on the third and fourth days , and the match resulted in another draw , leaving Somerset with only a slim mathematical chance of the title . Another draw , against Lancashire , while Durham beat Nottinghamshire , meant that Durham clinched the title . Somerset drew with Worcestershire ( their ninth draw in a row in the competition ) , and finished third in the first division . = = = Season standings = = = Key : Pld

= Played , W = Wins , L

= Losses , D = Draws , T

= Ties , A = Abandonments , Bat

= Batting points , Bwl = Bowling points , Adj

= Adjustments / Penalties , Pts = Points . Adjustments : Hampshire deducted 3 points for a slow over @-@ rate in their match against Worcestershire . Durham deducted 1 point for a slow over @-@ rate in their match against Sussex . Somerset deducted 1 point for a slow over @-@ rate in their match against Durham . Sussex deducted 1 point for a slow over @-@ rate in their match against Worcestershire.Notes : Team marked ( C ) won the County Championship . Teams marked ( R ) were relegated to Division Two of the County Championship . = = = Match log and statistics = = = = = Friends Provident Trophy = = In the 2009 Friends Provident Trophy , the first one @-@ day competition in the English domestic calendar , Somerset showed a marked improvement from the previous season . They were described by Steve James , writing in Wisden , as " the most impressive qualifiers " from the group stage , and both Trescothick and Kieswetter were praised for their batting form . They were the only side in the competition to remain unbeaten in the group stages , finishing with seven victories and one no result . In the quarter @-@ final , against Group C runners @-@ up Sussex , Somerset won the toss and opted to bat at Taunton . They struggled initially , losing the early wickets of Trescothick , James Hildreth and Ben Phillips for just 39 runs . A fourth @-@ wicket partnership of 167 , dominated by powerful hitting from Kieswetter in which he scored a " superb century " according to ESPNcricinfo 's Andrew McGlashan , helped Somerset to recover to make 285 / 8 , but Sussex chased the total down in the final over to eliminate the home side . During the group stages of their campaign , Somerset achieved a number of large victories . They won by eight wickets against Warwickshire and Middlesex , and by more than a hundred runs against Kent and Scotland . Their match against Middlesex at Lord 's was marred by some controversy , after Somerset were allowed too many powerplay overs in the rain @-@ affected fixture . Somerset were set a reduced target of 290 off 41 overs , of which 19 were allocated by the umpires as being powerplay overs , three more than there should have been . The England and Wales Cricket Board ( ECB ) rejected Middlesex 's request to replay the match , stating that they were upholding " the precedent that umpire errors cannot form the basis to declare a match null and void " . The two matches played against Middlesex were in stark contrast ; in the match played at the Recreation Ground , Bath , Somerset bowled the London side out for 65 , the joint second @-@ lowest total made against Somerset in a List A match , while the 341 / 7 which Middlesex made at Lord 's was the fourth @-@ highest total scored against Somerset in the format . Somerset themselves scored their second @-@ highest List A total , amassing 403 / 3 against Scotland , a game in which Hildreth scored 151 , his highest List A score , and Somerset 's highest score by a batsman at number three in List A cricket . Zander de Bruyn finished the competition with the highest batting average amongst batsmen who played five or more innings . Four Somerset batsmen scored over 300 runs in the tournament ( Trescothick , 476 ; Kieswetter , 395 ; de Bruyn , 388 ; Hildreth , 313 ) , more than any other county except eventual winners Hampshire . Amongst the bowlers , Alfonso Thomas finished as the tournament 's joint leading wicket @-@ taker , claiming 20 wickets to finish level with Chris Schofield and Dominic Cork . Peter Trego 's 18 wickets were the next most in the competition . = = = Season standings = = = Key : Pld

= Played , W = Wins , T

= Ties , L = Losses , NR

= No result , Pts = Points , NRR = Net run rate . Notes : Teams marked * progressed to the next stage of the competition . Teams marked † were eliminated from the competition . = = = Match logs and statistics = = = = = Twenty20 Cup = = Somerset finished as runners @-@ up to Sussex in the 2009 Twenty20 Cup , having reached Finals Day in what captain Justin Langer described as " bizarre " fashion . Somerset qualified for the knock @-@ out stages of the competition as the best third @-@ placed team during the group stage , then beat Lancashire in a bowl @-@ out to qualify for the semi @-@ finals . After overcoming Kent in the semi @-@ final , Somerset were comprehensively beaten by Sussex in the final . After the Indian Premier League 's second season demonstrated the importance of spin bowling in Twenty20 cricket , and due to Somerset 's lack of a front @-@ line spin bowler , Somerset picked young leg spinner Max Waller to make his Twenty20 debut in their opening match of the campaign . He claimed three wickets in two overs to help Somerset win by one run , and finished the competition as Somerset 's joint second @-@ highest wicket @-@ taker with 10 wickets . Despite a number of good performances by Somerset 's bowlers , a batsman was named man of the match in each of the team 's victories : James Hildreth , Craig Kieswetter and Marcus Trescothick were all awarded the accolade once , while Zander de Bruyn picked up the award on three occasions . Somerset completed the group stage with six wins , three losses and one no result , placing them third in the Midlands / Wales / West Division . They qualified for the knockout @-@ stage as they were the best third @-@ placed team in the three groups . Somerset 's quarter @-@ final , against Lancashire , was scheduled for Tuesday 28 July 2009 . Bad weather meant that no play was possible on either the Tuesday or Wednesday , as a result of which the teams requested special dispensation from the ECB for an additional reserve day on the Thursday , which was granted . The wet weather continued , forcing the teams to play a bowl @-@ out . Each team had to select five bowlers , each of whom had two deliveries at a set of unguarded stumps . Somerset won the bowl @-@ out 5 – 1 , with Ben Phillips , Peter Trego and Willoughby each hitting the stumps once , and Thomas hitting them twice . In the second semi @-@ final of 2009 Finals Day , Somerset won the toss and elected to field against Kent . Economical bowling from Thomas and Willoughby , as well as the early wickets of Joe Denly and Martin van Jaarsveld , helped to limit Kent to 145 / 5 . On a slow pitch , Trescothick played what ESPNcricinfo 's Andrew McGlashan described as a " brutal innings " , scoring 56 runs off 32 balls . He shared an opening partnership of 73 with captain Langer , and by the time of Trescothick 's dismissal after 8 @.@ 1 overs , Somerset required 62 runs off 71 balls . Hildreth and de Bruyn took 10 overs to add another 57 runs , and after Hildreth was bowled for 36 , Kieswetter added two runs to grant Somerset victory with seven balls remaining . Against Sussex in the final , Somerset once again won the toss and elected to field . A strong batting display by Sussex , highlighted by Dwayne Smith 's 59 runs off 26 balls , set Somerset a target of 173 to win . In the opening overs of Somerset 's reply , Trescothick scored powerfully , making the chase " look simple " according to McGlashan . However , after he was caught on 33 , Somerset lost regular wickets . A partnership of 41 between de Bruyn and Trego steadied Somerset for a time , but when the pair were dismissed in subsequent overs , their team collapsed from 104 / 4 to 109 all out . At the start of the competition , Somerset played with aggressive batting tactics , opening the innings with Kieswetter and Trescothick for the first six matches . This opening pair only passed 20 runs together on one occasion , against Glamorgan , and for the rest of the tournament , Kieswetter dropped down the batting order and Langer joined Trescothick at the top of the innings , in a move that Kieswetter said " adds a bit of balance to the side by putting a bit more firepower down the end and experience up top " . The more experienced pair passed 40 runs together on four out of five occasions . The county 's bowling relied heavily on medium pace , a fact which cricket writer Scyld Berry suggested was exposed in the final . = = = Season standings = = = Key : Pld

= Played , W = Wins , L

= Losses , T = Ties , NR

= No result , Pts = Points , NRR = Net run rate . Notes : Teams marked * progressed to the next stage of the competition . Teams marked † were eliminated from the competition . = = = Match logs and statistics = = = = = NatWest Pro40 = = Somerset 's first match of the 2009 NatWest Pro40 , against Nottinghamshire , ended just one over short of the requirement for a match . Chasing 248 to win , Somerset were significantly behind the required rate when rain halted play in the ninth over . The side responded positively to this stroke of luck , winning their next three matches by significant margins , before losing to Essex . Having been put in to bat at Taunton , each of Somerset 's top six batsman reached double figures , but none of them managed to pass 50 and the home side were eventually all out for 205 . Despite taking early wickets during Essex 's innings — at one stage having the visitors 12 / 3 — the batting of John Maunders , James Foster and Tim Phillips propelled Essex past Somerset 's total with five balls remaining . Two further victories ensured that Somerset entered their final match of the season with a chance to win the title . Somerset had performed well but missed out narrowly in both the other one @-@ day competitions in 2009 , and could have clinched the competition with victory in their final match . News filtered through to the County Ground during their final match , against Durham , that leaders Sussex had lost to Worcestershire , meaning that a win against the north @-@ eastern team would guarantee Somerset the title . The result rarely looked likely ; a rapid opening to the chase by Durham openers Phil Mustard and Ian Blackwell provided a platform for their team to claim victory , and deny Somerset the title . Three of Somerset 's bowlers claimed ten or more wickets in the competition ( Ben Phillips , 14 ; Alfonso Thomas , 13 ; Charl Willoughby , 11 ) , more than any other county in Division One . = = = Season standings = = = Key : Pld

= Played , W = Wins , T

= Ties , L = Losses , NR

= No result , Pts = Points , NRR = Net run rate . Notes : Team marked ( C ) won the NatWest Pro40 . = = = Match logs and statistics = = = = = Champions League Twenty20 = = By finishing as runners @-@ up in the Twenty20 Cup , Somerset qualified to compete in the 2009 Champions League Twenty20 , the first global club cricket tournament . Media attention surrounded Trescothick , who had returned home early from his last overseas tour in 2006 – 07 with a " stress @-@ related illness " . Brian Rose stressed that there was no pressure on Trescothick to take part in the tournament , and that the county would do everything possible to support him . The former England batsman did take part in the tournament , arriving three days after the rest of the squad . He played in both of Somerset 's matches in the group stage of the competition , though he only managed to score 17 runs between his two innings . Somerset won their first match , in which Alfonso Thomas scored two boundaries off the last three balls of the match to secure victory . Their opponents , Deccan Chargers scored 153 off their 20 overs , and with three wickets remaining , Somerset required 55 runs off 37 balls to win . A record eighth @-@ wicket partnership between James Hildreth and Thomas of 50 brought the victory within reach , and Thomas ' highest @-@ score in Twenty20 cricket granted Somerset the win . Somerset lost their second match , being bowled out for their second @-@ lowest Twenty20 total , 106 by Trinidad and Tobago . Somerset progressed to the second round of the competition after Trinidad and Tobago beat Deccan in the final group match , but lost Trescothick , who flew home after a recurrence of his illness . Wes Durston , who replaced Trescothick in the side , top @-@ scored for Somerset in their next match , making 57 . Only two other players reached double @-@ figures for the county , and the Diamond Eagles chased down the total with eight balls to spare . Somerset went into their final match , against the New South Wales Blues with a slim mathematical chance of progressing , but a strong bowling display from Brett Lee and Stuart Clark restricted Somerset to 111 , which the Australian side reached with ease . = = = Season standings = = = Key : Pld

= Played , W = Wins , L

= Losses , T = Ties , NR

= No result , Pts = Points , NRR = Net run rate . = = = Match logs and statistics = = = = = Reaction = = After the conclusion of the Champions League tournament , Justin Langer retired from professional cricket . Trescothick replaced him as Somerset captain for the 2010 season . Somerset also lost Andrew Caddick , who at the age of 40 said that he opted to retire " while I was still physically and mentally strong " . Wicket @-@ keeper Carl Gazzard also announced his retirement at the end of the season aged 27 , having lost his place in the Somerset side to Craig Kieswetter . Additionally , Somerset released Wes Durston and Omari Banks , both of whom they felt were surplus to requirements . Somerset addressed the weakness of their spin bowling by signing Murali Kartik as their overseas player for 2010 . Kieswetter 's performances in the 2009 season led to his inclusion in the England Performance Programme squad in November and December of that year , and he was part of the England Lions squad which toured the United Arab Emirates in early 2010 , along with Somerset team @-@ mate Peter Trego . His full England debut came shortly after in Bangladesh . Additionally , two of Somerset 's young players , Jos Buttler and Calum Haggett played for England Under @-@ 19s during the English winter . Financially , Somerset broke even in 2009 , generating a gross turnover of £ 4 @.@ 5 million . The club achieved this despite carrying out significant building work on the County Ground during the period : the " Somerset Stand " , a 3 @,@ 000 @-@ seat grandstand opened in April , while the " Andy Caddick Pavilion " was completed just over a month later , providing new dressing rooms and club offices . Andy Nash , the Somerset chairman , highlighted the catering department and match @-@ day income as being particularly successful in 2009 , with both areas exceeding £ 1 million in revenue during the year .

= Texas A & M Singing Cadets = The Texas A & M Singing Cadets are a male choral group at Texas A & M University . Nicknamed " The Voice of Aggieland " , the Singing Cadets have been touring for 109 seasons , with their roots in a glee club founded on the A & M campus in 1893 . The Singing Cadets are one of the oldest collegiate singing organizations in the world . They have toured both in America and abroad and have earned recognition by doing so , including invitations to sing for American presidents . Contrary to their name , the Singing Cadets are not all members of the Corps of Cadets and have not been since 1965 , when the university as a whole ceased mandating Corps membership . Between 1996 and 2006 , the Singing Cadets traveled over 35 @,@ 000 miles and performed more than 450 concerts worldwide . = = History = = The first record of a singing organization at Texas A & M ( then known as the Agricultural and Mechanical College of Texas ) was in 1893 . The nine member glee club was composed of both students and faculty . The group grew to around twenty members through the turn of the century . Their first recorded field trip in 1905 , was to Houston , Texas , where they participated in a four hundred member chorus . Other tours in this period included a trip to Fort Worth in 1907 , where they met noted violinist Fritz Kreisler . One year later , the director of the group , Professor T.P. Junkin , left the A & M Glee Club . The next paradigm shift came in 1910 when it was reorganized by F.D. Steger , and subsequently performed for a number of audiences throughout Texas . After several restructuring efforts and directors , the organization laid down an official constitution during the 1937 @-@ 1938 school year . The Cadets entered the national spotlight when they performed at the 1939 Sugar Bowl game . After A & M professor J. J. Woolket became director in 1940 , the chorus was renamed the " Singing Cadets " following a naming contest . The Singing Cadets first full @-@ time director , Richard Jenkins , raised the organization 's profile though a series of tours throughout the American South . Under his aegis in 1942 , the group provided choral music for the propaganda film We 've Never Been Licked . The Singing Cadets next long term director , William Turner , held the post for fifteen years . By the early 1950s membership had stabilized at around sixty members . They performed primarily in Texas , and made a trip to Mexico in 1952 . The group garnered prestige and attention by singing in front of the Texas Legislature several times . In 1960 , the Singing Cadets next director , Robert L. Boone , expanded the group 's national recognition . The group performed its first telecast in 1963 during the nationally televised Miss Teenage America pageant . For the next 8 years , the group served as contestant escorts , performers , and background for the show . They met Sergio Franchi during the December 10 , 1970 pageant . Subsequently , the group appeared on The Ed Sullivan Show with Sergio Franchi singing " No Man is An Island " on January 24 , 1971 . However , they did not get to appear on a second solo performance because an earlier show ran over the allotted time . They did , however , release a 45 rpm single " No Man Is An Island " accompanying Franchi in the same year . Later that year , the Singing Cadets were invited to the White House by Senator John Tower to sing for numerous dignitaries , including President Richard Nixon . The Singing Cadets took their first trip overseas in 1974 to Romania as part of a goodwill tour sponsored by the State Department , performing several shows over a 3 week period . The Cadets accompanied the Aggie Band onto Kyle Field during the halftime of football games during special occasions of the university , such as the centennial celebration of Texas A & M University ( 1976 ) , and in 1980 to dedicate the expansion of the football stadium . Under Boone 's direction , the Singing Cadets won several international singing competitions . They won the silver medal in an International Choral Festival in Hawaii in 1979 . In 1983 they received the silver medal in Mexico . In 1993 , they returned to Hawaii , taking the gold medal . Other major tours during the 1980s included several occasions marking the Texas sesquicentennial anniversary in 1986 , and European tours in 1987 and 1989 . In 2004 , the Singing Cadets journeyed to Australia , and sang the Australian national anthem ( Advance Australia Fair ) on the first concert of that tour . In May 2006 the Cadets performed at the White House at the invitation of President George W. Bush for an event to honor America 's returning athletes from the 2006 Winter Olympics . Also in 2006 , the cadets performed at the Miss Texas Pageant . In its 2006 @-@ 2007 season , the Cadets performed over sixty concerts in the United States , plus a tour to South America during the summer , where they traveled to Argentina , Uruguay and Brazil . The Singing Cadets toured South Africa in 2010 and will be touring China in May 2013 . = = Music = = The Singing Cadets have sung a wide variety of music in their history . Their repertoire has included Christian hymns and gospel music , as well as Texas A & M school songs such as the Aggie War Hymn . Musical selections varied through the decades , although Southern songs and songs from the 1940s , 1950s , and 1960s remain perennial favorites . Currently , eight recordings produced by the Singing Cadets are available for purchase . In chronological order , the titles are : God Bless the USA , Live from South America , Tradition ; Duty , Honor , Country : A Tribute to President Bush , Remembrance , Centennial , Let Freedom Ring , and Kennedy Center . = = Organization = = Members of the Corps of Cadets make up a small minority of the Singing Cadets ; the group dropped Corps Membership as a requirement in 1963 . The Singing Cadets holds auditions twice each school year , with membership open to any male Texas A & M student . The choir is one of three within Texas A & M. The others are the all @-@ female Women 's Chorus , and co @-@ ed choir the Century Singers . All three practice in the Memorial Student Center ( MSC ) . The group is typically backed by a pianist and conducted by a director , and regularly are accompanied by instruments , including electric guitar , drums and bass guitar . The Singing Cadets use costumes and pantomime to accompany their music , incorporating a number of forms of entertainment into their concerts . A barbershop quartet side group called The Aggienizors performs at some shows , as entertainment between the main musical numbers . Presently , the Singing Cadets perform primarily in state , along with a sprinkling of national and international tours . The Cadets perform 70 @-@ 80 concerts a year . = = Directors = = Professor A. M. Soule Professor Tyrrel Professor T. P. Junkin F. D. Steger D. Ford K. H. Beach E. W. Glenn Professor J. J. Woolket Richard W. Jenkins Ewell Porter William M. Turner Robert L. Boone David Kipp

= Ontario Highway 36 = King 's Highway 36 , commonly referred to as Highway 36 , was a provincially maintained highway in the Canadian province of Ontario . The highway connected Highway 7 and Highway 35 in Lindsay with Highway 28 in Burleigh Falls , providing access to recreational cottages along the northern shore of several of the Kawartha lakes as well as to multiple communities , including Bobcaygeon . Today it is known as Kawartha Lakes City Road 36 and Peterborough County Road 36 . The route was first assumed in 1931 as a depression relief project and extended in 1937 . It remained generally unchanged for the next 60 years before being decommissioned in 1998 . However , a realignment near Lindsay in the late 1950s changed the southern terminus of the route from the centre of the town to southeast of it ; the original route through Lindsay became Highway 36B and is now known as Kawartha Lakes Road 17 . = = Route description = = The route and surroundings of former Highway 36 have largely remained unaltered since the highway was decommissioned in 1998 . Within the City of Kawartha Lakes , the road is now known as Kawartha Lakes Road 36 , while within the County of Peterborough , it is known as Peterborough County Road 36 . The route begins east of Lindsay at an intersection with Highway 7 and progresses north , crossing a former railway ( now the Kawartha Rail Trail ) before intersecting Kawartha Lakes Road 17 . The western leg of Road 17 , which travels to downtown Lindsay , was the original route of Highway 36 and later became Highway 36B . Continuing north , Highway 36 jogs north and east , serving cottages and communities lining the southern shore of Sturgeon Lake , but remains inland by over a kilometre ( 0 @.@ 6 mi ) itself . At Dunsford , which is bypassed , the highway intersects Kawartha Lakes Roads 7 and 24 — the former travels south to Omemee and the latter provides an alternative route to Bobcaygeon . Former Highway 36 continues , alternating directions between east and north twice before entering the village of Bobcaygeon . Within Bobcaygeon , Highway 36 crosses the Trent – Severn Waterway and intersects the eastern end of Kawartha Lakes Road 8 . At this point it is following the southernmost section of the Bobcaygeon Colonization Road . At the intersection with Main Street in the northern end of the village , the route turns northeast while former Highway 649 continues north . Exiting Bobcaygeon , the former highway serves cottages along the northern shore of Pigeon Lake and Little Bald Lake . After passing Nogies Creek , the highway descends a hill and encounters the Canadian Shield for the first time . The road runs along the border of the Precambrian shield and the Ordovician limestone plateau en route to Burleigh Falls . The shield lies to the north and is overlain by the plateau to the south . The highway turns south at Flynns Corner , intersecting former Highway 507 . It enters the town of Buckhorn from the north , then drivers must turn to remain on the route , which exits the town to the east . Between Buckhorn and Burleigh Falls , the highway serves the cottages that line the northern shore of Lower Buckhorn Lake . = = History = = Highway 36 was first assumed by the Department of Highways ( DHO ) on July 1 , 1931 , and was one of several highways completed as part of a depression – relief program . The highway initially connected downtown Lindsay with Bobcaygeon . This section was fully paved by the end of 1937 . On August 11 , 1937 , the DHO extended the highway east to Highway 28 at Burleigh Falls . Highway 36 remained essentially unchanged between 1937 and 1997 , with the exception of a being rerouted east of Lindsay in 1958 . However , on January 1 , 1998 , the entirety of Highway 36 was downloaded to Victoria County and Peterborough County , both of which redesignated it as County Road 36 . Victoria County became the City of Kawartha Lakes in 2001 , and that section of the route is now known as City Road 36 . = = Major intersections = = The following table lists the major junctions along Highway 36 , as noted by the Ministry of Transportation of Ontario . In addition , it includes some minor junctions .

= Arizona State Route 67 = State Route 67 ( SR 67 ) is a 43 @.@ 4 mi ( 69 @.@ 8 km ) long , north – south state highway in northern Arizona . Also called the Kaibab Plateau – North Rim Parkway , SR 67 is the sole road that links U.S. Route 89A ( US 89A ) at Jacob Lake to the North Rim of Grand Canyon National Park . Along the route , the road heads through the national park as well as Kaibab National Forest and is surrounded by evergreen trees . The section inside the national park is maintained by the National Park Service ( NPS ) , whereas the section north of the entrance , completely within Kaibab National Forest , is owned by the Arizona Department of Transportation ( ADOT ) . The road was built in the late 1920s and improved through the 1930s . In 1941 , the road received its number , and was given its designation as the parkway in the 1980s . The parkway has received designations as a National Forest Scenic Byway as well as a National Scenic Byway . = = Route description = = Signage for SR 67 begins at Bright Angel Point along the North Rim of the Grand Canyon National Park . ADOT does not officially own this section of road , but it is signed as SR 67 . The road heads north as the Kaibab Plateau – North Rim Parkway through the small town of North Rim , surrounded by evergreen trees . The parkway enters a small clearing before meeting the park entrance , where ownership by ADOT begins . Heading into Kaibab National Forest on a northward path , the roadway is surrounded by a narrow meadow bordered by evergreen trees . As it passes the nearby Deer Lake , SR 67 meets an unpaved National Forest road . The landscape around the route is crisscrossed by these routes as SR 67 makes several turns , turning back toward the north . The highway , with the new name of Grand Canyon Highway in addition to its other designation , makes several turns as it heads north through the woods . It takes a more northwesterly path as it runs through Coconino County . Near its terminus , the road turns back northeast toward its terminus at US 89A in Jacob Lake . The northern segment of the highway is maintained by ADOT , who is responsible for maintaining SR 67 like all other highways around the state . As part of this job , ADOT periodically surveys traffic along its routes . These surveys are most often presented in the form of average annual daily traffic , which is the number of vehicles who use the route on any average day during the year . In 2009 , ADOT calculated that around 1 @,@ 100 vehicles used the route daily at its northern terminus in Jacob Lake . The Federal Highway Administration ( FHWA ) lists the highway as a National Scenic Byway , and the National Forest Service has also designated it a National Forest Service Byway . No part of the highway has been listed in the National Highway System , a system of roads in the United States important to the nation 's economy , defense , and mobility . Due to the closure of park facilities on the north rim of the Grand Canyon during winter , winter maintenance is not undertaken after December 1st , with the result that SR 67 is usually closed to vehicular traffic from December 1st until spring . = = History = = SR 67 existed as a route to reach the north rim of the Grand Canyon National Park as early as 1927 as a dirt road . By 1935 , the road had been improved to a gravel road , and by 1938 it had been paved . In 1941 , the road was designated as a state highway and signed as SR 67 . In 1985 , the highway received the designation of Kaibab Plateau – North Rim Parkway as an Arizona State Scenic Byway . The designation included SR 67 in its entirety as well as extending south into Grand Canyon National Park . Two years later , ADOT obtained the right @-@ of @-@ way for improvement of the highway from its northern terminus approximately 10 miles ( 16 km ) south . In 1989 , an additional right @-@ of @-@ way was acquired by ADOT from its southern terminus approximately 5 miles ( 8 @.@ 0 km ) north . By June of that year , the parkway received the designation of a National Forest Scenic Byway , and in June 1998 , the Kaibab Plateau – North Rim Parkway received another designation , this time as a National Scenic Byway . Since establishment , the route has not been realigned and retains its original routing . = = Junction list = = The entire route is in Coconino County .

= Josce de Dinan = Josce de Dinan ( sometimes Joce de Dinan , Josselin de Dinan , Joce de Dynan ; Jocelin de Dinan , Joyce de Dinan , or Joceas de Dinan ; died 1166 ) was an Anglo @-@ Norman nobleman who lived during and after the civil war between King Stephen of England and his cousin Matilda over the throne of England . He was a landholder in the Welsh Marches when he was married by Stephen to the widow of Pain fitzJohn , a union that gave Josce control of Ludlow Castle . Control of the castle was contested by other noblemen , and the resulting warfare between the nobles forms the background to a late medieval romance known as Fouke le Fitz Waryn , which is mainly concerned with the actions of Josce 's grandson , but also includes some material on Josce 's lifetime . Josce eventually lost control of Ludlow and was granted lands in compensation by Matilda and her son , King Henry II of England , who succeeded Stephen in 1154 . = = Background and early life = = Following King Henry I 's death in 1135 , the succession was disputed between the king 's nephews — Stephen and his elder brother , Theobald II , Count of Champagne — and Henry 's surviving legitimate child Matilda , usually known as the Empress Matilda because of her first marriage to the Holy Roman Emperor , Henry V. King Henry 's only legitimate son , William , had died in 1120 . After Matilda was widowed in 1125 , she returned to her father , who married her to Geoffrey , Count of Anjou . All the magnates of England and Normandy were required to declare fealty to Matilda as Henry 's heir , but after the king 's death in 1135 Stephen rushed to England and had himself crowned before either Theobald or Matilda could react . The Norman barons accepted Stephen as Duke of Normandy , and Theobald contented himself with his possessions in France . But Matilda was less sanguine , and secured the support of her maternal uncle , the Scottish king David I , and in 1138 also that of her half @-@ brother Robert , Earl of Gloucester , an illegitimate son of Henry I. Nobles in the Welsh Marches revolted against Stephen in 1136 , but the revolt was not settled until 1138 . In 1139 , Matilda invaded southern England with her half @-@ brother 's support and the period of civil war began . Josce was the youngest son of Geoffrey de Dinan and Radegonde Orieldis , and had two older brothers , Oliver of Dinan and Alan of Becherel . Josce 's family was from Brittany , and he was described by the historian Marjorie Chibnall as an " obscure Breton adventurer " . Josce moved from Devon in southern England to the Welsh Marches , the border between England and Wales , because the lords of Monmouth were also of Breton extraction . While in the Marches he joined King Stephen 's household . = = Ludlow Castle = = Josce was married to Sybil , the widow of Pain fitzJohn , who died in 1137 . Sybil had held Ludlow Castle against Stephen in 1139 , but surrendered after a siege . Ludlow was an important strategic stronghold for control of the Welsh Borders , and Stephen decided to marry Pain 's widow to someone he felt was trustworthy . Upon his marriage Josce also acquired control of the castle , built in the late 11th century . Josce probably also received many of the de Lacy family 's holdings in southern Shropshire , but he rebelled against Stephen and fortified Ludlow against the king . Josce 's position was so strong that when Stephen granted much of the surrounding lands to Robert de Beaumont , Earl of Leicester , Ludlow was specifically exempted . Stephen told Robert that he would have a royal grant of the castle if he could secure Josce 's submission as a vassal . Custody of Ludlow was contested not only by Stephen but also by Gilbert de Lacy , whose efforts to wrest the castle from Josce are the background to the medieval romance Fouke le Fitz Waryn ; the extant prose version dates from the 14th century , but it was originally a 13th @-@ century poem , now lost . Gilbert claimed the castle through his familial link with Sybil , fitzJohn 's widow , who was a member of the de Lacy family . Others trying to take Ludlow were Hugh de Mortimer and Gilbert de Lacy . According to the Chronicle of Wigmore Abbey , some time after September 1148 Mortimer and Josce became embroiled in a private war , during which Josce seized Mortimer while the latter was travelling . Josce imprisoned his captive in Ludlow and demanded a ransom of 3 @,@ 000 silver marks , as well as , according to the Chronicle , Mortimer 's " plate , his horses , and his birds " . Presumably , Mortimer met the ransom , as he is later known to have been a free man . While Josce was absent from Ludlow , Gilbert de Lacy was able to take the castle . Josce laid siege to the castle but was unsuccessful in his attempt to retake it , and retreated to Lambourn with his military forces . Although the exact date of this event is unknown , it appears to have been some time about 1150 or shortly before . Matilda gave Josce some lands around Lambourn after Ludlow 's fall as compensation . Later he was given land in Berkshire by King Henry II ( became king in 1154 ) , Matilda 's son , as further recompense for the loss of Ludlow . In 1156 Josce held lands in Berkshire , Wiltshire , Hampshire , Devonshire and Somerset . These holdings included the manor of Lambourn , worth £ 76 in income per year , as well as the manor of Stanton ( now known as Stanton Fitzwarren in Wiltshire ) in addition to the lands scattered in other counties . Josce 's grandson Fulk fitzWarin , who died in 1258 , is ostensibly the hero of a lost romantic poem called Fouke le Fitz Waryn . The work survives as French prose in a loose corpus of medieval literature known as the Matter of England . However , it appears to confuse events of Fulk fitzWarin 's lifetime with those of his grandfather 's . Other errors in the work include transposing some of the Welsh Marcher barons of King Henry I of England 's reign into nobles of William the Conqueror 's time , and omitting an entire generation of fitzWarins . Although scholars believe Fouke le Fitz Waryn draws on genuine tradition , the difficulty in separating the fitzWarin biographies makes it a problematic source . = = Family = = Josce died in 1166 . He was survived by two daughters : Sibil , who married Hugh de Pulgenet and died in 1212 , and Hawise who married Fulk FitzWarin , who died in 1197 . In 1199 his two daughters petitioned the king regarding the ownership of the town and castle of Ludlow but were turned down .

= World War I Memorial ( East Providence , Rhode Island ) = The World War I Memorial is a bronze sculpture by Pietro Montana and is located at the intersection of Taunton Avenue , Whelden Avenue , and John Street in East Providence , Rhode Island , United States . The sculpture is modeled on Charles Atlas and depicts a dynamically posed soldier standing on a granite base . Montana 's original design was modified by the East Providence Memorial Committee for being " too brutal " . Dedicated on July 30 , 1927 , Major General Charles Pelot Summerall gave an address which highlighted the handicap placed upon the soldiers by a lack of preparedness and " invoked the fighting ideal embodied by Montana 's doughboy . " The World War I Memorial was added to the National Register of Historic Places in 2001 . = = Design = = The World War I Memorial was designed by Pietro Montana , an Italian @-@ born painter and sculptor . Montana studied at the Cooper Union for the Advancement of Science and Art in Manhattan , New York City , New York . Montana 's monuments were well @-@ known , particularly in New York , and included an earlier " Doughboy " sculpture erected in 1920 to honor the war dead of the Bushwick , Brooklyn and Ridgewood , Queens . The success of this the earlier " Fighting Doughboy " memorial resulted in the production of three copies by 1921 . By 1932 , he had produced over 40 statues and won a gold medal from the National Academy of Design for " Orphans " in 1931 . For the design of the sculpture , Montana modeled Charles Atlas and " strove to communicate the U.S. doughboy 's upstanding character and valor by way of a muscle @-@ bound physique " . In 1926 , the East Providence Memorial Committee expressed concerns that Montana 's design was " too brutal " and modified the original design provided by Montana . The statue was erected in 1927 , and formally dedicated on July 30 , 1927 . At the dedication , Major General Charles Pelot Summerall gave an address which highlighted the handicap placed upon the soldiers by a lack of preparedness and " invoked the fighting ideal embodied by Montana 's doughboy . " The sculpture of a soldier stands 7 @.@ 75 feet ( 2 @.@ 36 m ) tall , 2 @.@ 583 feet ( 0 @.@ 787 m ) wide and 2 @.@ 66 feet ( 0 @.@ 81 m ) deep . Ronald J. Onorato , author of the National Register nomination , writes that " the soldier stands with legs apart , his left hand at his belt , the right at his side . The face is impassive and expressionless . He wears a disheveled infantry uniform , rough shoes , the shirt collar open and askew , the sleeves rolled back , the knee torn open , his helmet on the ground behind his left foot . ... A holster hangs from the belt on the soldier 's right hip . " Montana signed the sculpture with " Pietro Montana / SC / 1927 . " The sculpture rests atop a grey granite base that is 6 @.@ 33 feet ( 1 @.@ 93 m ) tall , 3 @.@ 166 feet ( 0 @.@ 965 m ) wide and 3 @.@ 5 feet ( 1 @.@ 1 m ) deep . The corners of the base have small leaf designed and has 2 feet ( 0 @.@ 61 m ) by 2 @.@ 66 feet ( 0 @.@ 81 m ) bronze reliefs with arched tops on each side . The front relief states that it was erected in the memory of the citizens of East Providence who served in World War I from 1917 to 1918 , and lists the names of twenty three soldiers . The left relief depicts a marching infantry column of one man on horseback and four on foot , the right relief depicts four or five men loading a cannon and the rear relief depicts a nurse assisting two wounded soldiers . At the time of its nomination , the sculpture was described as in " moderately good condition " , with the surface being both stained and pitted , but free or breaks or missing pieces . The statue still stands in its original location in front of a school that has since been re @-@ purposed for residential housing . = = Importance = = The World War I Memorial designed by Montana is " historically significant as the city 's principal effort to honor those who served in the first World War and because it is an unusually successful depiction of the soldier in battle . " The larger @-@ than @-@ life masculine figure depicted in the sculpture stands apart from the stock figures of other war monuments by its dynamic pose , as if the soldier was " [ arising from ] the heat of battle " . It was added to the National Register of Historic Places on October 19 , 2001 .

= Oldham = Oldham / ˈɒldəm / is a large town in Greater Manchester , England , amid the Pennines between the rivers Irk and Medlock , 5 @.@ 3 miles ( 8 @.@ 5 km ) south @-@ southeast of Rochdale and 6 @.@ 9 miles ( 11 @.@ 1 km ) northeast of Manchester . Together with several smaller surrounding towns , it is part of the Metropolitan Borough of Oldham of which it is the administrative centre . Historically in Lancashire , and with little early history to speak of , Oldham rose to prominence in the 19th century as an international centre of textile manufacture . It was a boomtown of the Industrial Revolution , and among the first ever industrialised towns , rapidly becoming " one of the most important centres of cotton and textile industries in England " . At its zenith , it was the most productive cotton spinning mill town in the world , producing more cotton than France and Germany combined . Oldham 's textile industry fell into decline in the mid @-@ 20th century ; the town 's last mill closed in 1998 . The demise of textile processing in Oldham depressed the local economy . Today Oldham is a predominantly residential town , and a centre for further education and the performing arts . It is , however , still distinguished architecturally by the surviving cotton mills and other buildings associated with that industry . The town has a population of 103 @,@ 544 and an area of around 26 square miles ( 67 km2 ) . = = History = = = = = Toponymy = = = The toponymy of Oldham seems to imply " old village or place " from Eald ( Saxon ) signifying oldness or antiquity , and Ham ( Saxon ) a house , farm or hamlet . Oldham is however known to be a derivative of Aldehulme , undoubtedly an Old Norse name . It is believed to be derived from the Old English ald combined with the Old Norse holmi or holmr , meaning " promontory or outcrop " , possibly describing the town 's hilltop position . It has alternatively been suggested that it may mean " holm or hulme of a farmer named Alda " . The name is understood to date from 865 , during the period of the Danelaw . = = = Early history = = = The earliest known evidence of a human presence in what is now Oldham is attested by the discovery of Neolithic flint arrow @-@ heads and workings found at Werneth and Besom Hill , implying habitation 7 – 10 @,@ 000 years ago . Evidence of later Roman and Celtic activity is confirmed by an ancient Roman road and Bronze Age archaeological relics found at various sites within the town . Placenames of Celtic origin are still to be found in Oldham : Werneth derives from a Celtic personal name identical to the Gaulish vernetum , " alder swamp " , and Glodwick may be related to the modern Welsh clawdd , meaning " dyke " or " ditch " . Nearby Chadderton is also pre @-@ Anglo @-@ Saxon in origin , from the Old Welsh cadeir , itself deriving from the Latin cathedra meaning " chair " . Although Anglo @-@ Saxons occupied territory around the area centuries earlier , Oldham as a permanent , named place of dwelling is believed to date from 865 , when Danish invaders established a settlement called Aldehulme . From its founding in the 9th century until the Industrial Revolution , Oldham is believed to have been little more than a scattering of small and insignificant settlements spread across the moorland and dirt tracks that linked Manchester to York . Although not mentioned in the Domesday Book , Oldham does appear in legal documents from the Middle Ages , invariably recorded as territory under the control of minor ruling families and barons . In the 13th century , Oldham was documented as a manor held from the Crown by a family surnamed Oldham , whose seat was at Werneth Hall . = = = Industrial Revolution and cotton = = = Much of Oldham 's history is concerned with textile manufacture during the Industrial Revolution ; it has been said that " if ever the Industrial Revolution placed a town firmly and squarely on the map of the world , that town is Oldham . " Oldham 's soils were too thin and poor to sustain crop growing , and so for decades prior to industrialisation the area was used for grazing sheep , which provided the raw material for a local woollen weaving trade . By 1756 , Oldham had emerged as centre of the hatting industry in England . The rough felt used in the production process is the origin of the term " Owdham Roughyed " a nickname for people from Oldham . It was not until the last quarter of the 18th century that Oldham changed from being a cottage industry township producing woollen garments via domestic manual labour , to a sprawling industrial metropolis of textile factories . The climate , geology , and topography of Oldham were unrelenting constraints upon the social and economic activities of the human inhabitants . At 700 feet ( 213 m ) above sea level and with no major river or visible natural resources , Oldham had poor geographic attributes compared with other settlements for investors and their engineers . As a result , Oldham played no part in the initial period of the Industrial Revolution , although it did later become seen as obvious territory to industrialise because of its convenient position between the labour forces of Manchester and southwest Yorkshire . Cotton spinning and milling were introduced to Oldham when its first mill , Lees Hall , was built by William Clegg in about 1778 , the beginning of a spiralling process of urbanisation and socioeconomic transformation . Within a year , 11 other mills had been constructed , and by 1818 there were 19 – not a large number in comparison with other local settlements . Oldham 's small local population was greatly increased by the mass migration of workers from outlying villages , resulting in a population increase from just over 12 @,@ 000 in 1801 to 137 @,@ 000 in 1901 . The speed of this urban growth meant that Oldham , with little pre @-@ industrial history to speak of , was effectively born as a factory town . Oldham became the world 's manufacturing centre for cotton spinning in the second half of the 19th century . In 1851 , over 30 % of Oldham 's population was employed within the textile sector , compared to 5 % across Great Britain . It overtook the major urban centres of Manchester and Bolton as the result of a mill building boom in the 1860s and 1870s , a period during which Oldham became the most productive cotton @-@ spinning town in the world . In 1871 , Oldham had more spindles than any country in the world except the United States , and in 1909 , was spinning more cotton than France and Germany combined . By 1911 there were 16 @.@ 4 million spindles in Oldham , compared with a total of 58 million in the United Kingdom and 143 @.@ 5 million in the world ; in 1928 , with the construction of the UK 's largest textile factory Oldham reached its manufacturing zenith . At its peak , there were more than 360 mills , operating night and day ; Oldham 's townscape was dominated by distinctive rectangular brick @-@ built mills . Oldham was hit hard by the Lancashire Cotton Famine of 1861 – 1865 , when supplies of raw cotton from the United States were cut off . Wholly reliant upon the textile industry , the cotton famine created chronic unemployment in the town . By 1863 a committee had been formed , and with aid from central government , land was purchased with the intention of employing local cotton workers to construct Alexandra Park , which opened on 28 August 1865 . Said to have over @-@ relied upon the textile sector , as the importation of cheaper foreign yarns grew during the 20th century , Oldham 's economy declined into a depression , although it was not until 1964 that Oldham ceased to be the largest centre of cotton spinning . In spite of efforts to increase the efficiency and competitiveness of its production , the last cotton spun in the town was in 1998 . = = = = Engineering = = = = Facilitated by its flourishing textile industry , Oldham developed extensive structural and mechanical engineering sectors during the 18th and 19th centuries . The manufacture of spinning and weaving machinery in Oldham belongs to the last decade of the 19th century , when it became a leading centre in the field of engineering . The Platt Brothers , originated in nearby Dobcross village , but moved to Oldham . They were pioneers of cotton @-@ spinning machinery , developing innovative products that enabled the mass @-@ production of cotton yarn . Platt Brothers became the largest textile machine makers in the world , employing over 15 @,@ 000 people in the 1890s , twice the number of their nearest rivals Dobson & Barlow in Bolton and Asa Lees on Greenacres Moor . They were keen investors in the local area and at one time , were supporting 42 % of the population . The centre of the company lay at the New Hartford Works in Werneth , a massive complex of buildings and internal railways on a site overlooking Manchester . The railway station which served this site later formed the basis of Oldham Werneth railway station . The main building exists to this day . Platts gained prestigious awards from around the world , and were heavily involved with local politics and civic pride in Oldham . John and James Platt were the largest subscribers for promoting Oldham from a township to a Borough , pledging £ 100 ( more than double the next largest sum ) in advance towards any expenses which may have been incurred by the Royal Charter . In 1854 John Platt was made the ( fourth ) Mayor of Oldham , an office he was to hold twice more in 1855 – 56 and 1861 – 62 . John Platt was elected in 1865 to become Member of Parliament for Oldham , and was re @-@ elected in 1868 ; he remained in office until his death in 1872 . A bronze statue of Platt existed in the town centre for years , though was moved to Alexandra Park . There have been recommendations for it to be returned to the town centre . Abraham Henthorn Stott , the son of a stonemason , was born in nearby Shaw and Crompton in 1822 . He served a seven @-@ year apprenticeship with Sir Charles Barry , before starting a structural engineering practice in Oldham in 1847 that went on to become the pre @-@ eminent mill architect firm in Lancashire . Philip Sydney Stott , third son of Abraham and later titled as Sir Philip Stott , 1st Baronet , was the most prominent and famous of the Stott mill architects . He established his own practice in 1883 and designed over a hundred mills in several countries . His factories , which improved upon his father 's fireproof mills , accounted for a 40 % increase in Oldham 's spindles between 1887 and 1914 . Although textile @-@ related engineering declined with the processing industry , leading to the demise of both Stotts and Platts , other engineering firms existed , notably electrical and later electronic engineers Ferranti in 1896 . Ferranti went into receivership in 1993 , but some of its former works continue in other hands . Part of the original Hollinwood site was operated by Siemens Metering and Semiconductor divisions . The remainder of the site is occupied by Mirror Colour Print Ltd ; the printing division of the Trinity Mirror group , which prints and distributes thirty @-@ six major newspapers , and employs five hundred staff . = = = = Coal mining = = = = On the back of the Industrial Revolution , Oldham developed an extensive coal mining sector , correlated to supporting the local cotton industry and the town 's inhabitants , though there is evidence of small scale coal mining in the area as early as the 16th century . The Oldham Coalfield stretched from Royton in the north to Bardsley in the south and in addition to Oldham , included the towns of Middleton and Chadderton to the west . The Oldham Coalfield was the site of over 150 collieries during its recorded history . Although some contemporary sources suggest there was coal mining in Oldham at a commercial scale by 1738 , older sources attribute the commercial expansion of coal mining with the arrival in the town of two Welsh labourers , John Evans and William Jones , around 1770 . Foreseeing the growth in demand for coal as a source of motive and steam power , they acquired colliery rights for Oldham , which by 1771 had 14 colliers . The mines were largely to the southwest of the town around Hollinwood and Werneth and provided enough coal to accelerate Oldham 's rapid development at the centre of the cotton boom . At its height in the mid @-@ 19th century , when it was dominated by the Lees and Jones families , Oldham coal was mainly sourced from many small collieries whose lives varied from a few years to many decades , although two of the four largest collieries survived to nationalisation . In 1851 , collieries employed more than 2 @,@ 000 men in Oldham , although the amount of coal in the town was somewhat overestimated however , and production began to decline even before that of the local spinning industry . Today , the only visible remnants of the mines are disused shafts and boreholes . = = = Social history = = = Oldham 's social history , like that of other former unenfranchised towns , is marked by politicised civil disturbances , as well as events related to the Luddite , Suffragette and other Labour movements from the working classes . There has been a significant presence of " friendly societies " . It has been put that the people of Oldham became radical in politics in the early part of the 19th century , and movements suspected of sedition found patronage in the town . Oldham was frequently disturbed by bread and labour riots , facilitated by periods of scarcity and the disturbance of employment following the introduction of cotton @-@ spinning machinery . On 20 April 1812 , a " large crowd of riotous individuals " compelled local retailers to sell foods at a loss , whilst on the same day Luddites numbering in their thousands , many of whom were from Oldham , attacked a cotton mill in nearby Middleton . On 16 August 1819 , Oldham sent a contingent estimated at well above 10 @,@ 000 to hear speakers in St Peter 's Fields at Manchester discuss political reform ; it was the largest contingent sent to Manchester . John Lees , a cotton operative and ex @-@ soldier who had fought at Waterloo , was one of the fifteen victims of the Peterloo Massacre which followed . The ' Oldham inquest ' which proceeded the massacre was anxiously watched ; the Court of King 's Bench , however , decided that the proceedings were irregular , and the jury were discharged without giving a verdict . Annie Kenney , born in nearby Springhead , and who worked in Oldham 's cotton mills , was a notable member of the Suffragette movement credited with sparking off suffragette militancy when she heckled Winston Churchill , and later ( with Emmeline Pankhurst ) the first Suffragist to be imprisoned . Oldham Women 's Suffrage Society was established in 1910 with Margery Lees as president and quickly joined the Manchester and District Federation of the National Union of Women 's Suffrage Societies . The Chartist and Co @-@ operative movements had strong support in the town , whilst many Oldhamers protested against the emancipation of slaves . The Riot Act was read in 1852 on election day following a mass public brawl over the Reform Act , and irregularities with parliamentary candidate nominations . For three days in late May 2001 , Oldham became the centre of national and international media attention . Following high profile race @-@ related conflicts , and long @-@ term underlying racial tensions between local White British and Asian communities , major riots broke out in the town . Occurring with particular intensity in the Glodwick area of the town , the Oldham riots were the worst racially motivated riots in the United Kingdom for fifteen years prior , briefly eclipsing the sectarian violence in Northern Ireland in the media . At least 20 people were injured in the riots , including 15 police officers , and 37 people were arrested . Similar riots took place in other towns in northern England over the following days and weeks . The 2001 riots prompted governmental and independent inquiries , which collectively agreed on community relations improvements and considerable regeneration schemes for the town . There were further fears of riots after the death of Gavin Hopley in 2002 . = = Governance = = = = = Civic history = = = Lying within the historic county boundaries of Lancashire since the early 12th century , Oldham was recorded in 1212 as being one of five parts of the thegnage estate of Kaskenmoor , which was held on behalf of King John by Roger de Montbegon and William de Nevill . The other parts of this estate were Crompton , Glodwick , Sholver , and Werneth . Oldham later formed a township within the ancient ecclesiastical parish of Prestwich @-@ cum @-@ Oldham , in the hundred of Salford . In 1826 commissioners for the social and economic improvement of Oldham were established . The town was made part of a parliamentary borough , in 1832 , though it was in 1849 when Oldham was incorporated as a municipal borough , giving it borough status in the United Kingdom , and in 1850 the Borough Council obtained the powers of the improvement commissioners . In 1880 , parts of the Hollinwood and Crossbank areas of Chadderton and Ashton @-@ under @-@ Lyne townships were added to the Borough of Oldham . Oldham Above Town and Oldham Below Town were , from 1851 until c . 1881 , statistical units used for the gathering and organising of civil registration information , and output of census data . The Local Government Act 1888 created elected county councils to administer services throughout England and Wales . Where a municipal borough had a population of more than 50 @,@ 000 at the 1881 Census it was created a county borough , with the powers and duties of both a borough and county council . As Oldham had an 1881 population of 111 @,@ 343 it duly became a county borough on 1 April 1889 . The borough , while independent of Lancashire County Council for local government , remained part of the county for purposes such as the administration of justice and lieutenancy . In 1951 parts of the Limehurst Rural District were added to the County Borough of Oldham , and in 1954 further parts of the same district added to it on its abolition . Since 1961 , Oldham has been twinned with Kranj in Slovenia . Under the Local Government Act 1972 , the town 's autonomous county borough status was abolished , and Oldham has , since 1 April 1974 , formed part of the Metropolitan Borough of Oldham , within the Metropolitan county of Greater Manchester . = = = Parliamentary representation = = = The boundaries of two parliamentary constituencies divide Oldham : Oldham East and Saddleworth , and Oldham West and Royton ( which includes the town centre ) , represented by Labour Members of Parliament Debbie Abrahams and Michael Meacher respectively . Created as a parliamentary borough in 1832 , Oldham 's first parliamentary representatives were the radicals William Cobbett and John Fielden . Winston Churchill began his political career in Oldham . Although unsuccessful at his first attempt in 1899 , Churchill was elected as the member of Parliament for the Oldham parliamentary borough constituency in the 1900 general election . He held the constituency for the Conservative Party until the 1906 general election , when he won the election for Manchester North West as a Liberal MP . After he became the Prime Minister of the United Kingdom in 1940 , Churchill was made a Honorary Freeman of the Borough of Oldham , on 2 April 1941 . = = Geography = = At 53 ° 32 ′ 39 ″ N 2 ° 7 ′ 0 @.@ 8 ″ W ( 53 @.@ 5444 ° , − 2 @.@ 1169 ° ) , and 164 miles ( 264 km ) north @-@ northwest of London , Oldham stands 700 feet ( 213 m ) above sea level , 6 @.@ 9 miles ( 11 @.@ 1 km ) northeast of Manchester city centre , on elevated ground between the rivers Irk and Medlock . Saddleworth and the South Pennines are close to the east , whilst on all other sides , Oldham is bound by smaller towns , including Ashton @-@ under @-@ Lyne , Chadderton , Failsworth , Royton and Shaw and Crompton , with little or no green space between them . Oldham experiences a temperate maritime climate , like much of the British Isles , with relatively cool summers and mild winters . There is regular but generally light precipitation throughout the year . Oldham 's topography is characterised by its rugged , elevated Pennine terrain . It has an area of 6 @.@ 91 square miles ( 17 @.@ 90 km2 ) . The geology of Oldham is represented by the Millstone Grit and Coal Measures series of rocks . The River Beal , flowing northwards , forms the boundary between Oldham on one side and Royton and Shaw and Crompton on the other . To the east of this river the surface rises to a height of 1 @,@ 225 feet ( 373 m ) at Woodward Hill , on the border with the parish of Saddleworth . The rest of the surface is hilly , the average height decreasing towards the southwest to Failsworth and the city of Manchester . The ridge called Oldham Edge , 800 feet ( 244 m ) high , comes southward from Royton into the centre of the town . Oldham 's built environment is characterised by its 19th @-@ century red @-@ brick terraced houses , the infrastructure that was built to support these and the town 's former cotton mills – which mark the town 's skyline . The urban structure of Oldham is irregular when compared to most towns in England , its form restricted in places by its hilly upland terrain . There are irregularly constructed residential dwellings and streets clustered loosely around a central business district in the town centre , which is the local centre of commerce . In 1849 , Angus Reach of Inverness said : The visitor to Oldham will find it essentially a mean @-@ looking straggling town , built upon both sides and crowning the ridge of one of the outlying spurs which branch from Manchester , the neighbouring ' backbone of England ' . The whole place has a shabby underdone look . The general appearance of the operatives ' houses is filthy and smouldering . In the 1870s , John Marius Wilson described Oldham as consisting of : ... numerous streets , and contains numerous fine buildings , both public and private ; but , in a general view , is irregularly constructed , presents the dingy aspect of a crowded seat of manufacture , and is more notable for factories than for any other feature . Although Oldham had a thriving economy during the 19th century , the local merchants were broadly reluctant to spend on civic institutions , and so the town lacks the grandeur seen in comparable nearby towns like Bolton or Huddersfield ; public expenditure was seen as an overhead that undermined the competitiveness of the town . Subsequently , Oldham 's architecture has been described as " mediocre " . The town has no listed buildings with a Grade I rating . There is a mixture of high @-@ density urban areas , suburbs , semi @-@ rural and rural locations in Oldham . There is some permanent grassland but overwhelmingly the land use in the town is urban . The territory of Oldham is contiguous with other towns on all sides except for a small section along its eastern and southern boundaries , and for purposes of the Office for National Statistics , forms the fourth largest settlement of the Greater Manchester Urban Area , the United Kingdom 's third largest conurbation . The M60 motorway passes through the southwest of Oldham , through Hollinwood , and a heavy rail line enters Oldham from the same direction , travelling northeast to the town centre before heading northwards through Derker towards Shaw and Crompton . = = = Divisions and suburbs = = = Many of Oldham 's present divisions and suburbs have origins as pre @-@ industrial hamlets , manorial commons and ancient chapelries . Some , such as Moorside , exist as recently constructed residential suburbia , whilst places like Hollinwood exist as electoral wards and thoroughly industrialised districts . Throughout most of its recorded history , Oldham was surrounded by large swathes of moorland , which is reflected in the placenames of Moorside , Greenacres moor , Littlemoor , Northmoor among others . A large portion of Oldham 's residences are " low value " Victorian era Accrington red @-@ brick terraced houses in a row formation , built for the most part from 1870 to 1920 , to house the town 's cotton mill workers . There is more modern housing in the semi @-@ rural east of the town , in the most sought after area in areas such as the village Moorside , although terraces are found in almost all parts of Oldham . One of the oldest recorded named places of Oldham is Hathershaw , occurring in a deed for 1280 with the spelling Halselinechaw Clugh . Existing as a manor in the 15th century , Hathershaw Hall was the home of a Royalist family in the 17th century who lost part of their possessions due to the English Civil War . Waterhead , an upland area in the east of Oldham , traces its roots to a water cornmill over the border in Lees . Recorded originally as Watergate and Waterhead Milne , it was for a long time a hamlet in the parish of Oldham that formed a significant part of the Oldham Above Town registration sub @-@ district . Derker was recorded as a place of residence in 1604 with the name Dirtcar . Bound by Higginshaw to the north , Derker is the location of Derker railway station and , said to have terraced residencies " unsuited to modern needs " , is currently being redeveloped as part of the Housing Market Renewal Initiative . Coldhurst , an area along Oldham 's northern boundary with Royton , was once a chapelry and the site of considerable industry and commerce , including coal mining , cotton spinning and hat manufacture . It is said to have been the scene of an action in the English Civil War in which the Parliamentarians were defeated . = = Demography = = According to data from the United Kingdom Census 2001 , Oldham had a total resident population of 103 @,@ 544 , making it the 55th most populous settlement in England , and the 5th most populous settlement of the Greater Manchester Urban Area . This figure in conjunction with its area provides Oldham with a population density of 3 @,@ 998 people per square mile ( 1 @,@ 544 per km ² ) . The local population has been described as broadly " working class " ; the middle classes tending to live in outlying settlements . Oldham , considered as a combination of the 2001 electoral wards of Alexandra , Coldhurst , Hollinwood , St. James , St. Marys , St. Pauls , Waterhead and Werneth , has an average age of 33 @.@ 5 , and compared against the average demography of the United Kingdom , has a high level of people of South Asian heritage , particularly those with roots in Pakistan and Bangladesh . Due to the town 's prevalence as an industrial centre and thus a hub for employment , Oldham attracted migrant workers throughout its history , including those from wider @-@ England , Scotland , Ireland and Poland . During the 1950s and 1960s , in an attempt to fill the shortfall of workers and revitalise local industries , citizens of the wider Commonwealth of Nations were encouraged to migrate to Oldham and other British towns . Many came from the Caribbean and Indian subcontinent and settled throughout the Oldham borough . Today , Oldham has large communities with heritage from Bangladesh , India , Pakistan and parts of the Caribbean . At the time of the 2001 census , over one in four of its residents identified themselves as from a South Asian or British Asian ethnic group . Cultural divisions along ethnic backgrounds are strong within the town , with poor cross @-@ community integration and cohesion along Asian and white backgrounds . With only a small local population during medieval times , as a result of the introduction of industry , mass migration of village workers into Oldham occurred , resulting in a population change from under 2 @,@ 000 in 1714 to 12 @,@ 000 in 1801 to 137 @,@ 000 in 1901 In 1851 its population of 52 @,@ 820 made Oldham the 12th most populous town in England . The following is a table outlining the population change of the town since 1801 , which demonstrates a trend of rapid population growth in the 19th century and , after peaking at 147 @,@ 483 people in 1911 , a trend of general decline in population size during the 20th century . In 2011 , 77 @.@ 5 % of the Oldham metropolitan borough population were White British , 18 @.@ 1 % Asian and 1 @.@ 2 % Black . While in the town of Oldham , which had a 2011 population of 96 @,@ 555 , 55 @.@ 4 % of the population were White British . = = Economy = = For years Oldham 's economy was heavily dependent on manufacturing industry , especially textiles and mechanical engineering . Since the deindustrialisation of Oldham in the mid @-@ 20th century , these industries have been replaced by home shopping , publishing , healthcare and food processing sectors , though factory @-@ generated employment retains a significant presence . Many of the modern sectors are low @-@ skill and low @-@ wage . Park Cake Bakeries , sold in 2007 by Northern Foods Group to Vision Capital , have a large food processing centre in Hathershaw , which employs in excess of 1 @,@ 600 people . Over 90 % of the cakes produced go to Marks & Spencer . Long existing as an industrial district , Hollinwood is home to the Northern Counties Housing Association , Oldham 's town centre contains the highest concentration of retailing , cultural facilities and employment in the Metropolitan Borough of Oldham . It has been extensively redeveloped during the last few decades , and its two shopping centres , Town Square and the Spindles , now provide one of the largest covered retail areas in Greater Manchester . The Spindles ( named with reference to textile spindles ) is a modern shopping centre with over 40 retailers , banks , building societies and catering outlets . It houses one of Europe 's largest stained glass roofs , created by local artist Brian Clarke in celebration of the music of one of Oldham 's famous sons , composer and conductor Sir William Walton . Ferranti Technologies is an electronic , electromechanical and electrical engineering company based in Waterhead . A number of culinary and medical advances have been developed in Oldham . There are claims that Oldham was the birthplace of the first chip shop . The sometimes disputed claim of trade in deep @-@ fried chipped potatoes is said to have been started around 1858 – 60 from an outlet owned by a John Lees , on what is the present site of Oldham 's Tommyfield Market . In 1900 Oldham had the highest concentration of chip shops in the country , one for every 400 people . Rag Pudding is a savoury dish said to be native to Oldham . Yates Wine Lodge was founded in Oldham by Peter and Simon Yates in 1884 . The tubular bandage was invented and developed in Oldham in 1961 . That " vital contribution to advancing medical science " resulted from a collaboration between local firm Seton and a cotton manufacturer in the town . = = Landmarks = = = = = Town Hall = = = Oldham 's Old Town Hall is a Grade II listed Georgian neo @-@ classical town hall built in 1841 , eight years before Oldham received its borough status . One of the last purpose @-@ built town halls in northwest England , it has a tetrastyle Ionic portico , copied from the temple of Ceres , on the River Ilissos , near Athens . Winston Churchill made his inaugural acceptance speech from the steps of the town hall when he was first elected as a Conservative MP in 1900 . A Blue Plaque on the exterior of the building commemorates the event . Long existing as the political centre of the town , complete with courtrooms , the structure has stood empty since the mid @-@ 1980s and has regularly been earmarked for redevelopment as part of regeneration project proposals , but none have been actioned . In September 2008 , it was reported that " Oldham Town Hall is only months away from a major roof collapse " . A tour taken by local councillors and media concluded with an account that " chunks of masonry are falling from the ceilings on a daily basis ... the floors are littered with dead pigeons and ... revealed that the building is literally rotting away " . In October 2009 the Victorian Society , a charity responsible for the study and protection of Britain 's Victorian and Edwardian architecture , declared Oldham Town Hall as the most endangered Victorian structure in England and Wales . Plans to convert the hall into a leisure complex , incorporating a cinema and restaurants , were revealed in May 2012 with the hall itself being used for public consultation . This £ 36 @.@ 72 million project is expected to be completed by early in 2016 . In the heart of Oldham ’ s retail district , the Old Town Hall is being developed into a modern multiplex ODEON cinema . = = = War memorial = = = Erected as a permanent memorial to the men of Oldham who were killed in the First World War , Oldham 's war memorial consists of a granite base surmounted by a bronze sculpture depicting five soldiers making their way along the trenches in order to go into battle . The main standing figure , having climbed out of the trenches , is shown calling on his comrades to advance , and is the same figure used at the Royal Fusiliers War Memorial in London and the 41st Division memorial at Flers in France . The base serves to house books containing the roll of honour of the 1st , 10th and 24th Battalions , Manchester Regiment . The pedestal has two bronze doors at either side . Commissioned in 1919 by the Oldham War Memorial Committee , the memorial was designed and built by Albert Toft . It was unveiled by General Sir Ian Hamilton on 28 April 1923 , before a crowd estimated at over 10 @,@ 000 . The monument was intended to symbolise the spirit of 1914 – 1918 . The inscriptions on the memorial read : Over doors to the north : " DEATH IS THE GATE OF LIFE / 1914 – 1918 " Over window to the south : " TO GOD BE THE PRAISE " = = = Civic Centre = = = The Civic Centre tower is the Metropolitan Borough of Oldham 's centre of local governance . The 15 @-@ storey white @-@ brick building has housed the vast majority of the local government 's offices since its completion in 1977 . Standing at the summit of the town , the tower stands over 200 feet ( 61 m ) high . It was designed by Cecil Howitt & Partners , and the topping out ceremony was held on 18 June 1976 . The Civic Centre can be seen as far away as Salford , Trafford , Wythenshawe and Winter Hill in Lancashire , and offers panoramic views across the city of Manchester and the Cheshire Plain . = = = Parish Church = = = The Oldham Parish Church of St. Mary with St. Peter , in its present form , dates from 1830 and was designed in the Gothic Revival Style by Richard Lane , a Manchester @-@ based architect . It has been designated by English Heritage as a Grade II * listed building . It was linked with the church of St Mary the Virgin , Prestwich and together the sites were principal churches of the ancient ecclesiastical parish of Prestwich @-@ cum @-@ Oldham . A church building had existed on the site since 1280 . During this time , a small chapel stood on the site to serve the local townships of Oldham , Chadderton , Royton and Crompton . This was later replaced by an Early English Gothic church in the 15th century . With the coming of the Industrial Revolution , the population of Oldham increased at a rapid rate ( from under 2 @,@ 000 in 1714 , to over 32 @,@ 000 by 1831 ) . The rapid growth of the local population warranted that the building be rebuilt into the current structure . Though the budget was originally agreed at £ 5 @,@ 000 , the final cost of building was £ 30 @,@ 000 , one third of which was spent on the crypt structure . Alternative designs by Sir Charles Barry , the designer of the Palace of Westminster , although now regarded by some as superior , were rejected . The Church , of the Anglican denomination , is in active use for worship , and forms part of the Diocese of Manchester . There are Roman Catholic churches in Oldham . These include Our Lady of Mount Carmel and St Patrick Church . It was built in 1870 , was founded by priests from St Mary 's Church in Oldham , and is a Grade II listed building . = = Transport = = The geography of Oldham constrained the development of major transport infrastructure , with the former County Borough Council suggesting that " if it had not grown substantially before the railway age it would surely have been overlooked " . Oldham has never been on a main @-@ line railway route , and canals too have only been able to serve it from a distance , meaning that " Oldham has never had a train service worthy of a town of its size " . A principal destination along the former Oldham Loop Line , Oldham once had six railway stations but this was reduced to three once Clegg Street , Oldham Central and Glodwick Road closed in the mid @-@ 20th century . Oldham Werneth , Oldham Mumps and Derker closed on 3 October 2009 . Trains from Manchester Victoria station to Oldham had to climb steeply through much of its 6 @-@ mile ( 9 @.@ 7 km ) route , from around 100 feet ( 30 @.@ 5 m ) at Manchester city centre to around 600 feet ( 182 @.@ 9 m ) at Oldham Mumps . The Werneth Incline , with its gradient of 1 in 27 , made the Middleton Junction to Oldham Werneth route the steepest regular passenger line in the country . The Werneth Incline route closed in 1963 . It had been replaced as the main route to Manchester by the section of line built between Oldham Werneth Station and Thorpes Bridge Junction , at Newton Heath in May 1880 . Oldham Mumps , the second oldest station on the line after Werneth , took its name from its location in the Mumps area of Oldham , which itself probably derived from the archaic word " mumper " which was slang for a beggar . The former Oldham Loop Line was converted for use with an expanded Metrolink light rail network , and renamed as the Oldham and Rochdale Line . The line between Victoria and a temporary Oldham Mumps tram stop opened on 13 June 2012 , and more central stops opened on 27 January 2014 . Oldham had electric tramways to Manchester in the early 20th century ; the first tram was driven from Manchester into Oldham in 1900 by the Lord Mayor of Manchester . The system came to an end on 3 August 1946 , however . There was also a short @-@ lived Oldham trolleybus system , in 1925 – 26 . The £ 3 @.@ 3 million Oldham Bus Station has frequent bus services to Manchester , Rochdale , Ashton @-@ under @-@ Lyne and Middleton with other services to the Metropolitan Borough of Oldham , Tameside , and across the Pennines to Huddersfield in West Yorkshire . The roof canopy is supported internally on two rows of steel trees . The extensive use of glass and stainless steel maximises visibility , and there is a carefully co @-@ ordinated family of information fittings , posters and seating , using robust natural materials for floors and plinths . The bus station is used by National Express coaches . First Greater Manchester has its headquarters in Oldham . Despite the Turnpike Act 1734 , Oldham had no turnpike road to Manchester for another 56 years and Church Lane , Oldham remained part of the main street through the town . But following a further Act of Parliament a turnpike was constructed . The first regular coach service to Manchester came into operation in October 1790 , with a journey time of over 2 hours and a fare 2s.8d ( about 13p ) , with half fare for travellers on top of the coach . Oldham is about 4 miles ( 6 @.@ 4 km ) south of the major M62 motorway , but is linked to it by the M60 at Hollinwood , and A627 ( M ) via Chadderton . There are major A roads to Ashton @-@ under @-@ Lyne , Huddersfield , Manchester , and Rochdale . The Hollinwood Branch of the Ashton Canal was a canal that ran from Fairfield in Droylsden , through Littlemoss and Daisy Nook Country Park to the Hollinwood area of Oldham , with a branch from Daisy Nook to the Fairbottom Branch Canal . The canal was mainly used for the haulage of coal until it fell into disuse for commercial traffic in the 1930s . It included four aqueducts and a two @-@ rise lock staircase . = = Sports = = Oldham Roughyeds Rugby League Club was established in 1876 as Oldham Football Club , and Oldham Athletic Football Club in 1895 as Pine Villa Football Club . Oldham Athletic have achieved both league and cup successes , particularly under Joe Royle in the 1990s . They were Football League runners @-@ up in the last season before the outbreak of the First World War , but were relegated from the Football League First Division in 1923 . They reached the Football League Cup final in 1990 and won the Football League Second Division title in 1991 , ending 68 years outside the top flight . They secured their top division status a year later to become founder members of the new Premier League , but were relegated after two seasons despite reaching that year 's FA Cup semi @-@ finals . They are currently playing in Football League One , the third tier of the English league . Darren Kelly was appointed as Manager in May 2015 Oldham Boro Football Club was established in 1964 as Oldham Dew FC , and after many years playing under the name of Oldham Town changed its name to Oldham Boro in 2009 , finally becoming known as Oldham Borough just months before it folded . The team played in the North West Counties Football League before going out of existence in 2015 , just over 50 years after it was founded . Renamed in 1997 to Oldham Roughyeds , Oldham Rugby League Club has received several club honours during its history , winning the Rugby Football League Championship five times and Challenge Cup three times . They played at Watersheddings for years before joining Oldham Athletic at Boundary Park until 2010 when they moved to Oldham Borough 's previous ground , Whitebank Stadium . Oldham has league cricket teams with a number of semi @-@ professional league clubs including Oldham CC , and Werneth CC in the Central Lancashire League . Oldham also has a Fencing Club , Marshall Fencing Club is a Competitive Fencing Club with most of its members competing on the national stage . They train three times a week at the old South Chadderton High School . = = Education = = Oldham produced someone who is considered to be one of the greatest benefactors of education for the nation , Hugh Oldham , who in 1504 was appointed as Bishop of Exeter , and later went on to found what is now Manchester Grammar School . Almost every part of Oldham is served by a school of some kind , some with religious affiliations . According to the Office for Standards in Education , schools within the town perform at mixed levels . Hulme Grammar School and the Blue Coat School are consistently Oldham 's top performing secondary schools and each have sixth form colleges of further education . University Campus Oldham is a centre for higher education and a sister campus of the University of Huddersfield . It was opened in May 2005 by actor Patrick Stewart , the centre 's Chancellor . The University Campus Oldham presented actress Shobna Gulati and artist , Brian Clarke ( both born in Oldham ) with an Honorary Doctorate of Letters at the Graduation Ceremony of November 2006 , for their achievements and contributions to Oldham and its community . = = Public services = = Home Office policing in Oldham is provided by the Greater Manchester Police . The force 's " ( Q ) Division " have their headquarters for policing the Metropolitan Borough of Oldham at central Oldham . Public transport is co @-@ ordinated by the Greater Manchester Passenger Transport Executive . Statutory emergency fire and rescue service is provided by the Greater Manchester Fire and Rescue Service , which has two stations in Oldham ; at Hollins on Hollins Road , and at Clarksfield on Lees Road . The Royal Oldham Hospital , at Oldham 's northern boundary with Royton , is a large NHS hospital administrated by Pennine Acute Hospitals NHS Trust . It was opened under its existing name on 1 December 1989 . Formerly known as Oldham District and General , and occupying the site of the town 's former workhouse ( named Oldham Union Workhouse in 1851 ) , the hospital is notable for being the birthplace of Louise Joy Brown – the world 's first successful In vitro fertilised " test tube baby " , on 25 July 1978 . The North West Ambulance Service provides emergency patient transport . See also Healthcare in Greater Manchester . Waste management is co @-@ ordinated by the local authority via the Greater Manchester Waste Disposal Authority . Locally produced inert waste for disposal is sent to landfill at the Beal Valley . Oldham 's Distribution Network Operator for electricity is United Utilities ; there are no power stations in the town . United Utilities also manages Oldham 's drinking and waste water ; water supplies being sourced from several local reservoirs , including Dovestones and Chew . There is a water treatment works at Waterhead . = = Culture = = Oldham , though lacking in leisure and cultural amenities , is historically notable for its theatrical culture . Once having a peak of six " fine " theatres in 1908 , Oldham is home to the Oldham Coliseum Theatre and the Oldham Theatre Workshop , which have facilitated the early careers of notable actors and writers , including Eric Sykes , Bernard Cribbins and Anne Kirkbride , daughter of acclaimed cartoonist Jack Kirkbride who worked for the Oldham Evening Chronicle . Oldham Coliseum Theatre is one of Britain 's last remaining repertory theatres ; Charlie Chaplin and Stan Laurel performed there in the early 20th century , and contemporary actors such as Ralph Fiennes and Minnie Driver , among others , have appeared more recently . During the 19th century the circus was a popular entertainment in Oldham ; Pablo Fanque 's circus was a regular visitor , filling a 3 @,@ 000 @-@ seat amphitheatre on Tommyfield in 1869 . Criticised for its lack of a cinema , there are plans to develop an " Oldham West End " . Oldham has a thriving bar and night club culture , attracting a significant number of young people into the town centre . Oldham 's " hard binge drinking culture " has been criticised however for conveying a negative regional image of the town . = = = Communal facilities = = = The Lyceum is a Grade II listed building opened in 1856 at a cost of £ 6 @,@ 500 as a " mutual improvement " centre for the working men of Oldham . The facilities provided to members included a library , a newsroom and a series of lectures on geology , geography and education , microscopy and chemistry , female education and botany . Instrumental music was introduced and there were soon sixteen violinists and three cellists . Eventually the building was extended to include a school of science and art . Music had always been important in the life of the Lyceum , and in 1892 a school of music was opened , with 39 students enrolled for the " theory and practice of music " . The Lyceum continued throughout the 20th century as a centre for the arts in Oldham , and in 1986 the local authority was invited by its directors and trustees to accept the building as a gift . The acceptance of the Lyceum building by the Education Committee provided the opportunity to move the music centre and " further enhance the cultural activities of the town " . In 1989 the Oldham Metropolitan Borough Music Centre moved into the Lyceum building , which is now the home of the Oldham Lyceum School of Music . Oldham ’ s museum and gallery service dates back to 1883 . Since then it has established itself as a cultural focus for Oldham and has developed one of the largest and most varied permanent collections in North West England . The current collection includes over 12 @,@ 000 social and industrial history items , more than 2 @,@ 000 works of art , about 1 @,@ 000 items of decorative art , more than 80 @,@ 000 natural history specimens , over 1 @,@ 000 geological specimens , about 3 @,@ 000 archaeological artefacts , 15 @,@ 000 photographs and a large number of books , pamphlets and documents . Oldham is now home to a newly built state @-@ of @-@ the @-@ art art gallery , Gallery Oldham , which was completed in February 2002 as the first phase of the Oldham Cultural Quarter . Later phases of the development saw the opening of an extended Oldham Library , a lifelong learning centre and there are plans to include a performing arts centre . = = = Carnival = = = The annual Oldham Carnival started around 1900 , although the tradition of carnivals in the town goes back much further , providing a " welcomed respite from the tedium of everyday life " . The carnival parade was always held in mid @-@ to @-@ late summer , with the primary aim of raising money for charities . It often featured local dignitaries or popular entertainers , in addition to brass , military and jazz bands , the Carnival Queen , people in fancy dress , dancers and decorated floats from local churches and businesses . Whenever possible , local people who had attained national celebrity status were invited to join the cavalcade . The carnival 's route began in the town centre , wound its way along King Street , and ended with a party in Alexandra Park . The carnival fell out of favour in the late 1990s but was resurrected by community volunteers in 2006 and rebranded the Peoples ' Carnival . The parade was moved into Alexandra Park in 2011 . The event hosts live stages and other activities alongside a parade in the park . In 2016 will be 10 years since the carnival was reinstated by volunteers . The main organiser is Paul Davies who runs the carnival with a number of committee members and loads of volunteers = = Britain in Bloom = = In 2012 and 2014 Oldham was named as Culture Town in the annual " Britain in Bloom " competition as winners = = Notable people = = People from Oldham are called Oldhamers , though " Roughyed " is a nickname from the 18th century when rough felt was used in Oldham to make hats . Edward Potts was a renowned architect who moved to Oldham from Bury . He was the architect for fourteen mills in the Oldham area . Other notable persons with Oldham connections include the composer Sir William Walton , former British Prime Minister Sir Winston Churchill , and Louise Brown , the world 's first baby to be conceived by in vitro fertilisation . Notable media personalities from Oldham include presenter Nick Grimshaw , actors Eric Sykes and Bernard Cribbins , TV host Phillip Schofield , actress Shobna Gulati , physicist and science educator Brian Cox , and comedy double act Tommy Cannon and Bobby Ball . Notable musicians from Oldham include the Inspiral Carpets and Mark Owen of boyband Take That .

= 1981 European Cup Final = The 1981 European Cup Final was an association football match between Liverpool of England and Real Madrid of Spain on 27 May 1981 at the Parc des Princes , Paris , France . It was the final match of the 1980 – 81 season of Europe 's premier cup competition , the European Cup . Liverpool were appearing in their third final , after two appearances in 1977 and 1978 . Real Madrid were appearing in their ninth final , they had previously won the competition six times and lost twice . Each club needed to progress through four rounds to reach the final . Matches were contested over two legs , with a match at each team 's home ground . All but one of Liverpool 's ties were comfortable victories , they beat Bayern Munich on the away goals rule , while they won all their other ties by at least five goals . Real Madrid 's matches ranged from close affairs to comfortable victories . In the first round they beat Limerick 7 – 2 on aggregate , but their final two ties were won by at least two goals . Watched by a crowd of 48 @,@ 360 , the first half was goalless . Liverpool took the lead in the second half when Alan Kennedy scored . They held this lead to win the match 1 – 0 , securing Liverpool 's third European Cup and a fifth consecutive victory by an English team . Liverpool manager Bob Paisley became the first manager to win the competition three times . = = Route to the final = = = = = Liverpool = = = Liverpool gained entry to the competition by winning the 1979 – 80 Football League , entering as English champions . Their opponents in the first round were Finnish champions Oulun Palloseura . The first leg in Finland at the Raatti Stadion was drawn 1 – 1 . The second leg at Liverpool 's home ground Anfield resulted in a comprehensive 10 – 0 victory for Liverpool . Two of their players , Graeme Souness and Terry McDermott , scored a hat @-@ trick . Liverpool won the tie 11 – 1 on aggregate . In the second round Liverpool were drawn against Scottish champions Aberdeen , managed by Alex Ferguson . The first leg was at Aberdeen 's home ground , Pittodrie , a McDermott goal in the fifth minute ensured a 1 – 0 victory for Liverpool . The second leg at Anfield was won 4 – 0 by Liverpool , thus they won the tie 5 – 0 on aggregate . Liverpool 's opponents in the quarter @-@ finals were Bulgarian champions CSKA Sofia . The first leg was held in England , another hat @-@ trick from Souness and goals from McDermott and Sammy Lee gave Liverpool a 5 – 1 victory . They won the second leg at the Vasil Levski National Stadium 1 – 0 to progress to the semi @-@ finals courtesy of a 6 – 1 aggregate victory . They faced German champions Bayern Munich in the semi @-@ finals . The first leg in England ended in a 0 – 0 draw . Liverpool needed to score in the second leg to advance to the final . Their cause was not helped when striker Kenny Dalglish had to be replaced in the early minutes of the match by the inexperienced Howard Gayle . However , Gayle rose to the occasion , unsettling the Bayern defence with his attacking threat . With seven minutes of normal time left , Ray Kennedy scored to give Liverpool a 1 – 0 lead . Bayern responded soon afterwards when Karl @-@ Heinz Rummenigge scored , however they needed to score another goal due to the away goals rule . They were unable to do so and Liverpool progressed to their third final in five seasons . = = = Real Madrid = = = Real Madrid gained entry to the competition as champions , after they won the 1979 – 80 La Liga . Their opponents in the first round were Irish champions Limerick . Limerick took the lead in the first leg at Lansdowne Road , but Real scored twice to win the first leg 2 – 1 . The second leg at Real 's home ground the Santiago Bernabéu Stadium , ended in a 5 – 1 victory for Real , they won the tie 7 – 2 on aggregate . Their opponents in the second round were Hungarian champions Honvéd . A goal from Santillana ensured Real won the first leg 1 – 0 in Spain . Two goals from Laurie Cunningham and Francisco García Hernández secured a 2 – 0 victory in the second leg at Honvéd 's home ground the Bozsik Stadion , thus , winning the tie 3 – 0 on aggregate . In the quarter @-@ finals Real faced Soviet champions Spartak Moscow . A 0 – 0 at the Dynamo Lenin Stadium in the Soviet Union left the tie finely balanced heading into the second leg in Spain . Two goals from Isidro in the second half secured a 2 – 0 victory in the match and over aggregate . Real 's opponents in the semi @-@ finals were Italian champions Internazionale . Real won the first leg 2 – 0 in Spain after goals from Santillana and Juanito . Internazionale needed to score twice to force the tie into extra @-@ time , however they were only able to score once . They won the second leg 1 – 0 , but Real won the tie 2 – 1 on aggregate to progress to their ninth final . = = Match = = = = = Background = = = Liverpool were appearing in their third European Cup Final . They had won their two previous appearances in 1977 and 1978 . Real Madrid were appearing in their ninth final , they had won the competition six times , including a record five successive victories from 1956 to 1960 . Their sixth victory was in 1966 , while their two losses were in 1962 and 1964 . Liverpool had finished fifth during the 1980 – 81 Football League , thus they needed to win the final to ensure that they would compete in the European Cup the following season . Despite this , Liverpool had won the Football League Cup for the first time earlier in the season , defeating West Ham United 2 – 1 in a replay after the final finished 1 – 1 . Real Madrid had finished second in the 1980 – 81 La Liga , they had qualified for the UEFA Cup as a result , but victory would enable them to compete in the European Cup the following season . Both sides had injury concerns before the match . Liverpool had doubts over a number of players . Kenny Dalglish had not trained for several weeks , while Alan Kennedy had been sidelined for six weeks with a broken wrist . Real had concerns over striker Laurie Cunningham who had been sidelined since November . = = = Summary = = = Liverpool controlled the opening passages of the game . Their first goalscoring chance came in the 11th minute when Alan Kennedy 's 30 yard shot was saved by Real goalkeeper Agustín Rodríguez . Further chances were created , but neither Terry McDermott or Dalglish were able to score . Real started to exert more of an influence after this , midfielder Juanito started to cause Liverpool problems with his passing . One pass found José Antonio Camacho who beat Liverpool defender Alan Hansen but put his shot wide of the Liverpool goal . Despite their scoring opportunity , one problem Real had was to get the best out of their winger Cunningham . Not fully fit , he was tightly marked and made little impact in the match . Liverpool had a chance to take the lead before half @-@ time . Phil Neal advanced down the right hand side of the pitch and found Dalglish who passed to Graeme Souness , who ran late through the Real defence . His subsequent shot was not held by Agustín Rodríguez , but Souness was unable to get to the rebounded ball . Real had the first chance of the second half . Liverpool 's defence had stopped as they thought Cunningham was offside , however he was not and Camacho advanced towards Ray Clemence in the Liverpool goal . Clemence came off his line and ran towards the Real midfielder , Camacho attempted to lob the ball over the keeper , but his shot went over the goal . The tactical approach of the two sides were cancelling each other out . Real 's slow pace interspersed with high speed bursts , while Liverpool preferred a more deliberate approach , keeping possession and making use of their wingers . Their various forms of marking also negated each other , Real man marked Liverpool 's best players such as Dalglish and Souness , while Liverpool were content for the nearest defender to mark the man on the ball . Despite the tactical battle Liverpool were able to score in the 81st minute . A throw @-@ in from Ray Kennedy found Alan Kennedy , whose run up the left hand side of the pitch caught Real off @-@ guard . Kennedy went past Real defender Rafael García Cortés into the Real box , his subsequent shot beat the Real goalkeeper to give Liverpool the lead . Soon afterwards Liverpool replaced Dalglish with midfielder Jimmy Case in an attempt to see out the match . Although Liverpool had chances to extend their lead as Real went all out to score , Real keeper Agustín Rodríguez made a number of saves to keep his team in the game . The match remained 1 – 0 and Liverpool won their third European Cup , the first British club to do so . Liverpool 's victory meant that Bob Paisley became the first manager to win the European Cup three times . = = = Details = = =

= Carre 's Grammar School = Carre 's Grammar School is a selective secondary school for boys in Sleaford , a market town in Lincolnshire , England . Founded on 1 September 1604 by an indenture of Robert Carre , the school was funded by rents from farmland and run by a group of trustees . The indenture restricted the endowment to £ 20 without accounting for inflation , causing the school to decline during the 18th century and effectively close in 1816 . Revived by a decree from the Court of Chancery in 1830 , new buildings were constructed at its present site and the school re @-@ opened in 1835 . Faced with competition from cheaper commercial schools and declining rolls , Carre 's eventually added technical and artistic instruction to its Classical curriculum by affiliating with Kesteven County Council in 1895 . Following the Education Act 1944 , school fees were abolished and Carre 's became Voluntary Aided . New buildings were completed in 1966 to house the rising number of students . After plans for comprehensive education in Sleaford came to nothing in the 1970s and 1980s , Carre 's converted to grant @-@ maintained status in 1990 . Foundation status followed and the school became an Academy in 2011 ; a multi @-@ Academy trust with Kesteven and Sleaford High School was formed in 2015 . Admission to Carre 's is through the eleven @-@ plus examination and entry is limited to boys in the lower school , although the Sixth Form is co @-@ educational . The total number of pupils on roll in 2013 was 817 , of which 240 were in the Sixth Form . Teaching follows the National Curriculum and pupils generally sit examinations for ten or eleven General Certificate of Secondary Education ( GCSE ) qualifications in Year Eleven ( aged 15 – 16 ) . They have a choice of three or four A @-@ levels in the sixth form , which is part of the Sleaford Joint Sixth Form consortium between Carre 's and St George 's Academy . Of the 2013 cohort , 100 % of pupils achieved at least five GCSEs at grade A * -C and 96 % achieved that including English and Maths GCSEs , the eighth highest percentage in Lincolnshire . An Office for Standards in Education , Children 's Services and Skills ( Ofsted ) inspection in 2013 graded Carre 's " good " overall with " outstanding " features . = = History = = = = = The first school = = = Carre 's Grammar School was founded on 1 September 1604 by way of an indenture between Robert Carre , a member of the Carr or Carre family , and several local gentlemen . Carre granted 100 acres of agricultural land in Gedney to these men , who held the land in trust as feoffees . The lands were estimated to be worth £ 40 per annum and the indenture stipulated that £ 20 of this would be paid to the school master , while the remainder would be for the benefit of the town 's poor . The indenture stated that the school was to provide for " the better education of the Youth and Children born or inhabiting with their parents within New Sleaford , Old Sleaford , Aswarby , and Holdingham ... and in Quarrington , North Rauceby , South Rauceby , Anwick , Kirkby La Thorpe and Evedon . " It is not known whether there was any other school in the town prior to the foundation of Carre 's , although the indenture appointed Anthony Brown , already a schoolmaster , as the master ; it thus seems likely that Carre already operated a school and his indenture codified pre @-@ existing arrangements . Throughout the 1620s the trustees reported problems receiving rents from the tenants in Gedney . Although the school received a bequest from a local gentleman , Robert Cammock , in 1631 , which provided an additional income of £ 4 per annum , no more followed ; the English Civil War also disrupted funding : rents were not collected between 1644 and 1646 . These financial problems were compounded by the nature of the land itself : it was agricultural and not urban , thus it did not increase in value significantly in the 17th century . Carre 's lagged behind other schools and its buildings fell into disrepair as the fixed endowment failed to keep up with inflation ( despite the Gedney lands increasing in value to £ 180 by the early 19th century ) . In 1783 , the foeffees ( by then , often called trustees ) spent £ 50 on improvements , but by 1794 , the adjacent Carre 's Hospital agreed that part of its building be pulled down to make way for a new schoolhouse . This did not materialise and pupils were taught in the vestry at St Denys ' Church by the early 19th century . In 1816 , the trustees discontinued the master 's salary because there were " no duties to perform " at the school . = = = Revival , stagnation and modernisation = = = The trustees met in 1821 and agreed that " much good " could come from reviving the school . In 1828 they petitioned the Court of Chancery for a scheme , which was approved in 1830 , providing the master with a salary of £ 80 per annum . Four years later , the Chancery agreed to fund the rebuilding of the school at a site on Northgate . With the buildings complete , the school reopened on 1 August 1835 . Carre 's maintained roughly 20 pupils on roll throughout the 1840s , but by 1858 , this had fallen to two free scholars and two boarders . When the charity commissioners inspected the school the following year , they recommended that an usher be appointed to teach " commercial education " to supplement the Classics . In 1869 the Schools Enquiry Commission reported a " general dissatisfaction in the town " towards the school , finding " indifferent " discipline along with poor spelling , an inability to decline simple Latin nouns , and a low @-@ level of arithmetic . According to the report , the " general wish in the town is for a commercial school " . Competition soon arose in the form of Mr Boyer 's academy and later E. R. Dibben 's commercial school at Mount Pleasant , Sleaford . Although the trustees were reorganised in 1876 , Britain 's agriculture suffered from foreign competition in the 1880s , which contributed to a decline in the rolls ; a subsequent reduction of fees in 1889 proved ineffective and only twelve boys were in attendance the following year . The Commissioner of Inquiries suggested that Kesteven County Council could support the teaching of art , modern languages and technical and scientific subjects through the Local Taxation Act 1890 . In 1895 the governors agreed to affiliate with the Council , which granted them £ 35 . The headmaster , Samuel Brown , appointed an assistant master and his wife was employed to teach art . The numbers rose so that in 1897 there were 33 pupils on roll , and the Committee granted a further £ 400 to pay for new accommodation and resources . The Governors , however , applied for £ 1 @,@ 500 to build a new school entirely but the Council wanted it to be coeducational , which caused a lengthy stalemate . The demand for a coeducational school disappeared in 1902 when Sleaford and Kesteven High School for Girls opened as a private venture and so in 1904 a new building opened at Carre 's , financed in part by the sale of the Gedney lands , while boarding accommodation followed in 1906 . Following the Education Act 1902 , Carre 's received an allocation of £ 200 per pupil from the Board of Education , plus local authority assistance made in return for admitting pupils from local elementary schools . From 1919 , elementary school pupils sat the entrance exam each term and those who passed were allocated the places which remained after fee @-@ paying students had enrolled . = = = Post @-@ war expansion and the comprehensive debate = = = The Education Act 1944 made secondary education available to all children up to the age of 15 and abolished fees for state @-@ schooling ; a ' tripartite system ' of secondary schools was established to provide curricula based on aptitude and ability : grammar schools for " academic " pupils , secondary moderns for practical studies , and technical schools for science and engineering . Pupils were allocated to them depending on their score in the eleven @-@ plus examination . Carre 's became a Voluntary Controlled Grammar School ; from 1945 all entry was by the County Selection Examination . By 1955 , the school had 330 pupils on roll and the need for new accommodation was met in the 1950s and 1960s by a major building programme at the Northgate site ; completed in 1966 , this added dedicated classroom blocks , a canteen and hall . The educational opportunities for secondary modern pupils were limited compared to those at grammar schools , prompting criticism of the Tripartite system . In 1965 , the Labour Government issued Circular 10 / 65 requesting Local Education Authorities implement comprehensive schooling . In 1971 Sleaford parents voted in favour of comprehensive education , but rejected the Council 's proposals . A new plan which envisaged Carre 's becoming a sixth form college was supported by parents in a vote ( 1 @,@ 199 to 628 ) , albeit with a 50 % turnout ; the County Council approved it but allowed governors a veto . Following negotiations with governors at Carre 's , the scheme was revised so that Carre 's would be an 11 – 18 school and adsorb Sleaford Secondary Modern 's Church Lane site . Despite support from most staff and all three headteachers , Lincolnshire County Council voted to return the scheme for consultation in 1975 . A new system was proposed which retained all three schools , and when the Government ordered the Council to choose a comprehensive scheme in 1977 it submitted that proposal , which had become popular with parents . The next year the government dismissed it on grounds that the Sixth Forms would be too small , but the council voted against the two @-@ school system once more . = = = Grant @-@ maintained status and Academy conversion = = = The 1979 general election brought a Conservative government to power and allowed the Council to shift its focus towards retaining Grammar Schools where they still existed and improving schools where work had been put on hold during the comprehensive debate ; despite 90 % of English councils adopting comprehensive education , Lincolnshire had retained its grammar schools . Although the County Council began discussing the abolition of them again in 1985 , opposition from parents at a public consultation in 1987 resulted in the plans being dropped . With the question of its future resolved , Carre 's applied for grant @-@ maintained status in 1989 ; the Education Secretary approved the proposals and formally granted the status in September 1990 . When grant @-@ maintained status was abolished in 1999 , Carre 's became a Foundation School . Following a successful bid to the DfES , submitted in October 2002 , the school was granted specialist Sports College status in 2003 . An all @-@ weather pitch was laid out in 2007 , and a new technology building with a fitness suite opened in 2011 . In 2009 , Carre 's became a specialist Science College and a lead school for gifted and talented students . The school converted to Academy status in August 2011 . In 2014 , the governors announced their intention to bid for conversion to a multi @-@ Academy trust and become a coeducational , selective school on a new site ; in February 2015 , Kesteven and Sleaford High School announced its intention to join the proposed trust , a moved welcomed by Carre 's . Carre 's officially became part of the Robert Carre Multi @-@ Academy Trust on 1 September 2015 ; the schools continue to operate on their sites , sharing staff and facilities . = = School structure = = Carre 's is a state @-@ run selective grammar school . It converted to an Academy and reopened on 1 August 2011 ; it is governed by Carre 's Grammar School Academy Trust and converted without sponsorship . As of 2015 , the student body is made up of 815 pupils aged 11 – 18 . The school admits boys on a selective basis for years 7 – 11 and has a co @-@ educational Sixth Form ; there are 60 girls on roll as of 2015 . The majority of pupils come from White British backgrounds and very few pupils speak English as an additional language . The number of pupils supported through allowances , including those eligible for free school meals ( 2 @.@ 3 % ) , is below average , as is the number of students with learning disabilities . Pupils are allocated into houses based on their forms . The first house system at Carre 's consisted of four sets : scarlet , maroon , green and blue . They became houses in 1933 as Carre , Bristol , Lafford and Welby , named respectively after its founder , the Earls of Bristol , an old name for Sleaford , and Richard Welby , who owned the Gedney lands purchased by Carre . Admission to the school is through the eleven @-@ plus examination , taken in year 6 . Pupils must obtain a minimum score before their application will be considered and places will be awarded based on whether the child is in public care , whether he lives in the catchment area and attends a partnered primary school , and whether they have siblings attending the school or parents working there . In the event of a tie , places will be allocated based on proximity to the school . The school has a maximum annual intake of 116 at the start of year 7 ( aged 11 ) ; pupils are arranged into forms of no more than 30 , where registration takes place . Their form tutors provide access to pastoral support , overseen by their Key Stage Manager . In 2013 the lower school had approximately 577 pupils on roll . The school uniform consists of a black blazer with the school badge embroidered on the breast pocket and a red braid on each pocket . Charcoal or black trousers are worn along with a white shirt and school tie . The vast majority of pupils at Carre 's continue on to the Sixth Form , and there were 240 students on roll in 2013 . Along with St George 's Academy , Carre 's is part of the Sleaford Joint Sixth Form , which was founded in 1983 and included Kesteven and Sleaford High School until it withdrew in 2010 . It provides a common timetable across both sites and allows for pupils to choose from A @-@ Level options offered at both schools . Pupils may apply to be based at either school , where their pastoral and tutorial activities take place . There are entry requirements based on GCSE attainment . Sixth Formers can be selected to be prefects , who have responsibilities around the school under the supervision of staff ; they are headed by a Head Boy and Girl . The students are required to wear business @-@ dress ; for males , this consists of a dark suit , a " non @-@ vivid " shirt and the school 's sixth form tie ; females must dress in " smart business wear " . = = Curriculum = = The curriculum during the 17th and 18th centuries is not known for certain . In 1714 the trustees agreed that the pupils should attend church services at St Denys ' Church six days a week ; whether this was adhered to is not clear . Religious practice was a stipulation in the 1835 decree , which required pupils to pray at the start and end of each day and engage in daily readings of holy scriptures . However , the emphasis was always on classical education , which likely required instruction in Latin from the earliest times ; in 1835 , learning the classics was enshrined as the school 's primary purpose . In the mid @-@ 19th century , Carre 's offered this classical education for free , but arithmetic , geometry and algebra were taught as extras at a rate of two guineas per term . Students were enrolled from the age of eight , and were expected to be able to read , write , recite the Lord 's Prayer , the Apostles ' Creed and the Ten Commandments , and " be qualified to begin Latin grammar " . Students had to supply their own equipment , except pens and ink , which were covered by a 10 shilling payment made each term to the school . The school 's inspection in 1865 mentions geography and history teaching , although the general standard of attainment was low . In 1876 , the curriculum was widened so that it comprised reading , writing , arithmetic , English , mathematics , history , geography , Latin , a foreign language , music , natural science and drawing , with Greek as an optional extra . The County Council supported technical and commercial subjects in the late 19th century , but after 1904 it was empowered to support secondary education in general , allowing Latin and other classical components of the curriculum to remain intact . After World War I , sixth form courses were developed allowing students to commence advanced studies in the arts and sciences . By the 1950s , a wide range were available : English language and literature , mathematics , French , German , Latin , Greek , art , history , geography , physics , chemistry and woodwork ; biology was taught at Kesteven and Sleaford High School . = = = Key Stages 3 and 4 = = = As of 2014 , the school follows the National Curriculum in years 7 – 11 and offers a range of GCSEs ( national exams taken by students aged 14 – 16 ) and A @-@ levels ( national exams taken by pupils aged 16 – 18 ) . The school has no affiliation with a particular religious denomination , but religious education is given throughout the school , and boys may opt to take the subject as part of their GCSE course . Although morning assemblies take place and are Christian in nature , they are non @-@ denominational . Students participate in a number of educational visits and excursions throughout their school career and year 11 students are offered the opportunity to participate in a work experience programme . The curriculum comprises English and drama , mathematics , French , history , geography , science , art , music , design and technology , information communications technology ( I.C.T. ) , ethics and philosophy ( religious education ) , physical education ( P.E. ) , cookery , and citizenship , sex and relationships education ; in Key Stage 4 ( years 10 and 11 ) , pupils also participate in careers and work @-@ related learning . In mathematics , students are divided by their ability into two bands . Science is divided into Biology , Chemistry and Physics in year 9 . In the second year German or Spanish is added . The use of information technology is central to all teaching and is taught as a subject in Key Stage 3 ; in year 9 , all students study for the European Computer Driving Licence , a level 2 course in I.C.T. and pupils may opt to take Computing as a GCSE . Boys usually take nine or ten subjects for GCSE : English ( language and literature ) , mathematics , a foreign language , all three separate sciences or Dual Certificate Science , as well as three other subjects from those listed above as well as business studies , with technology being divided into separate courses for Resistant Materials , Graphics , Electronics and Engineering ; Mandarin is also available as an optional extra subject , but is studied after school . = = = Sixth Form = = = Carre 's and St. George 's Academy operate the Sleaford Joint Sixth Form , which shares a common timetable between the two sites and allows for students to choose from a wide range of options at A @-@ Level . Students may choose to apply to be based at either school , where their pastoral and tutorial activities will take place . The Sixth Form , including Carre 's , is co @-@ educational . The majority of students take four A @-@ levels subjects in year 12 , with most choosing to focus on three in year 13 . The Joint Sixth Form allows students to choose from a range of 65 optional vocational or academic subjects including : art and photography ( separate A @-@ Level or BTEC options ) , applied Science , biology , bricklaying , business ( A @-@ Level or BTEC ) , childcare , carpentry , chemistry , computing or ICT ( A @-@ Level or BTEC ) , drama or performing arts ( A @-@ Level or BTEC ) , electronics , engineering , English ( language and / or literature ) , film or media studies , French , German , geography , government and politics , health and social care , history , hospitality and catering , law , mathematics and further mathematics , music ( A @-@ Level or BTEC ) , philosophy and ethics , psychology , physical education or sport ( A @-@ Level or BTEC ) , physics , product Design , public Services , light vehicle maintenance , Spanish , sociology , travel and tourism , and work skills . In addition , students may participate in General Studies at A @-@ Level , and a range of extra @-@ curricular activities , including the Duke of Edinburgh Award scheme . = = = Examinations = = = In 2013 , 100 % of pupils achieved at least five GCSEs at grade A * – C and 96 % achieved that including English and Maths GCSEs , the eighth highest percentage in Lincolnshire . Figures for the 2010 / 11 cohort show that 86 % of Key Stage 4 pupils at the school carried on to the Sixth Form . At A @-@ Level , 85 % of pupils in 2013 attained three A @-@ Levels at grades A * – E and 11 % achieved three A @-@ Levels at grades AAB including at least two " facilitating subjects " ; the average point score per qualification was 201 @.@ 7 , equating to a C- grade , and the average point score per student was 823 @.@ 1 . The Sunday Times ranked Carre 's 101st ( 49th amongst state schools ) in the Midlands and 750th nationally based on A @-@ Level and GCSE performance in 2012 ; it recorded that 48 @.@ 7 % of A @-@ Levels were at A * – B grade and 42 @.@ 5 % of GCSE grades were at A * or A. = = Extra @-@ curricular activities = = As of 2014 , school clubs and societies include various language clubs , sport clubs , musical activities and many others . Students may participate in the Duke of Edinburgh 's Award Scheme , beginning with the Bronze grade in year 10 . Musical opportunities include participating in the school band and the choir , the guitar club and the Music Theory support group ; the school band has performed at the Lincolnshire Show and music students have taken part in the Lincolnshire School ’ s Prom in Skegness . In the past , Carre 's has offered a range of clubs and societies , including ones for archaeology , aero @-@ building , bird @-@ watching , boxing , chess , cycling , drama , languages , geography , jazz and other music groups , a choir and orchestra , and student voice groups , like the student council . The first school play performed by the Dramatic Society was She Stoops to Conquer in 1938 . Trips to see plays , a Play Reading Society and a new dramatic society were formed under the guidance of the English master A. D. Winterburn . In 1968 , plays were performed jointly with Kesteven and Sleaford High School . At the end of World War I , a cadet corps as formed by one Captain Price and became part of the Army Cadet Corps under the War Office ; attendance at weekly parades was compulsory for pupils over 13 in the 1920s . Most pupils took part in its activities in World War II , under the lead of the History teacher , Major W. H. T. Walker ; this included athletics competitions , shooting practice and trips to camp sites . It disbanded in c . 1963 when the two staff who ran it retired . = = = Sport = = = As with the curriculum , there are no references to sports being played at Carre 's before the 19th century . In 1835 , the Marquis of Bristol allowed the school to use an acre of land , which probably functioned as a playground . Sports fields were not added to the grounds until 1908 , but the earliest reports of the school participating in sporting events pre @-@ date this by half a century . In the 1860s , the Sleaford Gazette reported on cricket matches with local schools , namely the rival academies run by Mr Boyer and Mr Dibben in Sleaford ; by the 1890s , these matches were being organised with more distant schools , like the grammar school at Grantham . Athletics were practised at the school as early as 1871 when a sports day was held ; the 100 yards and half a mile races , hurdles , the pole jump and throwing the cricket ball were activities in which forms competed . Football was played at the school as early as 1895 . Glebe land was acquired in 1908 for sporting purposes and levelled in the early 1930s . A cycling club was formed in the 1940s and badminton was informally organised by pupils by the 1950s ; between 1957 and 1960 , a portion of land was converted into tennis courts for the school and rugby was introduced in the 1966 – 67 academic year . In 2014 – 15 , the school pitched football , rugby union , basketball , cricket , golf and netball teams . In football , the under 12 , 13 , 14 and 15 football teams won the Kesteven and Sleaford District leagues in 2013 / 14 , while the under 13 and 14 teams won the Lincolnshire Schools ' Cup . In rugby , the under 14 team was county champions for the same season and the school competes on a national level . = = Site and property = = The original location of Carre 's School is not known . From 1653 , it operated in buildings on Eastgate , adjacent to Carre 's Hospital . After these fell into disrepair in the late 18th century , pupils were taught in the vestry of St Denys ' Church until the school was closed in 1816 . In 1826 , the trustees purchased a house on Northgate at the cost of £ 545 3s. from one Mr Squires . In 1834 , the Chancery Court agreed to fund the rebuilding of the school according to plans by the Sleaford architect and builder Charles Kirk , who constructed it at a cost £ 1 @,@ 168 15s . The building is in the Tudor Gothic style and built in Ashlar stone with slate roofs . It has three stories of three bays , with the upper floor housed in two gables . A shield with the arms of the Marquis of Bristol and his wife are located above the four @-@ centre arch doorway . One storey wings exist on either side in a similar style . Brick additions were made in 1904 and 1906 . As the school roll grew , the old buildings became too small . A major building programme began in the 1950s : £ 128 @,@ 000 was set aside to rehouse the school in purpose @-@ built facilities adjacent to the existing school @-@ houses . The first phase was opened in 1956 and included art and handicraft rooms ; the second phase was completed in 1958 when physics and chemistry rooms were added ; and the third came in 1965 with the opening of new biology and general science laboratories alongside other classrooms , while the following year saw a new hall / canteen and kitchen open . The final phase consisted of eight further rooms , built shortly afterwards . A grant of £ 650 @,@ 000 funded the construction of a technology centre with a computer suite , which opened in January 1993 . Plans for a new sports hall were first discussed in 1990 , but they only came to fruition in 1996 , when Northgate Sports Hall opened . The Sports Council and the Foundation for Sport and the Arts donated £ 250 @,@ 000 towards its construction ; this was matched by North Kesteven District Council , while Carre 's raised £ 50 @,@ 000 towards the building work . An all @-@ weather pitch at the school opened in 2007 ; it cost £ 649 @,@ 000 to lay , half of which was met by the Football Foundation . A building programme costing £ 835 @,@ 000 provided the school with food technology facilities and a two @-@ storey Fitness Suite , which were opened in March 2011 . = = Headmasters = = The indenture of 1604 made it compulsory that the master be a graduate of the University of Cambridge or Oxford and the majority of the pre @-@ 1835 masters had attended Cambridge , with only two from Oxford . When the school reopened in 1835 , these stipulations were removed . The headmaster lived on site until Derek Lee began commuting from his home in 1975 . The list below contains the names , years of service and biographical notes about the known headmasters of Carre 's since its foundation . The current headmaster is Nick Law , who succeeded Mike Reading in 2008 . Source : Ellis 1954 , pp. 40 – 41 , 43 provides a list of all masters , and a record of their education , up to 1954 . He notes that W. H. T. Walker and J. H. Batley acted as headmaster between appointments in the 1940s . Appointments from 1954 to 2004 are recorded in Harmston & Hoare 2003 , pp. 154 , 159 , 160 , 171 , 179 . = = Notable former pupils = = Carre 's has produced a number of notable alumni in a range of fields and professions . In politics , this includes Sir Robert Pattinson ( 1872 – 1954 ) , Member of Parliament and Chairman of Kesteven County Council , and his brother Samuel ( 1870 – 1942 ) , also a Member of Parliament and businessman . The diplomat Peter Bateman ( b . 1955 ) , who served as the British Ambassador to Bolivia , Luxembourg and Azerbaijan , was also a pupil at the school . Carrensians in the military include Air Marshal Barry North ( b . 1959 ) and Captain George Baldwin CBE DSO ( 1921 – 2005 ) , who served in World War II and as Director of Naval Air Warfare in the mid @-@ 1960s . The lawyer and controversialist John Austin ( 1613 – 1669 ) was educated at Carre 's , along with the Royalist poet Thomas Shipman ( 1632 – 1680 ) and the non @-@ conformist clergyman Andrew Kippis FRS ( 1725 – 1795 ) . Science is represented by the chemist Kenneth Wade FRS ( 1932 – 2014 ) , a professor at Durham University and the forensic pathologist Iain West ( 1944 – 2001 ) . In sports , the school has produced at least two professional footballers : Paul Holland ( b . 1973 ) , who played for Mansfield Town , Sheffield United , Chesterfield and Bristol City , and Mark Wallington ( b . 1952 ) , who played for England under 23s and Leicester City .

= Don 't You Wanna Stay = " Don 't You Wanna Stay " is a duet recorded by American singers Jason Aldean and Kelly Clarkson from Aldean 's 2010 album , My Kinda Party . It was also included in the deluxe edition of Clarkson 's 2011 album Stronger . " It was written by Andy Gibson , Paul Jenkins and Jason Sellers . After Aldean and Clarkson performed the song together on the 44th annual Country Music Association Awards on November 10 , 2010 , it was released as the second single due to strong demands of radio stations on the following day . The song contains elements of country and pop , and its lyrics speak of the difficulties of finding and maintaining love . " Don 't You Wanna Stay " was met with generally favorable reviews by critics who considered the song as " a classic power ballad " . Critics also lauded the interesting combination between Aldean 's and Clarkson 's voices . The song enjoyed commercial success in United States , peaking at number one on the Billboard Hot Country Songs and at number 31 on the Billboard Hot 100 . It became Aldean 's fifth number one single and Clarkson 's first number one single on the Billboard Hot Country Songs and was certified double platinum by the Recording Industry Association of America ( RIAA ) . Both Aldean and Clarkson performed the song on several occasions . Footage from the Country Music Association award performance were used to comprise a music video for " Don 't You Wanna Stay " , directed by Paul Miller . The song was nominated for " Best Country Duo / Group Performance " at the 54th Grammy Awards , but lost to " Barton Hollow " by The Civil Wars . = = Background and release = = " Don 't You Wanna Stay " was written by Andy Gibson , Paul Jenkins and Jason Sellers . According to Sellers , they were at Jenkins ' house when they started composing the song . He explained , " We just wanted to write a love song . We had an idea of what we were targeting . We didn ’ t write it as a duet . We wrote it , and Andy thought about recording it . After we got the song written , we played it for Jason . Jason Aldean 's idea for it was to make it a duet . " The song is the first duet that Aldean has recorded . In an interview with Nashville.com , Aldean revealed that the song was not originally presented to him as a duet . Nevertheless , he and producer Michael Knox thought the lyrics would work for two people if he could find a female artist as a duet partner . Aldean considered a number of female vocalists to record the song with , especially Kelly Clarkson and Carrie Underwood . However , Clarkson remained as his first choice . He explained , " We had the song pitched to us and originally it wasn ’ t a duet . The more I was listening to the thing and learning the song , I realized it set itself up to be a duet if we wanted to go that route . When I called my producer about it he asked who I wanted to sing it with me and I said Kelly Clarkson , but I didn ’ t think we ’ d be able to get her . I ’ ve always been a big fan of hers . I love her voice and I love her style . Long story short , we got her a copy of the song and she loved it . As soon as she started singing , it became obvious it was going to be great . " On November 10 , 2010 , " Don 't You Wanna Stay " was performed live for the first time by Aldean with Clarkson on the 44th Country Music Association Awards . The performance triggered an overwhelming demand from radio stations across the country . As a result , Aldean ’ s label , Broken Bow Records , made the song available on PLAY MPE . Carson James , the label 's Senior Vice President for Promotion responded , " If there ’ s one thing I ’ ve learned in my years in the record business , it is always give radio what they want [ ... ] Our entire promotion staff has spent all night fielding calls and returning texts about getting this song , so we decided it best to release it on Play MPE first thing this morning . " The song was later included on the deluxe edition of Clarkson 's fifth studio album , Stronger , in 2011 . = = Composition = = " Don 't You Wanna Stay " is a country pop song with a length of four minutes and sixteen seconds . It incorporates melancholic guitar riff which is accompanied by classical elements such as violin . John Hill of About.com considered the song as a " classic power ballad " , writing " whether you want to call the song country , pop , or something in between doesn 't matter because the chorus is so catchy that it doesn 't matter if you use an electric guitar or a steel guitar . " It is set in common time and has a steady tempo of 72 beats per minute . It is written in the key of G @-@ sharp minor and both Aldean and Clarkson 's vocals span two octaves , from A ♯ 3 to G ♯ 5 . It follows the chord progression G ♯ m – E – B. Bob Peacock of Roughstock thought that the structure of the song was interesting with its brief four @-@ line verses and " don 't you wanna stay 's throughout the chorus . As the chorus of the song starts in , the sound of electric and slide guitars are prominent as Aldean and Clarkson sing , " Don 't you wanna hold each other tight / Don 't you wanna fall asleep with me tonight ? " Lyrically , the song narrates the difficulties of finding and maintaining love . Cristin Maher of Taste of Country contended that the song exemplifies the desire some people have when they want to make the move from a physical relationship to an emotional relationship , which is represented by the song lyrics " Let ’ s take it slow , I don ’ t want to move too fast / I don ’ t wanna just make love , I wanna make love last . " Gibson , one of the writers of the song , stated that the song does not contain a lot of flowery lyrics or sentiment . He added , " It ’ s just straight up what somebody would say to somebody they ’ d want to be with . " = = Critical reception = = The song has received generally positive reviews . Allison Stewart of The Washington Post called the song " great and gooey " , saying that it sounded like " Bryan Adams teaming with Heart in 1984 for a contribution to some alternate universe Footloose soundtrack . " Blake Boldt of Engine 145 gave the song a thumbs @-@ up , calling the song as " a dramatic affair that demonstrates how pop and country can intersect with each other and offer decent results . " He concluded his review by writing , " " Don 't You Wanna Stay " would be a suitable fit for a Foreigner or Whitesnake album , and , though nowhere near a classic , it ’ s an instant entrant into the " guilty pleasure " category . " Reviewing the album for Billboard , Gary Graff described the song as being part of an " array of such bittersweet , emotionally ambivalent goodbye songs " . Bobby Peacock of Roughstock gave the song three @-@ and @-@ a @-@ half stars out of five and praised both Aldean and Clarkson 's fine voice , " making for an interesting combination : Jason 's rough , slightly nasal voice against Kelly 's cleaner , forceful tone . " In a different perspective , Kevin John Coyne of Country Universe graded the production of the song as " C " , lambasting the song for its musical element , writing " the sheer volume of noise that invades the track with the first chorus takes us straight into Monster Ballads territory . " He concluded his review by emphasizing that " this isn ’ t country music . It just isn ’ t . " On March 5 , 2013 Billboard ranked the song # 40 in its list of Top 100 American Idol Hits of All Time . = = = Awards and nomination = = = At the 2011 CMT Music Awards , " Don 't You Wanna Stay " was nominated for " Collaborative Video of the Year , " but lost to Justin Bieber 's " That Should Be Me " featuring Rascal Flatts ( 2010 ) . " Don 't You Wanna Stay " received nominations for two awards at the 45th Country Music Association Awards . The song received a nomination for the " Musical Event of the Year " and won the award ; it was also nominated for the " Single of the Year " but lost to The Band Perry 's " If I Die Young " ( 2010 ) . At the 54th Grammy Awards , the song received a nomination for " Best Country Duo / Group Performance " but lost to The Civil Wars ' " Barton Hollow " ( 2011 ) . " Don 't You Wanna Stay " won two awards of " Single by a Vocal Collaboration " and " Music Video by a Duo / Group / Collaboration " at the 2011 American Country Awards . The song won the awards of " Single of the Year " and " Vocal Event of the Year " at the 47th Academy of Country Music . = = Commercial performance = = Following the album release of My Kinda Party , " Don 't You Wanna Stay " debuted at number 59 on the Billboard Hot Country Songs as well as at number 93 on the Billboard Hot 100 on the week ending November 20 , 2010 . On its second week on Billboard Hot 100 , the song jumped to number 56 after Aldean and Clarkson performed the song at the Country Music Association awards . The song reached a new peak of number 31 in its 24th week on the chart after Aldean and Clarkson performed the song on American Idol . The song also debuted at number 17 on the Adult Contemporary on the week ending June 25 , 2011 . After impacting Adult Contemporary and Adult Pop Songs charts , the song re @-@ entered Billboard Hot 100 at number 48 in its 27th week on the chart . On the week ending February 27 , 2011 , " Don 't You Wanna Stay " moved to number one on Billboard Hot Country Songs and stayed in the top position for three consecutive weeks . It became Aldean 's fifth number one hit and Clarkson 's first number one hit on the chart . The accomplishment also made Clarkson as the third American Idol contestant to score a number one hit on the Billboard Hot Country Songs . The feat was first accomplished by Josh Gracin and followed by Carrie Underwood . The song became the best @-@ selling country collaboration single in digital history in 2011 , until it was overtaken by Blake Shelton and Pistol Annies ' " Boys ' Round Here " in 2014 . It is Aldean 's second song to cross the 2 million mark , following " Dirt Road Anthem " in 2011 ; and Clarkson 's fourth song to cross the 2 million mark following " Since U Been Gone " in 2008 , " My Life Would Suck Without You " in 2009 , and " Stronger ( What Doesn 't Kill You ) " in 2012 . As of June 2014 , the song has sold 2 @,@ 479 @,@ 000 copies in the US . = = Live performances and usage in media = = On November 10 , 2010 , Aldean performed the song with Clarkson for the first time at the 44th annual Country Music Association Awards at Bridgestone Arena in Nashville , Tennessee . Despite receiving a standing ovation , their performance of the song in that event was graded as a " D " in the Los Angeles Times , noting that the song is " a ballad that turned into some oddly orchestrated ' 80s hair metal tune . It ’ s an easy slam , but this is " American Idol " bombast . " Aldean and Clarkson also performed the song on several other occasions . They sang the song on The Ellen DeGeneres Show on February 22 , 2011 . On April 14 , 2011 , they performed the song live on the tenth season of American Idol during the Top 8 results show . They later performed the song live during Country Music Association festival in Nashville , Tennessee on June 9 , 2011 . Aldean also performed the song on all venues of his concert tour , the My Kinda Party Tour , which started on January 21 , 2011 . During each performance , Clarkson is seen on a big screen behind Aldean , singing her part of the duet . He explained , " We decided to go in and film her doing her thing [ ... ] so even though she wasn 't at the show , she could still be a part of the show . As big as that song is getting for us right now , it was definitely a song that we thought we had to have in the show . She cut a thing for us to use , and I cut a thing for her to use in her show if she wants to do that . It 's a cool way to have her be a part of the show even though she 's not going to be there every night . " On February 12 , 2012 , both Aldean and Clarkson performed the song in front of a stage outfitted with giant clock innards at the 54th Grammy Awards . Todd Martens of Los Angeles Times thought that " the duo looked like they were on the set of " Hugo " . " As their performance neared its end , Aldean 's microphone suddenly went out . Sarah Wyland of Great American Country felt that Aldean was professional in handling the technical problem by continuing to sing the song with Clarkson . However , Natalie Maines , the lead vocalist of the Dixie Chicks , lambasted Aldean 's performance in her Twitter account , writing " Well the good thing about his mic going out is suddenly the song got a lot more in tune . " " Don 't You Wanna Stay " is also performed by Clarkson in her fourth headlining tour , the Stronger Tour ( 2012 ) . While Clarkson is performing the song , Aldean is seen on a big screen , singing his part of the duet . She also performed the song as a duet with Blake Shelton while touring at Nokia Theatre L.A. Live , Los Angeles . The song 's accompanying music video is composed of the live footage from the Country Music Association awards which was directed by Paul Miller . " Don 't You Wanna Stay " was covered by Colton Dixon and Skylar Laine in the eleventh season of American Idol . Natalie Finn of E ! gave a mixed review of the pair 's performance , writing " Skylar handled Kelly Clarkson better than Colton played Jason Aldean on " Don 't You Wanna Stay , " but she 's the country girl , so it made sense . " Brian Mansfield of USA Today felt that the song was out of Dixon 's comfort zone and a little out of Laine 's range . Gil Kaufman of MTV remarked that the chemistry between the pair was more like cold fusion . Jennifer Still of Digital Spy said the performance " isn 't anything incredible " . = = Track listing = = Digital download " Don 't You Wanna Stay " ( with Kelly Clarkson ) – 4 : 16 = = Charts and certifications = =

= Tropical Storm Domoina = Severe Tropical Storm Domoina in 1984 caused 100 year floods in South Africa and record rainfall in Swaziland . The fourth named storm of the season , Domoina developed on January 16 off the northeast coast of Madagascar . With a ridge to the north , the storm tracked generally westward and later southwestward . On January 21 , Domoina struck eastern Madagascar , the third storm in six weeks to affect the nation ; collectively , the storms caused 42 deaths and $ 25 million in damage ( 1984 USD ) . After crossing the country , Domoina strengthened in the Mozambique Channel to peak 10 minute sustained winds of 95 km / h ( 60 mph ) . On January 28 , the storm made landfall in southern Mozambique , and slowly weakened over land . Domoina crossed into Swaziland and later eastern South Africa before dissipating on February 2 . In Mozambique , Domoina dropped heavy rainfall in the capital Maputo that accounted for 40 % of the annual total . Floods in the country destroyed over 50 small dams and left widespread crop damage just before the summer harvest . Later , the rains caused the worst flooding in over 20 years in Swaziland , which damaged or destroyed more than 100 bridges . Disrupted transport left areas isolated for several days . In South Africa , rainfall peaked at 950 mm ( 37 in ) , which flooded 29 river basins , notably the Pongola River which altered its course after the storm . Flooding caused the Pongolapoort Dam to reach 87 % of its capacity ; when waters were released to maintain the structural integrity , additional flooding occurred in Mozambique , forcing thousands to evacuate . Throughout the region , Domoina caused widespread flooding that damaged houses , roads , and crops , leaving about $ 199 million in damage . There were 242 deaths in southeastern Africa . = = Meteorological history = = In January and February 1984 , conditions were favorable for tropical cyclogenesis in the southwest Indian Ocean , including warmer than normal sea surface temperatures and an active monsoon trough . On January 16 , a spiral area of convection persisted off the northeast coast of Madagascar , associated with the intertropical convergence zone . That day , it organized enough to warrant a satellite @-@ based Dvorak rating of T2.5 , prompting the Réunion Meteorological Service to name it Domoina . Around that time , Météo @-@ France ( MFR ) estimated winds of about 65 km / h ( 40 mph ) . Domoina initially tracked to the west @-@ northwest , passing near Tromelin Island on January 18 . Around that time , the storm had begun moving to the southwest , and MFR estimated that it weakened to tropical depression status . On January 19 , the Joint Typhoon Warning Center ( JTWC ) began warning on Domoina , designating it Tropical Cyclone 14S . The same day , MFR again upgraded Domoina into a moderate tropical storm . On January 21 , the storm made landfall just south of Tamatave in southeastern Madagascar . While crossing Madagascar on a westward trajectory , Domonia weakened ; JTWC estimated the winds decreased to 55 km / h ( 35 mph ) , after earlier estimating winds of 95 km / h ( 60 mph ) before landfall . On January 23 , the storm emerged into the Mozambique Channel near Belo , and due to a ridge to the north , it resumed its southwest motion . Domoina executed two small loops off the western coast of Madagascar while progressing generally southwestward . On January 25 , MFR estimated that Domonia attained peak 10 minute sustained winds of 95 km / h ( 60 mph ) near Europa Island ; this made it a severe tropical storm . Two days later , the JTWC estimated peak 10 minute winds of 100 km / h ( 65 mph ) . Early on January 28 , Domonia made a second landfall on southeastern Mozambique near peak intensity . It slowly weakened over land while moving across southern Mozambique . The JTWC discontinued advisories on January 29 when the storm was near the border of Mozambique and Swaziland . The next day , Domonia crossed into Swaziland and subsequently into eastern South Africa , weakening into a tropical depression while passing near Durban . At around that time , the system was dissipating , although MFR continued tracking Domonia until February 2 , when it dissipated just offshore the east coast of South Africa . = = Impact = = Throughout its path , Domoina left thousands of people homeless , and caused widespread flooding due to drawing moisture from the Indian Ocean and the Mozambique channel . The rains led to rivers bursting their banks , which isolated tens of thousands of people . In the months before Domoina struck , dry conditions persisted across southeastern Africa . Crossing Madagascar as a moderate tropical storm , Domoina dropped rainfall along its path , reaching 98 @.@ 8 mm ( 3 @.@ 89 in ) in Mahanoro on the east coast and 166 @.@ 8 mm ( 6 @.@ 57 in ) in Maintirano along the west coast , both over a period of 24 hours . In the latter city , a station recorded winds of 100 km / h ( 62 mph ) . The storm caused heavy damage in Marovoay , which was later affected by Cyclone Kamisy . Domoina was the third storm to strike the country in a six @-@ week period , after cyclones Andry and Caboto . The three storms collectively caused 42 deaths and $ 25 million in damage , much of it from crop damage . As Domoina made its final landfall in Mozambique , it dropped heavy rainfall reaching 430 mm ( 17 in ) in the town of Goba over a five @-@ day period . Rainfall in the capital Maputo , reaching 300 mm ( 12 in ) over two days , was about 40 % of the annual total . After flooding occurred further south in South Africa , waters were released from the Pongolapoort Dam without warning . This caused many farmers to drown in southern Mozambique . Officials later advised residents along the Maputo River to evacuate to higher grounds , and thousands had to leave their houses . The storm flooded the Maputo , Umbeluzi , Incomati river basins , causing widespread power outages . The storm left the capital Maputo without clean water for several days after a pumping station was damaged , and the main harbor in the city was closed . Also in the city , the storm downed hundreds of trees , wrecked roofs , and damaged houses ; about 10 @,@ 000 people were left homeless nationwide . The storm damaged 28 pumping stations nationwide and destroyed over 50 small dams . Floods affected the railroad connecting Maputo to South Africa , disrupted the construction of a dam , and damaged portions of a bridge near Boane . Transport was disrupted in the northern and southern portion of the country . There was widespread crop damage in Mozambique , affecting 350 @,@ 000 farmers , and flooding about 250 @,@ 000 ha ( 620 @,@ 000 acres ) of fields . After an extended drought , many farmers had moved closer to river beds , making their fields more vulnerable . About 119 @,@ 000 tons of fruits , vegetables , and other crops were wrecked , consisting of much of the summer crop , and about 5 @,@ 000 cattle died . About 49 @,@ 000 people lost everything they owned . In the country , the storm caused 109 fatalities , and damage was estimated at $ 75 million . Later , the storm dropped heavy rainfall in Swaziland , reaching 906 mm ( 35 @.@ 7 in ) at Piggs Peak ; there , rainfall reached 615 mm ( 24 @.@ 2 in ) in a one @-@ day period . These were the heaviest rainfall totals on record in the country . Described as the worst flooding in over 20 years , the precipitation increased levels along most rivers in the country , some of which rose 30 m ( 98 ft ) in a few hours . The floods washed out or damaged over 100 bridges , and two railways had cuts in their lines . The floods closed at least 20 major roads and the country 's primary airport . Most schools nationwide were also closed during the storm . There were initial difficulties in determining the extent of the damage due to cut communications and disrupted transportation . For several days , southeastern Swaziland was only accessible by air travel , while rural parts of the country lost access to fresh water . Thousands of livestock died during the storm , and thousands of acres of croplands were flooded . About 10 @,@ 000 citrus trees were destroyed , and crop damage was estimated at $ 2 @.@ 5 million . About 500 people were left homeless in the small nation , after many homes were damaged or destroyed . Schools and health clinics were also damaged . The storm 's high winds knocked down trees and power lines , leaving power outages . Overall damage was estimated at $ 54 million , of which $ 47 @.@ 5 million from infrastructure damage , and Domoina killed 73 people in the country . While Domoina was moving through South Africa , it drew an area of moisture from the northeast , which produced heavy rainfall that peaked at 950 mm ( 37 in ) between Richards Bay and Sodwana Bay . Totals of over 700 mm ( 28 in ) were reported along the upper Umfolozi , Mkuze , Pongola and middle Usutu and Komati rivers , and along the upper and lower Ingwavuma river . Precipitation spread as far south as Durban , but did not penetrate far into the center of the country . An area of about 107 @,@ 000 km2 ( 41 @,@ 000 sq mi ) received 370 mm ( 15 in ) of rainfall . Along the Umfolozi River , a discharge rate of 16 @,@ 000 m ³ / s ( 565 @,@ 000 ft ³ / s ) was recorded , which was three times the rate of a 100 year flood . The river avulsed , or changed its course , near where it met with the Msunduzi River . High rains in the mountains caused the largest flood to date along the Pongola River . The floodplain downstream of the Pongolapoort Dam was inundated to where the Pongola met the Ututu River , which filled many pans – dry lakes – in the region . Along 29 river locations in eastern South Africa , river heights were estimated to have been 1 in 50 year events . The river flooding moved sediment along many banks , and in one location the sediment reached 10 km ( 6 @.@ 2 mi ) in length . Due to the widespread flooding and the remoteness of the worst affected areas , there were minimal measurements on the river flow along the Pongola , although above the Pongolapoort dam , levels reached 13 @,@ 000 m ³ / s ( 460 @,@ 000 ft ³ / s ) , which were 18 times higher than the previous record highest . There had been a planned release of water from the Pongolapoort Dam in March 1984 to provide adequate water to the floodplain , but Domoina prevented this from occurring . The dam had its highest hydrology on January 31 and reached 87 % of its capacity . Waters from the dam were released on February 2 to prevent the dam from exceeding capacity . With the future threat of Cyclone Imboa , dam levels continued to drop until returning to normal by February 16 , despite requests to hold the water to prevent further crop damage . Near the South Africa border with Swaziland , flooding stranded about 80 @,@ 000 people on tribal lands . One road in the country was converted into a makeshift landing strip to allow helicopters and planes to drop off emergency supplies . A period of heavy rain flooded Umfolozi River , which destroyed a rail bridge near Mtubatuba and a bridge crossing highway N2 . The floods were so strong that they washed a boat from Lake St. Lucia to a point 16 km ( 9 @.@ 9 mi ) away . At the lake , the floods washed away a dredge and severely damaged a nearly @-@ finished canal from the lake to the Umfolozi River . Widespread crop damage occurred along the Umfolozi river plains after being covered by up to 1 m ( 3 @.@ 3 ft ) of sediment . The South African Weather Bureau considered Domoina as the " first tropical cyclone in recent history to have caused flooding and extensive damage . " Nationwide , the storm caused 60 deaths and damaged the properties of 500 @,@ 000 people , causing R100 million ( 1984 ZAR , $ 70 million 1984 USD ) . = = Aftermath = = In Mozambique , workers assisted people in moving to higher grounds following flooding . Members of the Mozambique Red Cross helped distribute food and clothing to the affected residents , and planes helped drop off supplies to residents in isolated areas . On January 31 , the government of Swaziland declared a state of emergency and requested assistance from the international community . South Africa provided two helicopters to the country to survey the affected areas . Various countries and United Nations agencies provided about $ 1 @.@ 01 million in cash and supplies to Swaziland . The United Nations Department of Humanitarian Affairs provided $ 20 @,@ 000 . The European Economic Community donated about $ 80 @,@ 000 to purchase tents and blankets . The Lutheran World Federation donated $ 20 @,@ 000 in cash , along with generators and blankets , while World Vision International sent $ 10 @,@ 000 in cash . Within a week , workers reopened most major roads to travel , and by February 24 , most roads were reopened . Workers also quickly restored the downed power lines . Relief items were distributed by both air and road in the weeks following the storm , coordinated by the Swaziland Red Cross and assisted by volunteer organizations . In part due to Domoina as well as the previously occurring drought , the economy of Swaziland stagnated through 1985 . Following the storm in South Africa , workers restored the original course of the Umfolozi River after it had moved . Officials later purchased a new dredge to remove sediment from Lake St. Lucia , and the canal connecting the lake to the Umfolozi River was later finished . Local governments coordinated relief efforts in the country , including delivering food and providing shelter for those who lost their homes . The South African Red Cross provided food to storm victims , many of whom were beneficiaries of the food program during the extended drought . The South African government declared KwaZulu Natal as a disaster areas . The country 's military provided 25 helicopters to rescue flood victims and donated 3 @,@ 000 tents . The government later authorized $ 85 million to fund repairing damaged rails and roads . The American government donated $ 100 @,@ 000 to the country , mostly to purchase supplies . West Germany also donated about $ 231 @,@ 000 , mostly for the feeding program .

= Tales of Destiny 2 = Tales of Destiny 2 ( Japanese : テイルズ オブ デスティニー 2 , Hepburn : Teiruzu Obu Desutinī Tsū ) is a Japanese role @-@ playing video game , co @-@ developed by Wolfteam and Telenet Japan , and published by Namco . It is the fourth main entry in the Tales series of video games , and a direct sequel to 1997 's Tales of Destiny . It released on PlayStation 2 ( PS2 ) in November 2002 in Japan , March 2003 in South Korea and August 2003 in China . The overseas versions were published by Sony Computer Entertainment . An updated port for the PlayStation Portable ( PSP ) , developed by Alfa System , was released in February 2007 , and March of the same year in South Korea . This version was published by Namco Bandai Games . Neither version has received a western release . The story , set eighteen years after Destiny , follows Kyle Dunamis , the son of the previous game 's protagonists Stahn Aileron and Rutee Katrea . Shortly after meeting a mysterious girl named Reala while trying to save Rutee 's orphanage from bankruptcy , Kyle is drawn into conflict with Barbatos , a cruel warrior responsible for killing Stahn , and the machinations of Elraine , a religious leader seeking to bring peace to mankind . The gameplay uses two @-@ dimensional character sprites and backgrounds , and the battle system is a revamped version of the series ' trademark Linear Motion Battle System . Development began after the release of Tales of Eternia in 2000 , taking approximately two years to complete , and was the last Tales game to be developed by the original Wolfteam before it became Namco Tales Studio . The scenario was handled by Japanese writing company Gekko , the characters were designed by Mutsumi Inomata , and the music was composed by Motoi Sakuraba and Shinji Tamura . The PSP port was made after a similar port of Eternia met with commercial success . It was a highly anticipated game , and Namco promoted it heavily in the months prior to release . The game sold over 700 @,@ 000 units by January 2003 , and received critical acclaim from both Japanese and western critics . = = Gameplay = = Tales of Destiny 2 is a role @-@ playing video game featuring two @-@ dimensional ( 2D ) sprite characters navigating both 2D environments such as dungeons and towns , and a three @-@ dimensional overworld . The overworld features environmental effect such as fog . In towns found across the world , non @-@ playable characters provide both information relevant to the story and world , and provide items and equipment through shops ; merchants accept the Tales series currency , Gald , which can be obtained from battle or treasure chests on the dungeon and town maps . Throughout the game , visiting certain individuals in towns will activate optional events and side @-@ quests . Prisons , sewers , forests and story @-@ centric locations serve as dungeon locales ; these areas are scattered with treasure chests containing rare items , some of which cannot be purchased in stores . Dungeons frequently contain puzzles and mazes , such as boxes that must be reoriented to form a bridge , which must be cleared to advance ; the " Sorcerer 's Ring " , a relic that shoots tiny plumes of fire , often plays a central role in puzzle resolution , along with the " Sorcerer 's Scope " , a tool that reveals hidden objects . Aspects of characters such as their current experience level , equipment and money levels , party organization , and assigned abilities . Cooking , a recurring series mechanic , is present : characters learn and cook various recipes using a selection of six ingredients which grant boons upon them such as restoring health . Optional voiced conversations between characters called Skits can be activated when they appear in random locations or after story events . Mini @-@ games within the world include acting as a waiter in a restaurant , and battle arenas where players fight against random enemies . The game 's battle system is the series ' trademark Linear Motion Battle System ( LMBS ) , which places up to four playable characters on a 2D plain against enemies in real @-@ time combat similar to a beat ' em up . The version used in Destiny 2 is called the " Trust and Tactical LMBS " . When entering battle , the camera follows characters , zooming in and out depending on their distance from an enemy . During battle , one character is controlled at any one time , with the others being governed by the game 's artificial intelligence ( AI ) : the AI can be customized to behave in various ways , such as adjusting their aggression level , and balancing magical and physical attacks . In addition to real @-@ time commands given in battle , the player can issue commands to all characters by pulling up the battle menu and issuing commands . A character 's performance in battle is governed by their current level of Spirit Points ( SP ) : the more SP a character has , the higher their defensive and offensive abilities . A character 's health is represented by Health Points ( HP ) . Three types of attack are available and activated progressively depending on the number of hits an enemy has taken : a standard attack , named attacks called Artes , and special high @-@ damage attacks called Mystic Artes . At the end of each battle , its performance is assessed an given a Grade , which can sometimes trigger a bonus such as learning new skills . Some bonuses are also carried over into the next playthrough . In addition to the single @-@ player functions , a local multiplayer option is available , supporting up to four players : when additional controllers with players are connected to the system , AI functions for selected characters are disabled , switching to manual control . An auto @-@ battle option , which has the game 's AI controlling all characters during a fight , is also available . = = Synopsis = = = = = Setting = = = Destiny 2 is set on an unnamed world that was struck by a comet 1000 years before , triggering a prolonged winter . Desperate for heat and energy , the people used a type of gemstone brought by the comet called Lens to create a floating city called Dycroft . The people of Dycroft eventually dominated the people below , which led to a conflict between the two realms known as the War of Heaven and Earth . Eventually , a team of defecting Dycroft scientists developed sentient weapons called Swordians that turned the tide of war in the surface people 's favor . This conflict reemerged eighteen years prior during the events of Tales of Destiny . The Swordians found new masters to wield them against Dycroft 's vengeful ruler , including Stahn Aileron , Rutee Katrea and Leon Magnus . Stahn 's group succeeds in restoring peace , but the world was damaged by Dycroft 's weapons , and Leon was killed after he betrayed the group . Destiny 2 begins eighteen years after the events of Tales of Destiny . = = = Characters = = = Kyle Dunamis ( カイル ・ デュナミス , Kairu Dyunamisu ) is the main protagonist of Destiny 2 . Kyle is very much like his father , Stahn , although Kyle remembers little of his father . His defining personality trait is an aversion towards peacefulness and boredom , always seeking out new things to try . Kyle is voiced by Jun Fukuyama . Reala ( リアラ , Riara ) is the main female protagonist , appearing suddenly and holding an air of mystery . While she bears an overly @-@ strong sense of responsibility , she is also bright and highly inquisitive . She is one of the two avatars of the goddess Fortuna ( フォルトゥナ , Forutuna ) . Reala is voiced by Ryoka Yuzuki . Loni Dunamis ( ロニ ・ デュナミス , Roni Dyunamisu ) is a young man raised alongside Kyle , being considered a brother by him . A member of the Atamoni Shindan , the military branch of the Order of Atamoni , he has a firm and steady personality that balances against Kyle 's hotheadedness . Loni is voiced by Toshihiko Seki . Judas ( ジューダス , Jūdasu ) is a mysterious swordsman who appears before Kyle when the latter is in a pinch . A genius swordsman , he wears a beast skull as a mask to hide his face . His true identity is that of Leon Magnus . Judas is voiced by Hikaru Midorikawa . Nanaly Fletch ( ナナリー ・ フレッチ , Nanarī Furetchi ) is a master archer who opposes the Order of Atamoni . In direct contrast to the Order , she believes that happiness should be won by people rather than given to them . Nanaly is voiced by Tomoko Kawakami . Harold Belselius ( ハロルド ・ ベルセリオス , Harorudo Beruseriosu ) is a famous scientist , and the original creator of the Swordians . Something of a mad scientist , she shares Kyle 's love of adventure and has a passionate curiosity about the world . Harold is voiced by Akiko Hiramatsu . Elrane ( エルレイン , Erurein ) is the main antagonist of Destiny 2 . Regarded as a living goddess due to her powers , she has an outwardly meek demeanor and espouses bringing happiness to all mankind . She is one of the two avatars of the goddess Fortuna . Elrane is voiced by Yoshiko Sakakibara . Barbatos Goetia ( バルバトス ・ ゲーティア , Barubatosu Gētia ) is one of the primary antagonists of Destiny 2 . A veteran of the War of Heaven and Earth , he was forgotten by history and consequently holds a burning desire to be recognized . His chief traits are an intense desire to live and a callous disregard for others . Barbatos is voiced by Norio Wakamoto . = = = Plot = = = Kyle Dunamis , the adventurous son of Stahn and Rutee , lives at an orphanage run by Rutee . With the orphanage on the brink of bankruptcy , Kyle defies his mother to go on a quest to search for funds , together with his best friend Loni . Finding a giant Lens , a mysterious girl named Reala emerges from it , claiming to be in search of a hero . Believing that he should become a hero like his parents , he follows Reala so he can prove himself as such . Finding the Lens missing , officials from the Order of Atamoni arrest Kyle and Lori for its theft . They escape with the help of the masked swordsman Judas . After this , Kyle becomes embroiled in the attempts by a man named Barbatos Goetia to kill those who accompanied his parents , eventually learning that Barbatos also killed Stahn when Kyle was five . During his quest , a series of Lens thefts is orchestrated by Elrane , the Holy Woman of the Order of Atamoni who is capable of performing miracles using Lens and seeks to bring happiness to the world through uniting it under a single religion . During a great theft of Lens , Elrane attacks the group directly , sending them ten years into the future . In this period , the world is beset by conflict between the Order of Atamoni and factions wanting independence from its control . During their travels there , they are joined by Nanaly Fletch . While in this time period , Reala becomes conflicted about who she is , and the group encounters a figure known as the Goddess Fortuna . During this encounter , it is revealed that Elrane and Reala are avatars of Fortuna , designed to save the world and bring happiness to humanity in different ways . Due to her unstable emotions , Reala accidentally transports Nanaly into their time . Feeling guilty because of this , Reala confronts Elrane alone and is captured . Traveling to the ship where the stolen Lens is stored , the group confront Barbatos and Elrane , successfully defeating them and saving Reala . During this confrontation , they learn that " Judas " is in fact the resurrected Leon , who was brought back to life by Elrane just as Barbatos was , but rebelled against her when he knew her full plan . However , their efforts result in the destruction of the ship , and Reala uses the energy of the Lens to send them through time again . They appear in an alternate timeline where the War of Heaven and Earth was won by the underground dwellers , and Barbatos and Elrane are hailed as saviors . Traveling back to the time of the War , when the initial interference was caused , they ally with Harold Belselius to return history to its proper state . While they are successful and Barbatos is felled , Elrane continues to distort history in her favor . Confronting her one last time , she is defeated , then they are confronted by Fortuna . Defeating her , the group realize that the only way to correct the distorted timeline is to destroy the Lens that forms Fortuna 's life source , which will mean Reala will be erased from history . When Reala comes to terms with this and gives her blessing , Kyle destroys Fortuna 's Lens , which erases all the changes wrought by her agents and returns the timeline to its original state , sending everyone back to their original times and conditions . In the corrected timeline , Kyle , now raised and trained by both Stahn and Rutee , goes on a journey to the temple where he first met Reala . While her Lens is missing , Kyle 's strong will succeeds in bringing Reala back into existence and restoring his memories of her . = = Development = = Tales of Destiny 2 was co @-@ developed by Wolfteam and Telenet Japan . Development began after work had finished on Tales of Eternia , taking roughly two years to complete . During its early development , the staff consisted of thirty people : when in full development , a team of between sixty and a hundred worked on it . It was developed under the working title Tales of X. After Eternia was completed , the development team considered what to do next , whether a new standalone game or a sequel . As Destiny had a large amount of lore created for it and there were story possibilities for a next generation of characters , it was decided to make a sequel to Destiny . This would be the first direct sequel in the Tales series . Because of the state of the world as it would have evolved after the events of Destiny , it was decided to set the events eighteen years after them and focus on the son of Destiny 's protagonist . The key themes for the story were " fate " and " happiness " . For the story , the team wanted to effectively portray Kyle 's journey to becoming a hero . For this , they drew on themes of " learning from the teacher " as seen in films such as Star Wars and Raiders of the Lost Ark . To create the atmosphere , the team worked at balancing elements of reality and fantasy . The story and script was handled by Japanese scenario company Gekko . Two separate scripts were created for the main story and additional elements such as skits . Both scripts were quite large . Character designs were created by Mutsumi Inomata . A key element of the designs was the variation of time periods many characters came from . To make the character sprites as close as possible to the original artwork , the team took Inomata 's artwork and turned them into 2D " dot @-@ by @-@ dot " sprite pictures . This gave the sprites roughly four times the detail of most environments . They then built the world around the sprites . The sprite details sometimes caused problems , as they would appear larger than the environments when the camera zoomed in . The animated cutscenes were created by anime company Production I.G. The game 's opening was the longest ever created for a Tales game up to that point . While many contemporary PS2 role @-@ playing games were being developed around three @-@ dimensional characters , Destiny 2 used two @-@ dimensional sprites for its characters . Part of the reason behind this was that the development team wanted to create the " ultimate 2D RPG " . As opposed to previous Tales games , where gameplay development was focused on the battle system , the development leads requested that the gameplay should be " waste @-@ free and strategic " . The Grade system and new skill customizing elements , later staples of the series , were also developed . The game 's artificial intelligence was markedly improved , the combat system was made both more elaborate and more user @-@ friendly , and health and magic systems were adjusted . The PlayStation 2 hardware enabled the expansion of mini @-@ games , the improvement of the game 's graphics , and the incorporation of advanced interactive elements on the world map . = = = Audio = = = The music was composed by regular series composers Motoi Sakuraba and Shinji Tamura . Sakuraba primarily worked on the battle themes and arrangements of previous themes , while Tamura handled selected boss battle tracks and created Reala 's theme . They were able to create more tracks with greater detail to them due to the expanded storage capacities of the PS2 . As with previous games , a licensed theme song was created by a Japanese artist for the game 's opening . For Destiny 2 , the theme song was " Key to My Heart " from the album Fairy Tale , by Japanese singer @-@ songwriter Mai Kuraki . Its lyrics were designed to " express the world " of Destiny 2 . Arrangements of " Key to My Heart " were featured in the soundtrack . Unlike previous Tales games , where voice work was recorded out of order , the voice work was recorded in order of the game 's events to add dramatic weight to the performances . This consequently created difficulties with scheduling and put an added strain on the actors . = = Release = = Destiny 2 was announced in February 2002 at a special conference about future developments and games for the platform . It was the first Tales title to receive a numbered designation in Japan . As with previous Tales games , it featured a characteristic genre name : " RPG to Release Destiny " ( 運命を解き放つRPG , Unmei wo tokihanatsu RPG ) . To promote the game , Namco created a themed PlayStation 2 memory card . In addition , a special competition was organized where the top @-@ tier prizes were copies of the script books for Destiny 2 autographed by the main characters ' voice actors . As a pre @-@ order bonus , a special limited edition DVD featuring interviews with the voice cast was created . In addition , a downloadable ring tone based on the theme song and screen displays featuring the main characters was created for mobile phones of the time and released in 2003 . The game was released on November 28 , 2002 in Japan . It was celebrated with an official launch event , featuring interviews with the production staff and cast . Destiny 2 would be the last Tales game developed by Wolfteam prior to its acquisition by Namco in 2003 and rebranding as Namco Tales Studio . Destiny 2 was later ported to the PSP . Development began in 2005 , after the commercial success of Eternia 's PSP port . The port was developed by Alfa System , a frequent collaborator with the Tales team on spin @-@ off titles . The project was directed by Yoshito Higuchi , who had worked on Destiny 2 and became the director of the GameCube port of Tales of Symphonia . While the earlier port of Destiny made significant changes , the Destiny 2 port was meant to preserve and add onto the content of the original . Some of the adjustments included minor tweaks to gameplay , adjustments to fit the PSP 's control layout , and adjusting the graphics from 4 : 3 to 16 : 9 screen ratio . A new dungeon featuring added story elements was also created . It was released on February 15 , 2007 . Outside Japan , Destiny 2 was released in China and South Korea by Sony Computer Entertainment in 2003 : the Korean version was released on March 27 , and the Chinese version was released on August 14 . The game was going to be part of a world tour by Sony Computer Entertainment to promote the next generation of role @-@ playing games , but the tensions between America and Iraq at the time and the consequent risks of a terrorist attack caused them to cancel the trip . Asked at the launch event whether an overseas version of the game was being developed , producer Makoto Yoshizumi said he was " not certain " . The PSP port was released in South Korea by Namco Bandai Games 's local branch on March 5 , 2007 . Neither the original nor the port has been released in the west , making it one of three mainline Tales titles to remain exclusive to Japan . = = Reception = = Namco had high expectations for Destiny 2 , anticipating sales of 600 @,@ 000 units . During its debut week , Destiny 2 reached the top of Japanese gaming sales charts : according to different sources , it sold between just over 498 @,@ 000 ( Famitsu ) and under 558 @,@ 000 ( Dengeki ) units . For the next three weeks , it remained in second place on the charts behind Pokémon Ruby and Sapphire , accumulating sales of over 603 @,@ 000 . By January 2003 , the game had sold over 702 @,@ 000 units , becoming the eighth best @-@ selling game within that period . The PlayStation 2 version of Tales of Destiny 2 has shipped 977 @,@ 000 copies worldwide as of December 2007 , being the second most successful title in the series at the time . The PSP version sold 73 @,@ 000 copies in its first week , ranking second in weekly video games sales . By the following week , it had dropped to # 25 . By the end of 2007 , the game had sold just under 115 @,@ 000 units , reached 146th place in the five hundred top @-@ selling games of the year . In South Korea , the game reached # 10 in the country 's gaming sales charts . Worldwide shipments of the port as recorded by Namco have reached 129 @,@ 000 units . Famitsu Weekly found the story enjoyable , though noted that those who had played Destiny would get more enjoyment out of it , and praised the voice acting . They also found the gameplay and pacing enjoyable , positively noting the option to auto @-@ battle . The game ranked as the 89th all @-@ time favorite game in a 2006 Famitsu readers poll . Japanese website Game Impress Watch found the story impressive , citing its use of time travel and the continued use of Destiny 's world and lore . The gameplay , mini @-@ games and customization options was also generally praised , with the reviewer recommending the title to players of the series . RPGFan 's Woojin Lee was also positive , praising the gameplay despite the very high encounter rate , and was pleased that an auto @-@ battle option was included . One point that received a more mixed response was the game 's music , with the exception of the opening song . In a preview for IGN , David Smith was generally positive about the game . While he disliked the art style and its low @-@ tech look compared to its hardware , he found the gameplay enjoyable and the opening parts of the story fairly relatable . He ended by hoping that Namco would put the effort into localizing the title . = = = Additional media = = = Multiple print adaptations have been made of Destiny 2 : these include one three @-@ volume comic anthology , a serialized comic adaptation originally released through Square Enix 's Gangan Comics and later collected into five volumes , and an eight @-@ volume yonkoma comic , and a second single @-@ edition yonkoma . Novel adaptations include a novel focusing on Nanaly called Tales of Destiny 2 : The Amber Wind , and mutlple light novels that told segments of the story from the point of view of different characters , particularly Judas . An illustration book featuring Inomata 's artwork for the game was released in March 2005 . A five @-@ part CD Drama adaptation was also developed , following the events of the game . The five volumes were released between April and August 2003 , under the umbrella titled Tales of Destiny 2 Drama CD .

= In Bloom = For the 2013 film of the same name , see In Bloom ( 2013 film ) " In Bloom " is a song by American rock band Nirvana . Written by frontman Kurt Cobain , the song addresses people outside of the underground music community who did not understand the band 's message . Nirvana made its first music video for an early version of " In Bloom " in 1990 ; however the song did not appear on a commercial release until the release of the group 's second album , Nevermind , in 1991 . " In Bloom " became the fourth and final single from the album in late 1992 . It was accompanied by a new music video which parodied musical performances of 1960s variety shows . The music video for " In Bloom " won Best Alternative Video at the MTV Video Music Awards in 1993 . = = Background and recording = = Nirvana first played the song the night before it was demoed . Bassist Krist Novoselic recalled that it " originally sounded like a Bad Brains song . Then Kurt turned it into a pop song " . Cobain went home and reworked the song , playing the revised version of it over the phone to Novoselic . The band recorded " In Bloom " with producer Butch Vig at Smart Studios in Madison , Wisconsin during April 1990 . The material recorded at Smart Studios was intended for the group 's second album for the independent record label Sub Pop . The song originally had a bridge section that Vig removed . Novoselic said that after the band recorded the song , Vig cut out the bridge from the 16 @-@ track master tape with a razor blade and threw it in the garbage . The songs from these sessions were placed on a demo tape that circulated amongst the music industry , generating interest in the group among major record labels . After signing to DGC Records , Nirvana began recording its second album Nevermind in May 1991 . " In Bloom " was one of the first songs the band recorded during the album sessions at Sound City Studios in Van Nuys , California ; Vig thought it would be good to start recording a song previously recorded at Smart Studios . The arrangements for " In Bloom " and the other songs previously recorded with Vig in 1990 were largely unchanged ; the recently hired drummer Dave Grohl stayed mostly with what his predecessor Chad Channing had recorded , but added more power and precision to the recording . Cobain sang progressively " harder " during the recording of the song , which made it difficult for Vig to balance the volume levels between the verses and choruses . Vig recalled that he had to change the input level " on the fly " and hoped that Cobain would not " change the phrasing or do something different " while recording . Cobain chose not to overdub a harmony vocal part during the Smart Studios sessions , possibly due to time constraints . During the Nevermind sessions , Vig had Grohl sing harmonies on the song . Grohl had difficulty hitting the proper notes , but ultimately was able to sing what Vig wanted . Vig often had to trick Cobain , who was averse to performing multiple takes , into recording additional takes for overdubs on the record . The producer convinced Cobain to double @-@ track his vocals on " In Bloom " by telling him , " John Lennon did it . " After doubling Cobain 's vocals , Vig decided he might as well double Grohl 's and had the drummer record an additional track of backing harmonies . = = Composition = = Like many Nirvana songs , " In Bloom " shifts back and forth between quiet verses and loud choruses . Cobain uses a Mesa Boogie guitar amplifier for the verses , and during the chorus he switches to a Fender Bassman amp ( suggested by Vig ) for a heavier , double @-@ tracked fuzztone sound . The rhythm section of Novoselic and Grohl kept its parts simple ; Grohl stated it was " an unspoken rule " to avoid unnecessary drum fills , while Novoselic said he felt his role was about " serving the song " . During the choruses , vocalist Cobain and drummer Grohl harmonize while singing " He 's the one / Who likes all our pretty songs / And he likes to sing along / And he likes to shoot his gun / But he knows not what it means " . The song 's intro reappears at the end of each chorus . Cobain 's lyrics address the people outside of the underground music scene that began showing up at Nirvana shows after the release of the group 's debut album Bleach . Nirvana biographer Michael Azerrad wrote , " But remarkably , [ the song 's lyrics ] translated even better to the mass popularity the band enjoyed . " Regarding the song 's chorus , Azerrad commented , " The brilliant irony is that the tune is so catchy that millions of people actually do sing along to it . " In his biography of Cobain , Heavier Than Heaven , Charles R. Cross asserted that the song was a " thinly disguised portrait " of Cobain 's friend Dylan Carlson . = = Release and reception = = " In Bloom " was released as the fourth single from Nevermind on November 30 , 1992 . The single was only released commercially in the United Kingdom ; promotional copies were released in the United States . The 7 @-@ inch vinyl and cassette editions of the single contained a live version of " Polly " as a B @-@ side , while the 12 @-@ inch vinyl and CD versions featured a performance of " Sliver " ; both songs were recorded at the same December 28 , 1991 concert . The single peaked at number 28 on the British singles chart . While lacking an American commercial release , the song charted at number five on the Billboard Album Rock Tracks chart . Nirvana biographer Everett True wrote an uncharacteristically unfavorable review in Melody Maker , accusing the single of being a cash @-@ in on Nevermind 's success . " Whoop whoop bloody whoop " , he wrote , " Forgive me if I don 't sound too thrilled . This release is stretching even my credulity beyond repair . Like , milking a still @-@ breathing ( sacred ) cow , or what ? Badly inferior live versions of ' Polly ' and ' Sliver ' on the flip don 't help matters either . " In 2011 Rolling Stone magazine ranked the song number 415 on its list of the " 500 Greatest Songs of All Time " . = = Music video = = Nirvana first made a music video for " In Bloom " in 1990 for the Sub Pop Video Network Program VHS compilation ( 1991 ) . The recording of the song featured in the video is the version recorded during the Smart Studios sessions . The Sub Pop video features the band walking around various parts of lower Manhattan including the South Street Seaport , the Lower East Side , and Wall Street . While filming the video , Novoselic shaved his head as penance for a bad performance the band gave in New York City . This caused discontinuity in the final cut ; shots of the band feature the bassist with and without hair throughout the video . This video was later compiled on the Nirvana box set With the Lights Out ( 2004 ) . The audio of this version of " In Bloom " was later released on CD2 of the 20th Anniversary Deluxe Edition of the Nevermind album in 2011 . The second video , created to accompany the 1992 single release that was recorded at Sound City Studios , was directed by Kevin Kerslake , who had previously directed the band 's videos for " Come as You Are " and " Lithium " . Cobain 's original concept for the video told the story of a young girl born into a Ku Klux Klan family who one day realizes how evil they are . His concept was too ambitious , so Cobain instead decided to parody musical performances by bands on early 1960s variety shows , such as The Ed Sullivan Show . The humorous tone of the video was a result of Cobain being " so tired for the last year of people taking us so seriously . . . I wanted to fuck off and show them that we have a humorous side to us " . Kerslake filmed the video on old Kinescope cameras , and the band improvised its performance . The video begins with an unnamed variety show host ( played by Doug Llewelyn , former host of The People 's Court ) introducing Nirvana to an in @-@ studio crowd of screaming teenagers ; their non @-@ stop screaming is heard throughout the duration of the song . The band members , whom the host refers to as " thoroughly all right and decent fellas " , perform dressed in Beach Boys @-@ style outfits ; Cobain wears glasses that blurred his vision , while Novoselic cut his hair short and liked it so much he kept it that way afterwards . As the video progresses , the band destroys the set and its instruments . Three different edits of the Kerslake video were made . Cobain intended to replace the first version of the video after a period with a new take featuring the band wearing dresses instead of suits . MTV 's alternative rock show 120 Minutes insisted on premiering the video , but Cobain felt the program would not properly convey the humor of the " pop idol " version . Instead , a new edit was produced which contained shots of the band in both suits and dresses . The original edit of the video never aired . This video won the award for Best Alternative Video at the 1993 MTV Video Music Awards , and topped the music video category in the 1992 Village Voice Pazz & Jop critics ' poll . = = Track listing = = All songs written by Kurt Cobain . 7 " , cassette " In Bloom " – 4 : 17 " Polly " ( live ) – 2 : 47 12 " , CD " In Bloom " – 4 : 17 " Sliver " ( live - Del Mar - 28 @.@ 12 @.@ 1991 ) – 2 : 06 " Polly " ( live - Del Mar - 28 @.@ 12 @.@ 1991 ) – 2 : 47 = = Chart positions = = = = Covers = = Sturgill Simpson recorded a country cover in 2016 which received air play on alternative stations .

= Lady in the Lake trial = The Lady in the Lake trial was a 2005 murder case in which Gordon Park ( 25 January 1944 – 25 January 2010 ) a retired teacher from Leece , near Barrow @-@ in @-@ Furness , Cumbria , England , was jailed for life for the murder of his first wife , Carol Ann Park , in 1976 . Carol Park went missing on 17 July 1976 , and was never seen alive again by her family . In 1997 , her body was discovered by divers in Coniston Water and Gordon was arrested on suspicion of murder . The charges were subsequently dropped but in 2004 Gordon was arrested again and found guilty of his wife 's murder . The trial judge sentenced him to life imprisonment and recommended that he should serve a minimum of 15 years before being considered for parole . He was held at Garth prison , Leyland , Preston . In December 2007 he lodged an appeal against his conviction which was dismissed in November 2008 . On 25 January 2010 , he was found hanged in his cell , and pronounced dead at the scene . The details of the murder are sketchy . Carol was killed due to blunt trauma to her face by means of some instrument , alleged in court to have been an ice axe . She was then bound with rope , using complex knots , weighed down with rocks and lead pipes and thrown overboard from a boat on Coniston Water . The body landed on an underwater ledge where it was later found by amateur divers . Had it been dropped a few metres further from the shore , it would have sunk to the much deeper bottom and probably never have been discovered . There was a great deal of controversy surrounding the case . Gordon received much support from his family and friends and maintained his innocence . There was a large amount of local interest in the trial as shown by the sales of the local paper , the North @-@ West Evening Mail . Some claimed that much of the evidence against him could be discounted and there were vigils and petitions in attempts to free Gordon from prison and clear his name . The case featured prominently in the book No Smoke : The Shocking Truth About British Justice which outlined seven cases the author believed to be examples of innocent people being convicted of murder . = = Case history = = = = = Carol Park vanishes = = = Prior to her disappearance , according to her friends , Carol was feeling depressed . She had talked of tracing her biological parents , as she was adopted . On 17 July 1976 , she went missing . Gordon claimed that she had left home for another man , and Carol had left their home in Leece twice before . It was for this reason , Gordon claimed , that he did not report her missing for six weeks . Carol was said to time her periods away from home to coincide with the school holidays . Gordon claimed that it wasn 't until she didn 't return in time to take up her job as a primary school teacher in September ( the start of the school term ) that he realised that there was a problem . At this time he reported her missing via his solicitor , and her family was informed . On the day she vanished , the family had been due to visit Blackpool on a day trip . However , Carol said she felt unwell and wanted to remain behind in bed . She was never seen alive again by her family . Gordon claimed he returned home to find Carol had left the house , leaving behind her wedding ring , and that there was no sign of a struggle . A missing persons enquiry was launched , but nothing came of it . This missing persons report was subsequently lost , and it was implied by some that it was because both Gordon and a senior police commander ( who , by the time the article was published , had died ) involved in the case were freemasons . This was refuted by Sandra Lean , who , in No Smoke , claimed that Gordon had never been a freemason . At the time , police told Gordon that , should a body be found , he would be the main suspect . = = = Discovery of body and post mortem results = = = On 13 August 1997 , amateur divers discovered Carol Park 's body , clad only in a nightdress , 75 feet down at the bottom of Coniston Water . She was nicknamed " the Lady in the Lake " by detectives after the 1943 detective novel by Raymond Chandler , The Lady in the Lake . The body had been wrapped in a pinafore dress , a canvas rucksack and plastic bags , tied with several knots , and weighed down with lead piping . Her eyes had been covered by plasters . It was later reported that the body had landed on an underwater ledge , and had it been thrown into the water a few metres farther from the land , it would probably never have been found . Details of Carol 's death were revealed in the post mortem . There were severe injuries to the skull , and it was said that her face had been smashed by multiple blows . It was later found in court that the murder weapon had been an ice axe . The body was found to be in a foetal position , which suggested that the body had been dealt with within a few hours of death , before rigor mortis could settle in . It has since been said that the investigators failed to acknowledge that rigor mortis passes in a 24 ‑ to 48 ‑ hour time period , and that the body could feasibly have been trussed once rigor mortis had passed . Many unusual knots were used to tie the body , and the same knots were said to be used in Gordon Park 's house and boat . This was one of the key pieces of evidence used against Gordon in the trial . = = = Gordon Park is arrested , but charges are dropped = = = At the time of the discovery of the body , Gordon and his third wife , Jenny , were on a cycling holiday in France . They heard news of the discovery of the body , and are said to have seen footage of the police searching their house . On 24 August , they arrived home , and Gordon was arrested on suspicion of murder at 8.00am the next morning . He was charged with the murder of Carol Park , and remanded in Preston prison . However , after two weeks , his solicitors managed to persuade the court to grant him bail . On 6 January 1998 , the charges against Gordon were dropped due to lack of evidence . The Crown Prosecution Service released a statement saying- After a conference with leading counsel and the police , a decision was taken , in agreement with all parties , that there was insufficient evidence for a realistic prospect of conviction . Reportedly he told another inmate that " she deserved it " as had discovered his wife being unfaithful . After the charges were dropped , Gordon said that he wished to " try to put all this , including the events of 21 years ago , behind me and try to return to my everyday life " . However , the fact that the charges were dropped angered Carol 's brother , Ivor Price , who said that he was disgusted by the way that Carol was portrayed in the proceedings , and talked of how Carol was not " someone who [ was ] cheap or had a string of lovers . " = = = Gordon Park 's second arrest and trial = = = Gordon was again arrested on 13 January 2004 . Police said at the time that the murder file had never been closed , and that the arrest followed new leads . These new leads were later reported to be a confession by Michael Wainwright , who claimed to have been a cellmate of Gordon 's during his short prison stay in 1997 . The police then revisited the site where the body was discovered , and found a piece of Westmorland green slate , a stone that matched the rocks that made up the wall of the family 's bungalow . The case was brought to trial at Manchester Crown Court , and lasted ten weeks . There was no single piece of evidence that pointed to Gordon indisputably , but the prosecution argued that when the evidence was placed together , it could only point at Park , and not a " mysterious stranger or secret lover " . Primarily , the case for the prosecution rested on circumstantial evidence , with the jury being asked to consider knots , rocks used to weight down the body and the ice axe , all linking Gordon Park to the crime . However , the statements of Michael Wainwright , and another of Gordon 's cellmates , who had learning difficulties , were also used as evidence by the prosecution . He was sentenced to be jailed for life , and told that he must serve at least 15 years . The judge said that he had taken into account the " terrible concealment " of the body . Park claimed he and his wife had an open marriage The court found that Gordon had first put his hands around Carol 's neck to strangle her , but that she had struggled . He then grabbed his ice axe , and brought it down with what was described as " considerable " force on Carol 's face , and smashed the front right @-@ hand side of her face , splitting open her head and smashing her teeth . He then did this again – the attack was described as consisting of " two big heavy , crushing blows " by pathologist Dr. Edwin Tapp . After this , Gordon dumped his wife 's body in the lake , and went back to his day @-@ to @-@ day life . During the trial , the prosecution speculated that Gordon had " drugged his wife , possibly on or around the 17 July , tied her up and stored her body in a chest freezer before dumping it in Coniston Water " . = = = Gordon Park 's appeal = = = On 6 December 2007 , it was reported that Clarion Solicitors , representing Gordon Park , said that they would launch an appeal . In a public statement , they said : The appeal is based upon fresh evidence that was not available at the original trial , it is hoped the conviction will be quashed and a retrial ordered ... Upon his conviction , Mr Park 's family and friends launched a campaign to clear his name , claiming there was no single piece of evidence that pointed indisputably to him . Representing Park in the appeal was solicitor Rob Rode and Simon Bourne @-@ Arton QC . They did not initially reveal what the new evidence was , only that it " was not available at the original trial " and that it was " very strong and significant " . Cumbria Constabulary released a statement saying : Detectives from Cumbria Constabulary carried out a full and thorough investigation and the full facts of the case were presented to the CPS . The case was then tried by a jury , where Gordon Park was found guilty of the murder of Carol Park in 1976 . In October , campaigners in support of Park said " We have in our possession , a signed , witnessed , statement , made this week , by one of the main prosecution witnesses , stating , ‘ police officers did put words in my mouth regarding Gordon Park ’ and ‘ the police told me what to say in court . ’ " Pastor George Harrison , acting as a spokesperson for the campaigners , also claimed that the appeals process was flawed and " rendered virtually impossible " due to costs . In November 2008 , the appeal bid was rejected by three judges at the Court of Appeal in London . QC Simon Bourne , representing Park , had wanted to call an expert witness to challenge geological evidence used at the trial . Lord Justice Keene said that the new evidence did not raise " a reasonable doubt as to the safety of this conviction " , saying that the geological evidence was only a small element of the " strong circumstantial case against the applicant " . The new evidence presented by geologist Andrew Moncrief concerned the rock found with the body , said to have been from the wall outside the Parks ' house . Moncrief argued that the rock was " indistinguishable " from others in the area , and therefore " meaningless " . = = = Gordon Park 's death = = = On 25 January 2010 , the morning of Park 's 66th birthday , he was found hanged and unconscious in his prison cell in Garth Prison , and pronounced dead at the scene later in the morning . It is believed that a ligature was involved , and that Park inflicted the injuries upon himself . Park had not been assessed for the risk of suicide . Jeremy Park said that " we are all completely devastated and still believe his innocence 100 % . " Since his death , Carol Park 's family have tried to trace her ashes . = = Review = = On 26 November 2014 , it was confirmed that the Criminal Cases review Commission were examining the verdict , and new DNA evidence had come to light . Carol Park 's niece has accused Gordon Park 's family of ' clutching at straws ' and has argued : " Gordon went to the High Court of Appeal and lost , so what makes them think after all this time they could find any information that could overturn the court ’ s decision ? " = = Case controversy = = = = = Support for Park = = = There was much local interest in the matter , as was shown by the sales of the local paper , the North @-@ West Evening Mail , when it ran special editions on the case . Park maintained his innocence , and received much support from his family and friends . His children , Jeremy and Rachael , appointed a new legal team in an attempt to find grounds for appeal . Jeremy also set up a website , www.freegordon.com , in a bid to raise awareness and support of the case for Gordon . Notable individuals offering support include Tony Benn , who said that there was considerable doubt about Gordon 's conviction , and that he would do all he can to help campaign for his freedom . Benn has been quoted as saying the case is a " grave injustice " . He is one of the over 300 people who have signed the " Gordon Park is Innocent " petition . A year into Park 's life sentence , around 40 family members and friends held a vigil at Strangeways Prison , in a bid to raise awareness of " the fact that there is an innocent man in prison " . Another was held a year later , led by Jenny Park , and a third on the third anniversary of Park 's imprisonment . It was due to these vigils , claimed Evangelical Pastor George Harrison , that he was barred from visiting Park once he was transferred to Garth prison , in Lancashire . Other fronts for the campaign included an offer of £ 5 @,@ 000 for anyone providing evidence that lead to Gordon 's freedom . Included in this were planned adverts in the North @-@ West Evening Mail and leaflets to 20 @,@ 000 homes in the Furness area . However , this was being organised by Harrison , with whom Gordon and his third wife Jennifer stayed during the trial . Jeremy Park wrote to the North @-@ West Evening Mail to confirm that he wanted nothing to do with the reward , and that Harrison had no right to include his name , contact details or email address , or mention the freegordon website , in the adverts . Subsequently , Harrison claimed to have delivered 6 @,@ 000 booklets and leaflets in the Furness area . Not everyone with a link to the family supported Gordon 's attempts to clear his name . Vanessa Fisher , Park 's adoptive daughter , appeared as a witness for the prosecution at the trial , telling of how her father would hit the children with " a stick or cane " and how he would not discuss his wife 's disappearance . She was not in court at the time of Park 's sentencing . Ivor Price , Carol 's brother , has spoken publicly at various times about his feelings about Gordon , and the Price family even sat away from Park 's supporters during the trial itself . In a statement shortly after Park 's guilty verdict , he said he had " no doubt " that justice had been done , and added that " Carol was a lovely , bubbly girl who was very clever and intelligent . What has been said about her has been heartbreaking . This was about one thing : justice for Carol . " Around the same time , Price said that although he believed Gordon at the time of Carol 's disappearance , upon the news of a body being found in Coniston Water , he " knew it was her , and knew who had done it " , expressing his conviction of Park 's guilt . More recently , he said that he was " distressed " by the ongoing campaign to free Park . After Park 's unsuccessful appeal , Price 's daughters , Kay Washford and Claire Gardener spoke to the North @-@ West Evening Mail , their parents having died before the appeal was rejected . Washford said " It is brilliant , an amazing result . Our mum and dad Ivor and Maureen Price fought hard for this justice and now they can rest in peace because justice has been done . We are so thankful for the result and so glad he will be staying in there . " She added that " It is finally justice for Carol . " The Park family and Cumbria Constabulary did not comment . = = = Claims of flawed investigation = = = The case was reported to be difficult for the prosecution , with the time between the murder and the trial making it extremely difficult to track potential witnesses . Keith Churchman , a police officer involved in the case , said that " the other difficulty was of course the body was taken away from the place where it was killed . " However , on top of the difficulties outlined by the police , the freegordon website detailed a number of what Park 's supporters claim are holes in the evidence used to convict him . A story about the problems with the evidence was published in the Daily Mail on October 12 , 2005 , at the request of Jeremy , though it was not written by him . Bob Woffenden , the author , later wrote an article for Inside Time , in December 2006 , talking about the trial and its controversies . Another similar article , pointing out holes in the evidence , was published in the Sunday Herald , on July 23 , 2006 . = = = = Witnesses = = = = The first problem with the evidence is the use of inmate informant evidence , such as that from Michael Wainwright , described as " the most disreputable [ form of evidence ] of all " , despite the fact that it was one of the key pieces of evidence in the trial . Glen Banks , a man with whom Park had briefly shared a cell and who claimed in court that Park had admitted his guilt to him , was described as " highly suggestible " , frequently changed his story , and also claimed that Park had admitted to killing Carol while sailing to Blackpool . Wainwright , the other informant , was said to bea heavy cannabis smoker and admitted to hearing voices . He claimed that Gordon had said that he went upstairs , found Carol in bed with another man , and killed her in a fit of rage . This seemed unlikely , as the Parks lived in a bungalow , and the supposed lover has never come forward . Park also claimed to have never actually met Wainwright . Joan Young , who was the only first @-@ hand witness , is challenged in both articles . She came forward in 2004 , claiming that she had seen someone push something over the side of a boat on Coniston Water . This testimony is challenged , because so much time has passed and the fact that her husband saw nothing . However , he claims to have been reading his paper at the time . Also , it has been said that Young was too far away to identify the person in the boat , and that it couldn 't have been Carol Park 's body that was being dumped , as the Youngs were positioned so that the location Carol 's body was found would have been visibly blocked by an island . The article even points out that Young described a boat that appeared to be a cruiser yacht . Despite the fact that Gordon did own a large yacht in 1997 , in 1976 he owned only a 505 racing dinghy , which he sold later that year . There are three witnesses who provide direct evidence supporting the idea that Park was innocent . The first , a neighbour , claims that they saw Carol at the bottom of her driveway . A second , another neighbour , claims that they saw an unidentified man in a Volkswagen Beetle in the Parks ' drive for twenty minutes . The presence of the unidentified car has never been accounted for . Around 6pm that night , another witness , a woman who knew Carol , saw her at Charnock Richard services . She had mentioned to her husband the fact that Carol had not greeted her , describing her as " snobby " . = = = = Other evidence = = = = The rock supposedly found in the lake , said to be taken from the Park 's garden wall , has been challenged as evidence in multiple places . Both articles say that the police diver had no memory of recovering it , and he claimed that if he had found it , he would have placed it back . Professor Kenneth Pye , a defense witness , said that there was no evidence that the rock had ever been on the lake bed at all . The article in the Sunday Herald also claims that the policeman said to be responsible for finding the rock fainted when it was produced in court , offering no explanation , but still denying that he ever found it . Two more issues are addressed in the Sunday Herald article , but not in the Daily Mail article . The first is of the knots used to tie up Carol 's body – the knots on Carol 's body were mostly granny knots , of which there was no evidence that Gordon ever used – indeed during the trial he was specifically asked this , and he responded , " I do not use granny knots " . The granny knot is always a mistake , used by someone who should have used a reef knot ; those learning knot @-@ tying frequently make this mistake . Gordon Park , an experienced knot @-@ tyer , would likely never use a granny knot , and their frequent appearance on the body of Carol is strong evidence that it was not Gordon who tied them . The article also claims that the evidence of knots was irrelevant anyway , as climbers and yachtsmen were so common in the area . The other piece of evidence related to another rock taken from the lakebed , which had supposedly come from the Parks ' roof . However , the prosecution eventually admitted that Westmoreland green slate had been worked in the area for hundreds of years , and could have come from anywhere . The Herald also mentions the fact that the police files from the original missing persons inquiry into Carol Park had gone missing themselves , but does not draw any conclusions from this . Both articles address the issue of who the killer could alternatively have been , and both of them mention Carol 's other lovers , and John Rapson , responsible for murdering Carol 's sister . Both of the articles mention that he was in the Barrow area around the time of the murder , but both of them are careful to point out that they are not accusing him of being the murderer . = = = No Smoke = = = On 1 May 2007 , No Smoke – The Shocking Truth About British Justice , by Sandra Lean , was published by Exposure Publishing . This book features the stories of seven high @-@ profile convicted murderers , including Park , Luke Mitchell and Sion Jenkins . The book claims that the expert testimonies in the Lady in the Lake trial were flawed , that certain evidence was withheld , and that the sensationalist reporting of the press at the time influenced the court by persuading them that Park was the only person who could have killed his wife . = = Personal life of Gordon Park = = Park worked as a village primary school teacher , but was retired by the time he was prosecuted for the murder of his first wife , Carol . Park had two children by Carol , Jeremy and Rachael . Gordon and Carol also adopted their niece Vanessa when she was 18 months old after her mother , Christie ( who was Carol 's sister ) , was murdered by her boyfriend in 1969 , aged 17 . This was described as a " rare and appalling coincidence " , but has been picked up on by the case for the defence since the trial . Park remarried twice after Carol was murdered . His second wife was named Catherine , and his third , to whom he remained married until his death , is named Jenny . Park met all of his wives through teaching , Carol was a teacher at Askam Village School when she was killed . When rejecting Park 's request for appeal , Lord Justice Keene , Mr Justice Beatson and Mr Justice Macduff noted that both Gordon and Carol had had affairs in the year leading up to Carol 's disappearance . Park 's interests included sailing and climbing , which was relevant to the case due to the knots used to tie his wife 's body . While in prison , Park spent time practising t 'ai chi , taking a maths degree and keeping fit . In an exclusive written interview with The Westmorland Gazette nine months into his sentence , Park talked of how he had struggled with prison , saying : " They [ other inmates ] may smoke incessantly , play loud music , the TV or video games , rifle your drawers , steal , lie etc . There is not a lot you can do about it ... I watched a guy " chasing the dragon " . It frightened me to death . I had never seen that before . " He refused to answer detailed questions about the trial or case , but protested his innocence , saying " If I knew who killed my wife , how , where , why , then I would have said so . I did not know then . I do not know now . "

= Dover Athletic F.C. = Dover Athletic Football Club is a professional association football club based in the town of Dover , Kent , England . The club was formed in 1983 after the dissolution of the town 's previous club , Dover F.C. , whose place in the Southern League was taken by the new club . In the 1989 – 90 season Dover Athletic won the Southern League championship , but failed to gain promotion to the Football Conference as the club 's ground did not meet the required standard . Three seasons later the team won the title again and this time gained promotion to the Conference , where they spent nine seasons before being relegated at the end of the 2001 – 02 season . The club was transferred to the Isthmian League Premier Division in 2004 , but another poor season and financial problems that had been mounting led the club to a further relegation . After three seasons were spent in the Isthmian League Division One South , the club won the championship and with it promotion back to the Premier Division , followed immediately the following season by another championship and with it promotion to Conference South . Five seasons were spent in that division with the club coming close to gaining promotion several times , reaching the play @-@ offs three times . In the 2013 – 14 season , Dover reached the play @-@ off final for the second successive season and defeated Ebbsfleet United to return to the Conference Premier after a twelve @-@ year absence . The team usually wear white shirts and are consequently nicknamed the Whites . They have played at the Crabble Athletic Ground since the club 's formation . The club 's best performance in the FA Cup was an appearance in the third round proper in the 2010 – 11 and 2014 – 15 seasons , while the best performance registered in the FA Trophy , the national competition for higher @-@ level non @-@ league clubs , was a run to the semi @-@ finals in the 1997 – 98 season . = = History = = Dover Athletic F.C. was formed in 1983 after the town 's previous club , Dover , folded due to its debts . The new club took Dover 's place in the Southern League Southern Division , with former Dover player Alan Jones as manager and a team consisting mainly of reserve players from the old club . Initially Athletic struggled , finishing second from bottom of the table in the 1984 – 85 season . In November 1985 Steve McRae , who had succeeded Jones a year earlier , was sacked and replaced by Chris Kinnear . Under Kinnear the club 's fortunes turned round , with two top @-@ five finishes followed by the Southern Division championship , and with it promotion , in the 1987 – 88 season . The team started strongly in the Premier Division , finishing in sixth place at the first attempt , and then winning the championship in the 1989 – 90 season . The club was denied promotion to the Football Conference , however , as the Crabble Athletic Ground did not meet the standard required for that league . After finishing fourth and second in the subsequent two seasons , Dover won the title again in the 1992 – 93 season and this time were admitted to the Conference . Although Dover finished in eighth place in their first season in the Conference , the following season saw the club struggling against relegation , and Kinnear was dismissed due to a combination of the team 's poor performances and his own personal problems . John Ryan was appointed as the club 's new manager , but his reign was a short one and he was dismissed when the club lost seven of its first eight matches in the 1995 – 96 season . The club then appointed former England international Peter Taylor as manager , but he was unable to steer the team away from the foot of the table , and Dover held onto their place in the Conference only because Northern Premier League runners @-@ up Boston United failed to submit their application for promotion before the required deadline . Bill Williams took over as manager in 1997 and led the club to the FA Trophy semi @-@ finals in the 1997 – 98 season and a best league finish to date of sixth place in the 1999 – 2000 season . Williams left the club to take a senior position with Conference rivals Kingstonian in May 2001 . By now the club was in severe financial difficulties , with a number of directors resigning and debts exceeding £ 100 @,@ 000 . Amid the crisis the entire board of directors resigned , forcing the club 's Supporters ' Trust to take over the running of the club , and manager Gary Bellamy was sacked after just six months in the job . Former Everton goalkeeper Neville Southall took over but was dismissed just three months later , with Clive Walker taking over in March 2002 with the club rooted to the foot of the table . The club finished the season bottom of the Conference and was relegated back to the Southern League Premier Division . The club 's ongoing financial problems led to it entering a Company Voluntary Arrangement ( CVA ) , a process by which insolvent companies offset their debts against future profits , due to debts that were now estimated at £ 400 @,@ 000 . In Dover 's first season back in the Southern League Premier Division the Whites finished in third place , albeit 17 points adrift of Tamworth , who claimed the one promotion place available that season . A poor start to the following season saw Walker replaced by Richard Langley . Dover finished the season in 19th place , before being switched to the Isthmian League Premier Division in the summer of 2004 following a re @-@ organisation of the English football league system . The new season started with six successive defeats , which saw Langley sacked , and the financial problems continued , with the club coming within two months of being closed down . Dover were relegated to the Isthmian League Division One at the end of the season , but were saved from possible extinction in January 2005 when former director Jim Parmenter returned to head up a consortium that took over the club . Parmenter quickly sacked manager Steve Browne and convinced Clive Walker to return to the club to replace him , and also arranged for the club 's outstanding CVA debts to be cleared , putting the club on a firm financial footing for the first time in many years . Dover Athletic narrowly missed out on an immediate return to the Premier Division in the 2005 – 06 season , reaching the play @-@ offs for promotion but losing out to Tonbridge Angels . The following season Dover again reached the play @-@ offs but lost in the semi @-@ final to Hastings United , after which Walker did not have his contract renewed and was replaced by former Gillingham manager Andy Hessenthaler . In his first season in charge he led the club to the Division One South championship and promotion to the Isthmian League Premier Division . The following season Dover won a second consecutive championship and thus gained promotion to Conference South . In the 2009 – 10 season , Dover reached the play @-@ offs for promotion to the Conference National , but lost at the semi @-@ final stage to Woking . The following season the club reached the third round of the FA Cup for the first time after wins over Kent rivals Gillingham in the first round and another League Two club , Aldershot Town , in the second round . In the 2012 – 13 season the club again reached the play @-@ offs , but this time lost in the final to Salisbury City . The following season the team reached the second round of the FA Cup , losing 1 – 0 to Milton Keynes Dons , The last 16 of the FA Trophy , narrowly losing 3 – 2 to Eastleigh and made the play @-@ offs once more . A 4 – 1 aggregate victory over Sutton United in the semi @-@ final set up a match with fellow Kent team Ebbsfleet United in the final . On 10 May 2014 , Dover beat Ebbsfleet 1 – 0 at Stonebridge Road with a goal from Nathan Elder enough to seal the club 's return to the top flight of non @-@ league football for the first time since 2002 . In the 2014 – 15 season Dover went on another FA Cup run , beating Morecambe 1 – 0 in the first round , then Cheltenham Town 1 – 0 in the second round to reach the third round proper for only the second time ever , but lost 4 – 0 at home to Premier League side Crystal Palace . The following season the team qualified for the play @-@ offs for promotion to League Two . = = Colours and crest = = Dover Athletic 's traditional colours are white and black , which were also the colours worn by the earlier Dover club . Away colours worn by the club have included red , yellow & green , pink and blue . The club 's crest contains a stylised representation of the town 's two most famous landmarks , Dover Castle and the white cliffs , enclosed in a circle bearing the club 's name . The club 's shirts have been sponsored by companies including Criccieth Homes , Paul Brown of Dover , Jenkins and Pain , cross @-@ channel ferry operators Hoverspeed and SeaFrance , local car dealership Perry 's and are now sponsored by produce suppliers Gomez , the company owned by Dover Athletic chairman Jim Parmenter . = = Stadium = = Dover Athletic 's home ground since the club 's foundation has been the Crabble Athletic Ground , which was also the home of the former Dover club . The word Crabble , which is also found in the name of a local corn mill , may derive from the Old English crabba hol , meaning a hole in which crabs are found . The stadium , commonly known simply as " Crabble " or , imprecisely , as " The Crabble " , forms part of a larger council @-@ owned complex , and the earlier Dover club originally shared the lower pitch with a rugby club , but moved to the upper pitch in the 1950s , adding a grandstand in 1951 , followed soon after by terracing and floodlights . Dover Athletic continued to make improvements to the ground , although not in time to allow the club to take its place in the Football Conference in 1990 . Subsequently new turnstiles were installed and two new terraces and a second grandstand added . These improvements meant that the club was able to gain promotion after its second Southern League title in 1993 . The stadium 's modern capacity is 5 @,@ 745 with 1 @,@ 010 seats and 3 @,@ 642 spectators under cover . In 2007 the club announced that under the new sponsorship deal with SeaFrance the stadium would be known officially as the SeaFrance Crabble Stadium , but a year later it was announced that the deal would not be renewed due to the ferry operator 's financial constraints . On 1 July 2008 local car dealership Perry 's was announced as the club 's new main sponsor and the stadium rebranded as the Perry 's Crabble Stadium , an arrangement which lasted until 2012 . Between 2003 and 2004 it was known as the Hoverspeed Stadium under the terms of another such agreement . Margate played their home matches at Crabble for two seasons from 2002 until 2004 , while their own Hartsdown Park ground was being redeveloped . = = Supporters = = In the club 's early days Athletic struggled to attract crowds of over 150 , but by the time the club reached the Conference , crowds at Crabble were averaging around 1 @,@ 000 . After the club 's relegation to the Isthmian League Division One South , the average attendance fell to just over 800 , but when the club returned to the Premier Division for the 2008 – 09 season , the average attendance at Crabble was 1 @,@ 293 , the highest in the division . The highest home attendance in the club 's history was 5 @,@ 645 for the match against Crystal Palace in the third round of the FA Cup on 4 January 2015 . Although Athletic 's improved monetary position means that the Supporters ' Trust is no longer required to financially support the club , it remains active as a fundraising organisation . = = Statistics and records = = Dover Athletic 's highest finish in the English football league system was in the 1999 – 2000 season , in which the team finished in sixth place in the Football Conference , the highest level of non @-@ league football and the fifth level overall . The Whites have made 13 appearances in the final qualifying round of the FA Cup , but have only progressed to the first round proper three times . In the 2010 – 11 season , Dover reached the third round for the first time , defeating Football League Two teams Gillingham and Aldershot Town in the first two rounds before losing to Huddersfield Town of Football League One . In the 1997 – 98 season the Whites reached the semi @-@ finals of the FA Trophy but missed out on an appearance at Wembley , losing to Cheltenham Town . The largest number of points the team has accrued is 102 in the 1989 – 90 season , and the highest total number of goals scored in a season is 89 , scored in 40 matches in the 1985 – 86 season . The team 's biggest ever win was an 8 – 0 defeat of East Preston in September 2009 , and the heaviest defeat was a 7 – 1 loss to Poole Town in April 1984 . The holder of the record for most appearances for Dover Athletic is Jason Bartlett , who played in 539 matches , and the all @-@ time top goalscorer is Lennie Lee , with 160 goals . The club 's record signing is Dave Leworthy , who joined the club from Farnborough Town in 1993 for £ 50 @,@ 000 , which at the time was the highest transfer fee ever paid between non @-@ league clubs . The highest confirmed fee received by the club was also £ 50 @,@ 000 , paid by Brentford in 1997 for Ricky Reina . = = Players = = As of 16th July 2016 Note : Flags indicate national team as defined under FIFA eligibility rules . Players may hold more than one non @-@ FIFA nationality . = = = Former players = = = For a list of former Dover Athletic players with Wikipedia articles , see Category : Dover Athletic F.C. players . = = Managers = = Dover Athletic have had 17 permanent managers ( excluding caretaker managers ) in the club 's 25 @-@ year history , with Chris Kinnear 's 10 @-@ year stint being the longest . The shortest stay was Ian Hendon who was announced as manager on 28 May 2010 and resigned only 18 days later to join Andy Hessenthaler at Gillingham . = = Honours = = Southern League Premier Division champions 1989 – 90 , 1992 – 93 Southern Division champions 1987 – 88 Isthmian League Premier Division champions 2008 – 09 Division One South champions 2007 – 08 Kent Senior Cup Winners 1990 – 91 Conference South Play @-@ off winners 2013 – 14 = = Rivalries = = Dover Athletic 's main rivalry is with nearby Folkestone Invicta . A meeting between the two teams in 2004 was watched by a crowd of 2 @,@ 278 , a record attendance for a league match at Invicta 's ground . The club also has a rivalry with Margate . In the 2001 – 02 season , when both teams were in the Football Conference , the two games between Margate and Dover were watched by a combined total of more than 6 @,@ 000 spectators . The game played at Margate 's Hartsdown Park stadium drew a crowd of 3 @,@ 676 , and 2 @,@ 325 were in attendance for the game at Dover .

= Plum cake = Plum cake refers to a wide range of cakes made with either dried fruit ( such as grapes , currants , raisins or prunes ) or with fresh fruit . There is a wide range of popular plum cakes and puddings . Since the meaning of the word " plum " has changed over time , many items referred to as plum cakes and popular in England since at least the eighteenth century have now become known as fruitcake . The English variety of plum cake also exists on the European mainland , but may vary in ingredients and consistency . Settlers in British colonies brought the dried fruit variety of cake with them , so that for example , in India it was served around the time of the Christmas holiday season and in the American colonies , where it became associated with elections , one version came to be called " election cake " . Plum cakes made with fresh plums came with other migrants from other traditions in which plum cake is prepared using plum as a primary ingredient . In some versions , the plums may become jam @-@ like inside the cake after cooking , or be prepared using plum jam . Plum cake prepared with plums is also a part of Ashkenazi Jewish cuisine , and is referred to as Pflaumenkuchen or Zwetschgenkuchen . Other plum @-@ based cakes are found in French , Italian and Polish cooking . = = Terms = = The term " plum cake " and " fruit cake " have become interchangeable . Since dried fruit is used as a sweetening agent and any dried fruit used to be described as " plums " , many plum cakes and plum puddings do not contain the plum fruit now known by that name . ( Plum pudding is a similar , richer dish prepared with similar ingredients , cooked by steaming the mixture rather than baking it . ) The term " plum " originally referred to prunes , raisins or grapes . Thus the so @-@ called plums from which English plum puddings are made " were always raisins , not the plump juicy fruits that the name suggests today . " In Old English , the term plūme was " from medieval Latin pruna , from Latin prunum , " which equated to " prune " . Prune in modern French means plum , so plum tarts have names such as tarte aux prunes . In English , prunes are dried plums , and when modern cakes use them as a primary ingredient , they may be referred to as a plum cake or type of plum cake . = = By region = = = = = Britain = = = Plum cake has historically referred to an early type and style of fruitcake in England since around 1700 . Raisins and currants were used , which in the English language were referred to as plums since around 1660 . The various types of dried fruit ( grapes , currants and raisins ) were familiar to English kitchens through trade with The Levant and Mediterranean but before they became available through " trouble @-@ free " imports from Australia , South Africa and California , preparing them required " an immense amount of labour ... on account of the rough and ready methods by which the fruit was picked , dried , packed and exported " . In 1881 Colonel Henry @-@ Herbert said that " a good English plum cake ... is a national institution " . At times , Thomas Carlyle was one among many who ate a light style of plum cake with tea , into which he would dip the cake , which he described as bun @-@ like with currants " dotted here and there " . Elizabeth David wrote that " Christmas mincemeat and Christmas plum pudding and cake are all such typical examples of the English fondness for spiced fruit mixtures that it seems almost unnecessary to include recipes for them ... " Plum cakes were raised by whipping air into the cake batter , rather than by the use of yeast . A range of plum cakes and puddings were published in the popular Book of Household Management ( published 1859 @-@ 1861 ) by Isabella Beeton . Mrs Beeton included recipes for " A Common Plum Cake " and " A Nice Plum Cake " as well as " Baked Plum @-@ Pudding " , " An Unrivalled Plum @-@ Pudding " , " A Plain Christmas Pudding for Children " , " Plum @-@ Pudding of Fresh Fruit " , " Plum Tart " , " Christmas Plum @-@ Pudding " , " A Pound Plum Pudding " and " Christmas Cake " . The comment in an Indian Household Management book is indicative both of the reach of Mrs Beeton 's book as well as the range of interpretations of plum cake and plum pudding . The author says , " Mrs Beeton ’ s recipe is by far the best if modified a little : 12 units of manukka raisins ... " Up to World War I , cakes , including plum cakes , were baked along with loaves of bread . " A smaller cake or pasty might be slipped in or pulled out after the baking had begun , but a raised pie with well @-@ protected sides , or a large plum cake , would take at least the same time as the loaves , and experienced housewives made them in sizes to do so . " = = = Europe = = = The English variety of plum cake also exists on the European mainland , although " plum cake " there more usually refers to baked cakes made with fresh , rather than dried fruit . In French cooking , plums are an ingredients in a significant tradition of cake making : " ... throughout the districts of the Loire , the Dordogne , the Lot and the Périgord , there [ was ] hardly a celebration , a wedding feast or celebration at which the dessert [ did ] not include some sort of plum or mirabelle tart , made with fresh or dried plums or jam according to the season . " The Mirabelle plum is a specific cultivar used to make Tarte aux mirabelles ( plum tart ) . A Galette aux fruits is a type of galette made with yeast dough and covered with previously cooked fruit in season , such as plums ( or quinces , apples , apricots ) . The fruit in these open tarts or flans is cut into suitably sized pieces and the cake is glazed : red glaze is recommended for red plum and rhubarb flans , whereas apricot glaze is recommended in yellow plum and apricot flans . The German plum cake , known as Zwetschkenkuchen , can be found all over the country , although its home is Bavaria . In chef Robert Carrier 's recipe for it , the base is made from yeast pastry rather than often used shortcrust pastry , because the yeast pastry " soaks up the juice form the plums without becoming soggy " . In Italy , plum cake is known by the English name , baked in an oven using dried fruit and often yoghurt . The Polish version of plum cake , which also uses fresh fruit , is known as Placek z Sliwkami . = = = India = = = In India plum cake has been served around the time of the Christmas holiday season , and may have additional ingredients such as rum or brandy added . = = = United States = = = Plum cake in the United States originated with the English settlers and was prepared in the English style in sizes ranging from small , such as for parties in celebration of Twelfth Night and Christmas , to large , such as for weddings . This original fruitcake version of plum cake in the United States has been referred to as a reigning " standard American celebration cake through the time of the civil war " . During colonial times , one version of plum cake was called " election cake " , and was prepared with currants , raisins , molasses and spices , with the addition of brandy in the recipe occurring later . Election cakes were typically leavened with yeast . In New England , large election cakes weighing around 12 pounds ( 5 @.@ 4 kg ) would traditionally be served while people waited for election results . It has been stated that the first published election cake recipe appeared in 1796 in American Cookery . Plum cake recipes in the fruitcake style appeared in early cookbooks in the Southern United States , and did not actually call for plums . After 1830 plum cake was often referred to as fruit cake or black cake . In 1885 , in a description of plum cake that sounds like plum pudding , it was described as " mucilaginous " - a solid , dark @-@ colored , thick cake with copious amounts of plums , gritty notes from raisins .

= Kedok Ketawa = Kedok Ketawa ( [ kəˈdɔʔ kəˈtawa ] ; Indonesian for The Laughing Mask , also known by the Dutch title Het Lachende Masker ) is a 1940 action film from the Dutch East Indies ( now Indonesia ) . Union Films ' first production , it was directed by Jo An Djan . Starring Basoeki Resobowo , Fatimah , and Oedjang , the film follows a young couple who fight off criminals with the help of a masked man . Advertised as an " Indonesian cocktail of violent actions ... and sweet romance " , Kedok Ketawa received positive reviews , particularly for its cinematography . Following the success of the film , Union produced another six works before being shut down in early 1942 during the Japanese occupation . The film , screened until at least August 1944 , may be lost . = = Plot = = In Cibodas , Banten , a young woman named Minarsih ( Fatimah ) is rescued from four thugs by the painter Basuki ( Basoeki Resobowo ) . They fall in love and begin planning their life together . However , a rich man interested in taking Minarsih to be his wife sends a gang to kidnap her . Basuki is unable to repel them , but is soon joined by a masked vigilante known only as the " The Laughing Mask " ( Oedjang ) , who has almost supernatural fighting abilities . After two battles with the gang , Basuki and The Laughing Mask are victorious . Basuki and Minarsih can live together in peace . = = Production = = Kedok Ketawa was the first film produced by Union Films , one of four new production houses established after the success of Albert Balink 's Terang Boelan revived the ailing film industry of the Dutch East Indies . Union was headquartered in Prinsenlaan , Batavia ( now Mangga Besar , Jakarta ) and funded by the ethnic Chinese businessman Ang Hock Liem , although Tjoa Ma Tjoen was in charge of day @-@ to @-@ day operations . The film was shot on @-@ location in Cibodas , and featured fighting , comedy , and singing . The film was directed by Jo An Djan and starred Oedjang , Fatimah , and Basoeki Resobowo . Other members of the cast included S Poniman and Eddy Kock . Oedjang had been a stage actor before appearing in the film , while Fatimah and Basoeki were nobles with a formal education . The Indonesian film historian Misbach Yusa Biran writes that this is evidence the film was targeted at intellectual audiences , a manifestation of Union 's stated goal of " improv [ ing ] the quality of Indonesian art " . Following the success of Terang Boelan ( 1937 ; based on The Jungle Princess ) , the domestic film industry began to model their productions after Hollywood works , as this was expected to ensure financial success . The Indonesian film scholars Ekky Imanjaya and Said Salim write that Kedok Ketawa was influenced by Bram Stoker 's 1897 novel Dracula through its Hollywood adaptations . Neither writer gives comparisons to illustrate this influence . Kedok Ketawa was not the first contemporary film featuring a masked hero . Tan 's Film had released Gagak Item ( The Black Crow ) , with Rd Mochtar as the masked Black Crow , in 1939 , and later productions , including Java Industrial Film 's Srigala Item ( The Black Wolf ; 1941 ) , continued the trend . As was common for contemporary productions , the soundtrack for Kedok Ketawa – performed by Poniman – consisted of kroncong songs . = = Release and reception = = Kedok Ketawa was released in Batavia in July 1940 , with a press screening on 20 July . By September it was being shown in Surabaya . In some newspaper advertisements , such as in Pemandangan , it was referred to as Pendekar dari Preanger ( Warrior from Preanger ) , while in others it was advertised with the Dutch title Het Lachende Masker . It was marketed as an " Indonesian cocktail of violent actions ... and sweet romance " and rated for all ages . The critic and screenwriter Saeroen , writing for Pemandangan , praised Kedok Ketawa , especially its cinematography and the beauty of its scenery ; he compared the film to imported Hollywood films . An anonymous review in Bataviaasch Nieuwsblad found that the film was a mix of native and European sensibilities and lauded its cinematography . According to the review , the film surpassed expectations , but it was evident that this was a first production . Another review , in Soerabaijasch Handelsblad , considered the film among the best local productions , emphasising the quality of its cinematography and acting . = = Legacy = = Soon after the success of Kedok Ketawa , Saeroen joined Union Films and wrote four films for the company . These were not directed by Jo An Djan , who left Union for the competitor Populair 's Film , but by the newly hired R Hu and Rd Ariffien . Union Film ultimately produced a total of seven films in 1940 and 1941 before being closed following the Japanese invasion in early 1942 . Of the film 's main cast , only Fatimah and Oedjang are recorded as continuing their acting career , both appearing in several further Union productions . However , in the 1950s Resobowo continued his career behind the screen , serving as art director of such films as Darah dan Doa ( The Long March ; 1950 ) . Kedok Ketawa was screened as late as August 1944 , but may now be lost . Movies in the Indies were recorded on highly flammable nitrate film , and after a fire destroyed much of Produksi Film Negara 's warehouse in 1952 , old films shot on nitrate were deliberately destroyed . While the American visual anthropologist Karl G. Heider suggests that all Indonesian films from before 1950 are lost , J.B. Kristanto 's Katalog Film Indonesia records several as having survived at Sinematek Indonesia 's archives , and Biran writes that some Japanese propaganda films have survived at the Netherlands Government Information Service . = = Explanatory notes = =

= My Boo ( Usher and Alicia Keys song ) = " My Boo " is a duet between American R & B singers Usher and Alicia Keys , written by Usher , Keys , Jermaine Dupri , Adonis Shropshire , and Manuel Seal , Jr .. The song was released as the album 's fourth single in 2004 . Set over a hip hop @-@ style track , it was produced by Dupri and No I.D. It was included on the re @-@ release of Usher 's fourth studio album , Confessions ( 2004 ) . The song received positive reviews from critics , and has garnered awards . The single stayed on top of the Billboard Hot 100 for six weeks , making it the third most @-@ successful single from the album after " Yeah ! " and " Burn " , respectively . It was also ranked as the 36th biggest song of the 2000 – 2009 decade in the US . = = Background = = Usher and Alicia Keys had previously collaborated with the remix of Keys ' 2004 single " If I Ain 't Got You " , which was released in the United Kingdom . During the production of Usher 's fourth studio album , Confessions , they thought of various female singers to pair him with on the song . Usher and Kortney Kaycee Leveringston 's rare demo version can be found floating on the Internet . Although it was and still is widely believed that it was Beyoncé . However , Jermaine Dupri , who co @-@ wrote the song including Usher 's number @-@ one hits " Yeah ! " , " Burn " , and " Confessions Part II " , felt that he had established good relationship with Keys since she had worked with him and Usher . The song is written from the perspectives of Keys and Usher , who play the role of an ex @-@ couple . For him , Usher and Keys " talk about how they used to be in love and how those feelings are still lingering despite the two not being involved anymore . " For Keys , " The song is talking about the first person you ever really had feelings for . Even though you move on and meet new people , you always remember that first person . " = = Release = = " My Boo " was among the songs that were not included in the final track listing of Confessions , including " Red Light " and songs recorded Usher recorded with P. Diddy and The Neptunes . " My Boo " and " Red Light " were leaked to the internet , along with other records that were not included during the first release . The song was included in the expanded version of Confessions , alongside " Red Light " and " Sweet Lies " which were only released in the UK version of the album . Dupri thought of releasing " My Boo " as the fourth single from Confessions once " Confessions Part II " would be leaving the charts . LaFace Records sent " My Boo " to US contemporary hit radio on August 29 , 2004 and to US urban contemporary radio on August 30 , 2004 . The single was released in the United States as a 12 " single on September 21 , 2004 . It was a double A @-@ side with " Confessions Part II " when it was released in the United Kingdom on December 28 , 2004 . " My Boo " was re @-@ released in the United Kingdom on January 18 , 2005 . = = Composition and reception = = " My Boo " is a hip hop @-@ tinged R & B song with a mid @-@ tempo melody . It is composed in the key of D minor , in common time . The lyrics are constructed in verse @-@ chorus @-@ chorus form . Usher starts the intro , and Keys followed her rap @-@ intro , with background vocals from Usher . He proceeds to the first verse and chorus , leading to Keys singing another chorus , altering some of the lyrics of the original chorus to create a dialogue . Keys sings the second verse and Usher for the chorus , with background vocals from Keys . Keys repeats her version for the chorus . The song breaks with Usher and Keys singing " My oh , My oh , My oh , My oh , My Boo " , one after the other . Usher repeats the chorus again , and they sing the intro of Keys . The song received mixed reviews from critics . Azeem Ahmad of OMH Media proposed to ban " My Boo " because he felt that the collaboration was a competition among Usher and Alicia Keys " over the hip @-@ pop like beat " . Jon Caramanica of Rolling Stone found the duet sentimental . At the 2005 Grammy Awards , it was nominated for Best R & B Song and Best R & B Performance by a Duo or Group with Vocals ; to which it won the latter and the former was awarded to Alicia Keys ' song , " You Don 't Know My Name " . Usher and Keys won for Best R & B / Soul Single by a Duo or Group during the 2005 Soul Train Music Awards . In 2011 , Billboard ranked the song seventh on a special The 40 Biggest Duets of All Time listing . = = Chart performance = = " My Boo " was successful in the United States , living up to the chart performances of " Yeah ! " , " Burn " and " Confessions Part II " . The single debuted on the Billboard Hot 100 twenty @-@ nine , the highest U.S. entry among all singles released from the album . It entered the top ten , two weeks after , and peaked at number one during its eighth @-@ week stay on the chart . The single remained on the top for six weeks , beating its predecessor " Confessions Part II " , which charted at number one for two weeks . However , it failed to match the success of " Yeah ! " and " Burn " for twelve- and eight @-@ week run on the top , respectively . It stayed on the top ten for nineteen weeks , leaving the chart after twenty @-@ six weeks . The single was successful on Billboard component charts , topping the Hot R & B / Hip @-@ Hop Songs and Hot Ringtones . In Europe , the single had divided responses . The single reached the top five in United Kingdom , Germany , the Netherlands , Norway and Switzerland . It entered the top twenty in France , Finland and Switzerland , and top thirty in Austria . = = Music video = = Directed by both Usher and music video director Chris Robinson , " My Boo " clip was filmed in New York City . The storyline of the video is a reflection of the song 's lyrics . The footage starts with Usher in a living room watching a video for " Bad Girl " , a song from Confessions . The " Bad Girl " intro features Usher singing the song in a club setting while admiring a scantily @-@ dressed woman . He turns the set off and slumps down on the sofa before laying on it with his foot propped up . After a moment of silent , nostalgic reflection , he begins to sing the intro of " My Boo " . The video then shows him and Alicia Keys in their separate quarters , preparing to head out , while singing their part of the song . Usher eventually steps out on streets of New York ; likewise , Keys is out in her car . She leaves the car and walks down the street , and the couple meet up in the middle of Times Square , cuddling each other and on the brink of kissing . The music video debuted on MTV 's Total Request Live at number nine on September 16 , 2004 . It remained on the countdown for twenty @-@ seven days , becoming the only Confession video to chart . Usher recorded " My Boo " aside from Keys with various female artists . He collaborated with fellow R & B singer Brandy Norwood and Usher recorded their own version as well , which appeared on her fourth album Afrodisiac . Brandy changed some of the lyrics , singing like having a conversation . However , neither of the two was included in the album . A remix of " My Boo " was also produced , featuring guest vocals from Nelly ; however , Keys ' part was omitted . = = Track listing = = UK CD 1 " Confessions Part II " " My Boo " ( Duet with Alicia Keys ) UK CD 2 " Confessions Part II " " My Boo " ( Duet with Alicia Keys ) " Confessions Part II " ( Remix ) ( featuring Shyne , Kanye West & Twista ) " Confessions Part II " ( Music Video ) = = Charts = = = = Certifications = =

= Rio de Janeiro bid for the 2016 Summer Olympics = The Rio de Janeiro bid for the 2016 Summer Olympics and Paralympics was a successful bid to host the Games of the XXXI Olympiad and the XV Paralympic Games , respectively . It was submitted on September 7 , 2007 , and recognized as an Applicant city by the International Olympic Committee ( IOC ) one week after . On June 4 , 2008 , the IOC Executive Board shortlisted Rio de Janeiro with three of the six other Applicant cities — Chicago , Madrid and Tokyo ; over Baku , Doha and Prague — becoming a Candidate city during the 2008 SportAccord Convention in Athens , Greece . Rio de Janeiro was shortlisted receiving a 6 @.@ 4 score , according to a study of its Application File delivered to the IOC Working Group on January 14 , 2008 . As a Candidate city , Rio de Janeiro submitted its Candidature File to the IOC on February 11 , 2009 . The dossier was analyzed by the IOC Evaluation Commission , which arrived in the city on April 27 , 2009 , to assess the quality of the bid . Between April 29 and May 2 , the Commission attended technical presentations and made inspections in all the existing venues across the city , giving a favorable assessment in its final report . The Brazilian Olympic Committee ( COB ) chose Rio de Janeiro as its bidding city to host the 2016 Summer Olympics and Paralympics , during its Annual Assembly on September 1 , 2006 . This was the city 's first bid that proceeded to the Candidature phase , after three failed attempts to host the Games in 1936 , 2004 and 2012 . The lengthy and intensive bidding process was concluded with the election of Rio de Janeiro as the host city during the 121st IOC Session , held in Copenhagen , Denmark , on October 2 , 2009 . It will be the first city in South America to host the Games . Rio de Janeiro planned to organize the Games at a cost of USD 14 @.@ 4 billion , being able to hold all sport events ( excepting football ) inside the city . There will be 30 competition venues in four Olympic zones — Barra , Copacabana , Deodoro , and Maracanã — apart from venues for golf and rugby union , which were added to the Olympic program after the election . Football matches will be held in the cities of Belo Horizonte , Brasília , Salvador and São Paulo . The proposed dates range from August 5 to 21 for the Olympic Games , and September 7 to 18 for the Paralympic Games . = = Bid process = = Rio de Janeiro 's bidding process began on July 28 , 2006 , when the Executive Council of the Brazilian Olympic Committee ( COB in the Portuguese acronym ) met to consider the possibility of nominating a Brazilian city to host the 2016 Summer Olympics and Paralympics . This meeting was prompted by the fact that several cities in the world demonstrated interest around the election , some having already announced their bidding intention . Then a technical analysis was commissioned by COB to evaluate the conditions of the city , unveiled on August 25 , 2006 . A week later , on September 1 , 2006 , the COB 's Annual Assembly decided by acclamation that Rio de Janeiro would be the Brazilian representative seeking to host the Olympic and Paralympic Games in 2016 . The Assembly felt it was the only city in Brazil and South America which would possess Olympic @-@ level facilities ready for an Olympic and Paralympic bid , a legacy of its upcoming hosting of the XV Pan American Games in 2007 , later considered to be the best in history . Another positive aspect was that Rio de Janeiro could host all Olympic sports within the city limits , although the Olympic football tournament is hosted by multiple cities . The Brazilian government immediately expressed its support to the bid . Carlos Arthur Nuzman , president of COB , and César Maia , then Mayor of Rio de Janeiro , approved the decision , thus making the bid official . The International Olympic Committee ( IOC ) officially launched the bid process for the 2016 Summer Olympics and Paralympics on May 16 , 2007 . All then 203 National Olympic Committees ( NOCs ) were invited to submit the name of a city within their jurisdiction until September 13 , 2007 . On September 14 , the IOC recognized seven cities — Baku , Chicago , Doha , Madrid , Prague , Rio de Janeiro and Tokyo — which had been put forward by their respective NOCs to bid . On October 1 , 2007 , the Rio de Janeiro bid committee paid the required fee of USD 150 @,@ 000 to the IOC and signed the Candidature Acceptance Procedure . Soon after , from October 15 to 19 , Rio officials attended the 2016 Applicant cities ' Seminar organized by the IOC at the Olympic Museum in Lausanne , Switzerland , where they learnt more about technical areas that would be analyzed throughout the application process . On January 14 , 2008 , the seven Applicant cities returned documents , known as the Application Files , containing the answers and guarantees requested by the 2016 Candidature Acceptance Procedure , which provided to the IOC an overview of each city 's project . The responses were studied by the IOC Working Group for months and served as the basis to the shortlist of Chicago , Tokyo , Rio de Janeiro and Madrid on June 4 , 2008 , becoming Candidate cities during a meeting of the IOC Executive Board at the 2008 SportAccord Convention in Athens , Greece . Rio de Janeiro bid to host the 1936 , 2004 and the 2012 Games , but failed on every occasion ; missing the shortlist in the two latest attempts , while the bidding process for 1936 did not follow the current standards . For the first time in the Candidature phase , the official bid flag was raised during a ceremony held at the Palácio da Cidade ( English : City 's Palace ) on June 23 , 2008 , celebrating the Olympic Day . On July 3 , 2008 , the Rio de Janeiro bid committee paid a fee of USD 500 @,@ 000 to the IOC and signed the Candidature Procedure , reconfirming its acceptance of the rules . Then , Rio officials participated in the Olympic Games Observers Program from August 8 to 24 , during the 2008 Summer Olympics in Beijing , China ; and attended the IOC Official Debriefing of the Beijing Games from November 24 to 27 , in London , United Kingdom . On February 11 , 2009 , the Rio de Janeiro bid committee delivered its Candidature File to the IOC in Lausanne and , eight days later , to the International Paralympic Committee ( IPC ) in Bonn , Germany ; containing the responses to the 2016 Candidature Procedure and Questionnaire , as well as guarantees and undertakings . The Candidature File had three volumes containing 568 pages of detailed answers to 300 technical questions , divided into 17 themes . Finally , on June 17 , 2009 , the IOC organized the 2016 Candidate Cities Briefing to 93 of its members at the Olympic Museum , being the first such meeting in its history and the most important before the election . Rio officials came out stronger after a presentation of 45 minutes , considered to be exceptional , followed by a session of 16 questions . Throughout the campaign , the Rio de Janeiro bid committee introduced its plans to the General Assemblies of all Associations of National Olympic Committees ( ANOC ) , making the bid 's first official presentation on October 11 , 2008 , to the Pan American Sports Organization ( PASO ) , in Acapulco , Mexico . On October 21 , the vision was presented to the Olympic Council of Asia ( OCA ) in Bali , Indonesia , followed by the European Olympic Committees ( EOC ) on November 21 , in Istanbul , Turkey . On March 26 , 2009 , Rio officials made a praised presentation during the 2009 SportAccord Convention in Denver , United States . For the first time , a world map of the past Olympic host cities was displayed , subsequently becoming an icon of Rio 's campaign due to the void in South America . On March 31 , 2009 , the Rio de Janeiro bid committee made its plea to the Oceania National Olympic Committees ( ONOC ) in Queenstown , New Zealand ; and on July 7 , to the Association of National Olympic Committees of Africa ( ANOCA ) in Abuja , Nigeria . The bid committee also attended many sporting events , such as the Australian and European Youth Olympic Festivals , the Commonwealth Youth Games , the Asian Youth Games and the Mediterranean Games , as well as the Aquatics , Athletics , Rowing and Judo World Championships . The three @-@ year campaign culminated with the beginning of the 13th Olympic Congress in Copenhagen , Denmark , which was officially opened in a ceremony held at the city 's Opera House , and after a lunch offered by Margrethe II , Queen of Denmark , to the heads of state of the four Candidate cities at the Amalienborg Palace . = = = Evaluation = = = Rio de Janeiro was primarily evaluated during the Applicant phase , accurately on March 14 , 2008 , when the IOC Working Group released its report after four days of meetings , giving a weighted @-@ average score of 6 @.@ 4 to the bid . It was based on a thorough technical analysis of the projects presented on the Application File , which was developed by the Rio de Janeiro bid committee after having access to the Olympic Games Knowledge Management database as well as the official IOC Technical Manuals . The Working Group composed of several experts assessed the city 's potential for staging successful Olympic Games according to eleven criteria presented in the Application File . Rio de Janeiro 's highest score came from Government support , legal issues and public opinion due to the strong government commitment , and its lowest from Safety and security due to the city 's chronic problems of violence . Experience in major events also yielded good scores , while a shortage in the number of required hotel rooms undermined the accommodation theme . The Working Group also gave an 8 @.@ 3 score to Tokyo , 8 @.@ 1 to Madrid , 7 @.@ 0 to Chicago , 6 @.@ 9 to Doha , 5 @.@ 3 to Prague and 4 @.@ 3 to Baku ; being the basis for the selection to the Candidature phase . On September 18 , 2008 , after the shortlist which concluded the Application phase , the IOC announced the composition of its Evaluation Commission . The commission inspected the four Candidate cities under the leadership of Nawal El Moutawakel , who also chaired the Evaluation Commission for the bid process of the 2012 Summer Olympics and Paralympics . The IOC Evaluation Commission arrived in Rio de Janeiro on April 27 , 2009 , to assess the quality of the bid , stating that the welcoming activities prepared by the city had been the best . Unlike the first evaluation , the committee did not assign scores , but analyzed the probability of execution of the plans . During the first two days of the visit , the Evaluation Commission held internal meetings at Copacabana Palace , the host hotel . Between April 29 and 30 , the Commission attended technical presentations in a large ballroom equipped with lighting and multi @-@ media resources , where it participated in question @-@ and @-@ answer sessions about each of the seventeen themes presented in the Candidature File . May Day was marked by the inspectors ' visits to all existing venues across the city . On May 2 , 2009 , the Evaluation Commission made a press conference to highlight the main points of the visit . According to El Moutawakel , the Commission was very impressed with the unity of government support , the quality of the presentations and the level of integration of the Games in the country 's long @-@ term development plan . After seven days of inspections involving 300 professionals , the thirteen members of the IOC Evaluation Commission left Rio de Janeiro on May 3 , 2009 , on the way to Madrid . One month before the election , on September 2 , 2009 , Rio officials welcomed the released of the 2016 Evaluation Commission Report . It gave a very positive assessment to the city and described the documents submitted by Rio de Janeiro as " of a very high quality " . = = = Election = = = The election of the host city took place at Bella Center on October 2 , 2009 , in Copenhagen , during the 121st IOC Session . Rio de Janeiro was the third city to present plans to the IOC members , entering the Hall A of Bella Center at 12 : 05 ( CEST ) with a delegation of 60 people , among bid leaders , government authorities and athletes . João Havelange made the opening speech and invited everyone to celebrate his centenary in Rio de Janeiro in 2016 . Carlos Arthur Nuzman was the next speaker , talking about experiences of the Olympic movement , and who introduced the iconic map of past Olympic host cities . Governor Sérgio Cabral then spoke about projects related to security and transportation , followed by Henrique Meirelles , who explained the economic situation of Brazil . Mayor Eduardo Paes was responsible for presenting the venues plan alongside Carlos Roberto Osório , while they were complemented by Olympic sailor Isabel Swan , who stated that the project had been made thinking on athletes . Swan cited the other athletes present in the plenary : former football player Pelé , Paralympic swimmer Daniel Dias and junior athlete Bárbara Leôncio . After that , President Luiz Inácio Lula da Silva made a plea to bring the Games for the first time to South America , saying that was " time to light the Olympic cauldron in a tropical country " . Nuzman returned and concluded the presentation , which included a short film ( called UnityA ) by Academy Award nominated director Fernando Meirelles , and a music video ( called CelebrationB ) with an English version of " Aquele Abraço " by Gilberto Gil . After the presentation , the session was opened for questions . Nuzman clarified doubts by Arne Ljungqvist about doping legislation ; Osório and Cabral answered two questions by Prince Albert of Monaco about accommodation and the project 's legacy , respectively ; and the President of Brazil himself responded to a question by Austin Sealy about organization risks . Following the presentations by the four Candidate cities , Nawal El Moutawakel presented the report of the Evaluation Commission to the Session . From a total of 106 eligible IOC members , 95 were available to vote in the first round . Members from the four bidding countries were not allowed to vote until their city was eliminated . Alpha Ibrahim Diallo , Kun Hee Lee , Saku Koivu and the IOC president were eligible members who did not vote . Chicago fell in the first round with 18 votes , while Tokyo received 22 , Rio 26 , and Madrid 28 . In the second round , Tokyo was eliminated with 20 votes , while Madrid received 29 and Rio 46 . Rio de Janeiro was elected in the final round with 66 votes over 32 for Madrid . The winning city was revealed by Jacques Rogge at 6 : 30 ( CEST ) during an announcement ceremony hosted by Lillian Gjerulf Kretz and Jonathan Edwards . Nearly 100 @,@ 000 people celebrated the victory on Copacabana beach while watching the live broadcast . Following the announcement , Richard Carrión , Rogge , Nuzman and Paes signed the Host City Contract and officialized Rio de Janeiro as the host of the 2016 Olympic and Paralympic Games . = = Bid concept = = According to the Rio de Janeiro bid committee , the bid 's concept was based on four principles — technical excellence , experience of a lifetime , transformation , and supporting the Olympic and Paralympic Movements — highlighting the city 's celebration lifestyle , as seen on its promotional video ( called PassionC ) . The 2016 Summer Olympics and Paralympics will embed the Games in society as a catalyst for social integration , through programs for job generation , education , community outreach , volunteerism , training and up @-@ skilling initiatives . The campaign also focused on youth and the fact that South America never hosted the Olympic Games , considering it to be a " self affirmation " of the Brazilian people . Rio de Janeiro integrated economic , environmental and social elements into its " Green Games for a Blue Planet " vision and planted 2386 seedlings to offset 716 tons of carbon emitted over the two years of campaign . Athletes and spectators will enjoy good climatic conditions in Rio de Janeiro , where mild southern hemisphere winter with absence of heavy rainfall provides favorable atmosphere for athletic performance . Average midday temperature of 24 @.@ 2 ° C ( 75 @.@ 6 ° F ) is predicted during the proposed dates for the Games , with temperatures ranging from 18 @.@ 9 ° C ( 66 @.@ 0 ° F ) to 28 @.@ 1 ° C ( 82 @.@ 6 ° F ) and humidity levels of 66 @.@ 4 % . The visual identity of the candidature consisted of a logo and a slogan , which were applied in marketing moves during the campaign . Designed by Ana Soter and selected among four finalists by a special jury , the logo was unveiled during the 2007 Brazilian Olympic Awards , held at the Municipal Theater of Rio de Janeiro , on December 17 , 2007 . The Sugarloaf Mountain was chosen to be the symbol as one of the city 's most famous landmarks . According to the Rio de Janeiro bid committee , the design as a whole conveys a heart shape , representing Brazilian passion and enthusiasm for sports . First with only the inscription " Applicant city " , the logo received the Olympic rings and the label " Candidate city " after being shortlisted . At midnight on January 1 , 2009 , the bid 's slogan " Live your passion " was launched as part of the New Year 's celebrations , which was attended by nearly two million people . According to the Rio de Janeiro bid committee , the slogan reflected the Brazilian 's way of getting passionately involved in whatever they do . It was projected onto the Rio de Janeiro 2016 @-@ themed Ferris wheel after the countdown to the beginning of 2009 . The structure erected on Copacabana beach to promote the candidature was 36 m ( 118 ft 1 in ) high , weighed 80 tonnes ( 180 @,@ 000 lb ) and had 24 gondolas for 144 people . Rio de Janeiro previously hosted major sporting , business and cultural events . On the sporting front , these events included World Cups and World Championships in many Olympic sports , as well as regional championships . From July 13 to July 29 , 2007 , the city successfully staged the 15th and largest ever edition of the Pan American Games ( over 5 @,@ 650 athletes competing in 34 sports ) and the accompanying Parapan American Games ( over 1 @,@ 150 athletes competing in 10 sports ) . Rio de Janeiro hosted the 1950 FIFA World Cup and recently hosted the 2014 FIFA World Cup , just two years before the 2016 Olympic and Paralympic Games , which includes upgrades to security , telecommunications and tourism infrastructure . The 2013 FIFA Confederations Cup will also be organised by Brazil and used as a test event for the 2014 FIFA World Cup . The proposed competition schedule spreads medals across the entire program with two peaks at the weekends , being similar to the 2008 Summer Olympics program . The period proposed by the Rio de Janeiro bid committee to stage the 2016 Summer Olympics is from Friday , August 5 , to Sunday , August 21 , 2016 . It is also proposed that the 2016 Summer Paralympics begin on the Independence Day of Brazil , Wednesday , September 7 , and last until Sunday , September 18 . = = = Politics = = = The Rio de Janeiro bid committee was an incorporated non @-@ profit entity under the leadership of an Honorary Council and an Executive Board , both chaired by Carlos Arthur Nuzman . At the highest level , the Honorary Council comprised the President of the Federative Republic of Brazil Luiz Inácio Lula da Silva , the Governor of the State of Rio de Janeiro Sérgio Cabral , the Mayor of the Municipality of Rio de Janeiro Eduardo Paes , and the two Brazilian IOC members : Nuzman and João Havelange . At the executive level , the Executive Board was divided in four departments — Government Coordination Commission , Business Council , Legacy Committee and Athletes ' Commission — being responsible for the main operations of the campaign . The Board also included representations from the three levels of Government with the specific authority to make commitments on behalf of their respective Governments . Technical aspects of the bid were supported by various Councils and Committees composed of a professionals staff , and supplemented by a team of domestic and international experts ; which were coordinated by Carlos Roberto Osório , Secretary General of the bid committee . Mike Lee , former Director of Communications and Public Affairs for the London bid for the 2012 Summer Olympics , was the lead advisor to the bid of Rio de Janeiro . His company , Vero Campaigning Communications , was responsible for planning the bid 's advertising campaign strategy , presentation scripts , visual support development and international media relations , as well as international press conferences . Rio de Janeiro had full political backing from the three levels of the Government of Brazil — Federal , State and City — providing all guarantees and covenants required by the IOC , as well as some additional undertakings . All levels government , as well as all major political parties in the country , pledged complete support for the bid and endorsed the conduct of the Olympic and Paralympic Games in Brazil . On June 23 , 2008 , the Brazilian president formed the Government Action Management Committee , under the patronage of the Minister of Sport Orlando Silva , which coordinated Federal government actions during the bid process . Another act created the Olympic Development Authority ( ODA ) on January 17 , 2009 , to coordinate public services and infrastructure delivery for eventual Games in Rio de Janeiro , based in the pioneer model developed by Sydney for the 2000 Summer Olympics and Paralympics . Under legal aspects , the Organising Committee for the Olympic Games ( OCOG ) would be the entity responsible for planning and staging the 2016 Olympic and Paralympic Games . According to the IOC , the existing legislation was sufficient to enable the organization of the Games and would be amended or modified to suit the Olympic Charter if needed . The Ministry of External Relations and the Ministry of Labor guaranteed the entry , exit and working arrangements for Games personnel . People in possession of a valid passport and an Olympic or Paralympic Identity and Accreditation Card , in lieu of a visa , will be able to enter the Brazilian territory . = = = Controversies = = = The IOC 's decision to shorlist Rio de Janeiro over Doha generated criticism , as the Doha bid committee accused the IOC of " closing the door on the Arab world " and of making a political decision rather than judging on technical grounds . Doha outperformed Rio de Janeiro in the majority of the categories assessed , but according to the IOC , Doha 's desire to stage the Olympics in October because of high temperatures was the reason the bid was rejected . On May 3 , 2009 , the Rio de Janeiro bid committee accused the Madrid bid committee of sending a spy to Rio de Janeiro during the visit of the Evaluation Commission , and considered filing a formal ethics complaint with the IOC . Simon Walsh , who claimed to be a reporter working for EFE , omitted the fact that he was a paid consultant of the Madrid bid committee and was stripped of his media accreditation . Madrid officials denied the accusations . On June 14 , 2009 , the American television network NBC aired the episode " The Glory That Was ... " from the series Law & Order : Criminal Intent , in which a security company , interested in millionaire contracts with the possibility of hosting the 2016 Summer Olympics in Brazil , bought votes of members of the " Olympic Site Selection Committee " for Rio de Janeiro and murdered a member of the Belgian Olympic Committee . When aired by AXN in Brazil on September 3 , 2009 , the episode received much criticism . Eduardo Paes called the show " ridiculous and pathetic " , while the Rio de Janeiro bid committee condemned the " irresponsible and reckless use " of the city 's image . Ahead of the election , the Rio de Janeiro bid committee lodged an official complaint against Madrid with the IOC Ethics Commission about comments made on September 30 , 2009 , by José Maria Odriozola , vice president of the Spanish Olympic Committee ( SOC ) ; and considered doing it against Chicago due to comments by Richard M. Daley , Mayor of Chicago , on September 21 , 2009 . Odriozola called Rio de Janeiro " the worst of the four candidates " , while Rio officials believe that Daley implied that the city was incapable of hosting the Olympics when he said it was " not the same as hosting the [ 2014 ] FIFA World Cup " . Mercedes Coghen apologised for Odriozola 's comments on behalf of the Madrid bid committee . According to the IOC rules , rival cities are not allowed to directly criticise other bidders . After the conclusion of the bid process , Shintarō Ishihara , Governor of Tokyo , blamed " invisible dynamics " and political deals for Tokyo 's failure . Rio officials repudiated " the inappropriate statements " and sent a formal notification to the IOC on October 6 , 2009 . On November 30 , 2009 , the Hollywood actor Robin Williams caused embarrassment due to humorous comments made in an interview with David Letterman . During the Late Show with David Letterman , broadcast by CBS , Williams said that Rio de Janeiro was elected as host city because it sent " 50 strippers and a pound of blow " to compete with Michelle Obama and Oprah Winfrey , from Chicago . The comments were widely criticized by the Brazilian media and government authorities . = = Bid project = = Rio de Janeiro proposed to hold all sporting events within the city limits — apart from the football ( soccer ) tournaments which would be held in the cities of Belo Horizonte , Brasília , Salvador and São Paulo — making the Games more compact and technically feasible . The competition venues will be located in four Olympic zones — Barra , Copacabana , Deodoro , and Maracanã — and divided in seven Olympic clusters — Barra , Copacabana , Deodoro , Flamengo , João Havelange , Lagoa and Maracanã — with four Olympic precincts — Maracanã , Olympic Park , Riocentro and X Park . The Olympic and Paralympic Village , the International Broadcast Centre ( IBC ) and the Main Press Centre ( MPC ) will be located at the Barra zone , which is the core of the project and includes the largest number of competition venues . A television tower will be built at the IBC / MPC complex to complement broadcasting operations and provide panoramic studios . There will be a media @-@ exclusive hotel within the complex , accessible directly from the IBC / MPC . The Olympic and Paralympic Village complex will include an Olympic Village Training Center , an Olympic Village Park , an Olympic Beach and direct access to the Olympic Park , in addition to the 8 @,@ 856 rooms to accommodate over 17 @,@ 770 athletes and team officials , including accredited additional officials . Rio de Janeiro 's competition venues meet the International Federation 's ( IFs ) technical requirements and both IOC and IPC standards , and align with the City Master Plan and legacy strategy . Most venues are already operational , recently developed or renovated . According to the Rio de Janeiro 2016 bid committee , there are ten ( 29 % ) existing venues with no permanent works required and eight ( 24 % ) venues requiring reforms , while nine ( 26 % ) new permanent venues and seven ( 21 % ) temporary venues will be built . In total there will be 34 competition venues alongside 29 training venues , as part of the training venues strategy . The most significant legacy project from the bid is the Olympic Training Center ( OTC ) program and facilities with its headquarters located in Barra zone . Furthermore , the Rio de Janeiro 2016 bid committee recognized the possibility of new sports being added to the Olympic Program and , following detailed analysis for each of the seven potential sports — baseball , golf , karate , roller sports , rugby , softball and squash — confirmed its capability to accommodate any of them in respect to venues , transport and other operational or logistical aspects . In addition , Rio de Janeiro and the four proposed cities to hold football ( soccer ) competitions — Brasília , Belo Horizonte , Salvador and São Paulo — were chosen to host the 2014 FIFA World Cup . Rio de Janeiro will build the Summer Paralympics , upon the experience of hosting the III Parapan American Games — considered " the best ever " by the International Paralympic Committee ( IPC ) and the Americas Paralympic Committee ( APC ) — as well as many other international competitions for athletes with disabilities . For this purpose , the organizing committee will include representatives of the Brazilian Paralympic Committee ( BPC ) and create a specific department responsible for supervising the Games . Another element that will bring the Paralympics up to par with their Olympic counterpart is the reuse of twenty Olympic competition venues for the equivalent Paralympic sports . Promotion of accessibility @-@ friendly measures by the hospitality and tourism industries will also be encouraged and recognized by the government . = = = Infrastructure = = = Rio de Janeiro 's infrastructure , systems , management structures and staff readiness will be tested during the 2014 FIFA World Cup and during dedicated test events for the transport network in 2015 . There will be 49 @,@ 750 rooms to meet IOC requirements , of which some 1 @,@ 700 are located in apartment hotels in the city and more than 13 @,@ 000 in hotels throughout Rio de Janeiro and the football tournament host cities . Rio de Janeiro proposed the use of cruise ships and condominium apartments to overcome a possible shortage in the number of hotel rooms . Six modern cruise ships will provide more than 8 @,@ 500 cabins . Media would be accommodated in a combination of media villages and hotels . Rio de Janeiro plans to implement 150 km ( 93 mi ) of Olympic lanes connecting the four Olympic zones and the Antônio Carlos Jobim International Airport . An existing corridor of high @-@ capacity rail and metro systems as well as motorways and major roads links three of the four Olympic zones , and with the development of the western corridor , all four zones will be connected . Bus Rapid Transit ( BRT ) system is going to be the main solution to the city 's topography . Security and disaster @-@ related risks for the event will be mitigated by the implementation of a comprehensive security operation . Crime in parts of Rio de Janeiro was considered to be an issue for the safety of people attending the Games . Rio de Janeiro 's experience in mounting security structures around highly mediatized and crowd @-@ attracting events is a positive aspect . The Federal Government will be responsible for the security of the 2016 Summer Olympics and Paralympics . = = = Finance = = = The three levels of Brazilian government assured the free provision of a range of services to the bid , including security , medical services , customs , transport , immigration , and other governmental services and support . Rio de Janeiro also approved funding of US $ 240 billion from the Program for Growth Acceleration ( PAC ) of the federal government . Other revenue @-@ generating activities include sponsorship sales , ticketing program , licensing and merchandising . These revenues will be supplemented by IOC @-@ secured commercial and broadcast contributions . Capital expenditure on infrastructure by the government or the private sector includes already committed and ongoing investments of US $ 3 @.@ 9 billion on projects such as airport and subway expansions and construction of the metropolitan road arc . The OCOG budget does not assume any capital contributions to the construction of permanent or legacy venues , other than for Games overlay , including the construction of temporary venues . The balance of OCOG expenditures will be funded by the public sector , involving a combination of government commitments from Federal , State and Municipal levels . The OCOG budget and operating expenses are projected at US $ 2 @.@ 8 billion , with its Olympic @-@ related budget , including capital investments in transportation , sports venues and incremental costs being US $ 11 @.@ 6 billion . The government submitted guarantees to cover any potential shortfall . The bid expenses for both Applicant and Candidature phases were of R $ 85 @,@ 792 million , as released during the official closing of the campaign on November 11 , 2009 .

= New Jersey Route 65 = Route 65 is a former state highway in the city of Newark , New Jersey . The route went for 4 @.@ 12 miles ( 6 @.@ 63 km ) along Port Street and Doremus Avenue through the industrial districts of the city . Route 65 began at an intersection with U.S. Route 1 and 9 near Newark Liberty International Airport . The route crossed over the New Jersey Turnpike along Port Street until an intersection with Doremus Avenue , where it turned northward for the rest of the distance , terminating at an intersection with U.S. Route 1 and 9 Truck . Route 65 was originally planned in 1939 as a spur of Route 25 , Route 25B , in Newark to connect that route with Route 25T ( now U.S. Route 1 / 9 Truck ) . The route lasted for 14 years , until January 1 , 1953 , when the 1953 New Jersey state highway renumbering occurred . Route 25B was decommissioned on that day , along with its parent route , Route 25 . Route 25B was redesigned as Route 65 , and was removed from the state highway system by 1963 . The two roads are now maintained by the city of Newark . = = Route description = = Route 65 began at an intersection with U.S. Route 1 and 9 in the area of Newark Liberty International Airport in the city of Newark . The route progressed eastward along Port Street , a divided highway for a short distance . The route crossed the access road to the airport before crossing over the newly constructed New Jersey Turnpike south of Interchange 14 . From there , Route 65 continued as Port Street but as one roadway into the industrial districts in Newark . The route progressed further over a railroad before intersecting with Doremus Avenue , where Route 65 turned northward off of Port Street . Both Port Street and Doremus Avenue dead @-@ end right after this respective intersection , Doremus Avenue to the south and Port Street to the east . From there , Route 65 headed northward along Doremus Avenue , crossing over the Newark Bay Extension ( Interstate 78 ) just north of the intersection . The route continued through the industrial district , reaching higher in elevation on a bridge over the Central Railroad of New Jersey ( now Conrail Shared Assets Operations , CSAO ) . From there , the route paralleled the turnpike 's mainline along Doremus Avenue . At the intersection with Raymond Boulevard , Route 65 became a divided highway once again , terminating at an intersection with U.S. Route 1 / 9 Truck in the city of Newark . = = History = = Route 65 was originally designated in 1939 as State Highway Route 25B , a spur off of State Highway Route 25 ( now U.S. Route 1 and 9 ) at a traffic circle near the Newark Metropolitan Airport ( now Newark Liberty International Airport ) . The route was then to commence along Port Street and Doremus Avenue to an intersection with State Highway Route 25T ( now U.S. Route 1 and 9 Truck ) . Route 25B remained intact along the alignment of Port Street and Doremus Avenue until January 1 , 1953 . On that day , the New Jersey State Highway Department renumbered routes in the state , and eliminated Route 25 entirely . Due to decommissioning of Route 25 , Route 25B was renumbered to Route 65 , eliminating the relation to former Route 25 or U.S. Route 1 and 9 . Route 65 remained on the Port Street and Doremus Avenue alignment for a short time , and was completely eliminated from the state system by 1963 . Port Street and Doremus Avenue are both now maintained by the city of Newark but both are of the National Highway System as of 2009 . In 2001 , the bridge over the CSAO line was reconstructed . = = Major intersections = = The entire route was in Newark , Essex County .

= Giacomo Meyerbeer = Giacomo Meyerbeer ( born Jacob Liebmann Beer ; 5 September 1791 – 2 May 1864 ) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the nineteenth century . With his 1831 opera Robert le diable and its successors , he gave the genre of grand opera ' decisive character ' . Meyerbeer 's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition . These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up @-@ to @-@ date theatre technology of the Paris Opéra . They set a standard which helped to maintain Paris as the opera capital of the nineteenth century . Born to a very wealthy Berlin family , Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera , spending several years in Italy studying and composing . His 1824 opera Il crociato in Egitto was the first to bring him Europe @-@ wide reputation , but it was Robert le diable ( 1831 ) which raised his status to great celebrity . His public career , lasting from then until his death , during which he remained a dominating figure in the world of opera , was summarized by his contemporary Hector Berlioz , who claimed that he ' has not only the luck to be talented , but the talent to be lucky . ' He was at his peak with his operas Les Huguenots ( 1836 ) and Le prophète ( 1849 ) ; his last opera ( L 'Africaine ) was performed posthumously . His operas made him the most frequently performed composer at the world 's leading opera houses in the nineteenth century . At the same time as his successes in Paris , Meyerbeer , as a Prussian Court Kapellmeister ( Director of Music ) from 1832 , and from 1843 as Prussian General Music Director , was also influential in opera in Berlin and throughout Germany . He was an early supporter of Richard Wagner , enabling the first production of the latter 's opera , Rienzi . He was commissioned to write the patriotic opera Ein Feldlager in Schlesien to celebrate the reopening of the Berlin Royal Opera House in 1844 and wrote music for certain Prussian state occasions . Apart from around 50 songs , Meyerbeer wrote little except for the stage . The critical assaults of Wagner and his supporters , especially after his death , led to a decline in the popularity of his works ; his operas were suppressed by the Nazi regime in Germany , and were neglected by opera houses through most of the twentieth century . Meyerbeer 's works are only infrequently performed today . = = Early years = = Meyerbeer 's birthname was Jacob Liebmann Beer ; he was born in Tasdorf ( now a part of Rüdersdorf ) , near Berlin , then the capital of Prussia , to a Jewish family . His father was the enormously wealthy financier Judah Herz Beer ( 1769 – 1825 ) and his mother , Amalia ( Malka ) Wulff ( 1767 – 1854 ) , to whom he was particularly devoted , also came from the moneyed elite . Their other children included the astronomer Wilhelm Beer and the poet Michael Beer . He was to adopt the surname Meyerbeer on the death of his grandfather Liebmann Meyer Wulff ( 1811 ) and the first name Giacomo during his period of study in Italy , around 1817 . Judah Beer was a leader of the Berlin Jewish community and maintained a private synagogue in his house which leaned towards reformist views . Jacob Beer wrote an early cantata for performance at this synagogue . Both Judah Herz Beer and his wife were close to the Prussian court ; when Amalia was awarded in 1816 the Order of Louise , she was given , by Royal dispensation , not the traditional Cross but a portrait bust of the Queen . The Beer children were provided with a fine education ; their tutors included two of the leaders of the enlightened Jewish intelligentsia , the author Aaron Halle @-@ Wolfssohn and Edmund Kley , ( later a reform movement rabbi in Hamburg ) to whom they remained attached into their maturity . The brothers Alexander von Humboldt , the renowned naturalist , geographer and explorer , and the philosopher , linguist and diplomat Wilhelm von Humboldt were close friends of the family circle . Beer 's first keyboard instructor was Franz Lauska , a pupil of Johann Georg Albrechtsberger and a favoured teacher at the Berlin court . Beer also became one of Muzio Clementi 's pupils while Clementi was in Berlin . The boy made his public debut in 1801 playing Mozart 's D minor Piano Concerto in Berlin . The Allgemeine musikalische Zeitung reported : ' The amazing keyboard playing of young Bär ( a Jewish lad of 9 ) , who carried off the difficult passages and other solo parts with aplomb , and has fine powers of rendition even more rarely found in one of his age , made the concert even more interesting ' . Beer , as he still named himself , studied with Antonio Salieri and the German master and friend of Goethe , Carl Friedrich Zelter . Louis Spohr organised a concert for Beer at Berlin in 1804 and continued his acquaintance with the lad later in Vienna and Rome . A portrait of Jacob commissioned by the family at this time shows him ' confidently facing the viewer , his hair romantically dishevelled … his left hand rests on the keyboard , and his right hand grasps a musical manuscript … plac [ ing ] its subject in the tradition of the young Mozart ' . Beer 's first stage work , the ballet Der Fischer und das Milchmädchen ( The Fisherman and the Milkmaid ) was produced in March 1810 at the Court Opera in Berlin . His formal training with the Abbé Vogler at Darmstadt between 1810 and 1812 was , however , of crucial importance , and at around this time he begins to sign himself ' Meyer Beer ' . Here , with his fellow students ( who included Carl Maria von Weber ) , he learnt not only the craft of composition but also the business of music ( organising concerts and dealing with publishers ) . Forming a close friendship with Weber and other pupils , Meyerbeer established the Harmonischer Verein ( Musical Union ) , whose members undertook to support each other with favourable press criticism and networking . On 12 February 1813 Beer received the first of the string of honours he was to accumulate throughout his life when he was appointed ' Court Composer ' by Grand Duke Ludwig of Hesse @-@ Darmstadt . Throughout his early career , although determined to become a musician , Beer found it difficult to decide between playing and composition . Certainly other professionals in the decade 1810 – 1820 , including Moscheles , considered him amongst the greatest virtuosi of his period . He wrote during this period numerous piano pieces , including a concerto and set of variations for piano and orchestra , but these have been lost . To this period also belongs a Clarinet Quintet written for the virtuoso Heinrich Baermann ( 1784 – 1847 ) who remained a close friend of the composer . = = Career = = = = = In Italy = = = Despite performances of his oratorio Gott und die Natur ( God and Nature ) ( Berlin , 1811 ) and his early operas Jephtas Gelübde ( Jephtha 's Vow ) ( Munich , 1812 ) and Wirth und Gast ( Landlord and Guest ) ( Stuttgart , 1813 ) in Germany , Meyerbeer had set his sights by 1814 on basing an operatic career in Paris . In the same year , his opera Die beiden Kalifen ( The Two Caliphs ) , a version of Wirth und Gast , was a disastrous failure in Vienna . Realizing that a full understanding of Italian opera was essential for his musical development , he went to study in Italy , enabled by the financial support of his family . He arrived in Italy at the beginning of 1816 , after visits to Paris and London , where he heard Cramer play . In Paris , he wrote to a friend , ' I go from museum to museum , library to library , theatre to theatre , with the restlessness of the Wandering Jew ' . During his years in Italy Meyerbeer became acquainted with , and impressed by , the works of his contemporary Gioachino Rossini , who by 1816 , at the age of 24 , was already director of both major opera houses in Naples and in the same year premiered his operas The Barber of Seville and Otello . Meyerbeer wrote a series of Italian operas on Rossinian models , including Romilda e Costanza ( Padua , 1817 ) , Semiramide riconosciuta ( Turin , 1819 ) , Emma di Resburgo ( Venice , 1819 ) , Margherita d 'Anjou ( Milan 1820 ) and L 'esule di Granata ( Milan 1821 ) . All but the last two of these had libretti by Gaetano Rossi , whom Meyerbeer continued to support until the latter 's death in 1855 , although not commissioning any further libretti from him after Il crociato in Egitto ( 1824 ) . During a visit to Sicily in 1816 , Meyerbeer noted down a number of folksongs , and these in fact constitute the earliest collection of folk music of the region . In a birthday greeting from Rossi 's wife in 1817 occurs the earliest use discovered of Meyerbeer 's adopted forename ' Giacomo ' . = = = Recognition = = = The name Giacomo Meyerbeer first became known internationally with his opera Il crociato in Egitto — premiered in Venice in 1824 and produced in London and Paris in 1825 ; incidentally , it was the last opera ever written to feature a castrato , and the last to require keyboard accompaniment for recitatives . This ' breakthrough ' in Paris was exactly what Meyerbeer had been aiming for over the past ten years ; he had been carefully preparing for it , developing contacts , and fully reaped his reward . In 1826 , shortly after the death of his father , Meyerbeer married his cousin , Minna Mosson ( 1804 – 1886 ) . The marriage which may have been ' dynastic ' in its origins proved to be stable and devoted ; the couple were to have five children , of whom the three youngest ( all daughters ) survived to adulthood . In the same year , following the death of Carl Maria von Weber , Weber 's widow asked Meyerbeer to complete her husband 's unfinished comic opera Die drei Pintos . This was to cause him much trouble over future years , as he found the material insufficient to work on . Eventually in 1852 he settled the matter with Weber 's heirs by handing them Weber 's drafts and a cash compensation . ( The opera was later completed by Gustav Mahler ) . With his next opera Meyerbeer became virtually a superstar . Robert le diable ( with libretto by Eugène Scribe and Germain Delavigne ) , produced in Paris in 1831 , was one of the earliest grand operas . The libretto , originally planned in 1827 as a three @-@ act opéra comique for the Opéra @-@ Comique theatre , was refashioned after 1829 in a five @-@ act form to meet the requirements of the Paris Opéra . Its revised characterisation as a ' grand opera ' placed it in succession to Auber 's La muette de Portici ( 1828 ) and Rossini 's Guillaume Tell ( 1829 ) in this new genre . The composer undertook further work on the opera in early 1831 adding ballet episodes , including the " Ballet of Nuns " , which was to prove one of the opera 's great sensations , becoming an early example of the ballet blanc genre . He also rewrote the two major male roles of Bertrand and Robert to suit the talents of Nicolas Levasseur and Adolphe Nourrit , respectively . At the invitation of Nourrit , Cornélie Falcon made her debut at the age of 18 at the Opéra in the role of Alice on 20 July 1832 , and she made a vivid impression on the public , which included on that night Auber , Berlioz , Halévy , Maria Malibran , Giulia Grisi , Honoré Daumier , Alexandre Dumas and Victor Hugo . On hearing her in the role , Meyerbeer himself declared his opera at last ' complete ' . The success of the opera led to Meyerbeer himself becoming a celebrity . In January 1832 he was awarded membership of the Légion d 'honneur . This success – coupled with Meyerbeer 's known family wealth – inevitably also precipitated envy amongst his peers . Berlioz – who had commented that ' Meyerbeer not only had the luck to be talented , he had the talent to be lucky ' – wrote ' I can 't forget that Meyerbeer was only able to persuade [ the Opéra ] to put on Robert le diable ... by paying the administration sixty thousand francs of his own money ' ; and Chopin lamented ' Meyerbeer had to work for three years and pay his own expenses for his stay in Paris before Robert le diable could be staged .... Three years , that 's a lot – it 's too much . ' King Frederick William III of Prussia who attended the second performance of Robert le diable , swiftly invited him to compose a German opera , and Meyerbeer was invited to stage Robert in Berlin . Within a few years the opera had been staged with success all over Europe , and also in the USA . The fusion of dramatic music , melodramatic plot , and sumptuous staging in Robert le diable proved a sure @-@ fire formula , as did the partnership with Scribe , which Meyerbeer would go on to repeat in Les Huguenots , Le prophète , and L 'Africaine . All of these operas held the international stage throughout the 19th century , as did the more pastoral Dinorah ( 1859 ) , making Meyerbeer the most frequently performed composer at leading opera houses in the nineteenth century . = = = Between Paris and Berlin = = = = = = = 1832 – 1839 = = = = Letellier describes Meyerbeer 's mature life as ' a tale of two cities ... His artistic triumph and legendary status were achieved in Paris ... but he never abandoned Prussia , especially his home city of Berlin ' . His wife Minna was based in Berlin ( she did not enjoy Paris ) as was his beloved mother ; and he had a series of Royal duties from the Prussian court , stemming from his appointment as Court Kapellmeister in 1832 . For these reasons his life from 1830 onwards is characterised by travel between these two centres . In Paris Meyerbeer had been asked by Louis Véron , the director of the Opéra , for a new work . At first he attempted to persuade Véron to accept the opéra @-@ comique Le portefaix to a libretto by Scribe , which he had been contracted to compose in early 1831 ; but Véron insisted on a full five @-@ act piece . Together with Scribe , Meyerbeer reviewed many subjects before deciding , in 1832 , on Les Huguenots . The contract which Meyerbeer signed with Véron contained a penalty clause if the work was not delivered by the end of 1833 . When the time came and the opera was not ready , Véron claimed his 30 @,@ 000 francs under this clause ; Meyerbeer was perhaps unique amongst composers in being able to pay this . In fact Véron refunded the money under a further agreement , when the opera was delivered in late 1834 ; but Veron himself was replaced as director of the Opera by Henri Duponchel before Les Huguenots was premiered on 29 February 1836 . It was an immediate and immense success , its splendid staging and effects exceeding even those of Fromental Halévy 's La Juive , which had premiered the previous year . Berlioz called the score " a musical encyclopaedia " , and the singing , especially of Nourrit and Falcon , was universally praised . Les Huguenots was the first opera to be performed at the Opéra more than 1 @,@ 000 times ( the 1,000th performance being on 16 May 1906 ) and continued to be produced up to 1936 , more than a century after its premiere . Its many performances in all other of the world 's major opera houses give it a claim to being the most successful opera of the 19th century . However , in Berlin Meyerbeer faced many problems , including the enmity of the jealous Gaspare Spontini , who since 1820 had been Court Kapellmeister and director of the Berlin Hofoper . Complaints were made in the Berlin press about the delay of the Berlin premiere of Robert le diable ( which finally took place in June 1832 ) , and Meyerbeer 's music was decried by the critic and poet Ludwig Rellstab . There was no sign of the German opera expected from Meyerbeer . Moreover , reactionary censorship laws prevented production of Les Huguenots in Berlin , ( and indeed in many other cities of Germany ) . Nevertheless , Meyerbeer , who ( as he wrote to a friend ) ' years ago ... swore to myself never to respond personally to attacks on my work , and never under any circumstances to cause or respond to personal polemics ' , refused to be drawn on any of these matters . Meanwhile , in Paris Meyerbeer began to seek new libretti , initially considering Le prophète of Scribe , Le cinq mars by Henri Saint @-@ Georges and eventually settling on Scribe 's Vasco da Gama ( later to become L 'Africaine ) , which he contracted to complete by 1840 . However , Meyerbeer had envisaged that the main role in L 'Africaine would be written for Falcon ; after the catastrophic failure of her voice in 1837 , he turned instead to Le prophète . On 20 August 1839 Meyerbeer , whilst relaxing at Boulogne in the company of Moscheles , met for the first time with Richard Wagner , who was en route to Paris . Their ensuing relationship ( see below ) was to have major repercussions for the careers and reputations of both . At this meeting Wagner read to Meyerbeer from the libretto of Rienzi , and Meyerbeer agreed to look through the score , which indeed he subsequently recommended for performance at Dresden . = = = = The 1840s = = = = By the end of 1841 , Meyerbeer had completed the first draft of Le prophète , but refused to stage it because the then director of the opera , Leon Pillet , wished to cast his mistress , Rosine Stoltz , in the part of Fidès , the hero 's mother . ( Berlioz characterised Stoltz as ' la Directrice du Directeur ' ) . Meyerbeer insisted on Pauline Viardot for the role . Meyerbeer lodged the score with a Parisian lawyer , and refused to countenance any production until his wishes were met . It was not until 1849 when the Opéra was willing to agree his conditions . Meyerbeer was unique in his time in having the wealth and influence to impose his will as a composer in this way . In the meantime , the situation in Prussia was changing . Following the death of Frederick William III , the new regime of Frederick William IV was far more liberal . Spontini was dismissed , and the Berlin premiere of Les Huguenots was arranged ( 20 May 1842 ) . On the instigation of Alexander von Humboldt , Meyerbeer was installed later in the year as Prussian Generalmusikedirektor and director of music for the Royal Court . Meyerbeer wrote a number of works for court occasions , and also provided music , at the King 's request , for the first staging on Berlin in 1856 of his brother Michael 's play Struensee ( based on the life of Johann Friedrich Struensee ) , which had also been proscribed under the previous regime . In 1843 , the Berlin Opera house burnt down . The creation of the new building gave a new opportunity to commission a German opera from Meyerbeer . The subject of the opera , Ein Feldlager in Schlesien ( A Silesian Encampment ) , was an episode in the life of Frederick the Great . As this patriotic opera ' needed ' Prussian creators , Meyerbeer arranged that whilst the trusted Scribe would write the libretto , Rellstab would translate it and take the credit ( and the royalties ) . This had the added advantage of winning over the formerly hostile Rellstab . Meyerbeer had hoped to have Jenny Lind ( for whom he had written the part ) sing the lead role of Vielka , but the opera premiered on 7 December 1844 without her ( although she did appear in subsequent performances ) . The libretto was revised by Charlotte Birch @-@ Pfeiffer to a Bohemian background as Vielka for a production in Vienna ( 1847 ) . ( In a further incarnation , the music was later used by Meyerbeer for a revamped libretto by Scribe featuring Peter the Great , and produced as an opéra comique in Paris ( L 'étoile du nord , 1854 ) ) . With the continuing delays in the production of Le prophète and L 'Africaine , Meyerbeer was now becoming subject to increasing sniping in Paris . In 1846 Meyerbeer began work on a new project with Scribe and Saint @-@ Georges , Noëma , but in the following year Pillet was sacked from the opera and the direction was resumed by Duponchel . As a consequence , Meyerbeer was at last able to stage Le prophète with a cast to his liking , ( including Viardot as Fidès ) , and it premiered on 16 April 1849 . Again Meyerbeer 's new opera was an outstanding success – despite the unusual feature of the lead female role being the hero 's mother , rather than his lover . Amongst those at the 47th performance in February 1850 was Richard Wagner , now an impoverished political exile ; the success of a work so fundamentally against his own operatic principles was one of the spurs to his spiteful anti @-@ Jewish denunciation of Meyerbeer and Mendelssohn , ' Das Judenthum in der Musik ' ( 1850 ) . = = = = Last years = = = = Increasing ill @-@ health ( or possibly hypochondria ) now began to restrict Meyerbeer 's output and activities . The death of his beloved mother in 1854 was also a blow . However the success of L 'étoile du nord in 1854 demonstrated that he could still pack the theatres . Following this he began on two new projects , an opera by Scribe based on the biblical story of Judith , and an opéra comique , Le pardon de Ploërmel , ( also known as Dinorah , the title given to the Italian version performed at London ) to a libretto by Jules Barbier . The latter premiered on 4 April 1859 at the Opéra Comique at Paris ; the former , like many previous projects , remained only as sketches . The death of Scribe in 1861 was a further disincentive to Meyerbeer to proceed with his operatic work in progress . In 1862 , in accordance with his original contract with Scribe , he paid Scribe 's widow compensation for not completing Judith . Nevertheless , Meyerbeer 's last years saw the composition of a good deal of non @-@ operatic music , including a Coronation March for William I of Prussia , ( 1861 ) , an overture for the 1862 International Exhibition in London , and incidental music ( now lost ) to Henry Blaze de Bury 's play La jeunesse de Goethe ( 1860 ) . He composed a few settings of liturgical material , including one of the 91st Psalm ( 1853 ) ; and also choral works for the synagogue at Paris . Meyerbeer died in Paris on 2 May 1864 . Rossini , who , not having heard the news , came to his apartment the next day intending to meet him , was shocked and fainted . He was moved to write on the spot a choral tribute ( Pleure , pleure , muse sublime ! ) . A special train bore Meyerbeer 's body from the Gare du Nord to Berlin on 6 May , where he was buried in the family vault at the Jewish cemetery in Schönhauser Allee . L 'Africaine was eventually premiered after Meyerbeer 's death at the Salle Le Peletier on 28 April 1865 in a performing edition undertaken by François @-@ Joseph Fétis . = = Personality and beliefs = = Meyerbeer 's immense wealth ( increased by the success of his operas ) and his continuing adherence to his Jewish religion set him apart somewhat from many of his musical contemporaries . They also gave rise to rumours that his success was due to his bribing musical critics . Richard Wagner ( see below ) accused him of being interested only in money , not music . Meyerbeer was , however , a deeply serious musician and a sensitive personality . He philosophically resigned himself to being a victim of his own success : his extensive diaries and correspondence – which survived the turmoil of 20th @-@ century Europe and have now been published in eight volumes – are an invaluable source for the history of music and theatre in the composer 's time . Meyerbeer 's personal attachment to Judaism was a mature personal decision – after the death of his maternal grandfather in 1811 he wrote to his mother ' Please accept from me a promise that I will always live in the religion in which he died ' . In his diaries he noted significant family events including birthdays , not by their Gregorian calendar occurrence , but by their Jewish calendar dates . Moreover , he regularly suffered from ( and / or imagined ) anti @-@ Jewish slights throughout his life , warning his brothers frequently in his letters against richess ( Yiddish for ' Jew @-@ hatred ' ) . Writing to Heinrich Heine in 1839 , he offered the fatalistic view : I believe that richess is like love in the theatres and novels : no matter how often one encounters it ... it never misses its target if effectively wielded ... [ Nothing ] can grow back the foreskin of which we are robbed on the eighth day of life ; those who , on the ninth day , do not bleed from this operation shall continue to bleed an entire lifetime , even after death . It was probably a similar fatalism that led Meyerbeer never to enter public controversy with those who slighted him , either professionally or personally , although he occasionally displayed his grudges in his Diaries ; for example , on hearing Robert Schumann conduct in 1850 : ' I saw for the first time the man who , as a critic , has persecuted me for twelve years with a deadly enmity.' In his mature operas Meyerbeer selected stories which almost invariably featured as a major element of storyline a hero living within a hostile environment . Robert , Raoul the Huguenot , Jean the prophet , and the defiant Vasco da Gama in L 'Africaine are all ' outsiders ' . It has been suggested that ' Meyerbeer 's choice of these topics is not accidental ; they reflect his own sense of living in a potentially inimical society.' Meyerbeer 's relationship with Heine displays the awkwardness and prickliness of the social personae of both parties . Meyerbeer , apart from any of his personal feelings , needed Heine onside as an influential personality and writer on music . He genuinely admired Heine 's verse , and made a number of settings from it . Heine , living in Paris from 1830 , always equivocal about his loyalties between Judaism and Christianity , and always short of money , asked Meyerbeer to intervene with Heine 's own family for financial support and frequently took loans and money from Meyerbeer himself . He was not above threatening Meyerbeer with blackmail by writing satirical pieces about him ( and indeed Meyerbeer paid Heine 's widow to suppress such writings ) . And yet , at Heine 's death in 1856 , Meyerbeer wrote in his diary ' Peace be to his ashes . I forgive him from my heart for his ingratitude and many wickednesses against me.' = = Music and theatre = = = = = Music = = = Meyerbeer did not operate on the basis of any theory or philosophy of music and was not an innovator in harmony or musical form . In the words of John H. Roberts , " He had a rich fund of appealing if somewhat short @-@ breathed melody , commanded an increasingly rich harmonic vocabulary , and was a master of brilliant and novel orchestral effect . But he had very limited skill in thematic development and even less in contrapuntal combination . " All of his significant music is for the voice ( opera and songs ) and this reflects his detailed grounding in Italian opera . Throughout his career he wrote his operas with specific singers in mind and took great care to temper his writing to their strengths ; but at the same time he seemed little interested in expressing the emotions of his characters , preferring to use his music to underline the larger @-@ scale machinations of the plot . In this way he was close to the ideas of his teacher Vogler , himself renowned for his dramatic depictions of nature and incident in keyboard music , who wrote in 1779 that " writing beautifully is easy ; expression is not too difficult ; but only the genius of a great painter ... can choose for each picture agreeable and natural colours that are particular to it . " Indeed , his devotion to the voice often led him to ignore the dramatic cohesion of his operas ; typically , he would write far too much music and the scores of his operas would have to be drastically cut during rehearsals . ( The lengthy overture to Le prophète had to be cut in its entirety , surviving only in a piano arrangement by Charles @-@ Valentin Alkan ) . The first signs of Meyerbeer breaking with the Italian traditions in which he had trained are in Il crociato in Egitto . Amongst other notable features of the opera were its lavish orchestral forces ( extending to two onstage military bands in the final act ) . The grandiosity of the work reflected the need to make an impact on the sophisticated and technologically advanced stages of London and Paris , for which it was extensively rewritten . Meyerbeer 's contribution was revealed at this stage to be the combination of Italian vocal lines , German orchestration and harmony , and the use of contemporary theatrical techniques , ideas which he carried forward in Robert and his later works . However Meyerbeer 's background in the Italian operatic traditions can be clearly seen as late as 1859 in the ' mad scene ' in Dinorah ( the virtuoso aria Ombre légère ) . Typical of Meyerbeer 's innovative orchestration is the use in Robert le diable of dark @-@ toned instruments – bassoons , timpani and low brass , including ophicleide – to characterise the diabolical nature of Bertram and his associates . At one point the arrival of a character is announced by a combination of three solo timpani and pizzicato double @-@ basses . Similar adventurousness is shown in Les Huguenots where the composer uses a solo bass clarinet and solo viola d 'amore to accompany arias . For Le prophète , Meyerbeer considered using the newly invented saxophone . Becker suggests that Meyerbeer in all his grand operas often ' created a deliberately ' unbeautiful ' sound ..... with unusual orchestration designed to express ... content rather than produce a sensuous sound ' and opines that this explains much of the criticism he received from German writers on music . = = = Theatre = = = Meyerbeer 's concern to integrate musical power with all the resources of contemporary theatre anticipated in some ways the ideas of Wagner 's Gesamtkunstwerk . Becker writes : Wagner 's idea of music drama ... was originally developed by way of grand opera ... his ideas could never have been realised in their particular form without the pioneering development [ s ] ... that Meyerbeer 's operas were the first to demand . Meyerbeer was always concerned to intensify the theatricality of his operas , even when new ideas emerged at a relatively late stage in the music 's composition . An example of his receptiveness was the addition of the provocative " Ballet of the Nuns " in the third act of Robert le diable , at the suggestion of Duponchel . The set for the ballet was an innovative and striking design by Duponchel and Pierre @-@ Luc @-@ Charles Ciceri . Duponchel had also introduced technical innovations for the staging , including ' English traps ' for the sudden appearance and disappearance of the ghosts . ( Meyerbeer was led in fact to complain that the spectacle was too much and was pushing his music into the background ) . In Le prophète the skating ballet , which created a great sensation , was composed after rehearsals had begun , in order to capitalise on the new craze for roller skates . The theatre was also able to use new electrical lighting effects to create a powerful sunrise , and to depict the conflagration which ends the opera . Meyerbeer 's large choral ' tableaux ' also made a major contribution to the overall dramatic effect ; the composer particularly sought opportunities to write such large @-@ scale crowd scenes , and preferred libretti which offered such possibilities . Crosten writes : ' These massive developed sections are the chief glory of the Meyerbeerian opera , for they are not only big in volume but big in their structural design ' . Mention should also be made of Meyerbeer 's intense concern with the business of opera , which indeed had formed part of his studies under Vogler . This gave him the background not only to deal with complex contractual issues and to negotiate with publishers , but extended to wooing the press and ' marketing ' in general . Indeed , he was probably the originator of the ' press conference ' at which journalists were fed refreshment and information . This marketing and commercialisation of opera was reinforced by Meyerbeer 's Paris publisher Maurice Schlesinger who had established his fortune on the back of Robert , and even persuaded Honoré de Balzac to write a novella ( Gambara ) to promote Les Huguenots . Schlesinger 's publication of Franz Liszt 's Reminiscences de Robert le diable sold out on the day of issue and was immediately reprinted . Such manoeuvres did little to endear Meyerbeer to his fellow artists , and indeed engendered envious comments of the sort already quoted from Berlioz and Chopin . = = Reception = = = = = Musical influence = = = Meyerbeer had no pupils and no direct ' school ' . Yet as his works spanned the golden age of grand opera , clear traces of his influence can be found in the grand operas of Fromental Halévy , Gaetano Donizetti , Giuseppe Verdi and others . After 1850 , Huebner notes a continuing tradition of operas at Paris where ' principals appear with chorus at the end of an act and where private intrigue conjoins a well @-@ articulated public dimension in the plot ' and cites amongst others Charles Gounod 's La nonne sanglante ( 1854 ) , Ambroise Thomas 's Hamlet and operas by Jules Massenet , amongst them Le roi de Lahore ( 1877 ) and Le Cid ( 1885 ) . The line of succession was however virtually washed away in the tide of Wagner in Paris after 1890 ( see below ) . The influence of Meyerbeer has also been detected in the operas of Antonín Dvořák and other Czech composers , and in the operas of Russian composers including Rimsky @-@ Korsakov and the young Tchaikovsky , who thought Les Huguenots ' one of the greatest works in the repertoire ' . Themes from Meyerbeer 's works were used by many contemporary composers , often in the form of keyboard paraphprases or fantasies . Perhaps the most elaborate and substantial of these is Franz Liszt 's monumental Fantasy and Fugue on the chorale " Ad nos , ad salutarem undam " , S.259 ( 1852 ) , for organ or pédalier , based on the chorale of the Anabaptist priests in Le prophète and dedicated to Meyerbeer . The work was also published in a version for piano duet ( S.624 ) which was much later arranged for solo piano by Ferrucio Busoni . Liszt also wrote piano works based on Robert le diable , notably the Réminiscences de Robert le diable subtitled Valse infernale . He also transcribed two pieces from L 'Africaine , as " Illustrations de l 'opéra L 'Africaine " . Frédéric Chopin and Auguste Franchomme jointly composed a Grand duo concertant on themes from the opera , for cello and piano , in 1832 , and the Italian pianist and composer Adolfo Fumagalli composed an elaborate fantasy on the opera for left hand alone as his Op. 106 . Other pieces based on the opera included works by Adolf von Henselt and Jean @-@ Amédée Méreaux . Similar works , of varying musical quality , were churned out by composers for each of the further operas in attempts to cash in on their success . = = = Critical reception = = = Meyerbeer 's operas consistently enjoyed enormous popularity during his lifetime , and the verdict of ( the then pro @-@ Meyerbeer ) Wagner in 1841 , when the Paris Opéra was vainly awaiting Le prophète and L 'Africaine , was not atypical : The Paris Opéra lies dying . It looks for its salvation to the German Messiah , Meyerbeer ; if he keeps it waiting much longer , its death agonies will begin ... It is for that reason ... that one only sees Robert le Diable and Les Huguenots turning up again when the mediocrities are forced to withdraw . However , dissenting voices were heard from critics . Not all of these however were on musical grounds . Berlioz for example raised the issue of the inhibiting effects of Meyerbeer 's success ( which he felt particularly as one who struggled to get his works performed ) : " The pressure [ Meyerbeer ] exerts on managers , artists and critics , and consequently on the Paris public , at least as much by his immense wealth as by his eclectic talent , makes all serious success at the Opéra virtually impossible . This baneful influence may still be felt ten years after his death : Heinrich Heine maintains he has ' paid in advance ' . " Mendelssohn disapproved of Meyerbeer 's works on moral grounds , believing Robert le diable to be ' ignoble ' . Schumann 's attack on Les Huguenots was clearly a personal diatribe against Meyerbeer 's Judaism : ' Time and time again we had to turn away in disgust ... One may search in vain for a sustained pure thought , a truly Christian sentiment ... It is all contrived , all make believe and hypocrisy ! ... The shrewdest of composers rubs his hands with glee.' Wagner 's disciple Theodor Uhlig followed Schumann 's Judaeophobic line in his 1850 review of Le prophète : ' To a good Christian [ it ] is at best contrived , exaggerated , unnatural and slick , and it is not possible that the practised propaganda of the Hebrew art @-@ taste can succeed using such means . ' Uhlig 's phrase ' the Hebrew art @-@ taste ' was to be used by Richard Wagner to spark off his attack on Meyerbeer , ' Das Judenthum in der Musik ( Jewishness in Music ) . ' ( see below ) . In 1911 , the composer Charles Villiers Stanford cited Meyerbeer 's music as an example of the dangers he believed lay in improvising at the piano without a clear plan , ( although there is in fact no evidence to suggest Meyerbeer worked in this way ) , writing : ' Man of genius though he was , as any man who wrote the fourth act of the Huguenots must have been , Meyerbeer is a sign @-@ post of this danger of trusting to the pianoforte as a medium of inspiration.' = = = Wagner 's campaign against Meyerbeer = = = The vitriolic campaign of Richard Wagner against Meyerbeer was to a great extent responsible for the decline of Meyerbeer 's popularity after his death in 1864 . This campaign was as much a matter of personal spite as of racism – Wagner had learnt a great deal from Meyerbeer and indeed Wagner 's early opera Rienzi ( 1842 ) was facetiously called by Hans von Bülow ' Meyerbeer 's best opera ' . Meyerbeer supported the young Wagner , both financially and in helping to obtain the premiere productions of both Rienzi and The Flying Dutchman at Dresden . Wagner 's early correspondence with Meyerbeer , up to 1846 , is cringingly obsequious . However , from the early 1840s , as Wagner developed Tannhäuser and Lohengrin , his ideas on opera increasingly diverged from Meyerbeerean standards ; even in 1843 Wagner had written to Schumann condemning Meyerbeer 's work as ' a striving after superficial popularity ' . During 1846 Meyerbeer turned down Wagner 's application for a loan of 1 @,@ 200 thalers , and this may have marked a turning point . In particular , after 1849 , Wagner resented Meyerbeer 's continuing success at a time when his own vision of German opera had little chance of prospering . After the May Uprising in Dresden of 1849 , Wagner was for some years a political refugee facing a prison sentence or worse should he return to Saxony . During his period of living in exile he had few sources of income and little opportunity of getting his own works performed . The success of Le prophète sent Wagner over the edge , and he was also deeply envious of Meyerbeer 's wealth . In reaction he published , under a pseudonym , his 1850 essay ' Jewishness in Music ' . Without specifically naming Meyerbeer , he interpreted the popular success of the latter as the undermining of German music by alleged Jewish venality and willingness to cater to the lowest tastes , and attributed the supposed poor quality of such ' Jewish music ' to Jewish speech and song patterns , which ' though the cultured son of Jewry takes untold pains to strip them off , nevertheless they shew an impertinent obstinacy in cleaving to him ' . In his major theoretical statement , ' Opera and Drama ' ( 1852 ) , Wagner objected to the music of Meyerbeer , asserting its superficiality and incoherence in dramatic terms ; this work contains Wagner 's well @-@ known put @-@ down of Meyerbeer 's operas as ' effects without causes ' . It also contains the sardonic crack that ' [ Rossini ] never could have dreamt that it would some day occur to the Bankers , for whom he had always made their music , to make it for themselves ' . ' Jewishness in Music ' was reissued in 1869 , ( after Meyerbeer 's death ) in an extended form , with a far more explicit attack on Meyerbeer . This version was under Wagner 's own name – and as Wagner had by now a far greater reputation , his views obtained far wider publicity . These attacks on Meyerbeer ( which also included swipes at Felix Mendelssohn ) are regarded by Paul Lawrence Rose as a significant milestone in the growth of German anti @-@ Semitism . As Wagner prospered , it became second @-@ nature for him , his wife Cosima and the Wagner circle to deprecate Meyerbeer and his works , and Cosima 's Diaries contain numerous instances of this – ( as well as recording a dream of Wagner 's in which he and Meyerbeer were reconciled ) . Wagner 's autobiography ' Mein Leben ' , circulated amongst his friends ( and published openly in 1911 ) , contains constant sniping at Meyerbeer and concludes with Wagner exulting over Meyerbeer 's death . The downgrading of Meyerbeer became a commonplace amongst Wagnerites : in 1898 , George Bernard Shaw , in The Perfect Wagnerite , commented that " Nowadays young people cannot understand how anyone could have taken Meyerbeer 's influence seriously . " Thus as Wagner 's stock rose , Meyerbeer 's fell . In 1890 , the year before the Paris premiere of Wagner 's Lohengrin , there were no Wagner performances at the Paris Opéra , and 32 performances of Meyerbeer 's four grand operas . In 1909 , there were 60 Wagner performances , and only three of Meyerbeer ( Les Huguenots being the sole work performed ) . = = = Reevaluation = = = Meyerbeer 's costly operas , requiring grand casts of leading singers , were gradually dropped from the repertoire in the early 20th century . They were banned in Germany from 1933 , and subsequently in subject countries , by the Nazi regime because the composer was Jewish , and this was a major factor in their further disappearance from the repertory . One of the first serious post @-@ war studies of Meyerbeer and grand opera was Crosten 's 1948 book Grand Opera : An Art and a Business which laid out the themes and standards for much subsequent research . A major contribution to revival of interest in Meyerbeer was the work of the scholar Heinz Becker , leading to the complete publication , between 1960 and 2006 , of Meyerbeer 's complete diaries and correspondence in German , which are an important source for musical history of the era . The English scholar Robert Letellier has translated the diaries and undertaken a wide range of Meyerbeer studies . Not least , the establishment of a ' Meyerbeer Fan Club ' in America has stimulated interest . Most importantly the operas themselves are now beginning to be revived and recorded , although despite the efforts of such champions as Dame Joan Sutherland , who took part in performances of , and recorded , Les Huguenots , they have yet to achieve anything like the huge popular following they attracted during their creator 's lifetime . Recordings are now available of all the operas from Il crociato onwards , for many of the earlier Italian operas , and for other pieces including his songs and the incidental music for Struensee . Amongst reasons often adduced for the dearth of modern productions are the scale of Meyerbeer 's more ambitious works and the cost of mounting them , as well as the alleged lack of virtuoso singers capable of doing justice to Meyerbeer 's demanding music . However , recent successful productions of some of the major operas at relatively small centres such as Strasbourg ( L 'Africaine , 2004 ) and Metz ( Les Huguenots , 2004 ) show that this conventional wisdom can be challenged . A highly successful production of Les Huguenots conducted by Marc Minkowski with stage direction by Gilbert Py was presented at Brussels ' Théâtre de la Monnaie in 2011 , and a new production of the same work opened at the Staatstheater Nürnberg in 2014 , conducted by Guido Johannes Rumstadt with stage direction by Tobias Kratzer , a co @-@ production with Opéra de Nice . In December 2012 , the Royal Opera House in London premiered its first performance of Robert le diable in 120 years . In 2013 , Meyerbeer 's original version of L 'Africaine in a new critical edition by Jürgen Schläder was performed by Chemnitz Opera House under the original title Vasco de Gama . The production was a success with audiences and critics and won the poll of German critics award presented by Opernwelt magazine annually as " Rediscovery of the year " in 2013 . On 9 September 2013 a plaque to mark Meyerbeer 's last residence was put up at Pariser Platz 6a , Berlin . = = On film = = Vernon Dobtcheff played the role of Giacomo Meyerbeer in the 1983 film Wagner . = = Recordings = = A Meyerbeer discography ( updated whenever an additional opera by Meyerbeer is issued on CD ) at the Wayback Machine ( archived October 27 , 2009 ) Recordings of Meyerbeer 's operas as listed on operadis @-@ opera @-@ discography.org.uk /

= Washington State Route 221 = State Route 221 ( SR 221 ) is a 25 @.@ 95 @-@ mile ( 41 @.@ 76 km ) long state highway located entirely within Benton County , Washington , United States . The highway serves to connect the unincorporated community of Paterson to the county seat Prosser . The highway has existed since at least 1926 and was designated as Primary State Highway 8E from 1937 until the 1964 renumbering of Washington state highways . = = Route description = = Washington State Route 221 ( SR 221 ) starts at an intersection with SR 14 in the unincorporated community of Paterson . After leaving Paterson the highway travels north through rural farm land as a two @-@ lane highway . A few minor roads are intersected before the roadway turns to the west after about 17 mi ( 27 km ) , before turning back to the north . After the highway resumes its northerly course it climbs into the Horse Heaven Hills , gaining a passing lane through the uphill segments , before finally terminating at SR 22 in south Prosser . Every year the Washington State Department of Transportation ( WSDOT ) conducts a series of surveys on its highways in the state to measure traffic volume . This is expressed in terms of average annual daily traffic ( AADT ) , which is a measure of traffic volume for any average day of the year . In 2009 , WSDOT calculated that as few as 2 @,@ 000 cars traveled through the central part of the highway , and as many as 2 @,@ 500 cars at the interchange with SR 22 . = = History = = The roadway on its current alignment has existed since at least 1926 , however there are records of a road between Paterson and Prosser since 1906 . The highway was designated Secondary State Highway 8E ( SSH 8E ) in 1937 , but the route number was changed to SR 221 during the 1964 state highway renumbering . High winds have forced the closure of SR 221 in 2003 , 2004 , and 2005 due to large amounts of dust being blown around , causing visibility to drop to almost zero through the Horse Heaven Hills . = = Major intersections = = The entire highway is within unincorporated Benton County .

= Superman : Escape from Krypton = Superman : Escape from Krypton ( originally known as Superman : The Escape ) is a steel shuttle roller coaster located at Six Flags Magic Mountain in Valencia , California . When it opened in 1997 , it was the tallest roller coaster in the world , and its speed of 100 mph ( 160 km / h ) was tied for the fastest with Tower of Terror II , a similar roller coaster which opened two months earlier at Dreamworld in Australia . These two coasters were the first to utilize Linear Synchronous Motor ( LSM ) technology to propel vehicles to top speed . The park originally intended to open the ride in 1996 , but the opening was delayed because of several issues with the launch system . The ride was closed in late 2010 for refurbishment , and it emerged in 2011 as " Superman : Escape from Krypton " . The refurbished ride featured new trains which face backward , and it was painted with a new color scheme . As of 2013 , Superman : Escape from Krypton has the third @-@ tallest structure , the fifth @-@ fastest speed and the third @-@ longest drop in the world . = = History = = = = = Superman : The Escape ( 1997 — 2010 ) = = = While in the planning stages , the ride was going to be named Velocetron and themed as The Man of Steel . The ride was announced on January 5 , 1996 as Superman : The Escape , breaking records as the first roller coaster to reach 100 miles per hour ( 160 km / h ) , passing Desperado and Phantom 's Revenge at 82 miles per hour ( 132 km / h ) . The ride was designed by Intamin , a Swiss roller coaster firm . It was originally intended to open on June 1 , 1996 . However , due to a range of problems with the launch system , its opening was delayed . In late 1996 , there was a preview for season pass holders . After 10 months of testing and reengineering , the ride opened on March 15 , 1997 . After its opening , the media claimed Superman to be the fastest roller coaster in the world . However , since it was delayed , a similar roller coaster known as Tower of Terror , which also has a 100 @-@ mile @-@ per @-@ hour launch ( 160 km / h ) , had opened about a month earlier at Dreamworld in Australia . Superman therefore lost its claim as being the first roller coaster to reach 100 miles per hour ( 160 km / h ) , although it was then tied with Tower of Terror as the fastest roller coaster in the world . However , the ride became the first roller coaster in the world to go over 400 ft , therefore becoming the tallest roller coaster in the world at the time . In June 2004 , Superman : The Escape 's seat belts were modified because of an incident on the Superman – Ride of Steel roller coaster at Six Flags New England . California State Regulators asked the park to make modifications to the rides ' restraint systems to prevent a similar incident in the future . Just after July 4 weekend of 2010 , Superman : The Escape ceased operations with no reason given . A sign posted in front of the ride indicated that it would not reopen until the 2011 season , with hints that there would be improvements made to the ride experience . After Superman : The Escape 's sister ride , the Tower of Terror II at Dreamworld , underwent a major refurbishment in 2010 which entailed a new vehicle which launches backward , speculation turned to the possibility of a similar modification to the Magic Mountain ride . Six Flags Magic Mountain officials quickly denied rumors that it would receive a Bizarro retheming , similar to roller coasters at other Six Flags parks . = = = Superman : Escape from Krypton ( 2011 — present ) = = = On October 20 , 2010 , Six Flags Magic Mountain officially announced the refurbishment and re @-@ theming of Superman : The Escape , in addition to the construction of two new roller coasters . As part of the refurbishment , the ride was renamed to Superman : Escape from Krypton and featured new backward launching cars and a new color scheme . The upgraded ride reopened to the public on March 19 , 2011 . Superman : Escape from Krypton closed again on February 5 , 2012 ( almost a year after the refurbishment ) to prepare for the new 2012 attraction Lex Luthor : Drop of Doom . Two drop towers , also built by Intamin , were integrated into the existing sides of Superman : Escape from Krypton 's structure . The ride reopened when construction was finished on July 7 , 2012 . To enable the construction of the park 's 2013 roller coaster , Full Throttle , Superman : Escape from Krypton was temporarily closed from December 2012 . It reopened in mid @-@ January with Six Flags Magic Mountain stating the ride may have intermittent closures as the construction of Full Throttle continues . = = Ride experience = = = = = Queue and station = = = At the entrance to the ride , the Superman " S " shield is imprinted and now painted onto the ground . The entrance area and queue are modeled after the Fortress of Solitude , Superman 's headquarters . The station is lit green , modeled as Krypton , the planet that is full of Kryptonite rock that can take away Superman 's powers . Inside is a crystalline @-@ looking environment which recreates Superman 's fortress in the Arctic . If the Velocetron name had been chosen , the queue and station would have had ancient ruins and a giant laser . A page on display in the Sky Tower , the park 's observation tower , shows the concept art for Velocetron . = = = Layout = = = The roller coaster has two parallel tracks , with both tracks being identical . The vehicle is accelerated by Linear Synchronous Motors in reverse out of the station from 0 to 100 miles per hour ( 160 km / h ) in approximately 7 seconds . Riders experience a g @-@ force of 4 @.@ 5 during the launch . The vehicle then climbs up 415 feet ( 126 m ) at a 90 degree angle . Riders climb this vertical section facing directly downward , before slightly stopping near the top of the tower . During the vertical section of the ride , riders experience weightlessness for about 6 @.@ 5 seconds . The vehicle drops 328 feet ( 100 m ) and is slowed down before re @-@ entering the station . = = = Vehicles = = = The roller coaster originally featured two vehicles , each with three rows of four seats and one row of three seats for a total of 15 riders per vehicle . Both vehicles were built to only run forward . After the ride was refurbished in 2010 , new " streamlined " vehicles with the Superman logo were introduced . The new vehicles were designed with low @-@ profile sides to enhance the open @-@ air feeling . Although they are wider , the row of the three seats in the older vehicle was reduced to two , resulting in a lower total of 14 riders per vehicle . Both of the new trains were configured to run backward , though they were designed to run forward as well . It was reported that the park would eventually run one side forward to give riders a choice , but both trains have remained facing backward . = = = Track = = = The steel track is approximately 1 @,@ 235 feet ( 376 m ) in length and the height of the tower is approximately 415 feet ( 126 m ) . The tower is in an " L " shape with two parallel tracks . When the ride opened , the entire structure was painted white . After the ride was refurbished , the top third of the structure was painted red , the track was painted yellow and the rest was painted blue . = = Records = = For the first four years of operation , Superman : Escape from Krypton was tied with Tower of Terror II as the fastest roller coaster in the world . In 2001 , the speed record was taken by Dodonpa in Japan which features a top speed of 106 @.@ 9 miles per hour ( 172 @.@ 0 km / h ) . Superman : Escape from Krypton held the record for the tallest roller coaster in the world until 2003 when the record was taken by the 420 @-@ foot @-@ tall ( 130 m ) Top Thrill Dragster at Cedar Point . As of 2015 , it has the fifth fastest speed , the third tallest structure and the third @-@ highest drop in the world .

= Battle of Hubbardton = The Battle of Hubbardton was an engagement in the Saratoga campaign of the American Revolutionary War fought in the village of Hubbardton , Vermont . Vermont was then a disputed territory sometimes called the New Hampshire Grants , claimed by New York , New Hampshire , and the newly organized and not yet recognized but de facto independent government of Vermont . On the morning of July 7 , 1777 , British forces , under General Simon Fraser , caught up with the American rear guard of the forces retreating after the withdrawal from Fort Ticonderoga . It was the only battle in Vermont during the revolution . ( The Battle of Bennington was fought in what is now Walloomsac , New York . ) The American retreat from Fort Ticonderoga began late on July 5 after British cannons were seen on top of high ground , Mount Defiance ( aka Rattlesnake Mountain and Sugar Loaf Hill ) that commanded the fort . The bulk of General Arthur St. Clair 's army retreated through Hubbardton to Castleton , while the rear guard , commanded by Seth Warner , stopped at Hubbardton to rest and pick up stragglers . General Fraser , alerted to the American withdrawal early on July 6 , immediately set out in pursuit , leaving a message for General John Burgoyne to send reinforcements as quickly as possible . That night Fraser camped a few miles short of Hubbardton , and the German General Friedrich Adolf Riedesel , leading reinforcements , camped a few miles further back . Rising early in the morning , Fraser reached Hubbardton , where he surprised some elements of the American rear , while other elements managed to form defensive lines . In spirited battle , the Americans were driven back , but had almost succeeded in turning Fraser 's left flank when Riedesel and his German reinforcements arrived , eventually scattering the American forces . The battle took a large enough toll on the British forces that they did not further pursue the main American army . The many American prisoners were sent to Ticonderoga while most of the British troops made their way to Skenesboro to rejoin Burgoyne 's army . Most of the scattered American remnants made their way to rejoin St. Clair 's army on its way toward the Hudson River . = = Background = = General John Burgoyne began his 1777 campaign for control of the Hudson River valley by moving an army of 8 @,@ 000 down Lake Champlain in late June , arriving near Fort Ticonderoga on July 1 . On July 5 , General Arthur St. Clair 's American forces defending Fort Ticonderoga and its supporting defenses discovered that Burgoyne 's men had placed cannons on a position overlooking the fort . They evacuated the fort that night , with the majority of the army marching down a rough road ( now referred to locally as the 1776 Hubbardton Military Road ) toward Hubbardton in the disputed New Hampshire Grants territory . The day was hot and sunny , and the pace was rapid and grueling ; most of the army marched 30 miles ( 48 km ) to Castleton before making camp on the evening of July 6 . = = British troops give chase = = The British general , a Scotsman named Simon Fraser discovered early on July 6 that the Americans had abandoned Ticonderoga . Leaving a message for General Burgoyne , he set out in pursuit with companies of grenadiers ( 9th , 29th , 34th , and 62nd Foot ) and light infantry ( 24th , 29th , 34th , 53rd , and 62nd ) , as well as two companies of the 24th Regiment and about 100 Loyalists and Indian scouts . Burgoyne ordered Riedesel to follow ; he set out with a few companies of Brunswick jägers and grenadiers , leaving orders for the rest of his troops to come as rapidly as possible . Fraser 's advance corps was only a few miles behind Colonel Ebenezer Francis ' 11th Massachusetts Regiment , which acted as St. Clair 's rear guard . American general St. Clair paused at Hubbardton to give the main army 's tired and hungry troops time to rest while he hoped the rear guard would arrive . When it did not arrive in time , he left Colonel Seth Warner and the Green Mountain Boys behind , along with the 2nd New Hampshire Regiment under Colonel Nathan Hale , at Hubbardton to wait for the rear while the main army marched on to Castleton . When Francis ' and Hale 's men arrived , Warner decided , against St. Clair 's orders , that they would spend the night there , rather than marching on to Castleton . Warner , who had experience in rear @-@ guard actions while serving in the invasion of Quebec , arranged the camps in a defensive position on Monument Hill , and set patrols to guard the road to Ticonderoga . Baron Riedesel caught up with Fraser around 4 pm , and insisted that his men could not go further before making camp . Fraser , who acquiesced to this as Riedesel was senior to him in the chain of command , pointed out that he was authorized to engage the enemy , and would be leaving his camp at 3 am the next morning . He then advanced until he found a site about three miles ( 4 @.@ 8 km ) from Hubbardton , where his troops camped for the night . Riedesel waited for the bulk of his men , about 1 @,@ 500 strong , and also made camp . = = Attack = = Fraser 's men were up at 3 am , but did not make good time due to the darkness . Riedesel left his camp at 3 am with a picked group of men , and was still behind Fraser when the latter arrived at Hubbardton near dawn and very nearly surprised elements of Hale 's regiment , which were scattered in the early fighting . A messenger had arrived from General St. Clair delivering news that the British had reached Skenesboro , where the elements of the retreating army had planned to regroup , and that a more circuitous route to the Hudson River was now required . St. Clair 's instructions were to follow him immediately to Rutland . Francis ' men had formed a column to march out around 7 : 15 when the British vanguard began cresting the hill behind them . Rapidly reforming into a line behind some cover , the Massachusetts men unleashed a withering volley of fire at the winded British . General Fraser took stock of the situation , and decided to send a detachment around to flank the American left , at the risk of exposing his own left , which he hoped would hold until Riedesel arrived . Riedesel reached the top of another hill , where he observed that the American line , now including parts of Hale 's regiment , was in fact pressing on Fraser 's left . He therefore sent his grenadiers to support Fraser 's flank and directed the jägers against the American center . At some point early in the conflict , St. Clair was made aware of the gunfire off in the distance . He immediately dispatched Henry Brockholst Livingston and Isaac Dunn to send the militia camped closest to Hubbardton down the road in support of the action . When they reached the area of those camps they found those militia companies in full retreat away from the gunfire in the distance , and no amount of persuasion could convince the men to turn around . Livingston and Dunn continued riding toward Hubbardton . Falling back to a secure position on Monument Hill , the Americans repulsed several vigorous British assaults , although Colonel Francis was hit in the arm by a shot . He soldiered on , directing troops to a perceived weakness on Fraser 's left . The tide of the battle turned when , after more than an hour of battle , Riedesel 's grenadiers arrived . These disciplined forces entered the fray singing hymns to the accompaniment of a military band to make them appear more numerous than they actually were . The American flanks were turned , and they were forced to make a desperate race across an open field to avoid being enveloped . Colonel Francis fell in a volley of musket fire as the troops raced away from the advancing British and scattered into the countryside . = = Aftermath = = The scattered remnants of the American rear laboriously made their way toward Rutland in order to rejoin the main army . Harassed by Fraser 's scouts and Indians , and without food or shelter , it took some of them five days to reach the army , which was by then nearing Fort Edward . Others , including Colonel Hale and a detachment of 70 men , were captured by the British as they mopped up the scene . Colonel Francis , in a sign of respect from his opponents , was buried with the Brunswick dead . Baron Riedesel and the Brunswickers departed for Skenesboro the next day , much to General Fraser 's chagrin . Their departure left him in " the most disaffected part of America , every person a Spy " , with 600 tired men , a sizable contingent of prisoners and wounded , and no significant supplies . On July 9 he sent the 300 prisoners , under light guard but with threats of retaliation should they try to escape , toward Ticonderoga while he marched his exhausted forces toward Castleton and then Skenesboro . Livingston and Dunn , the two men sent toward the battle by St. Clair , were met by retreating Americans on the Castleton road after the battle was over . They returned to Castleton with the bad news , and the army marched off , eventually reaching the American camp at Fort Edward on July 12 . = = Losses = = The official casualty return for the Hessian troops gives 38 Hessian soldiers and 1 French @-@ Canadian killed and 125 Hessians and 2 French @-@ Canadians wounded . A separate return for the German troops has 10 killed and 14 wounded , for a grand total of 49 killed and 141 wounded . Historian Richard M. Ketchum gives different British casualties of 60 killed and 168 wounded . The American casualties were 41 killed , 96 wounded and 230 captured . = = Legacy = = A local body commissioned the erection of a monument on the battlefield site in 1859 , and the state began acquiring battlefield lands in the 1930s for operation as a state historic site . The battlefield was added to the National Register of Historic Places in 1971 , and is the site of annual Revolutionary War reenactments .

= Odaenathus = Lucius Septimius Udaynath , Latinized as Odaenathus ( Aramaic : ܐܕܝܢܬ / Oḏainaṯ ; Arabic : أذينة / Udaynath ; 220 – 267 ) , was the founder king ( Mlk ) of the Palmyrene Kingdom centered at the city of Palmyra , Syria . He lifted his city from the position of a regional center subordinate to Rome into the supreme power in the East . Odaenathus was born into an aristocratic Palmyrene family who had received Roman citizenship in the 190s under the Severan dynasty . He was the son of Hairan the descendant of Nasor . The circumstances surrounding his rise are ambiguous ; he became the lord ( Ras ) of the city , a position created for him , as early as the 240s and by 258 , he was styled a consularis , indicating a high status in the Roman Empire . The defeat and captivity of emperor Valerian at the hands of the Persian Sassanian monarch Shapur I in 260 left the eastern Roman provinces largely at the mercy of the Persians . Odaenathus stayed on the side of Rome ; assuming the title of king , he led the Palmyrene army and fell upon the Persians before they could cross the Euphrates to the eastern bank , and inflicted upon them a considerable defeat . Then , Odaenathus took the side of emperor Gallienus , the son and successor of Valerian , who was facing the usurpation of Fulvius Macrianus . The rebel declared his sons emperors , leaving one in Syria and taking the other with him to Europe . Odaenathus attacked the remaining usurper and quelled the rebellion . He was rewarded many exceptional titles by the emperor who formalized his self @-@ established position in the East . In reality , the emperor could have done little but to accept the declared nominal loyalty of Odaenathus . In a series of rapid and successful campaigns starting in 262 , he crossed the Euphrates and recovered Carrhae and Nisibis . He then took the offensive to the heartland of Persia , and arrived at the walls of its capital Ctesiphon . The city withstood the short siege but Odaenathus reclaimed the entirety of Roman lands occupied by the Persians since the beginning of their invasions in 252 . Odaenathus celebrated his victories and declared himself King of Kings , crowning his son Hairan I as co @-@ king . By 263 , Odaenathus was in effective control of the Levant , Mesopotamia and Anatolia 's eastern region . Odaenathus observed all due formalities towards the emperor , but in practice ruled as an independent monarch . In 266 , the king launched a second invasion of Persia but had to abandon the campaign and head north to Bithynia to repel the attacks of Germanic riders besieging the city of Heraclea Pontica . He was assassinated in 267 during or immediately after the Anatolian campaign , together with Hairan . The identities of the perpetrator or the instigator are unknown and many stories , accusations and speculations exist in ancient sources . He was succeeded by his son Vaballathus under the regency of his widow Zenobia , who used the power established by Odaenathus to forge the Palmyrene Empire in 270 . = = Name , Odaenathus I and origin = = " Odaenathus " is the Roman version of the king 's name who was born Lucius Septimius Udaynath c . 220 AD . " Udaynath " is the king 's personal name , an Arabic name that means " little ear " . " Septimius " was the family 's gentilicium ( surname ) adopted as an expression of loyalty to the Roman Severan dynasty , whose emperor Septimius Severus granted the family Roman citizenship in the late second century . In the Temple of Bel at Palmyra , a stone block with a sepulchral inscription was found mentioning the building of a tomb and recording the genealogy of the builder : Odaenathus son of Hairan son of Wahb Allat son of Nasor . Traditional scholarship believed the builder to be an ancestor of the king and he was given the designation " Odaenathus I " . In an inscription dated to 251 , the name of the " Ras " ( lord ) of Palmyra Hairan son of Odaenathus is written , and he was thought to be the son of Odaenathus I. Prior to the 1980s , the earliest known inscription attesting king Odaenathus was dated to 257 , leading traditional scholarship to believe that Hairan Ras of Palmyra is the father of the king and that Odaenathus I was his grandfather . However , an inscription published in 1985 by archaeologist Michael Gawlikowski and dated to 252 mentions king Odaenathus as a " Ras " and records the same genealogy found in the sepulchral inscription confirming the name of king Odaenathus ' grandfather as Wahb Allat . Therefor , it is certain that king Odaenathus is the builder of the tomb ruling out the existence of " Odaenathus I " . Ras Hairan mentioned in the 251 inscription is identical with Odaenathus ' elder son and co @-@ ruler prince Hairan I. The origin of the family is Aramean , while the king himself appears to be of mixed Aramean and Arab descent ; his name is Arabic , while the names of his ancestors ( father Hairan and great grandfather Nasor ) are Aramaic . Zosimus asserted that Odaenathus descended from " illustrious forebears " , but the position of the family in Palmyra is debated ; it was probably part of the wealthy mercantile class . Alternatively , the family could have belonged to the tribal leadership who amassed a fortune as landowners and patrons of the Palmyrene caravans . In Dura @-@ Europos , a relief dated to 159 was commissioned by Hairan son of Maliko son of Nasor ; this Hairan might have been the head of the Palmyrene trade colony in Dura @-@ Europos and probably belonged to the same family of Odaenathus . " Nasor " father of Maliko mentioned in the Dura @-@ Europos inscription could therefore be Odaenathus ' great @-@ great @-@ great grandfather . = = Rise = = Palmyra was an autonomous city subordinate to Rome and part of Syria Phoenice province . Odaenathus descended from an aristocratic family , albeit not a royal one as the city was ruled by a council and had no tradition of hereditary monarchy . Bilingual inscriptions from Palmyra record the title of the Palmyrene ruler as " Ras " in Palmyrene and Exarchos in Greek , meaning the " Lord of Palmyra " . The title was created for Odaenathus , and was not a usual title in the Roman Empire or a part of the traditional Palmyrene governance institutions ; whether it indicated a military or a priestly position is unknown , but the military role is more likely . The rise of the aggressive Sasanian Empire in 224 and the Iranian incursions which affected Palmyrene trade , combined with the weakness of the Roman empire , were probably the reasons behind the Palmyrene council 's decision to elect a lord for the city in order for him to lead a strengthened army . The " Ras " title enabled the bearer to tackle the difficult situation that arose due to the Sasanian insurgencies ; the supreme authority of the Ras probably made him the supreme civil and military commander with authority over the entire Palmyrene army , which was previously decentralized and led by different generals . = = = Ras of Palmyra = = = An undated inscription refers to Odaenathus as a Ras and records the gift of a throne to him by a Palmyrene citizen named " Ogeilu son of Maqqai Haddudan Hadda " , which confirms the supreme character of Odaenathus ' title . The earliest known inscriptions mentioning the title are dated to October 251 and April 252 ; the 251 inscription refer to Odaenathus ' eldest son Hairan I as Ras while the 252 inscription mention Odaenathus with that title . Hairan I was apparently elevated to co @-@ lordship status by his father . Although the written evidence for Odaenathus lordship dates to 251 , it is possible that he acquired the title as early as the 240s ; following the death of Roman emperor Gordian III in 244 during a campaign against Persia , the Palmyrenes might have elected Odaenathus to defend the city . Odaenathus was described as Roman senator in the undated tomb inscription and Hairan I was mentioned with the same title in the 251 inscription . Scholarly opinions vary on the exact date of Odaenathus ' elevation to the position ; Gawlikowski and Jean Starcky maintain that the senatorial rank predates the Ras elevation . Udo Hartmann concludes that Odaenathus first became a Ras in the 240s then a senator in 250 . Another possibility is that the senatorial rank and lordship occurred simultaneously ; Odaenathus was chosen as a Ras following Gordian 's death , then after Philip the Arab concluded a peace with the Persians , the emperor ratified Odaenathus ' lordship and admitted him to the senate to guarantee Palmyra 's continuous subordination . As early as the 240s , Odaenathus inflated the Palmyrene army , recruiting the desert nomads and increasing the numbers of the Palmyrene heavy cavalry units ( clibanarii ) . In 252 , Persian emperor Shapur I started a full @-@ scale invasion of the Roman provinces in the east . During the second campaign of the invasion , Shapur conquered Antioch and headed south where his advance was checked in 253 by Emesa 's priest king Uranius Antoninus . The events of 253 were mentioned in the works of the sixth century historian John Malalas who also mentioned a leader by the name " Enathus " inflicting a defeat upon the retreating Shapur near the Euphrates . " Enathus " is probably identical with Odaenathus , and while Malalas ' account indicate that Odaenathus defeated the Persians in 253 , there is no proof that the Palmyrene leader engaged Shapur before 260 and Malalas ' account seems to be confusing Odaenathus ' future actions during 260 with the events of 253 . Shapur I destroyed the Palmyrene trade colonies all along the Euphrates ( including the colonies at Anah in 253 and at Dura @-@ Europos in 256 ) ; Peter the Patrician says that Odaenathus approached Shapur to negotiate Palmyrene interests but was rebuffed and the gifts sent to the Persians were thrown into the river . The date for the attempted negotiations is debated ; Some scholars including John F. Drinkwater set the event in 253 while others such as Alaric Watson set it in 256 following the destruction of Dura @-@ Europos . = = = Governor of Syria Phoenice = = = Several inscriptions dating to the end of 257 or early 258 show Odaenathus bearing the title " ὁ λαμπρότατος ὑπατικός " ( Clarissimus Consularis ) ; this could be a mere honoring or a sign that he was appointed as the Legatus of Phoenice . However , the title ( ὁ λαμπρότατος ὑπατικός ) was sometimes used in Syria to denote the provincial governor and William Waddington proposed that Odaenathus was indeed the governor of Phoenice . Five of the inscriptions mentioning Odaenathus as consul are dated to the Seleucid year 569 ( 258 AD ) during which no governor for Phoenice is attested , which might indicate that this was Odaenathus ' year of governorship . In the city of Tyre , Phoenice 's capital , the lines " To Septimius Odaenathus , the most illustrious . The Septimian colony of Tyre " were found inscribed on a marble base ; the inscription is not dated and if it was set after 257 then it indicates that Odaenathus was appointed as the governor of the province . These speculations cannot be proven without doubt but as a governor , Odaenathus would have been the highest authority in the province and above any legionary commander and provincial officials ; this would make him the commander of the Roman forces in the province . Whatever the case may be , starting from 258 , Odaenathus strengthened his position and extended his political influence in the region . By 260 , Odaenathus held the rank , credibility and power to pacify the Roman east following the Battle of Edessa . = = = Edessa = = = Faced with Shapur 's third campaign , the Roman emperor Valerian marched against the Persian monarch but was defeated near Edessa in late spring 260 and taken as a prisoner . The Persian emperor then ravaged Cappadocia , Cilicia and claimed to have captured Antioch , the metropolis of Syria . Taking advantage of the situation , Fulvius Macrianus , the commander of the imperial treasury , declared his sons Quietus and Macrianus Minor as joint emperors in August 260 opposing Valerian 's son Gallienus . Fulvius Macrianus took Antioch as his center and organized the resistance against Shapur ; he dispatched Balista , his praetorian prefect , to Anatolia . Shapur was defeated in the region of Sebaste at Pompeiopolis prompting the Persians to evacuate Cilicia while Balista went back to Antioch . Balista 's victory was only partial , as Shapur withdrew east of Cilicia where the marauding Persian units continued to occupy the area , while a Persian force took advantage of Balista 's return to Syria and headed further west in Anatolia . = = Reign = = According to the Augustan History , Odaenathus was declared king of Palmyra as soon as the news of the Roman defeat at Edessa reached the city . It is not known if Odaenathus contacted Fulvius Macrianus and there is no evidence that he took orders from him . = = = Early Persian war and Syria = = = Odaenathus assembled the Palmyrene army and Syrian peasants then marched north to meet the Persian emperor , who was back from Cilicia . The Palmyrene monarch fell upon the retreating Shapur at a place between Samosata and Zeugma west of the Euphrates in late summer 260 . Odaenathus defeated the Persians , expelling Shapur from the province of Syria . However , the Sassanians kept the regions east of the Euphrates . In the beginning of 261 , Fulvius Macrianus headed to Europe accompanied by Macrianus Minor leaving Quietus and Balista in Emesa . Odaenathus ' whereabouts during this episode are not clear ; he could have distributed the army in garrisons along the frontier or might have brought it back to his capital . The Palmyrene monarch seems to have waited until the situation clear , declaring loyalty neither to Fulvius Macrianus nor to Gallienus . In the spring of 261 , Fulvius Macrianus arrived in the Balkans but was defeated and killed along with Macrianus Minor ; Odaenathus then marched on Emesa where Quietus and Balista were staying . The Emesans killed Quietus as Odaenathus approached the city , while Balista was captured and executed by the king in autumn 261 . = = = = Ruler of the East = = = = The elimination of the usurpers left Odaenathus as the most powerful leader in the Roman east ; he was granted many titles by the emperor but those honors are debated among scholars : Dux Romanorum ( commander of the Romans ) : was probably given to Odaenathus to recognize his position as the commander in chief of the forces in the east against the Persians ; it was inherited by Odaenathus ' son and successor Vaballathus . Corrector totius orientis ( commander of the entire East ) : it is generally accepted by modern scholars that he bore this title . The corrector had an overall command of the Roman armies and authority over the Roman provincial governors in the designated region . There are no known attestations of the title during Odaenathus ' lifetime . Evidences for the king bearing the title are two inscriptions in Palmyrene dialect ; one posthumous dedication describing him as MTQNNʿ of the East ( derived from the Aramaic root TQN , meaning to set in order ) , and the other describing his heir Vaballathus with the same title albeit using the word PNRTTʿ instead of MTQNNʿ . However , the sort of authority accorded by this position is widely discussed . The problem arise from the word MTQNNʿ ; its exact meaning is debated . The word is translated to Latin as corrector but restitutor is another possible translation ; the latter title was an honorary one meant to praise the bearer for driving enemies out of Roman territories . However , the inscription of Vaballathus is clearer as the word PNRTTʿ is not a Palmyrene word but a direct Palmyrene translation of the Greek term Epanorthotes which is usually an equivalent to corrector . According to David Potter , Vaballathus inherited his father 's exact titles . Hartmann points that there have been cases where a Greek word was translated directly to Palmyrene and a Palmyrene equivalent was also used to mean the same thing . The dedication to Odaenathus would be the using of a Palmyrene equivalent , while the inscription of Vaballathus would be the direct translation . Despite all the arguments , it cannot be certain without doubt that Odaenathus was a corrector . Imperator totius orientis ( emperor of the entire East ) : only the Augustan History claims that Odaenathus was conferred with this title , and also goes so far as to claim that he was made an Augustus ( co @-@ emperor ) following his defeat of the Persians . Both claims are dismissed by scholars . Odaenathus seems to have been acclaimed as Imperator by his troops which is a salutation reserved for the Roman emperor ; this acclamation might explain the erroneous reports of the Augustan History . Regardless of the titles , Odaenathus controlled the Roman East with the approval of Gallienus who could do little but to formalize Odaenathus self achieved status and settle for his formal loyalty . Palmyra itself , although officially still part of the Roman empire , became a de facto allied state to Rome instead of a provincial city . Outside of Palmyra , Odaenathus ' authority extended from the Pontic coast in the north to Palestine in the south . This area included the Roman provinces of Syria , Phoenice , Palaestina , Arabia , Anatolia 's eastern regions and later ( following the campaign of 262 ) Osroene and Mesopotamia . = = = = First Persian campaign 262 = = = = Perhaps driven by the will to take revenge for the destruction of Palmyrene trade centers and discourage Shapur from initiating future attacks , Odaenathus launched an invasion against the Persians . In the spring of 262 , the king marched north into the occupied Roman province of Mesopotamia , driving out the Persian garrisons and freeing Edessa and Carrhae . The first onslaught was aimed at Nisibis , which Odaenathus regained but sacked since the inhabitants were sympathetic toward the Persian occupation . The Palmyrene monarch destroyed the Jewish city of Nehardea , 45 km west of the Persian capital Ctesiphon , as he deemed the Jews of Mesopotamia loyal to Shapur . By late 262 or early 263 , Odaenathus stood at the walls of the Persian capital . The exact route taken by Odaenathus from Palmyra to Ctesiphon remains uncertain ; it is probably similar to the route emperor Julian took in 363 during his campaign against Persia . Using this route , Odaenathus would have crossed the Euphrates at Zeugma then moved east to Edessa followed by Carrhae then Nisibis ; here , he would have descended south along the Khabur River to the Euphrates valley and marched alongside the river 's left bank to Nehardea . After taking the city , he penetrated the Sassanian province of Asōristān and marched along the royal canal Naarmalcha towards the Tigris where the Persian capital stood . Once at Ctesiphon , Odaenathus immediately began the siege of the well @-@ fortified winter residence of the Persian kings ; severe damage was inflicted upon the surrounding areas due to the battles with Persian troops . The city held its ground and the logistical problems of fighting in enemy 's land probably prompted the Palmyrenes to lift the siege . Odaenathus headed north along the Euphrates carrying with him numerous prisoners and booty . The invasion resulted in the full restoration of the Roman lands ( Osroene and Mesopotamia provinces ) occupied by Shapur since the beginning of his invasions in 252 . However , Dura @-@ Europus and other Palmyrene posts south of Circesium , such as Anah , were not rebuilt . Odaenathus sent the captives to Rome and by the end of 263 , Gallienus added Persicus Maximus ( " The great victor in Persia " ) to his titles and held a triumph . = = = King of Kings = = = In 263 , after his return , Odaenathus assumed the title King of Kings of the East ( Mlk Mlk ) , and headed to Antioch , the traditional capital of Syria , where he crowned his son Hairan I as co @-@ King of Kings . The title was a symbol of legitimacy in the East , starting with the Assyrians then the Achaemenids who used it to symbolize their supremacy over all other rulers and was adopted by the Parthian monarchs following their defeat of the Seleucids to legitimize their conquests . The first Sassanian monarch Ardashir I adopted the title following his victory over the Parthians . Odaenathus ' son was crowned with a diadem and a tiara ; the choice of the location was probably meant to express that the Palmyrene monarchs were now the successors of the Seleucid and Iranian rulers who controlled Syria and Mesopotamia in the past . = = = = Relation with Rome = = = = In the Roman empire 's hierarchical system , a vassal king usage of the King of Kings title did not indicate that he is a peer of the emperor or that the vassalage ties were cut . The title was probably a challenge not to the Roman emperor but to Shapur I ; Odaenathus was declaring that he , not the Persian monarch , was the legitimate King of Kings in the East . A tessera depicting Hairan I shows him wearing a crown shaped like that of the Parthian monarchs , so it must have been Odaenathus ' crown ; this combination of title and imagery indicate that Odaenathus considered himself the rival of the Sassanians and the protector of the region against them . Odaenathus ' intents are questioned by some historians such as Drinkwater who attribute the attempted negotiations with Shapur to Odaenathus ' quest for power . However , in contrast to the norm of his period when powerful generals proclaimed themselves emperors , Odaenathus chose not to usurp Gallienus ' throne , and minted no coins bearing his own image . The king had total control over his kingdom of Palmyra and effective control over the Roman East where his military authority was absolute . Odaenathus respected Gallienus ' privilege to appoint provincial governors , but dealt swiftly with opposition ; the Anonymus post Dionem mention the story of Kyrinus ( Quirinus ) , a Roman official , who showed dissatisfaction with Odaenathus ' authority over the Persian frontier and was immediately executed by the king . In general , Odaenathus ' actions were connected to his and Palmyra 's interests only ; his support of Gallienus and his Roman titles did not hide the Palmyrene base of his power and the local origin of his armies , as with his decision not to wait for the emperor to help in 260 . Odaenathus ' status seems to have been , as Watson put it , " something between powerful subject , independent vassal king and rival emperor " . = = = = Administration = = = = Outside his kingdom , Odaenathus had an overall administrative and military authority over the provincial governors of the Roman eastern provinces . Inside Palmyra , no Roman provincial official had any authority ; the king filled the government with Palmyrene staffs . In parallelism to the Iranian practice of making the government appear as a family enterprise , Odaenathus bestowed his own gentilicium ( Septimius ) upon his leading generals and officials such as Zabdas , Zabbai and Worod . The Palmyrene constitutional institutions continued to function normally during Odaenathus ' reign ; he maintained the council and most civic establishments , permitting the election of magistrates until 264 . When Odaenathus was on campaign , the kingdom was administered by a viceroy , Septimius Worod . = = = = Second Persian campaign 266 = = = = Sources are silent regarding the events following the first Persian campaign but the silence in itself is an indication of the peace that prevailed and that the Persians stopped being a threat to the Roman East . The evidence for the second campaign is meager ; Zosimus is the only one to mention it specifically . A passage in the Sibylline Oracles is interpreted by Hartmann as an indication of the second invasion . The campaign took place in 266 or 267 and was aimed directly at Ctesiphon ; Odaenathus reached the walls of the Persian capital but had to cancel the siege and march north to face the influx of Germanic riders attacking Anatolia . = = = = Anatolian campaign = = = = The Romans used the designation " Scythian " to denote many tribes regardless of ethnic origin and sometimes the term would be interchangeable with Goths ; the tribes attacking Anatolia were probably the Heruli who built ships to cross the Black Sea in 267 and ravaged the coasts of Bithynia @-@ Pontus besieging Heraclea Pontica . According to Syncellus , Odaenathus arrived at Anatolia with Hairan I and headed to Heraclea but the riders were already gone . They loaded the spoils onto their ships but many perished in a sea battle probably conducted by Odaenathus ; another possibility is that they were shipwrecked . = = Assassination = = Odaenathus was assassinated along with Hairan I in late 267 ; the date is debated and some scholars propose 266 or 268 , but Vaballathus dated his first year of reign between August 267 and August 268 , making late 267 the most probable date . The assassination took place either in Anatolia , or in Syria while the king was returning to Palmyra ; there is no consensus on the manner , perpetrator or the motive behind the act . According to Syncellus , Odaenathus was assassinated near Heraclea Pontica trying to quell a tribal incursion into Pontus ; he gives the name of the assassin as another Odaenathus who may or may not have been a relative of the king . The assassin was killed by the king 's bodyguard . Hartmann support the theory that Odaenathus was killed in Pontus . Zosimus simply mention that Odaenathus was killed by conspirators near Emesa at a friend 's birthday party without naming the killer . Zonaras attributes the crime to a nephew of Odaenathus but does not give a name . The Augustan History claims that a cousin of the king named Maeonius killed him , while the Anonymus post Dionem names the assassin as another Odaenathus . = = = Burial = = = The stone block found in the Temple of Bel bearing Odaenathus ' sepulchral inscription was brought from the tomb built by him ; this shrine 's location is unknown . At the western end of the Great Colonnade at Palmyra , a shrine designated the " Funerary Temple no . 86 " ( also known as the House Tomb ) is located . Inside its chamber , steps lead down to a vault crypt which is now lost . This mausoleum might have belonged to the royal family , being the only tomb inside the city 's walls . = = = Assassination theories = = = Roman conspiracy : John Antiochenus accuse Gallienus of the assassination . An interesting passage in the work of the Anonymus post Dionem speaks of a certain " Rufinus " who orchestrated the assassination on his own initiative then explained his act to the emperor who condoned the crime . This story talks about Rufinus ordering the murder of an older Odaenathus out of fear that he would rebel , and has the younger Odaenathus complaining to the emperor . Since the older Odaenathus ( Odaenathus I ) was proved to be a fictional character , the story was neglected by most scholars . However , according to Theodor Mommsen , younger Odaenathus is an oblique reference to Vaballathus ; Rufinus should be identified with Cocceius Rufinus , the Roman governor of Arabia between 261 / 262 . The evidence for a Roman conspiracy is very weak and can not be confirmed . Family feud : According to Zonaras , Odaenathus ' nephew misbehaved during a lion hunt ; he made the first attack and killed the animal to the dismay of the king . Odaenathus warned the nephew who ignored the warning and repeated the act twice causing the king to deprive him of his horse which is a great insult in the East . The nephew threatened Odaenathus and was put in chains as a result ; Hairan I asked his father to forgive his cousin and his request was granted but as the king was drinking , the nephew approached him with a sword and killed him along with Hairan I. The bodyguard immediately executed the nephew . Zenobia : the wife of Odaenathus was accused by the Augustan History of having formerly conspired with Maeonius , as Hairan I was her stepson and she could not accept that he was the heir to her husband instead of her own children . However , there is no suggestion in the Augustan History that Zenobia was involved in the event that saw her husband 's murder ; the act is attributed to Maeonius ' degeneracy and jealousy . Those accounts by the Augustan History can be dismissed as fiction . The hints in modern scholarship that Zenobia had a hand in the assassination out of her desire to rule the empire and dismay with her husband 's pro @-@ Roman policy can be dismissed as there was no reversal of that policy during the first years following Odaenathus ' death . Persian agents or Palmyrene traitors : the possibility of a Persian involvement exists but the outcome of the assassination would not have served Shapur without establishing a pro @-@ Persian monarch on the Palmyrene throne . Another possibility would be Palmyrenes dissatisfied with Odaenathus ' reign and the changes of their city 's governmental system . = = Family and succession = = Odaenathus was married twice ; nothing is known about his first wife 's name or fate . Zenobia was the king 's second wife whom he married in the late 250s when she was 17 or 18 years old . The number of children Odaenathus had with his first wife is unknown and only one is attested : Hairan I : the name appears on a 251 inscription from Palmyra describing him as Ras implying that he was already an adult by then . In the Augustan History , Odaenathus ' eldest son is named Herod ; the inscription at Palmyra dating to 263 celebrating Hairan 's coronation mentions him with the name Herodianus . It is possible that Hairan of the 251 inscription is not the same as Herodianus of the 263 , but this is contested by Hartmann who conclude that the reason for the difference in the spelling is due to the language used in the inscription ( Herodianus being the Greek version ) , meaning that Odaenathus ' eldest son and co @-@ king is Hairan Herodianus . The children of Odaenathus and Zenobia are : Vaballathus : he is attested on several coins , inscriptions , and in the ancient literature . Harian II : his image appear on a seal impression along with his older brother Vaballathus as the sons of Zenobia ; his identity is much debated . Potter suggest that he is the same as Herodianus who was crowned in 263 and that Hairan I mentioned in 251 died before the birth of Hairan II . Herennianus and Timolaus : the two were mentioned in the Augustan History and are not attested in any other source ; Herennianus might be a conflation of Hairan and Herodianus while Timolaus is most probably a fabrication , although Dietmar Kienast suggest that he might be Vaballathus . Possible descendants of Odaenathus living in later centuries are reported ; " Lucia Septimia Patabiniana Balbilla Tyria Nepotilla Odaenathiana " is known through a dedication dating to the late third or early fourth century inscribed on a tombstone erected by a wet nurse to her " sweetest and most loving mistress " . The tombstone was found in Rome at the San Callisto in Trastevere . Another possible relative is " Eusebius " who is mentioned by Libanius in 391 as a son of an " Odaenathus " who was in turn a descendant from the king ; the father of Eusebius is mentioned as fighting against the Persians ( most probably in the ranks of emperor Julian ) . In 393 , Libanius mentioned that Eusebius promised him a speech written by Longinus for the king . In the fifth century , the philosopher " Syrian Odaenathus " lived in Athens and was a student of Plutarch of Athens ; he might have been a distant descendant of the king . The Augustan History claims that Maeonius was proclaimed emperor for a brief period before being killed by the soldiers . However , no inscriptions or other evidence exist for Maeonius ' reign and he was probably killed immediately after assassinating the king . Odaenathus was succeeded by his son , the ten @-@ year @-@ old Vaballathus under the regency of Zenobia . Hairan II probably died soon after his father , as only Vaballathus succeeded to the throne . = = Legacy = = Odaenathus was the founder of the Palmyrene royal dynasty ; he left Palmyra the premier power in the East , and his actions laid the foundation of Palmyrene strength which culminated in the establishment of the Palmyrene Empire in 270 . Many writers wrote about deeds of Odaenathus ; Nicostratus of Trebizond probably accompanied the king on his campaigns and wrote a history of that period starting from Philip the Arab and ending shortly before the king 's death . According to Potter , Nicostratus ' account was meant to glorify Odaenathus and demonstrate his superiority over Roman emperors . The memory of Odaenathus was highly esteemed in the Roman empire ; the Augustan History , written in the fourth century , places Odaenathus among the Thirty Tyrants ( probably because he assumed the title of king ) . However , it speaks highly of his role in the Persian war and credit him with saving the empire : " Had not Odaenathus , prince of the Palmyrenes , seized the imperial power after the capture of Valerian when the strength of the Roman state was exhausted , all would have been lost in the East " . The king was praised by Libanius , and was the subject of a prophecy in the Thirteenth Sibylline Oracle : " Then shall come one who was sent by the sun [ i.e. Odaenathus ] , a mighty and fearful lion , breathing much flame . Then he with much shameless daring will destroy ... the greatest beast — venomous , fearful and emitting a great deal of hisses [ i.e. Shapur ] " . Odaenathus is viewed negatively in Rabbinic sources ; his sack of Nehardea mortified the Jews , and he was cursed by the Babylonian Jews and the Jews of Palestine .

= Banksia violacea = Banksia violacea , commonly known as violet banksia , is a species of shrub or tree in the plant genus Banksia ( family Proteaceae ) . It generally grows as a small shrub to 1 @.@ 5 m ( 5 ft ) high with fine narrow leaves , and is best known for its unusually coloured dark purple @-@ violet inflorescences . The colour of the inflorescences , short leaves , and flattened follicles which are sticky when young , help identify this species from others in the field . It is found in low shrubland in southern regions of Western Australia from Esperance in the east to Narrogin in the west , growing exclusively in sandy soils . First described in 1927 by the West Australian botanist Charles Gardner , the species was at one stage considered a variety of B. sphaerocarpa . Although there are no recognised subspecies or varieties , both lignotuberous and nonlignotuberous forms exist for Banksia violacea . Wasps , ants and flies have been recorded visiting flower spikes . Banksia violacea is classified as Not Threatened under the Wildlife Conservation Act of Western Australia . Regarded as of little value to floriculture , it is rarely cultivated . = = Description = = Banksia violacea grows as a shrub up to 1 @.@ 5 m ( 5 ft ) tall , with narrow leaves 1 – 2 cm ( 0 @.@ 4 – 0 @.@ 8 in ) long and about 0 @.@ 15 cm ( 0 @.@ 06 in ) wide . New growth occurs in summer , and flowering ranges from November to April with a peak in February , but can be irregular in timing . Flowers arise from typical Banksia " flower spikes " , and the inflorescences are made up of hundreds of pairs of flowers densely packed in a spiral around a woody axis . Roughly spherical with a diameter of 2 – 3 cm ( 0 @.@ 8 – 1 @.@ 2 in ) , the flower spikes arise from lateral stems lie partly within the foliage . Unusually for Banksia species , the inflorescences are often violet in colour , ranging anywhere from a dark violet @-@ black through various combinations of violet and greenish @-@ yellow in less pigmented blooms . Each flower consists of a tubular perianth made up of four fused tepals , and one long wiry style . The styles are hooked rather than straight , and are initially trapped inside the upper perianth parts , but break free at anthesis . The old flowers gradually fade to brown . The fruiting structure or follicle is a stout woody " cone " , with a hairy appearance caused by the persistence of old withered flower parts . These follicles are crowded around the globular spike ( called an infructescence at this point ) and are oval to rhomboid , although the crowding makes some irregularly shaped . They measure 1 – 2 @.@ 5 cm ( 0 @.@ 4 – 1 in ) long , 0 @.@ 6 cm ( 0 @.@ 2 in ) high and 0 @.@ 8 – 2 @.@ 2 cm ( 0 @.@ 3 – 0 @.@ 9 in ) wide . They are quite flattened and lack a ridge along the valve line . When young , the follicles are greenish in colour and slightly sticky , and covered in fine white hairs , fading to tan or grey with age . They open with fire , releasing a winged wedge @-@ shaped ( cuneate ) seed 2 – 2 @.@ 5 cm ( 0 @.@ 8 – 1 in ) long . The mottled dark grey seed body is falcate ( crescent @-@ shaped ) and measures 1 @.@ 2 – 1 @.@ 8 cm ( 0 @.@ 5 – 0 @.@ 7 in ) long and 0 @.@ 2 – 0 @.@ 25 cm ( 0 @.@ 1 in ) wide , with a flattened dark brown wing 1 @.@ 1 – 1 @.@ 7 cm ( 0 @.@ 4 – 0 @.@ 5 in ) wide . The woody separator has the same dimensions as the seed . The bright green cotyledon leaves of the seedlings are oblong to linear in shape and measure 1 @.@ 5 cm ( 0 @.@ 6 in ) long by 0 @.@ 3 cm ( 0 @.@ 1 in ) wide . The greenish red hypocotyl is hairy , as are the stems of young plants . The hairy seedling leaves are crowded and oppositely arranged . They measure 0 @.@ 7 – 1 @.@ 3 cm ( 0 @.@ 2 – 0 @.@ 5 in ) in length and have recurved margins . Young plants often begin branching within their first year of life . = = Taxonomy = = The type specimen of Banksia violacea was collected by the West Australian botanist Charles Gardner on 14 December 1926 in the vicinity of Lake Grace . The following year , he published a description of the species in Journal and Proceedings of the Royal Society of Western Australia . He placed it in section Oncostylis of Bentham 's taxonomic arrangement of Banksia , giving it the specific epithet violacea in reference to the violet flowers . Thus the full name of the species , with author citation , is Banksia violacea C.A.Gardner. The species has been considered a variety of B. sphaerocarpa ( Fox Banksia ) ; this view was published by William Blackall in his 1954 How to know Western Australian wildflowers . He considered B. violacea to be a variety of B. sphaerocarpa with violet flowers . This description was an invalid publication , however , and a nomen nudum . In 1981 Alex George declared Banksia sphaerocarpa var. violacea Blackall a nomenclatural synonym of B. violacea . In George 's 1981 arrangement , B. violacea was placed in subgenus Banksia because its inflorescence is a typical Banksia " flower spike " ; section Oncostylis because of its hooked styles ; and series Abietinae because its inflorescence is roughly spherical . It was placed in taxonomic sequence between B. incana ( Hoary Banksia ) and B. meisneri ( Meissner 's Banksia ) . In 1996 , Kevin Thiele and Pauline Ladiges published the results of a cladistic analysis of morphological characters of Banksia . They retained George 's subgenera and many of his series , but discarded his sections . B. ser . Abietinae was found to be very nearly monophyletic and so it was retained . It further resolved into four subclades , so Thiele and Ladiges split it into four subseries . B. violacea appeared in the last of these : This clade became the basis of B. subseries Longistyles , which Thiele defined as containing those taxa with very long and slender styles , smoothly convex perianth limbs without a costal ridge , and thickened margins . In accordance with their cladogram , their arrangement placed B. violacea first in taxonomic sequence , followed by B. laricina ( Rose @-@ fruited Banksia ) . However , Thiele and Ladiges ' arrangement was not accepted by George , who , questioning the emphasis on cladistics , rejected most of their changes in his 1999 arrangement , restored B. series Abietinae to his broader 1981 definition , and abandoned all of Thiele and Ladiges ' subseries . George commented that the species has no close relatives , being " loosely allied " to B. sphaerocarpa ( Fox Banksia ) and B. telmatiaea ( Swamp Fox Banksia ) . Despite this , the sequence of the series was altered so that B. violacea fell between B. scabrella ( Burma Road Banksia ) and B. incana , and its placement in George 's arrangement may be summarised as follows : Banksia B. subg . Banksia B. sect . Banksia ( 9 series , 50 species , 9 subspecies , 3 varieties ) B. sect . Coccinea ( 1 species ) B. sect . Oncostylis B. ser . Spicigerae ( 7 species , 2 subspecies , 4 varieties ) B. ser . Tricuspidae ( 1 species ) B. ser . Dryandroideae ( 1 species ) B. ser . Abietinae B. sphaerocarpa ( 3 varieties ) B. micrantha B. grossa B. telmatiaea B. leptophylla ( 2 varieties ) B. lanata B. scabrella B. violacea B. incana B. laricina B. pulchella B. meisneri ( 2 subspecies ) B. nutans ( 2 varieties ) B. subg . Isostylis ( 3 species ) Since 1998 , an American botanist , Austin Mast , has been publishing results of ongoing cladistic analyses of DNA sequence data for the subtribe Banksiinae . His analyses suggest a phylogeny that is very greatly different from George 's arrangement , and somewhat different from Thiele and Ladiges ' . With respect to B. violacea , Mast 's results agree with its placement near B. laricina and B. incana , placing it in a clade with these two species and B. sphaerocarpa var. dolichostyla ( treated at species rank as B. dolichostyla ) . However , Thiele 's B. subseries Longistyles appears to be polyphyletic , as do both definitions of B. ser . Abietinae — that is , none form a natural grouping . Early in 2007 , Mast and Thiele initiated a rearrangement of Banksia by merging Dryandra into it , and publishing B. subgenus Spathulatae for the taxa having spoon @-@ shaped cotyledons . They foreshadowed publishing a full arrangement once DNA sampling of Dryandra was complete ; in the meantime , if Mast and Thiele 's nomenclatural changes are taken as an interim arrangement , then B. violacea is placed in B. subgenus Spathulatae . = = Distribution and habitat = = B. violacea occurs in southern regions of Western Australia , from Woodanilling to Esperance and as far north as Hyden . This distribution includes areas of the Avon Wheatbelt , Esperance Plains and Mallee biogeographic regions . It favours white sandy soils , often overlying laterite , clay or quartzite . It usually grows among heath and shrublands , associated with mallee eucalypts and Banksia sphaerocarpa var. caesia . Banksia violacea is classified as Not Threatened under the 1950 Wildlife Conservation Act of Western Australia . = = Ecology = = Like most other Proteaceae , Banksia violacea has proteoid roots , roots with dense clusters of short lateral rootlets that form a mat in the soil just below the leaf litter . These enhance solubilisation of nutrients , thus allowing their uptake in low @-@ nutrient soils such as the phosphorus @-@ deficient soils of Australia . B. violacea is highly susceptible to Phytophthora cinnamomi dieback . Banksia violacea is one of a small number of Banksia species that has both lignotuberous and non @-@ lignotuberous populations . In both cases , plants are adapted to release their aerial seed bank following a bushfire , ensuring seedlings are established on clear and relatively fertile ground ; however the possession of a lignotuber makes plants much less reliant on fire regime for population maintenance and regeneration , as maternal plants are not killed by bushfire , but resprout from below ground level . Lignotuberous plants generally occur among the north @-@ eastern populations , in the vicinity of Woodanilling . An investigation into the biogeography of these plants failed to find any vegetative , climatic or other environmental factors associated with the possession of a lignotuber . Banksia flowerheads in general play host to a variety of birds , mammals and insects . However , only wasps , ants and flies were recorded visiting flower spikes during observations for The Banksia Atlas in the mid @-@ 1980s . = = Cultivation = = Banksia violacea is rarely cultivated . It is a slow @-@ growing plant that tends to become untidy with age , and generally does not flower until four to five years after sprouting from seed . Flowers are an unusual colour , but occur within the bush where they grow within and are usually obscured by foliage . It tolerates light pruning not below the green foliage , except for the variant with a lignotuber , which may be pruned heavily . George recommends a sunny position in light , sandy soil . Professor Margaret Bernard Sedgley of the Waite Institute suggests the species is of no value to floriculture , as the inflorescences are too small and obscured by the foliage , although she does add that the purple colour may be a worthwhile character to select for in plant breeding . Seeds do not require any treatment , and take 19 to 50 days to germinate .

= Rob Howard = Rob Howard ( born 1954 or 1955 ) is a Canadian politician who was elected to the 39th Parliament of British Columbia as the Member of the Legislative Assembly of British Columbia from the riding of Richmond Centre . A member of the BC Liberal Party , he replaced retiring BC Liberal Olga Ilich in that riding , by winning the riding in the 2009 provincial election . While his party formed a majority government , Howard was not included in Gordon Campbell 's cabinet but was appointed to several committees , including the Select Standing Committee on Public Accounts in the first two sessions , and Select Standing Committee on Finance and Government Services in the third and fourth session . Howard introduced one piece of legislation , the Trustee Board of the Church of God , Richmond Municipality , B.C. ( Corporate Restoration ) Act , 2009 ( Pr 402 ) , to retroactively restore that organization 's corporate status . As chair of the Select Standing Committee on Finance and Government Services , Howard supported Premier Campbell 's efforts at establishing the Harmonized Sales Tax . Following Campbell 's resignation , Howard endorsed Kevin Falcon but Christy Clark won the leadership election . Clark eventually made Howard a Parliamentary Secretary in the Ministry of Transportation . In this position he advocated for Open Sky agreements and continued this advocacy in his post @-@ political life by establishing the non @-@ profit organization OpenSkies4Canada . Howard did not seek re @-@ election during the 2013 provincial election and was replaced by BC Liberal Teresa Wat . Prior to his election to the legislature , Howard worked in property management . He served as a City Councillor in the Richmond , British Columbia for seven years . He was first elected to the Richmond , British Columbia City Council in the October 2001 by @-@ election as a member of the Richmond Non @-@ Partisan Association and was re @-@ elected in the November 2002 and 2005 civic elections as a member of the Richmond First Party . He sat on council as an independent starting in 2006 . While on council he advocated in favour of casino expansion , locating the Olympic speed @-@ skating oval in Richmond , and developing a convention centre . = = Background = = Rob Howard was born and raised in Richmond . He graduated from the University of British Columbia where he studied Urban Land Economics . He went on to work at Richmond Savings Credit Union for almost 20 years , and in 1994 , started his own business , NCL Real Estate Management , which specialized in Property Development and property management . He is married to Trudy and has one son , Justin ( Jay ) . Howard volunteered with the Richmond Minor Hockey Association for over 12 years , and was active with Tourism Richmond , the Richmond Chamber of Commerce , and the Real Estate Institute of BC . While his mother had served as an Alderwoman on the Richmond City Council , Howard 's political career began with a civic bylaw election in October 2001 . Howard , belonging to the civic political party Richmond Non @-@ Partisan Association , was elected to one of the three available seats on the Richmond City Council . After less than a year on council , Howard left the Richmond Non @-@ Partisan Association to join a new pro @-@ business political party , Richmond First , which he saw as being less controlling and allowing him to make more independent decisions . He was re @-@ elected in the November 2002 civic election , with his Richmond First party taking four of the eight council seats . On local issues , Howard was an advocate of opening Richmond to gambling facilities , which led to the River Rock Casino Resort . He was supportive of heritage preservation measures but opposed Richmond 's tree preservation bylaw . He was the only one on council who preferred the elevated option for the Canada Line ( then known as the Richmond @-@ Airport @-@ Vancouver Line ) , whereas the other councillors preferred the ground level option or no SkyTrain extension at all . He was an advocate for building a convention centre and the most ardent supporter of removing a 55 @-@ acre piece of land from the Agricultural Land Reserve as a possible location for it , though the removal was refused . When the possibility of the city constructing a speed @-@ skating oval associated with the 2010 Winter Olympics came , Howard was a vocal supporter . He travelled to Lillehammer , Norway , in 2004 as part of a committee to investigate similar facilities built for the 1994 Winter Olympics . He also traveled to Pierrefonds , Quebec and Asia as part of the sister city program . He was not supportive of proposals to build a new soccer facility or financially contributing to tall ships tourism attractions . Because previous councils had made funding commitments at the expense of the city 's reserve funds rather than the tax base , Howard 's time on council was marked with consistent property tax increases around 3 to 4 % each year . Howard unsuccessfully lobbied other councillors to hire more police officers . He became the subject of a lawsuit , along with other Richmond First councillors , alleging a conflict @-@ of @-@ interest occurred after they approved a rezoning allowing a controversial pub . In the 2005 civic election , he was again elected , though his Richmond First party only won three of the eight seats . He unsuccessfully lobbied his fellow councillors to appoint him to fill one of Richmond 's two seats at Metro Vancouver . With not even his own party members supporting him for the Metro Vancouver seat and finding himself being alone in a number of issues , such as supporting the SkyTrain line being elevated , opposing the tree preservation bylaw , and wanting to hire more police officers , Howard left the Richmond First party in February 2006 to be an independent . = = Provincial politics = = Following the announcement by Richmond Centre MLA Olga Ilich that she would not be seeking re @-@ election , Howard announced , in January 2008 , that he would seek to replace Ilich as the BC Liberal Party candidate in the next election . As no one else came forward to challenge Howard , he was acclaimed , in November 2008 , to be the BC Liberal candidate . In the general election , held in May 2009 , he was challenged by a New Democratic Party candidate , notary public Kam Brar , and a Green Party candidate , teacher Michael Wolfe , and Nation Alliance Party candidate , accountant Kang Chen . The riding was considered to be a safe seat for the BC Liberals to win , which the 54 @-@ year @-@ old Howard did win with over 60 % of the vote , with his BC Liberal Party winning a majority government . As the 39th Parliament began , BC Premier Gordon Campbell did not include Howard in his cabinet . Howard was appoint to the Select Standing Committee on Public Accounts in the first two sessions and then the Select Standing Committee on Finance and Government Services in the third and fourth sessions , in which he chaired the committee and traveled the province gathering public input regarding budget spending priorities . He was also appointed to the Select Standing Committee on Crown Corporations and the Select Standing Committee on Education in the first two sessions , but neither committee held any meetings . He introduced one piece of legislation , a private members bill , the Trustee Board of the Church of God , Richmond Municipality , B.C. ( Corporate Restoration ) Act , 2009 ( Pr 402 ) which retroactively restored that organization 's corporate status . Howard toured the province advocating for the federal government to enter into Open skies agreements with Asian nations . He also advocated for the Harmonized Sales Tax . Howard remained loyal to Premier Campbell , praising his October 2010 announcement of using the remainder of the budget to cut income tax by 15 % , two weeks before the Select Standing Committee on Finance and Government Services was to deliver its report on public consultation for budget priorities . After Campbell resigned , and the tax cut undone , the 2011 BC Liberal leadership election ensued . Along with Richmond 's other two MLAs , John Yap and Linda Reid , Howard endorsed Kevin Falcon to be the new party leader , citing Falcon 's willingness to listen to all arguments and saying " I think he can bring a new dynamic , a youthful energy to the discussion ; he 's a great speaker , a great debater . " Christy Clark eventually won the leadership and became premier but , like Campbell , did not include Howard in the executive council . In March 2012 , Premier Clark promoted Howard to a parliamentary secretary position under the Ministry of Transportation and directed to focus on air services agreements where he served until September . In early 2013 , Howard was selected by BC Liberal caucus chair , Gordon Hogg , to assist with the party 's investigation into the party 's alleged use of government resources and employees in partisan promotional efforts in certain ethnic communities . Following a summer of deliberations on his future , Howard cited " personal reasons " including a desire to spend more time with his wife , in his September 2012 announcement that he would not be seeking re @-@ election in the up @-@ coming May 2013 provincial general election . This decision was a surprise to his party because his Richmond Centre riding was considered a safe seat for him to be re @-@ elected . With no obvious successor , a competitive BC Liberal Party primary began . By the end of the year , two candidates announced their intention to run : school trustee Grace Tsang and RCMP officer Gary Law . However , Howard approached Teresa Wat , the CEO of the Chinese language radio station CHMB , to be his replacement . Though she did not live in the riding , she was viewed as a better candidate and , in January 2013 , the party announced she would be the candidate . While the other candidate Tsang withdrew his nomination to accept a position on a political advisory committee , Law alleged he was harassed to drop out and requested a RCMP investigation . Law decided to run as an independent candidate but only received xxx of the vote , with Wat winning the election and subsequently being named Minister of International Trade . Following the election Howard founded the non @-@ profit organization OpenSkies4Canada to advocate for Open Sky agreements to allow more airline competition in Canadian international airports . = = Electoral history = =

= Oribi = Oribi ( pronounced / ˈȯrəbē / ) ( Ourebia ourebi ) is a small antelope found in eastern , southern and western Africa . The sole member of its genus , the oribi was first described by the German zoologist Eberhard August Wilhelm von Zimmermann in 1782 . Eight subspecies are identified . The oribi reaches nearly 50 – 67 centimetres ( 20 – 26 in ) at the shoulder and weighs 12 – 22 kilograms ( 26 – 49 lb ) . This antelope features a slightly raised back , and long neck and limbs . The glossy , yellowish to rufous brown coat contrasts with the white chin , throat , underparts and rump . Only males possess horns ; the thin , straight horns , 8 – 18 centimetres ( 3 @.@ 1 – 7 @.@ 1 in ) long , are smooth at the tips and ringed at the base . Typically diurnal , the oribi is active mainly during the day . Small herds of up to four members are common ; males defend their group 's territory , 25 – 100 hectares ( 62 – 247 acres ) large . The oribi is primarily a grazer , and prefers fresh grasses and browses occasionally . A seasonal breeder , the time when mating occurs varies geographically . Unlike all other small antelopes , oribi can exhibit three types of mating systems , depending on the habitat – polyandry , polygyny and polygynandry . Gestation lasts for six to seven months , following which a single calf is born ; births peak from November to December in southern Africa . Weaning takes place at four to five months . The oribi occurs in a variety of habitats – from savannahs , floodplains and tropical grasslands with 10 – 100 centimetres ( 3 @.@ 9 – 39 @.@ 4 in ) tall grasses to montane grasslands at low altitudes , up to 2 @,@ 000 metres ( 6 @,@ 600 ft ) above the sea level . This antelope is highly sporadic in distribution , ranging from Senegal in the west to Ethiopia and Eritrea in the east and southward to Angola and the Eastern Cape ( South Africa ) . The oribi has been classified as Least Concern by the IUCN ; numbers have declined due to agricultural expansion and competition from livestock . = = Taxonomy = = The scientific name of the oribi is Ourebia ourebi . The sole member of its genus , the oribi is placed under the family Bovidae . The species was first described by the German zoologist Eberhard August Wilhelm von Zimmermann in 1782 . The oribi was formerly included in the tribe Neotragini , that comprised a variety of other dwarf antelopes , including Dorcatragus ( beira ) , Madoqua ( dik dik ) , Neotragus , Oreotragus ( klipspringer ) and Raphicerus . In 1963 , German mammalogist Theodor Haltenorth separated the oribi and Raphicerus into a new tribe , Raphicerini ; later on , zoologist Jonathan Kingdon assigned the oribi to Ourebini , a tribe of its own . The common name " oribi " ( pronounced / ˈȯrəbē / ) comes from the Afrikaans name for the animal , oorbietjie . In a revision of the phylogeny of the tribe Antilopini on the basis of nuclear and mitochondrial data in 2013 , Eva Verena Bärmann ( of the University of Cambridge ) and colleagues showed that the oribi is the sister taxon to all other antilopines . The cladogram below is based on the 2013 study . The following eight subspecies are identified : Of these , zoologists Colin Groves and Peter Grubb identify O. o. hastata , O. o. montana , O. o. ourebi and O. o. quadriscopa as independent species in their 2011 publication Ungulate Taxonomy . = = Description = = The oribi is a small , slender antelope ; it reaches nearly 50 – 67 centimetres ( 20 – 26 in ) at the shoulder and weighs 12 – 22 kilograms ( 26 – 49 lb ) . The head @-@ and @-@ body length is typically between 92 and 110 centimetres ( 36 and 43 in ) . Sexually dimorphic , males are slightly smaller than females ( except for O. o. ourebi , in which females are smaller ) . This antelope features a slightly raised back , and long neck and limbs . The glossy , yellowish to rufous brown coat contrasts with the white chin , throat , underparts and rump . The bushy tail , brown to black on the outside , has white insides ( except in O. o. hastata , that has a completely black tail ) . The subspecies show some variation in colouration ; O. o. ourebi is a rich rufous , while O. o. hastata is yellower . Only males possess horns ; the thin , straight horns , 8 – 18 centimetres ( 3 @.@ 1 – 7 @.@ 1 in ) long , are smooth at the tips and ringed at the base . The maximum horn length , 19 @.@ 1 centimetres ( 7 @.@ 5 in ) , was recorded in 1998 from Malawi . The oribi has at least six different , well @-@ developed scent glands ( such as the prominent preorbital glands near the eyes ) . The body has several modifications , such as the large fossae below the eyes , to accommodate such a large number of glands . Females have four teats . = = Ecology and behaviour = = The oribi is diurnal ( active mainly during the day ) , though some activity may also be observed at night . The animal rests in cover during rain events . Unlike all other small antelopes , oribi can exhibit three types of mating systems , depending on the habitat – polyandry , polygyny and polygynandry ; polygyny tends to prevail as the female @-@ to @-@ male ratio increases . A study suggested that polygyny is preferred in areas of high predator risk , as it leads to formation of groups as an anti @-@ predator measure . Small herds of up to four members are also common . Males defend their group 's territory , 25 – 100 hectares ( 62 – 247 acres ) large ; female members may also show some aggression and drive away intruders . A study showed that the number of females that visit the male 's territory depends on the appearance ( particularly the symmetry ) of the male 's horns . Males mark vegetation and soil in their territories by preorbital gland secretions and excrement ; the intensity of marking increases with the number of male neighbours . Dominant males tend to have greater access to females in and around the territory than other males . An important feature of the social behaviour of oribi is the " dung ceremony " , in which all animals form temporary dung middens . Oribi at least three months old have been observed giving out one to three alarm whistles on sensing danger . These whistles are more common in adults than in juveniles , and males appear to whistle more . Common predators include carnivorans such as jackals . = = = Diet = = = Primarily a grazer , the oribi prefers fresh grasses and browses occasionally . Grasses can constitute up to 90 % of the diet ; preferred varieties include Andropogon , Eulalia , Hyparrhenia , Loudetia , Pennisetum and Themeda species . Mineral licks are also visited regularly . Oribi have been observed feeding on flowers and Boletus mushrooms . Groups of oribi congregate in the rainy season , when grasses are abundant . = = = Reproduction = = = Both sexes become sexually mature at 10 to 14 months . A seasonal breeder , the time when mating occurs varies geographically . Mating may peak in the rainy season ( August to September ) . When a female enters oestrus ( which lasts for four to six days ) , it seeks the company of males . During courtship , the male will pursue the female , test her urine to check if she is in oestrus and lick her rump and flanks . Gestation lasts for six to seven months , following which a single calf is born ; births peak from November to December in southern Africa . The newborn is kept in concealment for nearly a month ; the mother pays regular visits to her calf to suckle it for nearly half an hour . Males may guard their offspring from predators and keep away other males . Weaning takes place at four to five months . The oribi lives for 8 to 12 years in the wild , and for 12 to 14 years in captivity . = = Distribution and habitat = = The oribi occurs in a variety of habitats – from savannahs , floodplains and tropical grasslands with 10 – 100 centimetres ( 3 @.@ 9 – 39 @.@ 4 in ) tall grasses to montane grasslands at low altitudes , up to 2 @,@ 000 metres ( 6 @,@ 600 ft ) above the sea level . Recently burnt areas often attract groups of oribi . The choice of habitat depends on the availability of cover needed to escape the eyes of predators . Population densities typically vary between 2 and 10 individuals per km2 ; however , densities as high as 45 individuals per km2 have been recorded in tropical grasslands that receive over 110 centimetres ( 43 in ) of annual rainfall and open floodplains . The oribi 's range overlaps with those of larger grazers such as the African buffalo , hippopotamus , hartebeest , Thomson 's gazelle and topi . These separate species often occur in close proximity to each other , increasing predator vigilance . This antelope is highly sporadic in distribution ; it occurs mainly in eastern , southern and western Africa , ranging from Nigeria and Senegal in the west to Ethiopia and Eritrea in the east and southward to Angola and the Eastern Cape ( South Africa ) . It is feared to be extinct in Burundi . = = Threats and conservation = = The oribi has been classified as Least Concern by the IUCN . The total population ( as of 2008 ) is estimated at 750 @,@ 000 . However , the subspecies O. o. haggardi is listed as Vulnerable because , as of 2008 , the total population is estimated at less than 10 @,@ 000 mature individuals , and is feared to be declining . Hunting is a relatively minor threat , since the oribi shows some tolerance to hunting . Nevertheless , the steep fall of 92 % in oribi populations in Comoé National Park ( Côte d 'Ivoire ) has been attributed to poaching . Numbers have also declined due to agricultural expansion and competition from livestock . The oribi occurs in a number of protected areas throughout its range , such as : Gashaka Gumti National Park in Nigeria , the Pendjari and W National Parks ( Benin ) ; Aouk Hunting Zone ( Chad ) ; Benoue , Bouba Njida and Faro National Parks ( Cameroon ) ; Manovo @-@ Gounda St. Floris National Park ( Central African Republic ) ; Garamba , Upemba and Kundelungu National Parks ( Congo @-@ Kinshasa ) ; Omo National Park ( Ethiopia ) ; Masai Mara Game Reserve and Ruma National Park ( Kenya ) ; Golden Gate Highlands National Park ( South Africa ) ; Serengeti National Park ( Tanzania ) ; Kidepo Valley , Lake Mburo and Murchison Falls National Parks ( Uganda ) ; Kafue and Liuwa Plain National Parks and Bangweulu Swamp ( Zambia ) .

= Rockstar 101 = " Rockstar 101 " is a song by Barbadian recording artist Rihanna from her fourth studio album , Rated R ( 2009 ) . The song features the British @-@ American guitarist Slash of the rock group Guns N ' Roses . It was released on May 18 , 2010 , as the fifth single from the album . Rihanna wrote the song in collaboration with the producers The @-@ Dream and Christopher " Tricky " Stewart ; vocal production was carried out by Makeba Riddick . The album version is a hip hop song , while the remix EP 's consist of dance , dubstep and electronic music adaptations , some of which were remixed by Dave Audé and Mark Picchiotti . Critical response to " Rockstar 101 " was mixed ; some critics praised Rihanna 's " bravado " while others criticized the " aggressive " tone . The song charted at number 64 on the United States ' Billboard Hot 100 chart , and number two on the Hot Dance Club Songs chart . To promote the song , Rihanna performed on American Idol in April 2010 . It has been included on the set lists of her Last Girl on Earth Tour ( 2010 – 11 ) and Diamonds World Tour ( 2013 ) . Melina Matsoukas directed the song 's music video , which portrays Rihanna impersonating Slash . She wears custom made jewelry designed by Fannie Schiavoni in some parts of the video , while Blink @-@ 182 drummer Travis Barker makes a cameo appearance . = = Background and release = = Rihanna co @-@ wrote " Rockstar 101 " in collaboration with the song 's producers The @-@ Dream and Christopher " Tricky " Stewart . Her vocals and the instrumentation for the song were recorded at Serenity Sound Studios in Los Angeles , California , the Boom Boom Room in Burbank , California and Triangle Sound Studios in Atlanta , Georgia . It was mixed by Jaycen Joshua at Larrabee Studios in Universal City , California ; he was assisted in the process by Giancarlo Lino . Rihanna 's vocals were produced by Makeba Riddick . The song was engineered by Marcus Tovar , Brian " B @-@ LUV " Thomas , Andrew Wuepper and Chris " TEK " O 'Ryan . Additional engineering was done by Pat Thrall . Guitar was provided by Tim Stewart , while Monte Neuble performed additional keys . The song features a guitar performance by Slash , the British @-@ American musician , songwriter and former lead guitarist of the American hard rock band Guns N ' Roses . " Rockstar 101 " was the fourth single from the album Rated R to be released in the US and the fifth overall . It was sent to contemporary hit and rhythmic radio stations in the US on May 18 , 2010 , and to Australian radio stations on July 19 , 2010 . The song was released as an extended play ( EP ) in the United States through Masterbeat.com on June 2 , 2010 , to the iTunes Store on July 13 , and in the United Kingdom through Amazon on June 29 , 2010 . These EP 's consist of remixes by various DJs and music producers , including Dave Audé and Mark Picchiotti . = = Composition = = " Rockstar 101 " is a hip hop song which lasts for three minutes and fifty @-@ eight seconds . It features an " aggressive " guitar solo from Slash , according to Leah Greenblatt of Entertainment Weekly . Rihanna uses her lower register and " heavy " modulation to perform the most of the song , and she " growls " the lyric " The only thing I 'm missing is a black guitar " . Rihanna " struts her stuff " as she insists that she is a " big shit talker " as she proclaims that " I 'll never play a victim / I 'd rather be a stalker " . Sean Fennessey for Spin thought that when Rihanna sings the line " Got my middle finger up , I don 't give a fuck " , it sounded as though she had never sworn before due to how she preciously mewls the word ' fuck ' . = = Reception = = = = = Critical response = = = " Rockstar 101 " received mixed responses from music critics . Brian Linder for IGN praised the song , writing that it " actually works " despite sounding disjointed at first . Emily Tartanella of PopMatters defined " Rockstar 101 " as a " brilliant bit of bravado " during her review of Rated R , while Ailbhe Malone for NME wrote that Rihanna sings with " swagger " on the track , which was something that she has Hova to thank for . Jon Pareles for The New York Times simply highlighted a line from the song , " I never play the victim " . Neil McCormick for The Daily Telegraph thought that " Rockstar 101 " was one of the few songs on the album to retain the " vaguest leftover hints of her warm Caribbean vocal flavouring " . Ann Powers for the Los Angeles Times was critical of Slash 's inclusion on the song , and she described it as an " afterthought " . Powers wrote " she can definitely get by without that ultimate rock phallic symbol " , a reference to Slash . Pitchfork Media 's Ryan Dombell felt that " Rockstar 101 , alike " Russian Roulette " and " The Last Song " , were " instantly @-@ dated missteps from a bygone era when a Slash feature was cool " . He further wrote that " Rockstar 101 " and " G4L " were " harder to justify considering their mindless boasts and torpid production " . The song was met with a negative review from The Guardian 's Alex Petridis , who wrote " At one extreme , the resemblance of ' Umbrella ' ' s chorus to that of a stadium rock ballad seems to have encouraged Rihanna to cut out the middle @-@ man and just start making stadium rock : cue the awful widdly @-@ woo guitars of ' Rockstar 101 ' and ' Fire Bomb ' " . = = = Chart performance = = = " Rockstar 101 " made its first chart appearance on the United States ' Billboard Hot Dance Club Songs chart , where it peaked at number two ; it stayed on the chart for 14 weeks . The song peaked on the US Hot Digital Songs chart at number 28 , spending seven weeks on the chart . It subsequently peaked at number 64 on the US Billboard Hot 100 chart and spent five weeks on the chart . It also peaked at number 10 on the US R & B / Hip @-@ hop Digital Songs chart . " Rockstar 101 " debuted on the Australian Singles Chart at number 50 on August 22 , 2010 ; it peaked at number 24 two weeks later for one week , and remained on the chart for six weeks . = = Music video = = = = = Background = = = The director Melina Matsoukas filmed the music video for " Rockstar 101 " in April 2010 ; she had previously directed the videos for Rihanna 's singles " Hard " and " Rude Boy " . This video was edited by Nabil Mechi from Murex , who previously edit videos for " S.O.S. " and " Umbrella " . On May 19 , 2010 , Rihanna released a 30 @-@ second sneak @-@ peek preview of the video on the internet , whilst the full video premiered on May 25 , 2010 through the high @-@ definition music video website VEVO . = = = Synopsis = = = According to Jayson Rodriguez of MTV , the video is " a mix of goth bondage @-@ esque voyeurism , complete with Rihanna 's gyrating moves and a raging band that features Travis Barker on the drums . " Shortly after the video was released , Slash said that he was " flattered " that Rihanna had impersonated him in the video , saying " The video is way better with her being me than with me being me ... all things considered , it brings an element of sexuality to it that I probably wouldn 't have been capable of . I think it 's hot . Everything works out the way it 's supposed to . " Although Slash is featured on " Rockstar 101 " , he does not appear in the music video . Instead , Rihanna pays homage to him by impersonating him by presenting herself wearing a skull @-@ laden top hat , wig , leather jacket , dark glasses and toothpick : Rihanna can be seen strumming a guitar Slash 's style . Rihanna is seen in eight different scenes and settings , one of which showed an almost nude Rihanna covered in black body paint wearing only a spiked crown and jewelry chains , which were created by designer Fannie Schiavoni . In other scenes , Rihanna smashes a black electric guitar and can be seen wearing an outfit made from parts of a guitar . Blink @-@ 182 drummer Travis Barker makes a cameo appearance and is featured as one of the drummers in Rihanna 's rock band . = = Live performances = = Rihanna first performed " Rockstar 101 " on American Idol on April 7 , 2010 . She wore a black PVC catsuit and was accompanied on stage by guitarist Nuno Bettencourt ; the set design included flame throwers and a video screen which showed guitars , lightning bolts and skulls . At one point , the singer picked and played up a black Gibson Flying V guitar . Larry Carroll for MTV wrote that the extent of Rihanna 's ability to play the guitar was limited to playing it with one finger on one of the strings . However , he complimented Rihanna 's overall performance , writing that her shoulder pads were " nearly as huge as her presence " . He went on to write that she " half @-@ sung , half @-@ spoke " the song . A reviewer for MTV UK agreed with Carroll , writing that " halfway through the performance [ Rihanna ] donned a ' black flying v guitar ' although we 're not sure you could say she ' played ' it ! " Caryn Ganz of Rolling Stone praised Rihanna 's performance , writing " if the introductory rules of rock stardom are ' teach thyself to pick slide , ' ' tight clothes ' and ' pyro ! ' then Rihanna has been paying attention in her ' Rockstar 101 ' classes after all " . A reporter for the Daily Mail wrote that Rihanna displayed her competitive side during her performance on American Idol , after " Lady Gaga set such high standards " . Writing for About.com , Bill Lamb was critical of Rihanna 's decision to perform " Rockstar 101 " on American Idol . He commented that previous media reports had indicated that the singer would be debuting a different album track , " Te Amo " , which was later released as the sixth and final single from Rated R. Lamb thought that " Rockstar 101 " was one of the " weaker " songs on the album , and predicted that it would be " destined to end the streak of three consecutive top 10 pop hits from the album " . While he wrote that the " intensely chilly , distant feel of the song works " within the context of Rated R , Lamb was unsure of whether or not it would appeal to the masses on radio . The song was included on the set list of the Last Girl on Earth Tour ( 2010 – 11 ) . Clay Cane for BET wrote that Rihanna " deserves a round of applause for doing something different , straying away from being a standard pop tart " . " Rockstar 101 " is also included on Rihanna 's Diamonds World Tour ( 2013 ) . = = Track listing = = = = Credits and personnel = = Recording Recorded at Serenity Sound Studios , Los Angeles , CA ; The Boom Boom Room , Burbank CA ; Triangle Sound Studios , Atlanta , GA Mixed at Larrabee Studios , Universal City , CA Personnel Credits adapted from the inlay cover of Rated R. = = Charts = = = = Certifications = = = = Radio and release history = =

= St Mary 's Church , Rhodogeidio = St Mary 's Church , Rhodogeidio is a small medieval church , dating from the 15th century , near Llannerch @-@ y @-@ medd , in Anglesey , north Wales . It served as a chapel of ease to another church in the area , St Ceidio 's . Some restoration work was carried out in the 19th century , but St Mary 's has since fallen into disuse and is now largely in ruins . It is a Grade II listed building , a national designation given to " buildings of special interest , which warrant every effort being made to preserve them " , in particular because it is " a late Medieval church of exceptionally simple character " , and is virtually unaltered despite its poor condition . One writer has said that St Mary 's " has the distinction of probably being the most isolated church in Anglesey " . = = History and location = = St Mary 's Church is in the countryside in Rhodogeidio , in Anglesey , north Wales . It is about 1 @.@ 5 miles ( 2 @.@ 4 km ) north of Llannerch @-@ y @-@ medd , towards the north of Anglesey . It is reached by a footpath from a farm – it is only accessible on foot – and is surrounded by a churchyard . It was built in the 15th century as a chapel of ease to serve St Ceidio 's Church , Rhodogeidio , about 0 @.@ 75 miles ( 1 @.@ 25 km ) to the east . Restoration work was carried out in the 19th century , but the church later fell into disuse . It has been in ruins since sometime between 1937 , when the survey by the Royal Commission on Ancient and Historical Monuments in Wales and Monmouthshire recorded its condition as " fair " , and 1970 , when it was given listed building status and its " very poor " condition noted . = = Architecture and fittings = = St Mary 's is a small church , measuring 30 feet by 12 feet 3 inches ( about 9 @.@ 1 by 3 @.@ 7 m ) . It dates from the late medieval period , and was constructed using rubble masonry and large stones . It had a slate roof , although most of the roof has now gone , and there is a bellcote at the west end , which may be original rather than a later addition . There is no physical division between the nave and the chancel , although one account in the 19th century said that there had originally been a screen separating them , and some traces of it still remained at that time . Entrance to the church was through a doorway with a square head , in the north wall at the west end ; this dates from the 19th century . An inscribed stone near the doorway has the date 1798 and some initials , and it has been suggested that this marked the date of some renovation work . There are two windows on the south wall , one fully blocked and one partially blocked . The small window at the east end of the church dates from the latter part of the 15th century . Inside , little remains , but the ruins still have most of the original roof trusses ( one , at the west end of the church , is a replacement ) . There are some slate memorial tablets on the walls , dating from the middle of the 19th century , and a plain 12th @-@ century circular font . The 1937 survey noted a bell dating from 1717 and some portions of 17th @-@ century panelled seating near the pulpit ; these were not recorded when the church was given listed status in 1970 . = = Assessment = = St Mary 's has national recognition and statutory protection from alteration as it has been designated as a Grade II listed building – the lowest of the three grades of listing , designating " buildings of special interest , which warrant every effort being made to preserve them " . It was given this status on 12 May 1970 and has been listed because it is " a late Medieval church of exceptionally simple character " . Cadw ( the Welsh Government body responsible for the built heritage of Wales and the inclusion of Welsh buildings on the statutory lists ) also notes that despite its " very poor condition " , St Mary 's " is a virtually unaltered late Medieval building ( even retaining the original roof trusses ) and in its isolation , is characteristic of many churches on the island . " Writing in 1859 , the clergyman and antiquarian Harry Longueville Jones called it a " small , plain , single @-@ aisled chapel " , and said that one of the small south windows was " a good specimen of its kind . " A 2006 guide to the churches of Anglesey says that the " roofless ruin " of St Mary 's " has the distinction of probably being the most isolated church in Anglesey " .

= First Light ( Rebecca Stead novel ) = First Light is a young adult science fiction and mystery novel by Rebecca Stead , first published in 2007 . The novel follows Peter , who is in Greenland with his father and mother for research on global warming , and Thea , who lives in Gracehope , an underground colony located below Greenland . First Light explains how global warming is melting Gracehope and Peter and Thea 's attempt to persuade the people to leave . The novel addresses the effects of global warming as a theme . Stead began writing the novel in 2002 , but her first draft was confusing and unorganized . To help her , she met editor Wendy Lamb who advised her to meet with a small group of people who would help critique the novel . After three years of work , Stead finished the second draft and met with Lamb who once again helped make improvements and later published the novel . Reviewers praised the description of Gracehope and main characters , as well as the performances of Coleen Marlo and David Ackroyd who voiced Thea and Peter in a subsequent audiobook publication of First Light . = = Inspiration and origins = = Stead drew inspiration from many sources in order to create the novel . As a child growing up in a big city , she was interested in the small towns which made her think " that in smaller places , everybody , even the kids , had special identities , where as in a city people are pretty anonymous " . An idea began to form for a hidden society that also served as a small town . Stead began writing First Light in 2002 , but had no experience prior to that . The first draft turned out confusing and unorganized . To help her , Stead met with Wendy Lamb , an editor Stead had met in a workshop a few years before . Lamb suggested that Stead meet with a " critique group " who would help read and revise the drafts Stead wrote . After Stead created a revised copy of the novel in 2005 , she sent it to Lamb again and a contract was drawn up . More revisions were made in order to make the new world created in the novel easier to understand . Stead found it hard " to maintain a sense of ' the whole ' . Over and over I mapped out the book out for myself using post @-@ its in a manila folder , trying to get a sense of where the tension went " . The novel took three years to complete . After the revisions were completed , much of the plot stayed the same , but several events in the original draft were cut out to strengthen the whole book . Stead combined two characters into one , having a stronger outline and also cut out several scenes for minor characters . In the end , Stead found that the revisions helped to make the book more cohesive . = = Plot summary = = First Light follows the adventure of two protagonists , Peter , who lives with his mother and father in New York but is in Greenland for his father 's research , and Thea , who lives in an underground colony in Greenland called Gracehope . Gracehope was formed hundreds of years ago by a group called the Settlers who used to live in England . They possessed unusual abilities , such as extremely good vision and hearing , leading them to be called ' eye adepts ' and ' ear adepts ' , respectively . These powers were seen as sorcery , prompting Grace , the leader of the Settlers , to bring the Settlers under the ice in Greenland where they could live in peace . While walking around her house , Thea finds a map in her room of Gracehope . The map shows a tunnel leading onto the surface . Thea and her cousin Mattias find the tunnel and meet Peter who helps them back to Gracehope . Reaching Gracehope , Peter realizes that several talismans of the people are in the shape of mitochondrial DNA , which his mom is studying . After waking up from a headache , Peter finds his mom next to his bed . She explains that she used to live in Gracehope , but was banished with her sister , after her sister ventured above the surface and contracted an illness that could not be cured . She also explains that her research of mitochondrial DNA relates to the ability of mutations to benefit the human body , which could cause their extremely good vision and hearing . In the end , she warns Peter that global warming is causing Gracehope to slowly melt away . The entire colony must learn the dangers they face and escape . One obstacle lies in their way : Rowen , Thea and Peter 's grandmother who banished Peter 's mom and did nothing to help Thea 's mom when she was on her deathbed from an illness when she ventured aboveground . Rowen is the head of the Council in Gracehope and is strictly against going aboveground . To convince the rest of the colony , Peter and Thea plan to use a piece of mythology , that a dog with four white paws would be born when it was time to leave . Such a dog had been born several days ago but has yet to open his eyes . Thea decides to proceed without using the dog and tries to convince the colony at a reenactment of the Settler 's escape to Greenland with several allies who know of Rowen 's actions . Just as Thea and her allies are about to lose the argument , Peter arrives with the dog , whose eyes are open . That , coupled with the fact that Peter is an eye adept , the first in a hundred years , convinces the colony to listen to Thea instead of Rowen . The novel ends eight months later as the people of Gracehope are slowly educated on global warming and the dangers of staying in their colony . = = Genre and themes = = First Light is categorized as a science fiction and mystery novel . Katie Haegele from the Philadelphia Inquirer also listed the novel as a " slow @-@ to @-@ unfold mystery combining elements of science and history with an appealing note of fantasy " . Kirkus Reviews classified the novel as an " ice @-@ age mystery " as both Peter and Thea " discover one another 's worlds as well as the truth about themselves " . Connie Tyrrell Burns from School Library Journal found the novel to be " an exciting , engaging mix of science fiction , mystery , and adventure " . Reviewers also noted the environmental theme in the book . Kirkus Reviews found that " With the impending threat of global warning as an ominous backdrop , teens from very different worlds find they have much in common " . In the novel , Peter finds an underground civilization beneath Greenland that is sinking as a result of global warming . Burns felt that First Light is a " great discussion starter of issues ranging from global warming to shunning and building a new society " . VOYA recognized the global warming theme and also classified First Light as a coming @-@ of @-@ age tale . = = Critical reception = = Publisher 's Weekly said , " It is a testament to the storytelling that the existence of this parallel world and the convergence of Peter and Thea 's stories , told in separate chapters , are both credible and absorbing . Young readers will find this a journey worth taking . " Kirkus Reviews found the novel to be a " Thoroughly enjoyable arctic adventure " , praising how the adventure tests the main characters ' courage as they learn the truth of both worlds . Vicky Smith from Horn Book Magazine found the two main characters well written and the city of Gracehope well structured . While , Smith found the city 's origin unbelievable , she recognized that few people would care about that and compared the threat in First Light similar to the one in The City of Ember . Jenifer Hubert from Booklist also compared the novel to The City of Ember and to Neal Shusterman 's Downsiders . Hubert criticized the slow beginning and flaws in the mythology and structure of the underground world , but still felt that " the icy setting and global @-@ warming theme are well realized " . = = Audiobook adaption = = First Light has been made in an audiobook containing six disks and a length of seven hours and six minutes . The audiobook was released by the Listening Library and read by David Ackroyd and Coleen Marlo for the parts of Peter and Thea , respectively . Kathy Miller from School Library Journal praised the two readers for their performance which " engages listeners , and they are both adept at creating a different voice for each character and moving seamlessly between them " . Miller also found the novel useful for starting a discussion on topics such as " political subterfuge and propaganda to global warming " . A review from Horn Book Review by Jenifer Brabander praised the easy shifts from American to English accents made by both narrators . Brabander also found the tone given to Thea appropriate and compared the novel to Stead 's second work , When You Reach Me , feeling that " [ t ] hough First Light doesn 't reach the excellence of Stead 's second novel , the Newbery @-@ winning When You Reach Me , this audio will nevertheless draw listeners in with its narrators ' strong talent " .

= Mexico City Metropolitan Cathedral = The Metropolitan Cathedral of the Assumption of the Most Blessed Virgin Mary into Heaven ( Spanish : Catedral Metropolitana de la Asunción de la Santísima Virgen María a los cielos ) is the largest cathedral in the Americas , and seat of the Roman Catholic Archdiocese of Mexico . It is situated atop the former Aztec sacred precinct near the Templo Mayor on the northern side of the Plaza de la Constitución in Downtown Mexico City . The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the Spanish conquest of Tenochtitlan , eventually replacing it entirely . Spanish architect Claudio de Arciniega planned the construction , drawing inspiration from Gothic cathedrals in Spain . The cathedral has four façades which contain portals flanked with columns and statues . The two bell towers contain a total of 25 bells . The tabernacle , adjacent to the cathedral , contains the baptistery and serves to register the parishioners . There are two large , ornate altars , a sacristy , and a choir in the cathedral . Fourteen of the cathedral 's sixteen chapels are open to the public . Each chapel is dedicated to a different saint or saints , and each was sponsored by a religious guild . The chapels contain ornate altars , altarpieces , retablos , paintings , furniture and sculptures . The cathedral is home to two of the largest 18th @-@ century organs in the Americas . There is a crypt underneath the cathedral that holds the remains of many former archbishops . Over the centuries , the cathedral has suffered damage . A fire in 1967 destroyed a significant part of the cathedral 's interior . The restoration work that followed uncovered a number of important documents and artwork that had previously been hidden . Although a solid foundation was built for the cathedral , the soft clay soil it is built on has been a threat to its structural integrity . Dropping water tables and accelerated sinking caused the structure to be added to the World Monuments Fund list of the 100 Most Endangered Sites . Reconstruction work beginning in the 1990s stabilized the cathedral and it was removed from the endangered list in 2000 . After the Spanish conquest of the Aztec Empire , the conquistadors decided to build their church on the site of the Templo Mayor of the Aztec city of Tenochtitlan to consolidate Spanish power over the newly conquered domain . Hernán Cortés and the other conquistadors used the stones from the destroyed temple of the Aztec god of war Huitzilopochtli , principal deity of the Aztecs , to build the church . Cortés ordered the original church 's construction after he returned from exploring what is now Honduras . Architect Martín de Sepúlveda was the first director of this project from 1524 to 1532 . Juan de Zumárraga , the first Bishop of the first See of the New World , established in the Viceroyalty of New Spain , promoted this church 's completion . Zumárraga 's Cathedral was located in the northeast portion of what is now the cathedral . It had three naves separated by three Tuscan columns . The central roof was ridged with intricate carvings done by Juan Salcedo Espinosa and gilded by Francisco de Zumaya and Andrés de la Concha . The main door was probably of Renaissance style . The choir area had 48 seats made of ayacahuite wood crafted by Adrian Suster and Juan Montaño . However , this church was soon considered inadequate for the growing importance of the capital of New Spain . In 1544 , ecclesiastical authorities in Valladolid ordered the creation of new and more sumptuous cathedral . In 1552 , an agreement was reached whereby the cost of the new cathedral would be shared by the Spanish crown , encomenderos and the Indians under the direct authority of the archbishop of New Spain . The cathedral was begun by being built around the existing church in 1573 . When enough of the cathedral was built to house basic functions , the original church was demolished to enable construction to continue . = = Construction = = The cathedral was constructed over a period of over two centuries , between 1573 and 1813 . Its design is a mixture of three architectural styles that predominated during the colonial period , Renaissance , Baroque and Neo @-@ classic . Initial plans for the new cathedral were drawn up and work on the foundation began in 1562 . The decision to have the cathedral face south instead of east was made in 1570 . In the same year , construction commenced , working from the Gothic designs and models created by Claudio de Arciniega and Juan Miguel de Agüero , inspired by cathedrals found in Spanish cities such as Valladolid and Jaén . Because of the muddy subsoil of the site , work on the foundation continued past the work on the walls to 1581 . In 1585 , work on the first of the cathedral 's chapels began and by 1615 , the cathedral 's walls reached to about half of their final height . Construction of the interior of the current cathedral began in 1623 and what is now the vestry was where Mass was conducted after the first church was finally torn down . In 1629 , work was interrupted by flooding , over two metres in depth . Parts of the city were damaged , especially around the main plaza or Zocalo . Because of such damage , this site was almost abandoned and a new cathedral project was begun in the hills of the Tacubaya area to the west . Despite these problems , the project continued in its current location , and under the direction of Luis Gómez de Transmonte , the interior was finished and consecrated in 1667 . The cathedral still lacked bell towers , the complete front facade , and many of the other features it has now at the beginning of the 18th century . In 1787 , José Damian Ortiz de Castro was in charge of finishing work on the cathedral . He did most of the work on the bell towers , putting in most of the fretwork and capping them with roofs in the shape of bells . With his death in 1793 , he did not live to see the cathedral completed , and Manuel Tolsá finished the cathedral by adding the cupola , the central front facade , the balustrades , and the statues of Faith , Hope and Charity at the top of the front facade . Tolsa 's work was the last major construction to the cathedral and the appearance it had when he finished is the basic look the cathedral has today . The cathedral faces south and is approximately 54 @.@ 5 metres ( 179 ft ) wide and 110 metres ( 360 ft ) long . It consists of two bell towers , a central dome , three main portals , five naves , 51 vaults , 74 arches and 40 columns . Inside the cathedral are five large altars , sixteen chapels , a choir area , a corridor , capitulary room , and sacristy . The cathedral has approximately 150 windows . = = Exterior = = = = = Facades and portals = = = The main facade of the cathedral faces south . The main portal is centered in the main facade and is the highest of the cathedral 's three portals . Statues of Saint Peter and Paul the Apostle stand between the columns of the portal , while Saint Andrew and James the Just are depicted on the secondary doorway . In the center of this doorway is a high relief of the Assumption of the Virgin Mary , to whom the cathedral is dedicated . This image is flanked by images of Saint Matthew and Saint Andrew . The coat of arms of Mexico is above the doorway , with the eagle 's wings outstretched . There is a clock tower at the very top of the portal with statues representing Faith , Hope and Charity , which was created by sculptor Manuel Tolsá . The west facade was constructed in 1688 and rebuilt in 1804 . It has a three @-@ section portal with images of the Four Evangelists . The west portal has high reliefs depicting Jesus handing the Keys of Heaven to Saint Peter . The east facade is similar to the west facade . The reliefs on the east portal show a ship carrying the four apostles , with Saint Peter at the helm . The title of this relief is The ship of the Church sailing the seas of Eternity . The northern facade , built during the 16th century in the Renaissance Herrera style , is oldest part of the cathedral and was named after Juan de Herrera , architect of the El Escorial monastery in Spain . While the eastern and western facades are older than most of the rest of the building , their third level has Solomonic columns which are associated with the Baroque period . All the high reliefs of the portals of the cathedral were inspired by the work of Flemish painter Peter Paul Rubens . = = = Bell towers = = = The bell towers are the work of Xalapan artist José Damián Ortiz de Castro . They are capped with bell @-@ shaped roofs made of tezontle covered in chiluca , a white stone . Ortiz de Castro was in charge of the cathedral 's construction in the latter half of the 18th century until he died , unexpectedly . Manuel Tolsá of Valencia , who had built other notable buildings in Mexico City , was hired to finish the cathedral . At this point , the cathedral had already been 240 years in the making . He added the neo @-@ Classic structure housing the clock , the statues of the three theological virtues ( Faith , Hope , and Charity ) , the high balustrade surrounding the building , and the dome that rises over the transept . The cathedral has 25 bells — eighteen hang in the east bell tower and seven in the west tower . The largest bell is named the Santa Maria de Guadalupe and weighs around 13 @,@ 000 kilograms ( 29 @,@ 000 lb ) . Other major bells are named the Doña Maria , which weighs 6 @,@ 900 kilograms ( 15 @,@ 200 lb ) , and La Ronca ( " the hoarse one " ) , named so because of its harsh tone . Doña Maria and La Ronca were placed in 1653 while the largest bell was placed later in 1793 . The statues in the west tower are the work of José Zacarías Cora and represent Pope Gregory VII , Saint Augustine , Leander of Seville , St. Fulgentius of Écija , St.Francis Xavier , and Saint Barbara . The statues in the east tower are by Santiago Cristóbal Sandoval and depict Emilio , Rose of Lima , Mary ( mother of Jesus ) , Ambrogio , Jerome , Philip of Jesus , Hippolytus of Rome , and Isidore the Laborer . In 1947 , a novice bell ringer died in an accident when he tried to move one of the bells while standing under it . The bell swung back and hit him in the head , killing him instantly . The bell was then " punished " by removing the clapper . In the following years , the bell was known as la castigada ( " the punished one " ) , or la muda ( " the mute one " ) . In 2000 , the clapper was reinstalled in the bell . In October 2007 , a time capsule was found inside the stone ball base of a cross , in the southern bell tower of the cathedral . It was placed in 1742 , supposedly to protect the building from harm . The lead box was filled with religious artifacts , coins and parchments and hidden in a hollow stone ball . The ball was marked with the date of 14 May 1791 , when the building 's topmost stone was laid . A new time capsule will be placed in the stone ball when it is closed again . = = = Tabernacle = = = Situated to the right of the main cathedral , the Metropolitan Tabernacle ( Spanish : Sagrario Metropolitana ) was built by Lorenzo Rodríguez during the height of the Baroque period between 1749 and 1760 , to house the archives and vestments of the archbishop . It also functioned and continues to function as a place to receive Eucharist and register parishioners . The first church built on the cathedral site also had a tabernacle , but its exact location is unknown . During the construction of the cathedral , the tabernacle was housed in what are now the Chapels of San Isidro and Our Lady of Agony of Granada . However , in the 18th century , it was decided to build a structure that was separate , but still connected , to the main cathedral . It is constructed of tezontle ( a reddish porous volcanic rock ) and white stone in the shape of a Greek cross with its southern facade faces the Zócalo . It is connected to the main cathedral via the Chapel of San Isidro . The interiors of each wing have separate uses . In the west wing is the baptistry , in the north is the main altar , the main entrance and a notary area , separated by inside corner walls made of chiluca stone and tezontle . Chiluca , a white stone , covers the walls and floors and the tezontle frames the doors and windows . At the crossing of the structure is an octagonal dome framed by arches that form curved triangles where they meet at the top of the dome . The principal altar is in the ornate Churrigueresque style and crafted by indigenous artist Pedro Patiño Ixtolinque . It was inaugurated in 1829 . The exterior of the Baroque styled tabernacle is almost entirely adorned with decorations , such as curiously shaped niche shelves , floating drapes and many cherubs . Carvings of fruits such as grapes and pomegranates have been created to in the shape of ritual offerings , symbolizing the Blood of Christ and the Church . Among the floral elements , roses , daisies , and various types of four @-@ petalled flowers can be found , including the indigenous chalchihuite . The tabernacle has two main outside entrances ; one to the south , facing the Zócalo and the other facing east toward Seminario Street . The southern façade is more richly decorated than the east façade . It has a theme of glorifying the Eucharist with images of the Apostles , Church Fathers , saints who founded religious orders , martyrs as well as scenes from the Bible . Zoomorphic reliefs can be found along with the anthropologic reliefs , including a rampaging lion , and the eagle from the coat of arms of Mexico . The east facade is less ambitious , but contains figures from the Old Testament as well as the images of John Nepomucene and Ignacio de Loyola . Construction dates for the phases of the tabernacle are also inscribed here . = = Interior = = = = = Altars = = = = = = = Altar of Forgiveness = = = = The Altar of Forgiveness is located at the front of the central nave . It is the first aspect of the interior that is seen upon entering the cathedral . It was the work of Spanish architect Jerónimo Balbás , and represents the first use of the estípite column ( an inverted triangle @-@ shaped pilaster ) in the Americas . There are two stories about how the name of this altar came about . The first states that those condemned by the Spanish Inquisition were brought to the altar to ask for forgiveness in the next world before their execution . The second relates to painter Simon Pereyns , who despite being the author of many of the works of the cathedral , was accused of blasphemy . According to the story , while Pereyns was in jail , he painted such a beautiful image of the Virgin Mary that his crime was forgiven . This altar was damaged by fire in January 1967 but has been completely restored . = = = = Altar of the Kings = = = = The Altar of the Kings was also the work of Jerónimo Balbás , in Mexican Baroque or Churrigueresque style . It was begun in 1718 by Balbás in cedar , and was gilded and finished by Francico Martínez , debuting in 1737 . It is located at the back of the Cathedral , beyond the Altar of Forgiveness and the choir . This altar is 13 @.@ 75 metres ( 45 @.@ 1 ft ) wide , 25 metres ( 82 ft ) tall and 7 @.@ 5 metres ( 25 ft ) deep . Its size and depth gave rise to the nickname la cueva dorada ( " the golden cave " ) . It takes its name from the statues of saintly royalty which form part of its decoration , and is the oldest work in churrigueresque style in Mexico , taking 19 years to complete . At the bottom , from left to right , are six female royal saints : Saint Margaret of Scotland , Helena of Constantinople , Elisabeth of Hungary , Isabel of Portugal , Empress Cunegunda and Edith of Wilton . In the middle of the altar are six canonized kings , four of whom are : Hermenegild a Visigoth martyr , Henry II , Holy Roman Emperor , Edward the Confessor and Casimir of Poland . Above these four are Saints Louis of France and Ferdinand III of Castile . In between these kings an oil painting of the Adoration of the Magi by Juan Rodriguez Juarez shows Jesus as the King of kings . The top portion features a painting of the Assumption of Mary as celestial queen flanked by oval bas reliefs , one of Saint Joseph carrying the infant Jesus and the other of Saint Teresa of Ávila with a quill in her hand and the Holy Spirit above her , inspiring her to write . Above this are figures of Jesus and Mary among sculptures of angels crowned with an image of God , the Father . This altar has been under restoration since 2003 . = = = Sacristy = = = The Herrera door opens into the sacristy , the oldest part of the cathedral . It is a mixture of Renaissance and Gothic styles . The walls hold large canvases painted by Cristóbal de Villalpando , such as The Apotheosis of Saint Michael , The Triumph of the Eucharist , The Church Militant and the Church Triumphant , and The Virgin of the Apocalypse . The Virgin of the Apocalypse depicts the vision of John of Patmos . Two other canvases , Entering Jerusalem and The Assumption of the Virgin , painted by Juan Correa , are also here . An additional painting , attributed to Bartolomé Esteban Murillo , hangs in the Sacristy . On the north wall , there is a niche that holds a statue of the crucifix with a Christ image sculpted in ivory . Behind this , is another mural that depicts the Juan Diego 's of Our Lady of Guadalupe . The Sacristy used to house Juan Diego 's cloak , upon which the Virgin 's image purportedly appears , but after massive flooding in 1629 , it was removed from the Sacristy to better protect it . A cabinet on the west wall of the Sacristy , under the Virgin of the Apocalypse painting , once held golden chalices and cups trimmed with precious stones , as well as other utensils . In 1957 , The wooden floor and platform around the perimeter of the Sacristy were replaced with stone . = = = Chapels = = = The cathedral 's sixteen chapels were each assigned to a religious guild , and each is dedicated to a saint . Each of the two side naves contain seven chapels . The other two were created later on the eastern and western sides of the cathedral . These last two are not open to the public . The fourteen chapels in the east and west naves are listed below . The first seven are in the east nave , listed from north to south , and the last seven are in the west nave . = = = = Chapel of Our Lady of the Agonies of Granada = = = = The Chapel of Our Lady of the Agonies of Granada ( Spanish : Capilla de Nuestra Señora de las Angustias de Granada ) was built in the first half of the 17th century , and originally served as the sacristy . It is a medieval @-@ style chapel with a ribbed vault and two relatively simple altarpieces . The narrow altarpiece contains an oval painting of Saint Raphael , Archangel and the young Tobias , a 16th century painting attributed to Flemish painter Maerten de Vos . At the top of this altarpiece is a painting of Our Lady of Mount Carmel , and above this is a painting of the Last Supper . At the back of the chapel is a churrigueresque painting of Our Lady of the Agonies of Granada . = = = = Chapel of Saint Isidore = = = = The Chapel of Saint Isidore ( Spanish : Capilla de San Isidro ) was originally built as an annex between 1624 and 1627 , and was once used as the baptistery . Its vault contains plaster casts representing Faith , Hope , Charity , and Justice , considered to be basic values in the Catholic religion . After the Tabernacle was built , it was converted into a chapel and its door was reworked in a churrigueresque style . = = = = Chapel of the Immaculate Conception = = = = The Chapel of the Immaculate Conception ( Spanish : Capilla de la Inmaculada Concepción ) was built between 1642 and 1648 . It has a churrigueresque altarpiece which , due to the lack of columns , most likely dates from the 18th century . The altar is framed with molding — instead of columns — and a painting of the Immaculate Conception presides over it . The altar is surrounded by paintings by José de Ibarra relating to the Passion of Christ and various saints . The chapel also contains a canvas of Saint Christopher painted by Simon Pereyns in 1588 , and the Flagellation by Baltasar de Echave Orio , painted in 1618 . The altarpiece on the right side is also dedicated to the Immaculate Conception and was donated by the College of Saints Peter and Paul . This chapel holds the remains of Franciscan friar Antonio Margil de Jesús who was evangelized in what is now the north of Mexico . = = = = Chapel of Our Lady of Guadalupe = = = = The Chapel of Our Lady of Guadalupe ( Spanish : Capilla de Nuestra Señora de Guadalupe ) was built in 1660 . It was the first baptistery of the cathedral and for a long time was the site for the Brotherhood of the Most Holy Sacrament , which had many powerful benefactors . It is decorated in a 19th century neo @-@ classic style by the architect Antonio Gonzalez Vazquez , director of the Academy of San Carlos . The main altarpiece is dedicated to the Virgin of Guadalupe and the sides altars are dedicated to John the Baptist and San Luis Gonzaga respectively . = = = = Chapel of Our Lady of Antigua = = = = The Chapel of Our Lady of Antigua ( Spanish : Capilla de Nuestra Señora de La Antigua ) was sponsored and built between 1653 and 1660 by a brotherhood of musicians and organists , which promoted devotion to this Virgin . Its altarpiece contains a painting of the Virgin , a copy of one found in the Cathedral of Seville . This copy was brought to New Spain by a merchant . Two other paintings show the birth of the Virgin and her presentation . Both were painted by Nicolás Rodriguez Juárez . = = = = = Chapel of Saint Peter = = = = = The Chapel of Saint Peter ( Spanish : Capilla de San Pedro ) was built between 1615 and 1620 , and contains three highly decorated Baroque altarpieces from the 17th century . The altar at the back is dedicated to Saint Peter , whose sculpture presides over the altar . It is surrounded by early 17th century paintings relating to his life , painted by Baltasar de Echave Orio . To the right is an altarpiece dedicated to the Holy Family , with two paintings by Juan de Aguilera of Florence called The Holy Family in the workshop of Saint Joseph and Birth of the Savior . The altarpiece to the left of the main altarpiece is dedicated to Saint Theresa of Jesus whose image also appears in the chapel 's window . It includes four paintings on sheets of metal that depict scenes from the birth of Jesus . Five oil paintings illustrate scenes from the life of Saint Theresa , and above this is a semi @-@ circular painting of the coronation of Mary . All these works were created in the 17th century by Baltasar de Echave y Rioja . This chapel is home to the Niño Cautivo ( Captive Child ) a Child Jesus figure that was brought to Mexico from Spain . It was sculpted in the 16th century by Juan Martínez Montañez in Spain and purchased by the cathedral . However , on its way to Veracruz , pirates attacked the ship it was on and sacked it . To get the image back , a large ransom was paid . Today , the image is in the Chapel of San Pedro or De las Reliquias . Traditionally , the image has been petitioned by those seeking release from restrictions or traps , especially financial problems or drug addiction or alcoholism . The cult to the Niño Cautivo is considered to be " inactive " by INAH . However , this particular image has made a comeback since 2000 as one to petition when a family member is abducted and held for ransom . = = = = Chapel of Christ and of the Reliquaries = = = = The Chapel of Christ and of the Reliquaries ( Spanish : Capilla del Santo Cristo y de las Reliquias ) was built in 1615 and designed with ultra @-@ Baroque details which are often difficult to see in the poorly lit interior . It was originally known as the Christ of the Conquistadors . That name came from an image of Christ that was supposedly donated to the cathedral by Emperor Charles V. Over time , so many reliquaries were left on its main altar that its name was eventually changed . Of 17th century ornamentation , the main altarpiece alternates between carvings of rich foliage and small heads on its columns in the main portion and small sculptures of angels on its telamons in the secondary portion . Its niches hold sculptures of saints framing the main body . Its crucifix is from the 17th century . The predella is finished with sculptures of angels , and also contains small 17th paintings of martyred saints by Juan de Herrera . Behind these paintings , hidden compartments contain some of the numerous reliquaries left here . Its main painting was done by Jose de Ibarra and dated 1737 . Surrounding the altar is a series of paintings on canvas , depicting the Passion of Christ by Jose Villegas , painted in the 17th century . On the right @-@ hand wall , an altar dedicated to the Virgin of the Confidence is decorated with numerous churrigueresque figurines tucked away in niches , columns and top pieces . = = = = Chapel of the Holy Angels and Archangels = = = = The Chapel of the Holy Angels and Archangels ( Spanish : Capilla de los Ángeles ) was finished in 1665 with Baroque altarpieces decorated with Solomonic columns . It is dedicated to the Archangel Michael , who is depicted as a medieval knight . It contains a large main altarpiece with two smaller altarpieces both decorated by Juan Correa . The main altarpiece is dedicated to the seven archangels , who are represented by sculptures , in niches surrounding images of Saint Joseph , Mary and Christ . Above this scene are the Holy Spirit and God the Father . The left @-@ hand altarpiece is of similar design and is dedicated to the Guardian Angel , whose sculpture is surrounded with pictures arranged to show the angelic hierarchy . To the left of this , a scene shows Saint Peter being released from prison , and to the right , Saul , later Saint Paul , being knocked from his horse , painted by Juan Correa in 1714 . The right @-@ hand altarpiece is dedicated to the Guardian Angel of Mexico . = = = = Chapel of Saints Cosme and Damian = = = = The Chapel of Saints Cosme and Damian ( Spanish : Capilla de San Cosme y San Damián ) was built because these two saints were commonly invoked during a time when New Spain suffered from the many diseases brought by the Conquistadors . The main altarpiece is Baroque , probably built in the 17th century . Oil paintings on wood contain scenes from physician saints , and are attributed to painter Sebastian Lopez Davalos , during the second half of the 17th century . The chapel contains one small altarpiece which came from the Franciscan church in Zinacantepec , to the west of Mexico City , and is dedicated to the birth of Jesus . = = = = Chapel of Saint Joseph = = = = The Chapel of Saint Joseph ( Spanish : Capilla de San José ) , built between 1653 and 1660 , contains an image of Our Lord of Cacao , an image of Christ most likely from the 16th century . Its name was inspired from a time when many indigenous worshipers would give their alms in the form of cocoa beans . Churrigueresque in style and containing an graffito statue of Saint Joseph , patron saint of New Spain , the main altarpiece is Baroque and is from the 18th century . This once belonged to the Church of Our Lady of Monserrat . This altar contains statues and cubicles containing busts of the Apostles , but contains no paintings . = = = = Chapel of Our Lady of Solitude = = = = The Chapel of Our Lady of Solitude ( Spanish : Capilla de Nuestra Señora de la Soledad ) was originally built in honor of the workers who built the cathedral . It contains three Baroque altarpieces . The main altarpiece is supported by caryatids and small angels as telamons , to uphold the base of the main body . It is dedicated to the Virgin of Solitude of Oaxaca , whose image appears in the center . The surrounding 16th century paintings are by Pedro Ramírez , and depict scenes from the life of Christ . = = = = Chapel of Saint Eligius = = = = The Chapel of Saint Eligius ( Spanish : Capilla de San Eligio ) , also known as the Chapel of the Lord of Safe Expeditions ( Spanish : Capilla del Señor del Buen Despacho ) , was built by the first silversmith guild , who donated the images of the Conception and Saint Eligius to whom the chapel was formerly dedicated . The chapel was redecorated in the 19th century , and the image of Our Lord of Good Sending was placed here , named thus , since many supplicants reported having their prayers answered quickly . The image is thought to be from the 16th century and sent as a gift from Charles V of Spain . = = = = Chapel of Our Lady of Sorrows = = = = The Chapel of Our Lady of Sorrows ( Spanish : Capilla de Nuestra Señora de los Dolores ) , formerly known as the Chapel of the Lord 's Supper ( Spanish : Capilla de la Santa Cena ) , was built in 1615 . It was originally dedicated to the Last Supper since a painting of this event was once kept here . It was later remodeled in a Neo @-@ classical style , with three altarpieces added by Antonio Gonzalez Velazquez . The main altarpiece contains an image of the Virgin of Sorrows sculpted in wood and painted by Francisco Terrazas , at the request of Emperor Maximilian I of Mexico . On the left @-@ hand wall a ladder leads to a series of crypts which hold most of the remains of past archbishops of Mexico . The largest and grandest of these crypts contains the remains of Juan de Zumarraga , the first archbishop of Mexico . = = = = Chapel of Saint Philip of Jesus = = = = The Chapel of Saint Philip of Jesus ( Spanish : Capilla de San Felipe de Jesús ) was completed during one of the earliest stages of the construction of the cathedral . It is dedicated to Philip of Jesus , a friar and the only martyr from New Spain , who was crucified in Japan . The chapel is topped with a Gothic @-@ style dome and has a Baroque altarpiece from the 17th century . A statue of the saint is located in a large niche in the altarpiece . The altar to the left is dedicated to Saint Rose of Lima , considered a protector of Mexico City . To the right is an urn which holds the remains of Agustín de Iturbide , who briefly ruled Mexico in the 19th century . Next to this chapel is a baptismal font , in which it is believed Philip of Jesus was baptised . = = = Organs = = = The cathedral has had perhaps a dozen organs over the course of its history . The earliest is mentioned in a report written to the king of Spain in 1530 . Few details survive of the earliest organs . Builders names begin to appear at the end of the sixteenth century . The earliest disposition that survives is for the Diego de Sebaldos organ built in 1655 . The first large organ for Mexico City Cathedral was built in Madrid from 1689 to 1690 by Jorge de Sesma and installed by Tiburcio Sanz from 1693 to 1695 . It now has two , which were made in Mexico by José Nassarre of Spain , and completed by 1736 , incorporating elements of the 17th century organ . They are the largest 18th century organs in the Americas ; they are situated above the walls of the choir , on the epistle side ( east ) and the gospel side ( west ) . Both organs , damaged by fire in 1967 , were restored in 1978 . Because both organs had fallen into disrepair again , the gospel organ was re @-@ restored from 2008 @-@ 2009 by Gerhard Grenzing ; the restoration of the epistle organ , also by Grenzing , was completed in 2014 , and both organs are now playable . = = = Choir = = = The choir is where the priest and / or a choral group sings the psalms . It is located in the central nave between the main door and the high altar , and built in a semicircular fashion , much like Spanish cathedrals . It was built by Juan de Rojas between 1696 and 1697 . Its sides contain 59 reliefs of various saints done in mahogany , walnut , cedar and a native wood called tepehuaje . The railing that surrounds the choir was made in 1722 by Sangley Queaulo in Macao , China and placed in the cathedral in 1730 . = = = Crypt = = = The Crypt of the Archbishops is located below the floor of the cathedral beneath the Altar of the Kings . The entrance to the crypt from the cathedral is guarded by a large wooden door behind which descends a winding yellow staircase . Just past the inner entrance is a Mexica @-@ style stone skull . It was incorporated as an offering into the base of a cenotaph to Juan de Zumárraga , the first archbishop of Mexico . Zumárraga was considered to be a benefactor of the Indians , protecting them against the abuses of their Spanish overlords . There is also a natural @-@ sized sculpture of the archbishop atop the cenotaph . On its walls are dozens of bronze plaques that indicate the locations of the remains of most of Mexico City 's former archbishops , including Cardinal Ernesto Corripio y Ahumada . The floor is covered with small marble slabs covering niches containing the remains of other people . The cathedral contains other crypts and niches where other religious figures are buried , including in the chapels . = = Restoration = = The sinking ground and seismic activity of the area have had an effect on the cathedral 's construction and current appearance . Forty @-@ two years were required simply to lay its foundation when it was first built , because even then the Spaniards recognized the danger of constructing such a huge monument in soft soil . However , for political reasons , much , but not all , of the cathedral was built over the remains of pre @-@ Hispanic structures , leading to uneven foundation from the beginning . = = = Fire of 1967 = = = On 17 January 1967 at 9 pm , a fire caused by an electrical short circuit caused extensive damage to the cathedral . On the Altar of Forgiveness , much of the structure and decoration were damaged including the loss of three paintings ; The Holy Face by Alonso López de Herrera , The Martyrdom of Saint Sebastian by Francisco de Zumaya and The Virgin of Forgiveness by Simon Pereyns . The choir section lost 75 of its 99 seats as well a painting by Juan Correa along with many stored books . The two cathedral organs were severely damaged with the partial melting of their pipes . Paintings by Rafael Jimeno y Planas , Juan Correa and Juan Rodriguez Juarez were damaged in other parts of the cathedral . After the fire , authorities recorded the damage but did nothing to try to restore what was damaged . Heated discussions ensued among historians , architects and investigations centering on the moving of the Altar of Forgiveness , as well as eliminating the choir area and some of the railings . In 1972 , ecclesiastical authorities initiated demolition of the choir area without authorization from the Federal government , but were stopped . The government inventoried what could be saved and named Jaime Ortiz Lajous as director of the project to restore the cathedral to its original condition . Restoration work focused not only on repairing the damage ( using archived records and photographs ) , but also included work on a deteriorating foundation ( due to uneven sinking into the ground ) and problems with the towers . The Altars of Forgiveness and of the Kings were subject to extensive cleaning and restorative work . To replace the lost portions on the Altar of Forgiveness , several paintings were added ; Escape from Egypt by Pereyns , The Divine Countenance and The Martyrdom of Saint Sebastian . The organs were dismantled with the pipes and inner workings sent to the Netherlands for repair , while the cases were restored by Mexican craftsmen with work lasting until 1977 . Reconstruction of the choir area began in 1979 using the same materials as existed before the fire . In addition , any statues in the towers that received more than 50 % damage from city pollution were taken out , with replicas created to replace them . Those with less damage were repaired . Some interesting discoveries were made as restoration work occurred during the 1970s and early 1980s . 51 paintings were found and rescued from behind the Altar of Forgiveness , including works by Juan and Nicolas Rodriguez Juarez , Miguel Cabrera and José de Ibarra . Inside one of the organs , a copy of the nomination of Hernán Cortés as Governor General of New Spain ( 1529 ) was found . Lastly , in the wall of the central arch of the cathedral was found the burial place of Miguel Barrigan , the first governor of Veracruz . = = = Late 20th @-@ century work = = = The cathedral , along with the rest of the city , has been sinking into the lakebed from the day it was built . However , the fact that the city is a megalopolis with over 18 million people drawing water from underground sources has caused water tables to drop , and the sinking to accelerate during the latter half of the 20th century . Sections of the complex such as the cathedral and the tabernacle were still sinking at different rates , and the bell towers were tilting dangerously despite work done in the 1970s . For this reason , the cathedral was included in the 1998 World Monuments Watch by the World Monuments Fund . Major restoration and foundation work began in the 1990s to stabilize the building . Engineers excavated under the cathedral between 1993 and 1998 . They dug shafts under the cathedral and placed shafts of concrete into the soft ground to give the edifice a more solid base to rest on . These efforts have not stopped the sinking of the complex , but they have corrected the tilting towers and ensured that the cathedral will sink uniformly . = = Cultural value = = The cathedral has been a focus of Mexican cultural identity , and is a testament to its colonial history . Researcher Manuel Rivera Cambas reported that the cathedral was built on the site sacred precinct of the Aztecs and with the very stones of their temples so that the Spaniards could lay claim to the land and the people . Hernán Cortés supposedly laid the first stone of the original church personally . It once was an important religious center , used exclusively by the prominent families of New Spain . In 1864 , during the Second Mexican Empire , Emperor Maximilian of Habsburg and Empress Charlotte of Belgium ( later known as Maximiliano and Carlota of Mexico ) were crowned at the cathedral after the magnificent arrival to the head city of their reign . Located on the Zocalo it has , over time , been the focus of social and cultural activities , most of which have occurred in the 20th and 21st centuries . The cathedral was closed for four years while President Plutarco Elías Calles attempted to enforce Mexico 's anti @-@ religious laws . Pope Pius XI closed the church , ordering priests to cease their public religious duties in all Mexican churches . After the Mexican government and the papacy came to terms and major renovations were performed on the cathedral , it reopened in 1930 . The cathedral has been the scene of several protests both from the church and to the church , including a protest by women over the Church 's exhortation for women not to wear mini @-@ skirts and other provocative clothing to avoid rape , and a candlelight vigil to protest against kidnappings in Mexico . The cathedral itself has been used to protest against social issues . Its bells rang to express the archdiocese 's opposition to the Supreme Court upholding of Mexico City 's legalization of abortion . Probably the most serious recent event occurred on 18 November 2007 , when sympathizers of the Party of the Democratic Revolution attacked the cathedral . About 150 protesters stormed into Sunday Mass chanting slogans and knocking over pews . This caused church officials to close and lock the cathedral for a number of days . The cathedral reopened with new security measures , such as bag searches , in place . = = = Gallery = = =

= USS Illinois ( BB @-@ 7 ) = USS Illinois ( BB @-@ 7 ) was a pre @-@ dreadnought battleship built for the United States Navy . She was the lead ship of the Illinois class , and was the second ship of the U.S. Navy to be named for the 21st state . Her keel was laid in February 1897 at the Newport News Shipbuilding & Dry Dock Company , and she was launched in October 1898 . She was commissioned in September 1901 . The ship was armed with a main battery of four 13 @-@ inch ( 330 mm ) guns and she had a top speed of 16 knots ( 30 km / h ; 18 mph ) . Illinois served with the European Squadron from 1902 to 1903 , and with the North Atlantic Fleet until 1907 , by which time it had been renamed the Atlantic Fleet . During this time , she accidentally collided with two other battleships . From December 1907 to February 1909 , she circumnavigated the globe with the Great White Fleet . From November 1912 , the ship was used as a training ship . She was lent to the state of New York in 1919 for use as a training vessel for the New York State Militia . The ship was converted into a floating armory in 1924 as a result of the Washington Naval Treaty , and it was under this guise that she served for the next thirty years . In January 1941 she was renamed Prairie State and reclassified as IX @-@ 15 so that the name could be given to Illinois , a projected Iowa @-@ class battleship . Prairie State was ultimately sold for scrap in 1956 . = = Description = = Illinois was 374 feet ( 114 m ) long overall and had a beam of 72 ft 3 in ( 22 @.@ 02 m ) and a draft of 23 ft 6 in ( 7 @.@ 16 m ) . She displaced 11 @,@ 565 long tons ( 11 @,@ 751 t ) as designed and up to 12 @,@ 250 long tons ( 12 @,@ 450 t ) at full load . The ship was powered by two @-@ shaft triple @-@ expansion steam engines rated at 16 @,@ 000 indicated horsepower ( 12 @,@ 000 kW ) and eight coal @-@ fired fire @-@ tube boilers , generating a top speed of 16 knots ( 30 km / h ; 18 mph ) . As built , she was fitted with heavy military masts , but these were replaced by cage masts in 1909 . She had a crew of 536 officers and enlisted men , which increased to 690 – 713 . She was armed with a main battery of four 13 in ( 330 mm ) / 35 caliber guns guns in two twin gun turrets on the centerline , one forward and aft . The secondary battery consisted of fourteen 6 in ( 152 mm ) / 40 caliber Mark IV guns , which were placed in casemates in the hull . For close @-@ range defense against torpedo boats , she carried sixteen 6 @-@ pounder guns mounted in casemates along the side of the hull and six 1 @-@ pounder guns . As was standard for capital ships of the period , Illinois carried four 18 in ( 457 mm ) torpedo tubes in deck mounted launchers . Illinois 's main armored belt was 16 @.@ 5 in ( 419 mm ) thick over the magazines and the machinery spaces and 4 in ( 102 mm ) elsewhere . The main battery gun turrets had 14 @-@ inch ( 356 mm ) thick faces , and the supporting barbettes had 15 in ( 381 mm ) of armor plating on their exposed sides . Armor that was 6 in thick protected the secondary battery . The conning tower had 10 in ( 254 mm ) thick sides . = = Service history = = Illinois was laid down on 10 February 1897 by the Newport News Shipbuilding & Dry Dock Company of Newport News , Virginia . She was launched on 4 October 1898 , sponsored by Miss Nancy Leiter , daughter of Chicago multi @-@ millionaire Levi Leiter and commissioned on 16 September 1901 . The ship 's first commander was Captain George A. Converse . Illinois was the first member of her class to be authorized , but the last to enter service . After commissioning , the ship began a shakedown cruise in the Chesapeake Bay , followed by initial training . She left the area on 20 November to test a new floating dry dock in Algiers , Louisiana . The ship was back in Newport News in January 1902 . She served briefly as the flagship of Rear Admiral Robley D. Evans from 15 to 28 February ; during this period , she took part in a reception for Prince Henry of Prussia , the brother of the German Kaiser . On 30 April , now flying the flag of Rear Admiral A.S. Crowninshield , Illinois departed for a tour of Europe . She stopped in Naples , Italy on 18 May ; here , Crowninshield took command of the European Squadron . Illinois took part in training exercises and ceremonial duties in European waters for the next two months , until 14 July , when she ran aground outside Oslo , Norway . She had to steam to Britain for repairs , which were carried out at Chatham . She left the port on 1 September for maneuvers with the rest of the fleet in the Mediterranean and South Atlantic . On 10 January 1903 , Illinois was reassigned to the North Atlantic Fleet , where she remained for the next four years . Her time was occupied with peacetime training exercises , gunnery practice , and various ceremonial activities . During this period , she was involved in two accidents with other battleships of the North Atlantic Fleet . The first took place on 30 March 1903 , when she collided with Missouri . The second collision occurred on 31 July 1906 , and took place with her sister ship Alabama . Also that year , Illinois was the first ship to win the Battenberg Cup . The ship 's next significant action was the cruise of the Great White Fleet around the world , which started with a naval review for President Theodore Roosevelt in Hampton Roads . On 17 December , the fleet steamed out of Hampton Roads and cruised south to the Caribbean and then to South America , making stops in Port of Spain , Rio de Janeiro , Punta Arenas , and Valparaíso , among other cities . After arriving in Mexico in March 1908 , the fleet spent three weeks conducting gunnery practice . The fleet then resumed its voyage up the Pacific coast of the Americas , stopping in San Francisco and Seattle before crossing the Pacific to Australia , stopping in Hawaii on the way . Stops in the South Pacific included Melbourne , Sydney , and Auckland . After leaving Australia , the fleet turned north for the Philippines , stopping in Manila , before continuing on to Japan where a welcoming ceremony was held in Yokohama . Three weeks of exercises followed in Subic Bay in the Philippines in November . The ships passed Singapore on 6 December and entered the Indian Ocean ; they coaled in Colombo before proceeding to the Suez Canal and coaling again at Port Said , Egypt . While there , the American fleet received word of an earthquake in Sicily . Illinois , the battleship Connecticut , and the supply ship Culgoa were sent to assist the relief effort . The fleet called in several Mediterranean ports before stopping in Gibraltar , where an international fleet of British , Russian , French , and Dutch warships greeted the Americans . The ships then crossed the Atlantic to return to Hampton Roads on 22 February 1909 , having traveled 46 @,@ 729 nautical miles ( 86 @,@ 542 km ; 53 @,@ 775 mi ) . There , they conducted a naval review for Theodore Roosevelt . On 4 August 1909 , Illinois was decommissioned in Boston . The ship then underwent a major modernization , receiving new " cage " masts and more modern equipment . She spent the next three years in active service with the fleet , before being decommissioned once more on 16 April 1912 . She returned to service on 2 November for major training maneuvers with the Atlantic Fleet . Illinois made training cruises to Europe with midshipmen from the US Naval Academy in mid @-@ 1913 and 1914 . By 1919 , she had been decommissioned at the Philadelphia Navy Yard . On 23 October 1921 , she was loaned to the New York Naval Militia for training purposes . The 1922 Washington Naval Treaty , which mandated significant reductions in naval strength , stipulated that Illinois must be rendered incapable of warlike action . As a result , she was converted into a floating armory at the New York Navy Yard in 1924 and was assigned to the New York Naval Reserve . On 8 January 1941 , the ship was reclassified from BB @-@ 7 to IX @-@ 15 , and was renamed Prairie State so that her name could be used for the new battleship Illinois , which would be laid down a week later . Throughout World War II , she served with the U.S. Naval Reserve Midshipmen 's School , based in New York . After the end of the war , Prairie State was kept as a barracks ship for a Naval Reserve unit . On 31 December 1955 , the old ship was stricken and subsequently towed to Baltimore , where she was sold for scrap to the Bethlehem Steel Company on 18 May 1956 . = = Silver Service = = On 17 November 1901 , Illinois was presented with a silver service dining set provided by the state of Illinois and presented by Senator William E. Mason . It consisted of a large and small punch bowl , two candelabra , an ornamented fruit dish , a small fruit dish , two epicurean dishes , a large centerpiece and a ladle . Each item featured engravings of the crest of Illinois and an ear of corn . In 1943 , the silver service was transferred to the Illinois Executive Mansion .

= The Archaeology of Ritual and Magic = The Archaeology of Ritual and Magic is an archaeological study of the material evidence for ritual and magical practices in Europe , containing a particular emphasis on London and South East England . It was written by the English archaeologist Ralph Merrifield , the former deputy director of the Museum of London , and first published by B.T. Batsford in 1987 . Merrifield opens The Archaeology of Ritual and Magic by discussing how archaeologists have understood magic and ritual practices in past societies , opining that on the whole it had been a neglected area of study . Looking at the archaeological evidence for ritual activity in the pre @-@ Roman Iron Age and the Roman Iron Age of Britain , he discusses animal and human sacrifice , as well as the offering of votive deposits in rivers and other bodies of water . He moves on to explore the rituals surrounding death and burial , suggesting areas where this ritual activity is visible in the burial record of multiple societies . Merrifield goes on to discuss the archaeological evidence for ritual practices in Christian Europe , highlighting areas of ritual continuance from earlier pagan periods , in particular the deposition of metal goods in water . Looking at the evidence for foundation deposits in European buildings that likely had magico @-@ religious purposes , he then looks at several examples of written charms and spells which have survived in the archaeological record . Upon publication , The Archaeology of Ritual and Magic received predominantly positive reviews in academic peer @-@ reviewed journals such as Folklore and The Antiquaries Journal . In ensuing years , the book has been widely cited by scholars as an influential and pioneering text in the study of the archaeology of ritual and magic . = = Background = = Ralph Merrifield ( 1913 – 1995 ) was born and raised in Brighton , and , following an education at Varndean Grammar School , he worked at Brighton Museum . Gaining a London External Degree in anthropology in 1935 , he developed a lifelong interest in the religious and magical beliefs of England . After serving in the Royal Air Force during the Second World War , he returned to working at Brighton Museum , but in 1950 was appointed Assistant Keeper of the Guildhall Museum in the City of London . Over a six @-@ month period in 1956 and 1957 , he was stationed in Accra , Ghana , where he worked at the National Museum of Ghana , organising the collection in preparation for the country 's independence from the British Empire in March 1957 . Returning to the Guildhall Museum , Merrifield compiled the first detailed study of Roman London for 35 years , which was published as The Roman City of London ( 1965 ) . Following the creation of the Museum of London in 1975 , he became its Deputy Director , a post which he held until his retirement in 1978 . In the preface of The Archaeology of Ritual and Magic , Merrifield noted that the book 's bias was to the archaeology of London , and that this was particularly evident in its use of illustrations . He dedicated the book to the memory of H.S. Toms , the former Curator of Brighton Museum and a one @-@ time assistant to the archaeologist Augustus Pitt Rivers ; in his dedication , Merrifield noted that Toms had been his " first mentor in archaeology and folk studies " . = = Synopsis = = In his preface , Merrifield noted that while archaeologists studying prehistoric periods have paid increasing attention to the evidence for ritual and magic in the archaeological record , their counterparts working in later historical periods have failed to follow their lead . Presenting this book as a rectifier , he outlines his intentions and the study 's limitations . Chapter one , " Ritual and the archaeologist " , begins by describing the ritual deposits from the pre @-@ Roman Iron Age sites of Cadbury Castle and Danebury , hillforts in southern Britain . Merrifield laments the fact that the majority of archaeologists , particularly those studying literate , historical periods , have avoided ritual explanations for unusual phenomenon in the archaeological record ; he believes that they exhibit a " ritual phobia " . He contrasts this view with that of those archaeologists studying the Neolithic and Bronze Age Britain , who have widely accepted the ritual uses of chambered tombs and stone circles . He specifies particular definitions for words such as " ritual " , " religion " and " superstition " , arguing that such terms must be used with precision by archaeologists . Offering a case study , he describes how Neolithic stone axes were adopted as amulets or talismans in the later Roman Iron Age onward in Britain , and that as such archaeologists should expect to find them in non @-@ prehistoric contexts . In the second chapter , " Offerings to earth and water in Pre @-@ Roman and Roman Times " , Merrifield explores the various forms of archaeological evidence for ritual deposits in the pre @-@ Roman Iron Age and the Roman Iron Age of Britain . He provides an overview of the evidence for animal and human sacrifice , as well as that in support of ritual offerings in bodies of water such as the River Thames . Merrifield deals with votive deposits on land , in particular looking at the evidence for deposition in ditches , shafts and wells . He rounds off the chapter by examining evidence for Iron Age rituals that took place at the commencement and termination of building constructions . Chapter three , " Rituals of Death " , deals with the religious rituals accompanying death and burial , and their visibility in the archaeological record . It explains the three main ways which human communities have dealt with the corpses of the dead : through exposing them to elements and scavengers , through inhumation and through cremation . Looing at beliefs surrounding the afterlife , Merrifield discusses ways in which these beliefs might be visible in the archaeological record , such as through the deposition of grave goods . Discussing evidence for rituals of separation through which the deceased is separated from the world of the living , including those that deal with the decapitation of the body , Merrifield then looks at the effect of Christianity on burials in Europe , arguing that it brought a new intimacy with the dead through the collection of relics , which was in contrast to the pagan beliefs of the Roman Empire , which portrayed the deceased as unclean . The fourth chapter , " From Paganism to Christianity " , explores the continuing practice of ritual in Christian Europe . Discussing the early Roman Catholic Church 's demonisation of pagan deities , Merrifield states that the Church continued propagating a form of polytheism through the " cult of the blessed dead " , the veneration of saints and martyrs , throughout the Middle Ages . Discussing the ritual use of Christian relics , he also looks at votive offerings that were presented in a Christian context at shrines and churches , paying particular reference to the tradition of offering bent coins to shrines in Late Medieval England . Examining the construction of churches on earlier pagan ritual sites , he deals with evidence for the destruction of pagan statues by the early Christians . Chapter five , " Survivals , revivals and reinterpretations " , continues Merrifield 's exploration of ritual practices in Christian Europe . He examines Late- and Post @-@ Medieval items that have been deposited in rivers , including swords and pilgrimage souvenirs , speculating that their deposition might represent a survival from the pagan tradition of casting votive offerings into water . He speculates that the contemporary practice of throwing a coin into a fountain for good luck is a further survival of the custom . He then discusses the evidence for ritual foundation deposits under buildings , noting the widespread Medieval deposition of an animal 's head or jaw in a construction 's foundations , presumably for protective magical purposes . Proceeding to deal with the Late- and Post @-@ Medieval deposition of pots under foundations , he looks at their place in churches , where it was believed that they aided the acoustics . Continuing with this theme , he discusses the British folk custom of burying a horse 's head under the floor to improve a building 's acoustics , speculating as to whether this was a survival of the pagan foundation deposit custom . Rounding off the chapter , Merrifield examines at magical items that have been intentionally placed in the walls , chimneys and roofs of buildings in Britain , in particular the widespread use of dead cats and old shoes . In the sixth chapter , " Written spells and charms " , Merrifield discusses the use of the written word in magical contexts . Highlighting archaeological examples from the ancient Graeco @-@ Roman world , he looks at inscriptions on lead tablets that were buried in cemeteries and amphitheatres , both places associated with the dead . Moving on to the use of magic squares , Merrifield highlights various examples of the Sator square in archaeological contexts , before also discussing squares that contained numerical data with astrological significance . He rounds off the chapter with an examination of Post @-@ Medieval curses and charms containing the written word , citing examples that have been found by archaeologists across Britain , hidden inside various parts of buildings . In the seventh chapter , " Charms against witchcraft " , he deals with archaeological evidence for a variety of Early Modern and Modern British spells designed to ward off malevolent witchcraft . After briefly discussing the role of holed stone charms , he looks at the evidence for witch bottles , making reference to their relation to beliefs about witches ' familiars . Proceeding to focus on 19th- and 20th @-@ century examples , Merrifield discusses the case of James Murrell , an English cunning man , and his involvement with the witch bottle tradition . Merrifield 's final chapter , " The ritual of superstition : recognition and potential for study " , provides an overview of the entire book , highlighting the evidence of ritual continuity from pre @-@ Christian periods to the present day . Pointing out what he sees as areas of further exploration for archaeologists , he calls for " systematic investigation " of the subject . = = Reception and recognition = = = = = Academic reviews = = = The Archaeology of Ritual and Magic was reviewed by John Hutchings for the Folklore journal , the published arm of The Folklore Society . He highlighted how the work would be of benefit to folklorists , by putting various charms then in museum exhibits – such as dead cats , buried shoes and witch bottles – into the wider context of ritual activity . He opined that it was " a little disappointing " that the examples were almost all from London and the Home Counties , but described the book as " lucidly written , carefully argued , and well illustrated . " In a short review for The Antiquaries Journal , the historian of religion Hilda Ellis Davidson praised the " cautious and balanced arguments " of Merrifield 's work . She opined that it should be read by every archaeologist as a corrective to what she thought was their widespread ignorance of folklore , noting that the wide array of evidence for ritual behaviour in the archaeological record would surprise " many readers " . = = = Wider recognition = = = Writing Merrifield 's obituary for The Independent newspaper , the Museum of London archaeologist Peter Marsden described The Archaeology of Ritual and Magic as " a masterly study of an unusual subject . " The importance of Merrifield 's book was discussed by the Englishman Brian Hoggard , an independent researcher who authored a 2004 academic paper entitled " The archaeology of counter @-@ witchcraft and popular magic " . Being published in the Beyond the Witch Trials anthology , edited by the historians Owen Davies and Willem de Blécourt , Hoggard recounted that The Archaeology of Ritual and Magic was the " notable exception " to a trend in which archaeological studies of magic were restricted to small journals , magazines and newspaper articles . The influential nature of Merrifield 's work was also recognised by the Medieval archaeologist Roberta Gilchrist of the University of Reading . In an academic paper published in a 2008 edition of the Medieval Archaeology journal , Gilchrist referenced Merrifield 's study , noting that it offered a " rare contribution " to the archaeology of ritual and magic in Britain . In particular she highlighted his belief that many archaeologists dealing with literate cultures exhibited a " ritual phobia " as accurate .

= History of Braathens SAFE ( 1946 – 93 ) = Braathens South American & Far East Airtransport A / S or Braathens SAFE was founded by ship @-@ owner Ludvig G. Braathen in 1946 . It started as a charter airline based at Oslo Airport , Gardermoen in Norway , flying to destinations in the Far East and in South America . At first the airline used Douglas DC @-@ 4s , and later also Douglas DC @-@ 3s . In 1948 , the airline moved to Oslo Airport , Fornebu and started regular scheduled flights to the Far East . In 1952 , the airline started cooperation with the Icelandic airline Loftleidir , where until 1960 the two airlines in cooperation flew flights to Reykjavík . Domestic services started in 1951 , using de Havilland Herons on a route from Oslo to Stavanger via Tønsberg . Braathens SAFE also established at Stavanger Airport , Sola . A second route was started two years later to Trondheim . The Heron routes also stopped in Farsund , Kristiansand , Notodden to Stavanger and Hamar , Røros to Trondheim . In 1958 , Braathens SAFE started flying to Ålesund and at the same time started flights along the West Coast . In 1959 , Fokker F @-@ 27s were taken into use , and with the Herons taken out of service , Hamar , Farsund and Tønsberg were terminated . During 1960 , the airline flew a single season to Sandefjord and Aalborg . The company also entered the domestic and international charter market during the 1960s , an industry where the airline would eventually grow to become a large Norwegian and Swedish contestant . Services to Bodø and Tromsø started in 1967 , although only from Western Norway . Braathens ' main domestic competitor was Scandinavian Airlines System ( SAS ) , which operated all the primary domestic routes Braathens SAFE did not , in addition to the international routes . Braathens took Boeing 737 @-@ 200s and Fokker F @-@ 28s into use in 1969 ; Kristiansund was first served in 1970 and Molde in 1972 . From 1984 , the airline also operated two Boeing 767s , although they were retired along with the F @-@ 28s were in 1986 . Services to Longyearbyen started in 1987 . From 1987 , Braathens SAFE was allowed to make international scheduled flights on certain routes . In 1989 , it opened a route to Billund , in 1991 to Malmö , Newcastle and London , and in 1993 to Murmansk . From 1989 to 1994 , the airline replaced its fleet with Boeing 737 @-@ 400 and -500s . From 1989 to 1994 , Braathens Helikopter operated services on contract with oil companies to their oil platforms in the North Sea . = = Far East = = Braathens South American & Far East Airtransport A / S was founded on 26 March 1946 by Ludvig G. Braathen through his shipping company Braathens Rederi . Share capital was NOK 4 million , plus loans from the shipping company . Braathens had made good money during World War II with the participation in the Norwegian Shipping and Trade Mission , and received permission to use US $ 1 million to purchase aircraft . The idea to start an airline had occurred to Braathen in 1936 , when the ship Brajara had engine trouble while en route to Japan . The Japanese shipyards could not guarantee that they could repair the ship , and at first it was considered whether the ship should be towed to Europe for repairs . The solution chosen was instead to have the necessary piece made in Amsterdam and flown by KLM . Braathen wanted to have an airline that would be able to fly crew and supplies to his and other ships throughout the world — primarily in the Far East . Braathen traveled to the United States , where he bought several used Douglas C @-@ 54 ( DC @-@ 4 ) aircraft from the United States Air Force . These were rebuilt by Texas Maintenance Company ( Temco ) in Fort Worth , Texas , giving them a capacity of 44 passengers , or 22 passengers and 4 tonnes ( 3 @.@ 9 long tons ; 4 @.@ 4 short tons ) of cargo . Twenty pilots were recruited and sent to Fort Worth for certification . The first plane , LN @-@ HAV Norse Explorer , landed at Oslo Airport , Gardermoen on 26 December 1946 . The next planes were LN @-@ HAT Norse Skyfarer on 11 February 1947 and LN @-@ NAU Norse Trader on 13 March . The first route ran from Oslo to Cairo via Copenhagen and Paris on 30 January 1947 . Afterwards , the company was chartered for several trips from Paris and Marseille , France , to Lydda , Palestine , and Tunis , Tunisia . From Lydda , the aircraft were used to evacuate French and British personnel prior to the creation of Israel . The company 's route to Hong Kong was the longest air route in the world . At the time , the only scheduled service to the Far East was operated by British Overseas Airways Corporation using Sandringham flying boats . This route took a fortnight , while KLM had a land @-@ plane route from Amsterdam to Batavia ( Djarkarta ) . The first Braathens SAFE flight was made on 24 February from Oslo , landing at Amsterdam , Marseille , Cairo , Basra , Karachi , Culcutta and Bangkok before Hong Kong , where Norske Skyfarer landed on 8 March . Total flight time was 46 hours . Along the route , Braathens SAFE established contracts with agents , or stationed their own employees . The regular services could be done with a round trip time of nine to ten days , including overnighting in Cairo , Karachi and Bangkok , and with technical revision of the plane in Hong Kong . At first there were semiweekly services , but by the end of 1947 , these had increased to weekly . In June , Braathens SAFE bought a Douglas DC @-@ 3 , LN @-@ PAS Norse Carrier , and in August another DC @-@ 4 , LN @-@ PAW Norse Commander , both from KLM . In 1947 , Braathens SAFE flew twenty @-@ five trips to Hong Kong , five to New York and one to Johannesburg , South Africa , making a profit of NOK 750 @,@ 000 . The following year , Braathens SAFE started the first trial flights to South America . The first flight was made on 23 August from Stavanger via Reykjavík , Gander and Bermuda to Caracas , where the plane landed on 26 August . In October , the airline flew to Panama , but neither route gave sufficient contracts to commence regular services . In 1948 , the airline made fifty trips to Hong Kong , eight to Johannesburg , two to the United States , three to Venezuela and two to Panama . = = Concession = = During World War II , the civil aviation planning was conducted by the Aviation Council . In 1945 , they started a limited number of flights that were operated by the Royal Norwegian Air Force . On 2 July 1946 , the Norwegian Ministry of Transport and Communications , several large shipping companies and other private investors reestablished Det Norske Luftfartselskap ( DNL ) , with the state owning 20 % and the shipping companies 49 % . This airline was granted a 20 @-@ year monopoly on domestic and international flights . According to the concession , only routes that DNL were not willing to fly themselves , could be granted to other airlines . By 1948 , Braathens SAFE 's routes were so regular that several countries stated that a bilateral agreement would have to be negotiated for them to continue . However , the concession that had been granted to DNL did not allow Braathens to fly any scheduled flights . Braathens SAFE applied for fifteen @-@ year concession on 5 February 1948 ; Minister of Transport Nils Langhelle from the Labor Party knew that he would be violating DNL 's concession by granting Braathens SAFE a concession , but at the same time he was worried that Braathens SAFE could easily flag out to another country , from which DNL would receive no protection . The exception in DNL 's concession could not be used , since DNL declared that they , through the Scandinavian cooperation Scandinavian Airlines System ( SAS ) , were planning to start a route to the far east . The Directorate for Civil Aviation stated that it was unlikely that DNL / SAS would start such a route within a few years , and recommended Langhelle that Braathens SAFE be granted the route . Concession was granted by the Norwegian Parliament on 3 February 1949 , with a duration of five years . The airline had to follow the route Oslo or Stavanger – Amsterdam – Geneva – Rome – Cairo – Basra – Karachi – Bombay – Calcutta – Bangkok – Hong Kong . The concession was made conditional that Braathens SAFE built a technical base at Stavanger Airport , Sola . The Hong Kong @-@ route was officially opened on 5 August 1949 . Braathens SAFE had then moved its operative base from Gardermoen to Oslo Airport , Fornebu . The company stationed technical employees in Rome , Karachi , Bangkok and Hong Kong , as well as having an agreement with KLM . The planes would stop each night and crew and passengers would stay at a hotel . Cabin crew had no training , and learned the job as they worked . Chicken was the most common lunch meal , and the cabin crew had to purchase this fresh each day , usually observing the slaughter to ensure its freshness . In 1949 , sixty @-@ seven flights were made to Hong Kong , as well as two to Tokyo , to Venezuela and one to Johannesburg . In 1950 , it became increasingly clear that the SAS @-@ cooperation was weak , and that either a full merger or a discontinuation of the cooperation would be necessary . Braathen suggested to the government that DNL , Fred . Olsen Airtransport and Braathens SAFE should merge to create a new domestic airline , but this proposal was rejected by both DNL and Fred . Olsen . In 1949 , the Swedish branch of SAS , Aerotransport ( ABA ) , and the Danish branch , Det Danske Luftfartselskab ( DDL ) started a joint route to the Far East . For a merger to be completed , Danish and Swedish authorities required that SAS be granted all international routes from Norway , meaning that Braathens SAFE would lose its concession from 1 March 1954 . The SAS merger was completed on 8 August 1951 . Braathens SAFE applied for a concession on a route from Norway to New York on 27 March 1950 . This would allow the airline to connect the route to the Hong Kong @-@ flights , giving one continual service . The proposal would involve the purchase of Douglas DC @-@ 6B or Lockheed L @-@ 1049 Super Constellation aircraft . The proposal was rejected by the government on 19 April . The following year , Braathens SAFE applied to extend the route to Tokyo , but this was also rejected by the government . In 1951 , the company applied to purchase two Super Constellations to replace two sold DC @-@ 4s , which was granted , and on 14 January 1953 for an extension of the concession for another ten years . On 13 November 1953 , the government rejected the concession application , stating that Norway was bound to grant the concession to SAS on the basis of the merger agreement . = = = Icelandic cooperation = = = In 1952 , the Icelandic airline Loftleidir was granted the concession to fly from Keflavík Airport outside Reykjavík to New York and Chicago in the United States , and to Oslo , Copenhagen and London . The company established a hub at Keflavík . Braathens SAFE and Loftleidir made an agreement where Braathens SAFE would lease personnel and mechanical services to Loftleidir , and the two would split profits from the joint venture evenly . This allowed the two airlines to have a continual route between Hong Kong and New York as long as Braathens SAFE 's concession lasted . In 1954 , another DC @-@ 4 , LN @-@ HHK , was bought . This aircraft was sold to Loftleidir the following year . In 1956 , another DC @-@ 4 , LN @-@ SUP , was bought , and used for charter and by Loftleidir . In 1959 and 1960 , Loftleidir received two new Douglas DC @-@ 6B aircraft , with a five @-@ year mechanical agreement with Braathens SAFE . In 1960 , the two companies agreed to terminate the cooperation from 1 January 1961 . = = Domestic with Herons = = From 1950 , Braathens SAFE started flying charter services to Europe with Douglas DC @-@ 6 , mainly to Copenhagen and Paris . DNL protested because Braathens SAFE was charging too low ticket prices , while DDL protested against the flights to Copenhagen . In September 1951 , Braathens SAFE offered Danish authorities to fly all domestic routes without subsidies , but this was rejected because such a permit could only be issued to Danish airlines . After World War II , only Fornebu , Stavanger Airport , Sola and Kristiansand Airport , Kjevik were in use as land airport . A plan for construction was passed by parliament in 1952 , that based the financing of airports as joint civilian and military airports , with funding from NATO . In 1951 , Braathens SAFE applied for concession for a route from Oslo to Bodø via Trondheim without subsidies . They also stated that they were willing to fly all domestic routes without subsidies , granted that they were awarded all routes . This was based on the acquisition of de Havilland Heron aircraft , which could use shorter runways and has a capacity of 15 people . SAS was granted the concession to Bodø and Trondheim , but the Ministry of Transport issued a concession to Braathens SAFE on the route from Oslo via Tønsberg Airport , Jarlsberg to Stavanger . The plane started in Stavanger in the morning , and operated the opposite direction of SAS ' route from Oslo to Stavanger , which continued onwards to London . The first flight was made on 3 May 1952 , with the Heron LN @-@ PSG Per . From 7 to 14 May , the plane went on a tour of the country , visiting several airports . Regular services started on 18 August and a one @-@ way ticket cost NOK 95 . On 30 January 1953 , Braathens SAFE applied to start a route from Oslo to Trondheim Airport , Lade . A trial permit was granted , and the first flight was made on 18 August . Because Lade had a grass runway , Trondheim Airport , Værnes was used during bad weather . SAS flew a morning flight from Oslo , while Braathens flew the morning route from Trondheim . In 1953 , Braathens SAFE stated that to keep their 210 employees and fleet of one DC @-@ 4 , one DC @-@ 3 and two Herons , they would have to receive future domestic services , to compensate for more than 90 % of their revenue disappearing with the loss of the Far East route . In 1953 , Braathens SAFE applied to fly five routes : Bardufoss – Alta – Kirkenes ; Stavanger – Bergen – Trondheim ( both with Herons ) ; Tromsø – Alta – Hammerfest ; Bodø – Harstad ; and Bodø – Harstad – Tromsø ( all with de Havilland Canada DHC @-@ 3 Otters ) . The five routes would require NOK 725 @,@ 000 in annual subsidies . The concessions were granted to DNL , who allowed their partially owned subsidiary Widerøe to fly the sea routes . Braathens bought six Herons , in addition to one that was leased during 1954 . They had been given the common Norwegian names Per , Ola , Pål and Lars . Because of replacements , the airline never operated more than four at a time . In June 1955 , Braathens SAFE started landing some of the Oslo – Stavanger planes at Kristiansand Airport , Kjevik and Farsund Airport , Lista . The route , nicknamed the " Milk Route " , operated Stavanger – Farsund – Kristiansand – Tønsberg – Oslo in the morning , with a return in the evening . The same year , SAS and Braathens SAFE started negotiating splitting up the domestic routes . Nils Langhelle , then regional director in SAS , suggested creating a merged subsidiary that could fly all domestic routes . On 16 May 1956 , Braathens SAFE started landing at Hamar Airport , Stafsberg on the Oslo – Trondheim route , and at Notodden Airport , Tuven on the Oslo – Stavanger route . Both airports had 1 @,@ 000 metres ( 3 @,@ 300 ft ) runways that could only be served by small aircraft such as the Heron . From 1959 , services to both airports were terminated . Røros Airport was opened on 19 July 1957 , and Braathens SAFE landed some of the Oslo – Trondheim services there . After 1958 , services were terminated , but after the runway was extended from 1 @,@ 360 to 1 @,@ 600 metres ( 4 @,@ 460 to 5 @,@ 250 ft ) , it was taken into use again in 1963 . The route Stavanger – Bergen – Trondheim was awarded to Vestlandske Luftfartsselskap in 1956 , but this company filed for bankruptcy the following year . Ålesund Airport , Vigra was scheduled to open in 1958 , and both Braathens SAFE and SAS applied for the concession , along with the route along the West Coast . At first the ministry wanted to issue the concession on the route Stavanger – Bergen – Ålesund – Trondheim to Braathens SAFE and the route Ålesund – Oslo to SAS . But after negotiations , Braathens SAFE stated they were willing to fly the coastal route without subsidies if they were granted the Oslo @-@ route , since that would allow them to cross @-@ subsidize ; this was granted by the ministry . An agreement was then made between the ministry , SAS and Braathens SAFE , where both airlines would fly the routes Oslo – Trondheim , Oslo – Stavanger , Oslo – Kristiansand and Kristiansand – Stavanger – Bergen ; Braathens SAFE had a monopoly on the routes Oslo – Ålesund and Bergen – Ålesund – Trondheim , while SAS was granted a monopoly on the routes Oslo – Bergen and ( Oslo ) – Trondheim – Bodø – Bardufoss . In 1958 , Braathens SAFE had 77 @,@ 591 passengers . = = = Hummelfjell Accident = = = On 7 November 1956 , the Heron LN @-@ SUR Lars crashed at Hummelfjell after the aircraft had experienced icing problems . The Hummelfjell Accident killed the pilot and one passenger , but the remaining ten people on board survived . Among them was the famous television actor Rolf Kirkvaag , who , despite injury , succeeded at walking to civilization to inform about the accident . = = Friendship = = During the late 1950s , Braathens SAFE started looking for a replacement for the aging DC @-@ 3s and Herons . An order was placed with Fokker for the delivery of their new Fokker F @-@ 27 Friendship , a two @-@ engine turboprop with cabin pressurization . Braathens SAFE was the second airline to receive the plane , after Aer Lingus . The first craft , LN @-@ SUN , was delivered in December 1958 , with the second , LN @-@ SUO , delivered the following year . They were put into service on the main routes : once daily Oslo – Trondheim , once daily Oslo – Ålesund , twice daily Oslo – Stavanger , including one stopping at Kristiansand , and one trip daily Bergen – Ålesund – Trondheim . The delivery of the Friendships made the Herons unnecessary , and these were sold . The two DC @-@ 3s were kept as a reserve , and were used for the first part of the summer schedules because of late delivery of LN @-@ SUO . They were also used for charter . The airports at Hamar , Farsund and Tønsberg had too short runways for the Friendship , and these destinations were terminated . The first flight to the winter @-@ only airport at Longyearbyen on Svalbard was made on 2 April 1959 , when Store Norske Spitsbergen Kulkompani chartered a DC @-@ 4 from Bardufoss Airport . Store Norske cleared a 1 @,@ 800 by 40 metres ( 5 @,@ 910 by 130 ft ) runway on snow for the aircraft . More flights were chartered during the 1960s , and Longyearbyen became a regular charter destination for Braathens SAFE . From 3 June to 30 September 1960 , Braathens SAFE was granted concession on the route from Oslo via Sandefjord Airport , Torp to Aalborg Airport in Denmark . This became possible because SAS had abandoned the route the previous year . It was flown with a DC @-@ 3 , giving an 80 % load factor . On 22 July , the Braathens SAFE applied for a three @-@ year concession , but this was rejected because SAS stated that they would restart the route . In 1961 , SAS started the route Stavanger – Kristiansand – Ålborg , and in 1963 on the route Oslo – Kristiansand – Ålborg . The concession allowed SAS to also take passengers on the domestic legs , giving Braathens SAFE competition on the routes to Kristiansand . Passengers traveling from Western to Northern Norway had to transfer from Braathens SAFE to SAS in Trondheim . Both airlines saw this as a strategic opportunity to get routes in each other 's territories . On 31 August 1960 , Braathens SAFE applied for an extension of its Bergen – Ålesund – Trondheim route onwards to Bodø Airport and Bardufoss Airport . The two airports had been served by SAS from Oslo via Trondheim . SAS presented estimates that between 2 @.@ 5 and 6 @.@ 1 passengers transferred at Trondheim each day . Braathens SAFE later proposed that they could fly directly from Bergen and Ålesund to Bodø and Bardufoss , but Braathens SAFE 's application was rejected by the ministry . All concessions ended on 31 March 1961 , and the ministry extended them all one year . Three new airports , Alta Airport , Lakselv Airport , Banak and Kirkenes Airport , Høybuktmoen , were about to open and the ministry wanted to award new concessions that included these airports . Braathens SAFE applied to operate to all the airports in Northern Norway , but the contract was awarded to SAS . The latter also applied to operate a route from Northern Norway via Trondheim , Ålesund and Bergen to Stavanger , while Braathens SAFE in 1964 again applied for an extension of the West Coast route to Northern Norway . This was moderated to a direct route from Tromsø Airport to Bergen , which SAS received permission for on 4 March 1965 . An additional F @-@ 27s was delivered in 1961 , and two more in 1962 . By then , the Oslo – Stavanger route was expanded to four daily round trips , of which two went via Kristiansand . Ålesund had two round trips , while Trondheim had one . The coastal route had two services , and was branded as the " Airbus " . In all , 175 @,@ 202 passengers were transported , up 40 % since the previous year . By 1965 , the Trondheim , Ålesund and coast routes had three round trips , while there were four to Kristiansand and five to Stavanger . That year , the right @-@ winged Borten 's Cabinet was appointed ; Braathens SAFE therefore again applied for an extension of the West Coast route to Tromsø and Bodø . When the government signaled that it would support the application , it caused a major debate , particularly in Denmark and Sweden , and the Danish and Swedish governments threatened to terminate the SAS agreement . On 25 November 1966 , with 82 against 62 votes , the Norwegian Parliament voted to allow Braathens SAFE to fly to Bodø and Tromsø as an extension of the West Coast route from 1 April 1967 . On 3 March 1967 , parliament decided to build four short take @-@ off and landing airports along the Helgeland coast between Trondheim and Bodø . Braathens placed an order for a de Havilland Canada DHC @-@ 6 Twin Otter and planned to start the company Braathens STOL . It applied to operate the route without subsidies , but the concession was rejected and granted with subsidies to Widerøe , which had been operating the routes using seaplanes . = = Charter = = During the 1950s , the main customers for charter flights had been Norwegian shipping companies , who flew their crew home from ports in Central Europe . In 1959 , Saga Tours was created as the first travel agency for Mediterranean charter trips , and the company started a cooperation with Braathens SAFE . The first DC @-@ 4 flew to Mallorca that year . In 1961 , the company 's first Douglas DC @-@ 6B was bought . It had a capacity of 96 passengers , and cooperation was also started with Metro and Paddan in Gothenburg . Other charter destinations were London , Alicante and Málaga , both in Spain . That year , Braathens SAFE bought 50 % of Saga Tours in a private placement . Braathens SAFE established an office in Gothenburg in 1965 . After Vingresor had been bought by SAS and moved to Stockholm three years later , three employees started Atlas Resor in Gothenburg , and started using Braathens SAFE as their airline . By 1966 , Braathens SAFE was operating seven DC @-@ 6s . The agreements with Spanish authorities allowed only airlines from the country of origin or from Spain to fly charter flights . But because of the SAS @-@ cooperation , an agreement was made where any Scandinavian airline could fly to Spain from any of the three Scandinavian countries . Domestically , Braathens SAFE received strong competition from Sterling Airways , but on the other hand this allowed Braathens SAFE to fly charter flights from Sweden . In 1968 , the large Swedish – Danish charter airline Internord went bankrupt , giving Braathens SAFE increased charter traffic . The company also started purchasing a larger share of Altas Resor , until it took over all the whole company in 1978 . In Sweden , Braathens SAFE used its partners to sell charter flights to Norway , and then continue their flights using scheduled flights . Braathens SAFE was hindered by the charter regulations from making intercontinental flights , as well as flights between the Scandinavian capitals . The rules also forced business travelers to use scheduled flights . = = Into the Jet Age = = In 1965 , Braathens SAFE placed an order for three Boeing 737 @-@ 200s , costing a total ofNOK 100 million . They were intended to do the main haul of the charter market . There had been an internal struggle as to whether the company should purchase the Fokker F @-@ 28 Fellowship or the Boeing 737 @-@ 100 , a shorter version of the 737 @-@ 200 . Having a single plane type would give a single pool of pilot and mechanic certifications , and would have saved the company NOK millions in costs . Following the decision to purchase the F @-@ 28 , Bjørn G. Braathen , son of Ludvig G. and later CEO , left the company . By 1966 , Braathens SAFE had sold all its DC @-@ 4s , and had purchased eight F @-@ 27s . The DC @-@ 6s were used exclusively for charter , with all domestic flights being flown with the F @-@ 27s . The same year , the booking system was centralized and moved to offices in Oslo . The company established sales offices in Bodø and Tromsø on 1 March 1967 . A new cargo department was opened at Oslo Airport on 29 September . Braathens SAFE applied in a joint venture with the Norwegian America Line to start a cargo flight to the United States and the Far East , but this was declined by the ministry . From 1967 , also DC @-@ 6s were used on domestic routes . In August , it was announced that Braathens SAFE would replace the F @-@ 27s with six new Fokker F @-@ 28 , and that the F @-@ 27s would be sold to the manufacturer . Later , the number of orders of 737s was reduced to two , and of F @-@ 28s to five . The Fellowships cost NOK 40 million each . The first 737 , LN @-@ SUS , landed in Oslo on 8 January 1969 , followed by LN @-@ SUP on 31 January . Braathens SAFE was the launch customer of the F @-@ 28 , and the first plane landed in Oslo on 3 March . Five F @-@ 28s were delivered in the course of a year , in addition to one aircraft that was leased periodically until 1971 . There were several technical problems due to having the earliest models of the F @-@ 28 , causing some operational difficulties . Two DC @-@ 6s were sold , and all but three of the F @-@ 27s were sold to Fokker between October 1968 and May 1969 . Along with the aircraft came a new simulator , and the simulator division was moved from Sola to Fornebu . On 27 February 1970 , the company took into use an IT @-@ system , based at Sola . With the delivery of the Boeing 737 @-@ 200s , Braathens SAFE started using these aircraft on the long @-@ haul charter flights . By 1977 , there were nine international charter airlines competing with Braathens SAFE : Aviaco , Britannia Airways , Dan @-@ Air , Linjeflyg , Maersk Air , Scanair ( owned by SAS ) , Spantax , Sterling and Transair . In 1976 , good exchange rates gave a peak of flights to London , with eleven weekly flights across the North Sea . Braathens SAFE also started flying for Vingresor . In 1976 , 44 % of the company 's revenue was from charter , but by 1979 it had dropped to 36 % . During this period , about half of the planes ' flying time was related to charter . = = More airports = = Prior to the opening of Kristiansund Airport , Kvernberget , Braathens SAFE applied for a concession to fly to it along the West Coast , as well as the direct route from Oslo . SAS applied to fly the Oslo @-@ service . The ministry wanted Braathens SAFE to fly the route with a concession granted to SAS , but Braathens SAFE rejected this . Instead , they were granted both the routes on temporary basis . The new airport received three daily flights to Oslo , of which two went via Ålesund , and four services on the West Coast route . At the same time , there was a discussion about who was to operate the new STOL @-@ airports on the West Coast . Braathens SAFE stated that they wanted a local airline to do the flying , and chose not to apply . The concession was granted to Widerøe , and Braathens SAFE subsequently bought part of the airline . On 5 April 1972 , Molde Airport , Årø opened . Unlike other primary airports , it had been built and financed by the municipality , and did not become state @-@ owned until 1978 . Braathens SAFE started flying both to Oslo and along the West Coast from Molde . The same year , the airline for the first time exceeded one million domestic passengers . It also started with five weekly cargo flights with flowers from Genova , Italy . The following year , the last DC @-@ 6 was sold , after the type had been phased out since 1969 . The same year , the government appointed a commission , led by Bue Fjermeros , to look into the organization of the domestic air routes . Since the last compromise in splitting routes , the traffic had increased more in Braathens SAFE 's domain that SAS ' . The commission also looked a to whom the two next airports that would be opened , Haugesund Airport , Karmøy and Harstad / Narvik Airport , Evenes , would be given . Neither company wanted to cooperate beyond the existing arrangement of coordinating their routes time @-@ wise , along with those of Widerøe . In addition , Braathens SAFE bought handling services from SAS at Gardermoen , Bergen , Bodø and Tromsø , while SAS bought handling services from Braathens SAFE at Stavanger . The commission granted SAS the rights to fly from Oslo to Haugesund , Harstad / Narvik and the new airport Svalbard Airport , Longyear . Braathens SAFE was allowed to fly from Bergen to Northern Norway via Ålesund , Molde and Kristiansund . SAS lost the right to fly directly from Bergen to Northern Norway . When the matter was passed by parliament , they also granted SAS the right to fly from Oslo to Stavanger , even if their planes did not continue abroad . = = = Flight 239 = = = On 23 December 1972 at 16 : 30 , the company 's most fatal accident occurred . F @-@ 28 LN @-@ SUY Sverre Sigurdson on Flight 239 from Ålesund to Oslo crashed at Asker , killing 40 of the 45 people on board , including the crew of three . The cause of the accident was never discovered , although a possibility could have been faults with the instrument landing system . = = Times of change = = Following the steep increase of oil prices in 1973 , Braathens SAFE increased the ticket prices with about 30 % , giving for the first year a reduction in the number of travelers . The IT @-@ system Bracar was introduced on 4 February 1974 , connecting all locations with 53 terminals , rationalizing 20 man @-@ years . In 1974 , Annæus Schjødt jr. became chair , and the following year , the employees were represented with two board members . The remaining three F @-@ 27s were sold to the Braathens Rederi @-@ owned Busy Bee between 1975 and 1977 . From 1 January 1976 , Braathens SAFE introduced " Green Routes " , where passengers were granted 35 % discount if they traveled on Saturdays or Sunday morning , booked a round trip and were away for at least a full week or over a weekend . From 1972 to 1976 , the company 's revenue doubled , to NOK 500 million , while production increased 18 % . The main contributing factor was the increase of labor costs , that had almost doubled in the four years , although also higher fuel prices and taxes contributed . In 1976 , the airline transported 1 @,@ 154 @,@ 000 scheduled and 485 @,@ 000 chartered passengers . Braathens SAFE had a 37 % scheduled market share and 31 % share of the charter flights . The largest traffic increases were in Stavanger , Bergen and Trondheim . During the late 1970s , Braathens SAFE increased the number of direct flights between these cities , without increasing the number of landings in Ålesund and Kristiansand . From 1 April 1977 , the airline lost its dispensation to operate with reduced cabin crew , and was forced to increase the number on the F @-@ 28 from one to two , and on the 737 from two to three . At the same time , the airline introduced in @-@ flight meals . Ludvig G. Braathen died on 27 December 1976 while he was still CEO . He was succeeded by his son Bjørn G. Braathen , who had returned to the company a few years earlier . In 1977 , Braathens SAFE made NOK 10 million in profit on the Trondheim route and NOK 4 million on the routes from Oslo to Kristiansand and Stavanger . At the same time , the airline lost NOK 6 million on the routes to from Oslo to Ålesund , Molde and Kristiansund , and NOK 18 million on the coastal routes between Stavanger and Tromsø . From 1 October 1978 , the company also introduced 50 % youth discount for people under 26 years . From 1 May 1978 , there was introduced a NOK 100 tax on international charter flights . The same year , Braathens SAFE bought 15 % of Bergenske Dampskibsselskab , that owned 51 % of the travel agency Bennett Reisebureau . This was to try to secure influence over the chain , that was also owned 31 % by SAS . A new , neutral ticketing system , SMART , was introduced in 1980 for all travel agents in Norway and Sweden . Following this , Braathens SAFE sold its stake in Bergenske with a profit . Starting with the delivery of the F @-@ 28s and 737s , all planes were named after Norwegian kings . The last three F @-@ 27s were also given such names . During the 1970s , Braathens SAFE took delivery of eleven 737s , supplementing the four F @-@ 28s . The third delivered , LN @-@ SUA , had a cargo door on the side , making it ideal for cargo flights . The three planes delivered in 1979 had extended range tanks making direct flights to the Canary Islands possible . In 1979 , the company started looking into possible replacements for their fleet , considering larger aircraft . The late 1970s and early 1980s was a time of economic problems for airlines worldwide . Passenger numbers stabilized , and Braathens SAFE introduced a 15 % discount to purchasers of 100 tickets at one time . The company hit NOK 1 billion in revenue in 1981 . Discounted tickets were not sufficient to cover the increasing costs , particularly related to fuel , and the company introduced the internal campaign Bra @-@ 82 . This involved a more market @-@ oriented management and a focus on service increase , including better regularity and free coffee . During the summer , the reduced demand made the airline introduce discounted " summer tickets " for NOK 280 on any route in Southern Norway . This gave a 75 % load factor , the highest for the whole year . In 1982 , Braathens SAFE bought 15 % of DNL . It also applied , though the sister company Braathens Helikopter , for concessions for helicopter services from Stavanger to offshore oil platforms . As a reaction , the incumbent , Helikopter Service , applied for Braathens SAFEs West Coast routes . At this point , SAS bought 15 % of Helikopter Service . In 1984 , Braathens SAFE introduced services to Farsund Airport , using wet leased F @-@ 27s from Busy Bee . The same arrangement was used to connect Haugesund to Bergen and Stavanger . In Haugesund , this was in competition with Norving . Busy Bee @-@ operated planes were also used on routes from Sandefjord in competition with Norsk Flytjeneste . The same year , the cabin crew had a 14 @-@ day strike , halting all flights . It was caused by the company paying lower wages than SAS and Busy Bee . In 1985 , a new booking system was introduced , that allowed overbooking . This gave increased revenue , but the company had to start compensating rejected passengers with a full refund and a free seat on the next flight . On 16 December 1985 , the airline 's administration moved into the a new building , the Diamond , located at Fornebu . The frequent flyer program Bracard was launched in September 1985 . It was a cooperation with Inter Nor Hotels , and gave special privileges to travelers that made 25 full @-@ price trips per year with Braathens . = = New Boeings = = In 1980 , the management of Braathens SAFE decided that it needed larger aircraft if the company was to stay competitive on charter flights . Larger aircraft could be put into service on the main services from Oslo , Gothenburg and Stockholm , while the 737s could be used to smaller destination and from other cities . On 25 February 1980 , the company announced that it had ordered two Boeing 767 @-@ 200 planes , with an option for two addition craft . The cost of the two firm orders was about NOK 500 million . This would allow the aircraft to be used for both domestic scheduled flights and for charter , and was configured with 242 seats . This was less than charter @-@ only airlines , for instance Britannia had their planes configured with 273 seats . Braathens SAFE 's planes were delivered on 23 March and in November 1984 . The following year showed increasing charter traffic , although it only made up 25 % of the company 's revenue . The company had considered the smaller Boeing 757 , but did not have sufficient range . Also the Airbus A310 was close to being chosen . The 767s were launched as " First Business Class " to charter travelers , but the business model was not successful . The new consumer groups entering the market had low willingness to pay , and the demand for premium charter services was low . The company was faced with not being able to charter out the plane because of the low seat numbers , but could not put in the extra seats because of the aircraft also being used on the scheduled market . Using so large aircraft on the short @-@ haul flights in Southern Norway gave little economy @-@ of @-@ scale , and the airline seldom needed the increased capacity . Braathens SAFE also had problems , because from order to delivery , the exchange rates had increased from 5 to 9 NOK per USD , almost doubling the price in NOK . In 1986 , the two 767s where sold . Two years later , Altas Resor was sold , and the following year Saga . Braathens SAFE closed its bases in Gothenburg and Stockholm , but remained a charter operator with 737s from Norway . Following the decision to sell the two 767s , management also decided to sell the four remaining F @-@ 28s . This would allow Braathens to operate a fleet of pure 737 @-@ 200 , giving lower operating costs . One 737 was taken out of service in 1984 , and the four F @-@ 28s sold in 1986 . The same year , seven more 737 @-@ 200s were delivered , along with two more in 1987 and 1988 . By then , Braathens SAFEs entire fleet consisted of nineteen 737 @-@ 200s . At the same time , Boeing had launched the 737 @-@ 300 , a slightly larger aircraft with new CFM @-@ 56 engines . Braathens SAFE considered the new aircraft , but where concerned that it used a traditional mechanical cockpit . The airline also needed larger aircraft for the charter traffic , and smaller aircraft for the domestic routes . The airline also considered the McDonnell Douglas MD @-@ 80 and the Airbus A320 , but settled on the 737 following the announcement of the stretched 737 @-@ 400 , with 156 seats , and the shortened 737 @-@ 500 , with 124 seats . These had glass cockpits , and Braathens SAFE would be among the first airlines to receive both models . To finance the purchase , the airline sold all but two of the 737 @-@ 200s and leased them back . For some of the aircraft , they received more money than they had paid . = = = Hijacking = = = On 21 June 1985 , the 737 @-@ 200 LN @-@ SUG Harald Gille , with 121 passengers en route from Trondheim to Oslo , was hijacked by the 24 @-@ year @-@ old Stein Arvid Huseby . He had threatened a flight attendant with an air gun . He demanded to talk to Prime Minister Kåre Willoch and Minister of Justice Mona Røkke and a press conference to make a political statement . His demands were not met , and he surrendered while the plane was parked in Oslo . This was the first hijacking in Norway . = = Competition and new planes = = The F @-@ 28s had the largest regularity problems , mostly due to the number of landings , which could count up to 16 per day . For instance , LN @-@ SUO flew 36 @,@ 000 hours with 76 @,@ 000 landings . The last flight was made on 16 December 1986 , and the aircraft sold for NOK 45 million each . Although the F @-@ 28 was taken out of service , some of the routes on the West Coast needed to be operated with smaller aircraft than the 737 . The company made an agreement to wet lease Busy Bee F @-@ 27s one some of the routes , while the most trafficked ones would be taken over by 737s . A 1985 government committee , led by State Secretary Per Arne Watle , recommended that more route be flown by both Braathens SAFE and SAS , and that additional airlines be allowed to start other routes . On 5 September 1985 , Braathens SAFE applied for the route Trondheim – Bodø – Harstad / Narvik – Tromsø and Tromsø – Longyearbyen . SAS had stated that it was fine with them if other airlines started flying international routes they did not , and on 17 October Braathens SAFE also applied for the routes Bergen – Stavanger – Paris , Bergen – Stavanger – Manchester , Oslo – Stavanger – Brussels and Trondheim – Bergen – Newcastle . The applications were rejected and it was agreed upon that SAS would retain all rights to fly internationally between Oslo , Bergen , Stavanger , Gothenburg , Stockholm , Copenhagen and Århus . A new round of concession applications were filed in 1987 : Trondheim to Northern Norway , Tromsø – Longyearbyen , Oslo – Billund and Oslo – Alicante . The right @-@ winged Willoch 's Second Cabinet decided to use three principles in issuing new concessions : keeping the array of local routes , granting concessions on the terms that the airlines would continue to cross @-@ subsidize routes , and to introduce competition on the largest routes . Braathens SAFE was given permission to fly Oslo – Bergen and Western Norway – Trondheim – Bodø – Tromsø , plus once daily Oslo – Trondheim – Bodø , as well as Tromsø – Longyearbyen . At the same time , SAS was allowed to fly freely on the routes Oslo – Trondheim and Oslo – Stavanger . In 1988 , Braathens SAFE introduced automatic check @-@ in machines in Oslo , Stavanger , Bergen , Ålesund and Trondheim . The first 737 @-@ 400 , LN @-@ BRA , was delivered to the airline on 9 July 1989 . The 19 737 @-@ 200s were gradually handed to their owners , while seven 737 @-@ 400s and seventeen 737 @-@ 500s were delivered until 1994 . The investment cost NOK 4 @.@ 5 billion . By the end of 1993 , the company had NOK 3 @.@ 4 billion in debt . On 1 June 1989 , Erik G. Braathen , son of Bjørn G. , took over as CEO at the age of 34 . In 1992 , Busy Bee filed for bankruptcy ; the company 's fleet of three Fokker 50s were transferred to the newly established Norwegian Air Shuttle , which started wet @-@ leased operations along the West Coast for Braathens SAFE . As demand increased through the 1990s , the fleet was extended to six aircraft . = = International routes = = Braathens SAFE was also given the right to fly its first international scheduled flights for the first time in several decades . On 19 August 1988 , the airline was granted concession to fly to Billund in Denmark . At the same time , Air @-@ X was granted concession to fly the route via Sandefjord and Skien . The route started on 2 May 1989 . Previously the rules stated that if SAS flew to a non @-@ Scandinavian destination from any capital , no other Scandinavian airlines could fly to that city . Braathens SAFE lost many contracts in the charter market in 1990 , following Scanair 's purchase of larger Douglas DC @-@ 10 aircraft . On 18 May 1990 , Braathens SAFE was awarded the concession a route from Oslo , Bergen and Stavanger to Newcastle , which opened on 3 April 1991 . The airline was also awarded the route from Tromsø to Murmansk , Russia , once per week from 28 January 1993 . On 19 June 1990 , SAS announced that all its services to London Gatwick Airport would be moved to London Heathrow Airport , where most of its services had landed . The same day , the Ministry of Transport announced that any Scandinavian airline could apply for and receive concessions to fly to Gatwick . On 25 June , Braathens SAFE applied to fly to London , but instead wanted to fly to London Stansted Airport , to have better landing slots . The concession was granted on 18 January 1991 , but the airline chose to not start the route . The company had been granted a concession to Malmø in Sweden , and the route opened on 2 May 1991 with two daily departures . This was later reduced to one . In October 1992 , the two airlines that flew from Oslo to Gatwick , Norway Airlines and Dan @-@ Air , filed for bankcruptcy . Braathens SAFE immediately decided to start the route , with a departure at about 10 : 30 that would allow connections to the rest of the domestic network . Six days later , the first schedules were published in the newspaper , slots and British permission was granted three days after that . Another two days after that , the service started . At the time , Denmark was a member of the European Union ( EU ) , while Sweden and Norway had applied and were awaiting referenda to determine membership . EU was working to deregulate the airline market from 1995 , which could cause problems for the Scandinavian agreements . In preparation for this , Braathens SAFE started negotiations with Linjeflyg of Sweden and Maersk Air of Denmark to crate an alliance to compete with SAS . In particular , the three airlines wanted to capture the two million passengers that travelled between the three Scandinavian capitals : Oslo , Copenhagen and Stockholm . Instead , SAS was given permission to purchase Linjeflyg in exchange for the Swedish airline market being deregulated from 1 July 1992 . From 23 October 1992 , the Norwegian Armed Forces stopped chartering aircraft and started using scheduled flights to fly 240 @,@ 000 personnel annually . Since most of the transport was between Northern and Southern Norway , this gave reduced revenue for Braathens SAFE . = = Helicopters = = On 1 September 1989 , Ludvig G. Braathens Rederi founded Braathens Helikopter . The shipping company had signed an agreement with the oil companies Norsk Hydro , Phillips Petroleum and Statoil to provide helicopter transport for their crews to their offshore oil installations Ekofisk , Oseberg , Gullfaks , Veslefrikk . This was the first time the incumbent Helikopter Service had received competition on their offshore helicopter services . The initial agreement secured Braathens Helikopter a revenue of NOK 800 million in the course of five years , and gave the company a 20 % market share . Four 19 @-@ seet Aérospatiale Super Puma helicopters were ordered , each costing NOK 60 million . Total investment costs were NOK 300 million . Two helicopters were stationed at Stavanger Airport , Sola and two at Bergen Airport , Flesland . The initial contract involved flying 10 @,@ 000 passengers per year . Twenty @-@ two pilots were hired along with a total staff of 70 , and services started on 1 September 1990 . In June 1991 , Braathens Helikopter signed a three @-@ year agreement with Amoco for flights from Stavanger to Valhall . The contract had an option for a two @-@ year extension . The revenue was between NOK 100 and 200 million , depending on the length of the contract and the capacity needed . Operations started in February 1992 , and involved the company purchasing another two Super Pumas . On 10 September , Braathens Helikopter was awarded the contract with British Petroleum for flights from Stavanger to Ula and Gyda . The contract gave a revenue of up to NOK 300 million in the course five years . Operations started on 1 November 1992 , and involved about 2 @,@ 000 hours of flying per year . With this contract , Braathens Helikopter had about a 30 % market share . Braathens purchased one more Super Puma as a consequence of the contract . After operations started , the company had grown to 120 employees and was the second @-@ largest helicopter operator in the country . Braathens Helikopter and Helikopter Service announced on 1 October 1993 that the two companies would merge from 1 January 1994 . Ludvig G. Braathens Rederi would be paid with NOK 225 million in Helikopter Service shares . The Norwegian Competition Authority stated they would have to look at the merger , since the new company would have an almost @-@ monopoly on offshore flights . However , the ministry stated that the authority could not hinder the merger , because by the time new contracts were awarded in 1995 , helicopter operators from foreign countries would also be allowed to bid . The ownership of Braathens Helikopter was transferred to Helikopter Service on 14 December . Ludvig G. Braathens Rederi received 14 % of the shares in the merged company . They were immediately sold , giving Ludvig G. Braathens Rederi a NOK 170 million profit on the five @-@ year venture .

= Gerard ( archbishop of York ) = Gerard ( died 21 May 1108 ) was Archbishop of York between 1100 and 1108 and Lord Chancellor of England from 1085 until 1092 . A Norman , he was a member of the cathedral clergy at Rouen before becoming a royal clerk under King William I of England and subsequently his son King William II Rufus . Gerard was appointed Lord Chancellor by William I , and he continued in that office under Rufus , who rewarded him with the Bishopric of Hereford in 1096 . Gerard may have been with the king 's hunting party when William II was killed , as he is known to have witnessed the first charter issued by the new king , Henry I of England , within days of William 's death . Soon after Henry 's coronation Gerard was appointed to the recently vacant see of York , and became embroiled in the long @-@ running dispute between York and the see of Canterbury concerning which archbishopric had primacy over England . Gerard managed to secure papal recognition of York 's claim to jurisdiction over the church in Scotland , but he was forced to agree to a compromise with his counterpart at Canterbury , Anselm , over Canterbury 's claims to authority over York , although it was not binding on his successors . In the Investiture Controversy between the king and the papacy over the right to appoint bishops , Gerard worked on reconciling the claims of the two parties ; the controversy was finally resolved in 1107 . Gerard was a patron of learning , to the extent that he urged at least one of his clergy to study Hebrew , a language not commonly studied at that time . He himself was a student of astrology , which led to suggestions that he was a magician and a sorcerer . Partly because of such rumours , and his unpopular attempts to reform his cathedral clergy , Gerard was denied a burial inside York Minster after his sudden death in 1108 . His successor as archbishop subsequently had Gerard 's remains moved into the cathedral church from their initial resting place beside the cathedral porch . = = Early life and career = = Gerard was the nephew of Walkelin , Bishop of Winchester , and Simon , Abbot of Ely . His parents were Osbert and Anna , and his brother Peter was also a royal clerk . Where he was born and raised is unknown ; he is documented as cantor of Rouen Cathedral , and precentor of the same cathedral , although the date of his appointment to either office is unrecorded . By 1091 he had become archdeacon of Rouen . He served in the royal chancery under successive kings of England , William I and William II . = = Bishop of Hereford = = Gerard was appointed Lord Chancellor of England in 1085 , and was present at William I 's deathbed in 1087 . He continued as Chancellor to William Rufus until 1092 ; what precipitated his loss of office is unclear . He retained the king 's trust , for Rufus employed him in 1095 along with William Warelwast on a diplomatic mission to Pope Urban II regarding Archbishop Anselm receiving the pallium , the sign of an archbishop 's authority . Rufus offered to recognise Urban as pope rather than the Antipope Clement III in return for Anselm 's deposition and the delivery of Anselm 's pallium into Rufus ' custody , to dispose of as he saw fit . The mission departed for Rome in February 1095 and returned by Whitsun with a papal legate , Walter the Cardinal Bishop of Albano , who had Anselm 's pallium . The legate secured Rufus ' recognition of Urban , but subsequently refused to consider Anselm 's deposition . Rufus resigned himself to Anselm 's position as archbishop , and at the king 's court at Windsor he consented to Anselm being given the pallium . Although not yet ordained , Gerard was rewarded with the Bishopric of Hereford , and he was consecrated by Archbishop Anselm on 8 June 1096 ; his ordination as a deacon and priest had taken place the previous day . He assisted at the consecration of St Paul 's Cathedral in London on 9 June 1096 . He may have been a member of the hunting party in the New Forest on 2 August 1100 when Rufus was killed , as he witnessed King Henry I 's coronation charter – now known as the Charter of Liberties – three days later at Winchester , close by the New Forest . Gerard was present at Henry 's coronation that same day , along with Maurice , Bishop of London . Henry was probably crowned by Maurice , but the medieval chronicler Walter Map states that Gerard crowned Henry in return for a promise of the first vacant archbishopric . Gerard may have assisted Maurice in the coronation ceremony . = = Archbishop = = Gerard became Archbishop of York in December 1100 . No source mentions him being invested by the king , but as Anselm urged Pope Paschal II to give Gerard his pallium , which he would have been unlikely to do if Gerard had been invested by Henry , that possibility seems remote . At Whitsun in 1101 King Henry I , with Anselm 's support , deprived Ranulf Flambard , Bishop of Durham , of the lands of the see of Durham , because Ranulf had defected to Henry 's elder brother Robert Curthose , who also claimed the English throne . Gerard then deposed Ranulf from his bishopric . Soon after his translation to York , Gerard began a long dispute with Anselm , claiming equal primacy with the Archbishop of Canterbury and refusing to make a profession of canonical obedience to Anselm , part of the long Canterbury – York dispute . At the 1102 Council of Westminster , Gerard reportedly kicked over the smaller chair provided for him as Archbishop of York , and refused to be seated until he was provided with one as large as Anselm 's . He travelled to Rome in 1102 to receive his pallium from the pope , to whom he presented the king 's side against Anselm in the controversy surrounding investitures . The pope decided against the king , but Gerard and two other bishops reported that the pope had assured them that the various papal decrees against the lay investiture of bishops would not be enforced . Their claim was denied by Anselm 's representatives and the pope , who excommunicated Gerard until he recanted . Gerard secured papal recognition of York 's metropolitan see for the Scots . He subsequently consecrated Roger as Bishop of Orkney , but refused to consecrate Thurgot to the see of St Andrews because Thurgot would not recognise the primacy of York . Gerard gave generously to the monasteries of his diocese ; the medieval chronicler Hugh the Chantor stated that Thomas II , Gerard 's successor , accused Gerard of having dissipated the diocese 's endowment . King Olaf I of Man and the Isles wrote to " G " , Archbishop of York , asking for the consecration of " our bishop " by York , but it does not appear to have taken place under Gerard or his successor . During the first four years of Henry 's reign Gerard was one of the king 's chief advisors , along with Robert of Meulan , Count of Meulan in Normandy and later Earl of Leicester . Gerard was one of Henry 's greatest supporters among the bishops during the Investiture Crisis . In 1101 Gerard witnessed a treaty between Henry and Robert , the Count of Flanders , which sought as far as possible to distance Robert from any future conflict between Henry and his elder brother Robert Curthose , or between Henry and King Philip I of France . After Gerard 's return from Rome he restored Ranulf Flambard to the see of Durham . In 1102 Anselm refused to consecrate three bishops , two of whom had received investiture from the king ; Gerard offered to consecrate them instead , but all except one refused . From 1105 onwards Gerard slowly began to embrace the papal position on investiture of bishops , which opposed laymen investing bishops with the symbols of episcopal authority . As part of his change of position , Gerard withdrew from court to care for his diocese . Towards the end of 1105 Gerard attempted to join Bohemond of Antioch , who was assembling a crusading force in France , but it appears that King Henry prevented Gerard 's departure . In 1106 Gerard wrote to Bohemond that he was still preparing to go on crusade , but he never did . At about the same time , Gerard was working to find a mutually acceptable resolution to the Investiture Crisis , writing a number of letters and other works supporting Anselm 's and the pope 's position . By 1107 King Henry and Anselm had reached an agreement settling the dispute . Gerard agreed to a compromise on the matter of obedience to Anselm . King Henry proposed that Anselm accept a witnessed oath from Gerard that he would remain bound by the profession he made to Anselm on his consecration as Bishop of Hereford . Gerard made this oath at the Council of Westminster in 1107 . It was a victory for Canterbury , but not a complete one , as Gerard avoided making a written profession , and it was specific to Gerard , not to his office . Gerard continued to oppose Anselm 's attempts to assert Canterbury 's primacy , but the two were reconciled before Gerard 's death . Gerard also had an uneasy relationship with his cathedral chapter , after attempting to reform his cathedral clergy by forcing them to give up their wives and concubines and become ordained priests . He wrote to Anselm in 1103 complaining of the intransigence of his clergy and envying Anselm 's better relations with Canterbury 's chapter , which was composed of monks instead of the secular canons who made up York Minster 's chapter . In this correspondence , Gerard complained that some of the York canons refused to be ordained as priests , thereby hoping to avoid taking the vow of celibacy . He also accused them of accepting prebends but refusing to live or work at the cathedral , and of focusing on a narrow legal definition of celibacy without actually being celibate . The canons ' argument was that they were only required not to maintain women in their own houses , but they were not forbidden to visit or entertain women in houses belonging to others . It was not only Gerard who complained about the relationship between him and his canons ; the latter accused Gerard of impoverishing York by making gifts of lands to others . = = Death and legacy = = Gerard was an associate of the anonymous author of the Quadripartitus and the Leges Henrici Primi , two 12th @-@ century law books . The medieval chronicler William of Malmesbury charged Gerard with immorality , avarice and the practice of magic . Gerard encouraged at least one of his clergy to study Hebrew , a language not normally studied at the time . Some chroniclers considered his ownership of a Hebrew psalter to be disturbing , seeing it as a sign of heresy or secret Judaism . Among the sins that Malmesbury imputed to him was the study of Julius Firmicus Maternus , a late Roman astrologer , every morning , which to Malmesbury meant that Gerard was a sorcerer . Malmesbury further claimed that Gerard was " lewd and lustful " . In Gerard 's favour , Anselm regarded him as learned and highly intelligent . Some verses composed by Gerard survive in unpublished form , now in the British Library manuscript collection as part of manuscript Cotton Titus D.xxiv. A collection of his letters circulated in the mid @-@ 12th century , part of a bequest made to Bec Abbey in 1164 by Philip de Harcourt , the Bishop of Bayeux , but it is now lost . Gerard died suddenly on 21 May 1108 , at Southwell , on his way to London to attend a council . His body was found in an orchard , next to a book of " curious arts " , his copy of Julius Firmicus . His canons refused to allow his burial within his cathedral , but their hostility probably owed more to Gerard 's attempts to reform their lifestyle than to his alleged interest in sorcery . Gerard was at first buried beside the porch at York Minster , but his successor , Thomas , moved the remains inside the cathedral church .

= Something Borrowed ( Torchwood ) = " Something Borrowed " is the ninth episode of the second series of British science fiction television series Torchwood . It was first broadcast by BBC Three on 5 March 2008 and repeated on BBC Two one week later . The episode was written by Phil Ford , directed by Ashley Way and produced by Richard Stokes . The episode featured the five initial series regulars John Barrowman , Eve Myles , Burn Gorman , Naoko Mori and Gareth David Lloyd plus recurring actor Kai Owen in a central role . The episode centers on the marriage of Torchwood employee Gwen Cooper ( Eve Myles ) to her long @-@ term partner Rhys Williams ( Kai Owen ) . The wedding is complicated by Gwen 's sudden impregnation by a shape @-@ shifting alien Nostrovite . Although she resolves to see her wedding through , her nuptials are interrupted by an attack from the biological mother of the alien fetus ( played successively by Collette Brown , Nerys Hughes and John Barrowman ) . With the help of Rhys and Gwen 's Torchwood colleagues the fetus is neutralised and the attacking alien defeated . Gwen and Rhys marry , and their families have their memories of the wedding day wiped . The episode was designed to be the most humorous of Torchwood 's second series and incorporated elements of broad comedy and soap opera style storytelling to the monster of the week story . It was filmed largely on location in South Wales — prominent locations included the tourist attractions Margam Country Park and Dyffryn Gardens — and featured an ensemble of previously unseen Welsh characters . The episode was seen by an aggregated total of 4 @.@ 76 million viewers across its three debut showings in the United Kingdom . Critical response was extremely mixed . Some reviewers praised the inclusion of a less serious episode in the series whilst others felt that the comedy in the episode was too overt and detracted from the overall tone of the show . = = Plot = = On the night before her wedding , Gwen Cooper ( Eve Myles ) is bitten on the arm by a male shape shifting alien . Her boss , Jack Harkness ( John Barrowman ) kills the alien , and Gwen attends her hen night though is troubled by her wound . She wakes up the next morning heavily pregnant . Jack arrives along with Torchwood 's medic Owen Harper ( Burn Gorman ) to examine Gwen and tries to persuade her to cancel her wedding . Gwen 's fiancee Rhys ( Kai Owen ) also tries to postpone the wedding in Gwen 's interest but Gwen insists that the wedding go ahead as she desires nothing more than to marry him . The sudden pregnancy is explained to Gwen and Rhys ' families as their own child . Gwen 's mother ( Sharon Morgan ) and father ( William Thomas ) are excited at the prospect of a grandchild , but Rhys ' parents suspect Gwen of being pregnant by another man . Torchwood agent Toshiko Sato ( Naoko Mori ) is sent to the wedding venue to keep an eye on Gwen and to deliver a new wedding dress to accommodate her alien pregnancy . At Torchwood 's Cardiff headquarters , Owen determines from an autopsy that the alien that impregnated Gwen is a Nostrovite , a race of carnivorous shape shifters who hunt in pairs and mate for life . He tells Jack that after fertilisation , the female transfers her eggs to the male who plants them in a host body until they are ready to hatch . Later , the female kills the host to release the offspring . At the wedding venue , the female Nostrovite ( Colette Brown ) murders and partly devours wedding guest Mervyn . Toshiko investigates along with Rhys ' best man " Banana Boat " ( Jonathan Lewis Owen ) and they are subsequently captured by the alien , who intends to feed on them later . As Gwen and Rhys prepare to say their wedding vows , Jack runs up the aisle and demands that the wedding be halted . Owen and Ianto ( Gareth David @-@ Lloyd ) free Toshiko but the half @-@ eaten corpse of Mervyn is discovered by his wife , a bridesmaid , who alerts the entire wedding party to the murder . The Nostrovite reveals herself and is chased away by Jack , escaping through a window . Jack questions Owen about Gwen and Rhys , and he states that Rhys ' mother Brenda ( Nerys Hughes ) is with them . Tosh mentions that she saw Brenda with Gwen 's mother Mary in the garden . Tosh and Jack rush to the couple 's room , where Jack identifies Brenda as an alien and calls her an " ugly bitch " . After Brenda protests her innocence and Rhys punches Jack , Gwen states that Rhys ' mother is not the shapeshifter as Brenda wears a distinctive perfume . Torchwood reach the garden to find the Nostrovite , in Brenda 's image , with Mary . The alien holds Mary hostage , demanding that Gwen give her her child . Gwen walks towards them and as the Nostrovite releases Mary , Gwen reveals a hidden gun in her wedding bouquet and fires at the creature . Owen suggests using a piece of alien equipment called the singularity scalpel to destroy the alien fetus . He sends Gwen to her room and teaches Rhys how to use the scalpel ; Owen cannot use it himself due to injuries sustained in his undead state . Gwen is approached by Jack and reveals to him that she would have married Rhys a long time ago if she had not met him . She leans in as he appears to be ready to kiss her but he reveals himself to be the Nostrovite . Owen enters , shooting the creature whilst Gwen exits with Rhys . The Nostrovite , still in Jack 's form , attempts to attack Owen only to be repelled by the fact he is dead . Rhys and Gwen find refuge in a barn and Rhys explains Owen 's plan to remove the fetus . As the Nostrovite launches an assault on the door of the barn , Rhys succeeds in destroying the fetus . The Nostrovite enters , again impersonating Rhys ' mother . She attacks Rhys , who attempts to protect himself with a chainsaw , which malfunctions . Jack arrives and kills the alien with a more powerful gun . He shares a moment of joy with Gwen before praising Rhys ' own display of heroism and telling him that " the hero always gets the girl " . Rhys and Gwen return to the wedding venue and are married . At the wedding reception , they notice the guests all suddenly falling asleep . Jack reveals that he has drugged them all with amnesia pills mixed with sedative so that they will not remember the events of the day . Jack offers Gwen and Rhys Retcon too but Gwen declines as she does not wants any secrets in her marriage to Rhys . As Gwen and Rhys anticipate their honeymoon , Torchwood clear up the mess left behind . Later , Jack enters the Hub alone , and retrieves an old tin box from his office . He looks through photographs from his past , reminiscing , before picking up a picture of himself and an unidentified bride at their wedding . = = Production = = = = = Conception and writing = = = The original working title and given descriptor in the series breakdown for " Something Borrowed " was " The Wedding " . Writer Phil Ford felt the episode to be reminiscent of a soap @-@ opera as well as possessing science fiction elements . He describes the episode as " Coronation Street meets Torchwood " . Ford was chosen to write this episode because of his own involvement as a writer on Coronation Street and executive producer Russell T Davies ' view that this would enable him to handle a wedding with comedic elements . As the most humorous episode of the series it was deliberately scheduled alongside a series of darker episodes to provide a contrast . Describing the tone of the episode Ford describes it as " an all out romp " and an " action , rollercoaster ride " with " a lot of comedy in it as much as thrills and nasty monsters " . Davies stated that " the whole point of the episode is to have a right old laugh " . Expanding on the comedic aspects , something Ford considered whilst writing the episode was that " the trick is to have the comedy come out of the characters " rather than the scenario itself . It was Eve Myles ' idea to have Gwen compulsively eat gherkins after waking up pregnant ; the script had only specified the character drinking a glass of water . The episode also plays on Gwen 's conflicted feelings between Jack and Rhys . Davies felt it would be " irresistible " to have the wedding temporarily halted by " the one man Rhys doesn 't want to see running down the aisle . " Ford stated that whilst Jack is " the series hero " Rhys is " the hero of this episode " . He compares a sequence where Rhys arms himself with a chainsaw to defend Gwen to the character being in " Evil Dead mode " . Producer Richard Stokes commented that the episode illuminated that " even though [ Gwen ] ' s put [ Rhys ] through some really difficult times , she really does love him and want to be with him . " In an early draft of the script Gwen and Rhys had their memories wiped at the end of the episode in addition to the other guests and were convinced by Jack that the wedding had been problem free . = = = Casting = = = The episode featured an ensemble of family and friends of Gwen and Rhys previously unseen in the series . William Thomas and Sharon Morgan were cast as Gwen 's parents Geraint and Mary Cooper . Davies re @-@ introduced the characters during the fourth series of the show , considering Thomas and Morgan to be " two fine Welsh actors " . Thomas had previously appeared as two different characters in the 1988 Doctor Who serial Remembrance of the Daleks and the 2005 Doctor Who episode " Boom Town " . Upon appearing in " Something Borrowed " he became the first actor to have appeared in all three of the classic series , new series and Torchwood . Nerys Hughes played Rhys ' mother Brenda Williams , in addition to a duplicate form of the alien Nostrovite . Like Thomas she had previously appeared in a Doctor Who serial ( the 1982 story Kinda ) . Hughes enjoyed getting to play a " monster " for the first time in her career which involved having " fangs and claws and red eyes " and being wired up so " all this black blood can ooze out when I get shot " . Despite the funny aspect of the script Hughes took the role seriously stating that " everyone plays it for real " and that " you can 't camp it up " . She believed that as an actor " you 've got to believe what you 're doing " . Kai Owen describes Thomas , Morgan and Hughes collectively with Robin Griffith ( Barry Williams ) as a " good old @-@ fashioned Welsh cast who know what it 's all about " . Jonathan Lewis Owen was cast as Rhys ' best man " Banana Boat " a character referred to sporadically since Torchwood 's first series premiere " Everything Changes " ( 2006 ) . In keeping with the character 's name he was given a pair of banana patterned cuff links to compliment his costume . As a joke , Eve Myles ( who Jonathan Owen had previously worked with in other projects ) left a banana skin on his car on his first day of filming . Collette Brown played " Carrie " , the original human form of the mother Nostrovite . To transform her into the alien creature the actress was required to spend approximately an hour having make @-@ up applied . Brown was surprised at the efficiency of the make @-@ up artists as she had expected the transformation process to take longer . Originally , the human versions of the Nostrovite shapeshifter were intended to be more monstrous but Davies felt it was important that the audience would still be able to recognise the actor underneath once the make up had been applied . = = = Filming = = = The episode was filmed between October and November 2007 in the sixth production block of the series , alongside " Exit Wounds " . The sequence of Jack , Ianto and Owen leaving for Gwen 's wedding was recorded at Roald Dahl Plass on 25 October 2007 . A number of locations were used for the wedding venue . Producer Richard Stokes notes that " it felt like we were organising a real wedding but one that was being shot in about five different venues " . Director Ashley Way states that in directing the wedding scenes , the production team had to make sure that the colour scheme co @-@ ordinated in regards to aspects like the bridesmaids costumes and the flower patterns . Costume designer Ray Holman experienced difficulty sourcing a maternity wedding dress to accommodate the nine @-@ month baby bump worn by Eve Myles . He remarks that in trying to source three such dresses from bridal shops in Cardiff he was regarded " as if I was the biggest sinner in the world " and ended up designing the dress worn by Gwen himself . The main location shoot for the episode was at Margam Country Park in Margam , Port Talbot in and around a converted Orangery which provided a location for the wedding and reception . Way states that one of the reasons Margam 's Orangery was chosen for the shoot was because of the " fantastic windows " which provided a good visual opportunity in regards to a sequence involving the alien Carrie jumping out of them . However , due to its listed building status the production crew were not able to remove the window glass for filming and had to construct replica windows on separate scaffolding using resin glass . The hotel exteriors and sequences set in the gardens of the wedding venue were filmed at Dyffryn Gardens in St Nicholas , Vale of Glamorgan . The hotel interiors were partly recorded at Court Colman Manor in the village of Pen @-@ y @-@ Fai , Bridgend and partly in studio . The opening sequence of the episode where Gwen pursues the shape @-@ shifter was recorded on 19 November in a men 's public toilet in The Hayes , a shopping area in central Cardiff . The episode featured a large amount of incidental music . During Gwen 's hen night , the club she is in plays the tracks " Filthy / Gorgeous " and " Comfortably Numb " by the Scissor Sisters from their eponymous 2004 album and the single " Hole in the Head " from the Sugababes 2003 album Three . The song heard on Gwen 's radio Alarm Clock when she wakes up heavily pregnant is " Fire in My Heart " from the Welsh rock band Super Furry Animals . At Gwen and Rhys ' wedding reception , the records played include " You Do Something to Me " by Paul Weller and the song " Tainted Love " by Soft Cell . One of the black and white photos of Jack seen at the end of the episode is actually a promotional picture of John Barrowman from his role as Billy Flynn in the musical Chicago . = = Broadcast and reception = = " Something Borrowed " was first broadcast on the digital channel BBC Three on 5 March 2008 at 9 : 50 pm , straight after the BBC Two broadcast of the preceding episode " A Day in the Death " at 9 : 00 pm . The episode was first broadcast on BBC Two on 12 March at 9 : 00 pm , with a pre @-@ watershed repeat airing on 13 March at 7 : 00 pm . According to consolidated figures the episode was viewed by 0 @.@ 98 million viewers on BBC Three , 2 @.@ 76 million viewers for its 12 March BBC Two showing and 1 @.@ 02 million viewers for the pre @-@ watershed repeat amounting to an aggregated 4 @.@ 76 million viewers across its three initial showings . The episode was also available to watch on the online catch up service BBC iPlayer , where it was the 12th most viewed individual broadcast between 1 January and 31 March 2008 . = = = Critical reception = = = The episode received critical response ranging from extremely positive to extremely negative . Ben Rawson @-@ Jones of Digital Spy gave the episode five stars out of five , summarising it as an " energetic romp that oozed with body horror that would make David Cronenberg proud " which also " infused a type of family melodrama commonly seen on soaps " . He praised the " stunningly bonkers " plot noting that " every potential dramatic and comedic moment that stemmed from Gwen 's unconventional ' bun in the oven ' scenario was fully maximised " . He felt that in the central role " Eve Myles delivered an outstanding performance as Gwen " and also singled out the guest actors for praise , particularly Nerys Hughes . In an end of series review he listed " Something Borrowed " as his favourite episode of Torchwood 's second series . Writing for The Stage , Mark Wright wrote that " it ’ s good to see Torchwood can get in touch with its lighter side and not lose any momentum " concluding " I think I really might love this show " . Jon Beresford of TV Scoop felt the episode to be one of the strongest of the second series . Whilst he felt it to be " corny " in places he summarised the episode as an " exciting yarn with some really good performances from the team " . He felt that Myles and Owen " stole the show " as Gwen and Rhys believing that " there 's a definite spark between these two that sets their moments apart . " Joan O 'Connell Hedman of Slant Magazine felt the episode to be the strongest of the second series . She praised the " uniformly fantastic " guest cast and the " drop dead gorgeous " exterior and interior locations . She singled out writer Phil Ford for considerable praise feeling that he wrote the episode true to the characters " while filling in backstory we had no way of imagining " and delivered " drama , action , and laughs " . Brad Trechak of AOL TV felt the more comic episode was a welcome respite from darker episodes . He praised the episode for being " light and fluffy yet it furthered things along with regard to the Torchwood universe and its characters " . Reviewing the episode Brigid Cherry of Total Sci @-@ Fi felt that " contrary to expectation – it ’ s hilarious " . She praised the comedy provided from Eve Myles , Gareth David @-@ Lloyd and Nerys Hughes in particular as well as the " terrifying moments that threaten to tip over into gross @-@ out horror @-@ comedy . " She felt overall the " offbeat self @-@ parody " made a welcome change from the show 's more serious episodes and rated it eight out of ten . Den of Geek 's Jack Kibble @-@ White found the episode to be a " surprise series highlight " . However , the episode attracted heavy criticism . In a review titled " Too Much Crying , Not Enough Shagging " io9 's Charlie Jane Anders criticised the episode 's reliance on " cheesy soap opera moments " . Her major criticisms also encompassed the nonsensical aspects of the plot and the depiction of Torchwood as an incompetent team , particularly in allowing Gwen to progress with her wedding in the circumstance of her being pregnant . She felt that the episode had saving graces in a sequence which she felt acted as an homage to films Dead Alive and Evil Dead and the fact it made her believe " that Rhys and Gwen care about each other . " Ian Berriman of SFX magazine wrote that the episode was one of the weakest of the second series and was hampered by " limp gags and thuddingly obvious characterisation " . IGN 's Travis Fickett rated the episode five out of ten and criticised it as " flat out bad television " . He felt the comedic style to be at odds with Torchwood 's science fiction and horror storytelling and criticised some of the character moments as " preposterous " and " insipid " . Airlock Alpha 's Alan Stanley Blair was more mixed stating that the " episode feels like a lot of ideas have been thrown into a pot and mixed with all the Torchwood goodness " . He felt that the episode held together " by luck more than skill " but still " provided a lot of laughs and some wild fun " . Den of Geek 's Andrew Mickel felt that the episode exaggerated and stereotyped the Welsh characters in the overall scenario parodying them collectively as " the Welshest people on television " . He also criticised the focus on Gwen and the ridiculousness of her plan to marry Rhys despite her being pregnant . He felt however , that the episode played out " like a fun episode of Buffy " and that Rhys continued to be " Gwen ’ s one redeeming feature " , praising the scenes between him and his mother .

= Perfect Dark ( 2010 video game ) = Perfect Dark is a remastered release of the first @-@ person shooter video game by the same name . Developed by 4J Studios and published by Microsoft Game Studios a decade after the original 's 2000 release , the remaster features several technical improvements , including higher resolution textures and models , a higher frame rate , and a multiplayer mode that supports the Xbox Live online service . It was released for the Xbox 360 video game console in March 2010 , through the Xbox Live Arcade download service . The story of the game follows Joanna Dark , an agent of the Carrington Institute organization , as she attempts to stop a conspiracy by rival corporation dataDyne . Perfect Dark was under development for nearly a year and its game engine was completely re @-@ written from scratch to support several Xbox 360 features . Therefore , although the game plays exactly the same as the original , the code and renderer is different . The game received generally favorable reviews . Some critics considered the relatively unchanged game to be outdated , but most agreed that the title was a solid revival of a classic . As of the end of 2011 , the game had sold nearly 410 @,@ 000 units . = = Gameplay = = Perfect Dark is a first @-@ person shooter with elements of stealth games . In the game 's campaign mode , the player controls Joanna Dark through a series of nonlinear levels collected together into missions . Each level requires the player to complete a certain number of objectives , ranging from disguising oneself to hacking computers , collecting objects , and defeating enemies , among others . Players can carry an unlimited number of weapons and almost all of the weapons have two firing modes . The levels in Perfect Dark have no checkpoints , meaning that if Joanna is killed or fails an objective , the player has to start the level from the beginning . Every level can be played on three difficulty settings and several aspects , such as the enemies aggressiveness and the number of objectives that must be completed , among others , can vary in function of the chosen difficulty . Two players can also play the campaign co @-@ operatively or through a " counter @-@ operative " mode , in which one player controls the protagonist , while the other controls enemies throughout the level , attempting to stop the first player from completing objectives . The game also features a multiplayer mode , called Combat Simulator , where various players can compete against each other in different types of deathmatch and objective @-@ based games . Aspects of each game can be highly customized . Features such as the weapons available , the winning condition , and team management can be changed to match player preference . Computer controlled bots , called Simulants , can also be added to the game and each of them can be individually customized , including their appearance , difficulty , and behavior . Players can also issue orders to the Simulants on their respective team ; for example , Guard tells a Simulant to stay in its current location and guard that area . The player can explore the Carrington Institute , which serves as the game 's training ground , and take part in different training activities . The most substantial of these activities is the shooting range , which allows the player to test all the weapons of the game against moving targets . = = = Enhancements = = = The remaster offers several improvements over the original Perfect Dark that was released for the Nintendo 64 in 2000 . The most remarkable change is that any of the multiplayer modes , including co @-@ operative and counter @-@ operative , can now be played in either splitscreen or through the Xbox Live online service . Combat Simulator matches are still capped at 12 entities , but the game can now comprise eight players online simultaneously , an improvement to the original 's cap of four players and eight Simulants . Players can also play against more than eight Simulants as long as there are enough slots available in a match ; for example , a single player can play against 11 Simulants ; such a feature was not possible in the original game . Unlike the original game , all the multiplayer content is unlocked from the beginning , and weapons from the game 's predecessor , which were originally only available in the missions , are now available to use in multiplayer . The game features an online leaderboard system and players can earn achievements and in @-@ game crowns by accomplishing certain tasks . The game also includes two new control set @-@ ups , entitled " Spartan " and " Duty Calls " , which are based on the popular first @-@ person shooter franchises Halo and Call of Duty respectively . = = Plot = = Perfect Dark is set in the year 2023 against the backdrop of an interstellar war between two races : the Maians , who resemble the stereotypical grey aliens , and the Skedar , reptile @-@ like extraterrestrials who can disguise themselves as humans , bearing similarities to Nordic aliens . On Earth the megacorporation dataDyne has developed in secret Dr. Caroll , the world 's first sentient AI computer . Feeling that dataDyne has betrayed ethical and moral standards , Dr. Caroll contacts the Carrington Institute , an espionage agency founded by Daniel Carrington , with the hope of revealing dataDyne 's sinister dealings . He is recovered by Joanna Dark , the Institute 's top agent , but is later recaptured by dataDyne at Carrington 's private villa . Joanna is then sent to Chicago to once again recover Dr. Caroll and uncover dataDyne 's plan . She learns that dataDyne and their conspirators plan to kidnap the President of the United States in order to get access to a deep sea vessel which will allow the conspirators to steal an alien megaweapon buried on the ocean floor . Meanwhile , Joanna is ordered to rescue a Maian survivor named Elvis from Area 51 who is key in stopping the conspiracy . She succeeds and the pair work together to rescue the president . She learns the conspirators are actually Skedar aliens disguised as Scandinavian humans who intend to test the weapon on the Earth before using it against the Maian homeworld . Without permission from the president , dataDyne elect to hijack the deep sea vessel and take it to the ancient alien spacecraft . With the help of Elvis , Joanna follows where she finds a reprogrammed Dr. Caroll decoding the megaweapon . She replaces its current personality with a backup of the original , and the restored Dr. Carroll sets the weapon to self @-@ destruct in order to protect Earth . In retaliation , the Skedar capture Joanna and take her to their homeworld . Elvis rescues her and she then kills the Skedar High Priest , leaving the Skedar in disarray . The game ends with Elvis and Joanna leaving the Skedar planet just prior to an orbital bombardment from the Maian navy . = = Development = = Perfect Dark was ported by 4J Studios , the same studio that previously developed the Xbox Live Arcade versions of Rare 's platform games Banjo @-@ Kazooie and Banjo @-@ Tooie . According to Microsoft Game Studios creative director Ken Lobb , the development team " took the original code , ported it to the Xbox 360 and included deep [ Xbox Live ] integration . " The game was developed over a course of approximately 11 months after the creation of a working prototype . As the Xbox Live functionality had to be written from scratch , the developers opted to completely rewrite the game engine rather than do a port through emulation . As a result , although the game plays exactly the same , the code and renderer is different . The game also runs at 1080p and 60 frames per second . While the original level geometry was kept , the levels received new textures , characters and weapons were recreated , and skyboxes were rebuilt . Lobb explained that " things are large and blocky because that 's what [ Perfect Dark ] looks like " , meaning that the sharper textures and higher resolution simply make the game look clearer . He also observed that , as character and weapon models were remodeled from their original low hundreds polygon count to polygons in the thousands , he was worried about them looking awkward in the low @-@ poly geometry level design . According to him , " it 's one of the areas that I give a lot of credit to the developer on . It just looks right . They were smart about the way they up @-@ resed the models so they still feel like they 're kind of retro , but they 're clean . " Although music and sound effects were kept from the original recording sessions , original master recordings have been used to update the soundtrack at much higher quality ; the original recording size was 16 MB , while in the remaster it is over 250 MB . Developers also decided to retain the free aim mode because they wanted to be faithful to the original game . According to Rare 's Producer Nick Ferguson , " We didn 't change the fundamental behavior of the aiming system simply because that is not how Perfect Dark was played " . He also observed that the idea of updating the controls was actually seen as a flaw in Perfect Dark Zero , which tried to " combine the original Perfect Dark system with aspects of Halo " . The original diagonal running , which allows players to move faster than by running forwards or sideways alone , did not work the first time they implemented the analog stick , so it was manually rewritten as it was considered essential for speedruns and achieving some of the target times required to unlock cheats . = = Marketing and release = = Perfect Dark was first teased to consumers in April 2009 via a screenshot of a Rare employee 's Xbox 360 dashboard which showed an icon for the game . It was confirmed to be in development on June 2 , 2009 via Xbox Live Director of Programming Larry Hryb 's Twitter account . The game was released on March 17 , 2010 as part of Microsoft 's Xbox Live Block Party promotion . As a cross @-@ promotion with the game Crackdown 2 , users can unlock that game 's protagonist , known simply as Agent 4 , although a Crackdown 2 savegame is required on the Xbox 360 hard drive . A title update was released in April 2010 which addressed bugs , added two control schemes , and expanded playlists . Perfect Dark was downloaded over 150 @,@ 000 times during its first week of release and grossed approximately $ 1 @.@ 61 million at the end of the month . The game has sold more than 285 @,@ 000 units as of August 2010 and nearly 325 @,@ 000 units at the end of 2010 . As of year @-@ end 2011 , sales had increased to nearly 410 @,@ 000 units . In 2015 , the game was released as part of the Rare Replay compilation for Xbox One . = = Reception = = Perfect Dark received generally favorable reviews from critics . Writing for 1UP.com , Scott Sharkey highlighted the technical improvements , stating that the remaster is " a great way to re @-@ enjoy a game you already love " . Daemon Hatfield of IGN noted the game 's outdated dialogue , voice acting , and mission objectives , but nevertheless remarked that the game " wasn 't brought back for the uninitiated -- this is for the fans , and they will be very , very happy . " He also praised the game 's multiplayer mode over Xbox Live and highlighted the selection of weapons , the satisfying gunplay , and leaderboards , noting that they allow players to compare their performance with their friends . Despite the praise , some reviewers criticized the game for its confusing level layouts and felt they have not held up very well over the years . Christian Donlan of Eurogamer stated that Perfect Dark is " not afraid to throw dead ends at you seemingly for the hell of it , or repeat textures so much in its huge maps that you can get a little dizzy . " GameSpot 's Tom Mc Shea noted that the campaign was " oddly paced " , and that " locked doors , unused rooms , and dead ends ... can be disheartening to stumble around in a circle until you finally happen upon the correct door you just couldn 't locate . " Nevertheless , he admitted that " it 's a lot of fun to replay them to try for high scores and figure out the many unique objectives . " He also remarked that that online play can periodically suffer from a significant amount of lag , but praised the amount of content and features . The game 's original Counter @-@ Operative mode was very well received , with Eurogamer remarking that it " still feels ahead of its time even now . " Dan Ryckert of Game Informer stated similar pros , saying that " it 's even better this time around thanks to the framerate improvement . " Although the game 's controls have been upgraded to support two analog sticks , Steven Hopper of GameZone noted that the game still " feels a little different from what modern day shooter fans are used to " , while Eurogamer remarked that the aim assist can be unnecessarily generous on easy difficulties . At the end of March 2010 , IGN named Perfect Dark Xbox Live Arcade Game of the Month .

= First Ostend Raid = The First Ostend Raid ( part of Operation ZO ) was the first of two attacks by the Royal Navy on the German @-@ held port of Ostend during the late spring of 1918 during the First World War . Ostend was attacked in conjunction with the neighbouring harbour of Zeebrugge on 23 April in order to block the vital strategic port of Bruges , situated 6 mi ( 5 @.@ 2 nmi ; 9 @.@ 7 km ) inland and ideally sited to conduct raiding operations on the British coastline and shipping lanes . Bruges and its satellite ports were a vital part of the German plans in their war on Allied commerce ( Handelskrieg ) because Bruges was close to the troopship lanes across the English Channel and allowed much quicker access to the Western Approaches for the U @-@ boat fleet than their bases in Germany . The plan of attack was for the British raiding force to sink two obsolete cruisers in the canal mouth at Ostend and three at Zeebrugge , thus preventing raiding ships leaving Bruges . The Ostend canal was the smaller and narrower of the two channels giving access to Bruges and so was considered a secondary target behind the Zeebrugge Raid . Consequently , fewer resources were provided to the force assaulting Ostend . While the attack at Zeebrugge garnered some limited success , the assault on Ostend was a complete failure . The German marines who defended the port had taken careful preparations and drove the British assault ships astray , forcing the abortion of the operation at the final stage . Three weeks after the failure of the operation , a second attack was launched which proved more successful in sinking a blockship at the entrance to the canal but ultimately did not close off Bruges completely . Further plans to attack Ostend came to nothing during the summer of 1918 , and the threat from Bruges would not be finally stopped until the last days of the war , when the town was liberated by Allied land forces . = = Bruges = = Bruges had been captured by the advancing German divisions during the Race for the Sea and had been rapidly identified as an important strategic asset by the German Navy . Bruges was situated 6 mi ( 5 @.@ 2 nmi ; 9 @.@ 7 km ) inland at the centre of a network of canals which emptied into the sea at the small coastal towns of Zeebrugge and Ostend . This land barrier protected Bruges from bombardment by land or sea by all but the very largest calibre artillery and also secured it against raiding parties from the Royal Navy . Capitalising on the natural advantages of the port , the German Navy constructed extensive training and repair facilities at Bruges , equipped to provide support for several flotillas of destroyers , torpedo boats and U @-@ boats . By 1916 , these raiding forces were causing serious concern in the Admiralty as the proximity of Bruges to the British coast , to the troopship lanes across the English Channel and for the U @-@ boats , to the Western Approaches ; the heaviest shipping lanes in the World at the time . In the late spring of 1915 , Admiral Reginald Bacon had attempted without success to destroy the lock gates at Ostend with monitors . This effort failed , and Bruges became increasingly important in the Atlantic Campaign , which reached its height in 1917 . By early 1918 , the Admiralty was seeking ever more radical solutions to the problems raised by unrestricted submarine warfare , including instructing the " Allied Naval and Marine Forces " department to plan attacks on U @-@ boat bases in Belgium . The " Allied Naval and Marine Forces " was a newly formed department created with the purpose of conducting raids and operations along the coastline of German @-@ held territory . The organisation was able to command extensive resources from both the Royal and French navies and was commanded by Admiral Roger Keyes and his deputy , Commodore Hubert Lynes . Keyes , Lynes and their staff began planning methods of neutralising Bruges in late 1917 and by April 1918 were ready to put their plans into operation . = = Planning = = To block Bruges , Keyes and Lynes decided to conduct two raids on the ports through which Bruges had access to the sea . Zeebrugge was to be attacked by a large force consisting of three blockships and numerous supporting warships . Ostend was faced by a similar but smaller force under immediate command of Lynes . The plan was for two obsolete cruisers — HMS Sirius and Brilliant — to be expended in blocking the canal which emptied at Ostend . These ships would be stripped to essential fittings and their lower holds and ballast filled with rubble and concrete . This would make them ideal barriers to access if sunk in the correct channel at the correct angle . When the weather was right , the force would cross the English Channel in darkness and attack shortly after midnight to coincide with the Zeebrugge Raid a few miles up the coast . By coordinating their operations , the assault forces would stretch the German defenders and hopefully gain the element of surprise . Covering the Inshore Squadron would be heavy bombardment from an offshore squadron of monitors and destroyers as well as artillery support from Royal Marine artillery near Ypres in Allied @-@ held Flanders . Closer support would be offered by several flotillas of motor launches , small torpedo boats and Coastal Motor Boats which would lay smoke screens to obscure the advancing blockships as well as evacuate the crews of the cruisers after they had blocked the channel . = = = British order of battle = = = = = = = Offshore Squadron = = = = Lord Clive @-@ class monitors with 12 in ( 300 mm ) guns : HMS Marshal Soult , Lord Clive , Prince Eugene and General Crauford M15 class monitors with 7 @.@ 5 in ( 190 mm ) guns : HMS M24 , M26 , M21 Destroyers : HMS Mentor , Lightfoot and Zubian French Navy Lestin , Roux and Bouclier Light craft : 4 torpedo boats , 4 French motor launches = = = = Inshore Squadron = = = = Blockships : HMS Sirius , Brilliant Destroyers : HMS Swift , Faulknor ( destroyer leader ) , Matchless , Mastiff , Afridi , Tempest , Tetrarch Light craft : 18 Motor Launches , 8 Coastal Motor Boats Artillery support was also provided by Royal Marine heavy artillery in Allied @-@ held Flanders . The force was covered in the English Channel by seven light cruisers and 16 destroyers , none of which saw action . = = Attack on Ostend = = The assaults on Zeebrugge and Ostend were eventually launched on 23 April , after twice being delayed by poor weather . The Ostend force arrived off the port shortly before midnight and made final preparations ; the monitors took up position offshore and the small craft moved forward to begin laying smoke . Covering the approach , the monitors opened fire on German shore defences , including the powerful " Tirpitz " battery , which carried 11 in ( 280 mm ) guns . As a long range artillery duel developed , the cruisers began their advance towards the harbour mouth , searching for the marker buoys which indicated the correct passage through the diverse sandbanks which made navigation difficult along the Belgian coast . It was at this stage that the attack began to go seriously wrong . Strong winds blowing off the land swept the smoke screen into the face of the advancing cruisers , blinding their commanders who attempted to navigate by dead reckoning . The same wind disclosed the Inshore Squadron to the German defenders who immediately opened up a withering fire on the blockships . With their volunteer crews suffering heavy casualties , the commanders increased speed despite the poor visibility and continued groping through the narrow channels inshore , searching for the Stroom Bank buoy which directed shipping into the canal . Commander Alfred Godsal led the assault in HMS Brilliant and it was he who stumbled into the most effective German counter @-@ measure first . As Brilliant staggered through the murk , the lookout spotted the buoy ahead and Godsal headed directly for it , coming under even heavier fire as he did so . Passing the navigation marker at speed , the cruiser was suddenly brought to a halt with a juddering lurch , throwing men to the decks and sticking fast in deep mud well outside the harbour mouth . Before warnings could be relayed to the Sirius following up close behind , she too passed the buoy and her captain Lieutenant @-@ Commander Henry Hardy was shocked to see Brilliant dead ahead . With no time to maneuvere , Sirius ploughed into the port quarter of Brilliant , the blockships settling into the mud in a tangle of wreckage . Artillery and long @-@ range machine gun fire continued to riddle the wrecks and the combined crews were ordered to evacuate as the officers set the scuttling charges which would sink the blockships in their current , useless locations . As men scrambled down the side of the cruisers into Coastal Motor Boats which would relay them to the Offshore Squadron , destroyers moved closer to Ostend to cover the retreat and the monitors continued their heavy fire . Godsal was the last to leave , picked up by launch ML276 commanded by Lieutenant Rowley Bourke . With the main assault a complete failure , the blockading forces returned to Dover and Dunkirk to assess the disaster . When the forces had reassembled and the commanders conferred , the full facts of the failed operation were revealed . The German commander of Ostend had been better prepared than his counterpart at Zeebrugge and had recognised that without the navigation buoy no night attack on Ostend could be successful without a strong familiarity with the port , which none of the British navigators possessed . However , rather than simply remove the buoy , the German commander had ordered it moved 2 @,@ 400 yd ( 2 @,@ 200 m ) east of the canal mouth into the centre of a wide expanse of sandbanks , acting as a fatal decoy for any assault force . = = Aftermath = = The assault at Zeebrugge a few miles away from Ostend was more successful and the blocking of the major channel did cause some consternation amongst the German forces in Bruges . The larger raiders could no longer leave the port , but smaller ships , including most submarines , were still able to traverse via Ostend . In addition , within hours a narrow channel had also been carved through Zeebrugge too , although British intelligence did not realise this for several weeks . The defeat at Ostend did not entirely dampen the exuberant British media and public reaction to Zeebrugge , but in the Admiralty and particularly in the Allied Naval and Marine Forces the failure to completely neutralise Bruges rankled . A second operation was planned for 10 May using the cruiser HMS Vindictive and proved more successful , but ultimately it also failed to completely close off Bruges . A third planned operation was never conducted as it rapidly became clear that the new channel carved at Zeebrugge was enough to allow access for U @-@ boats , thus calling for an even larger double assault , which would stretch the resources of the " Allied Naval and Marine Forces " too far . British losses in the three futile attempts to close Bruges cost over 600 casualties and the loss of several ships but Bruges would remain an active raiding base for the German Navy until October 1918 .

= Joyful , Joyful = " Joyful , Joyful " is a song by contemporary Christian music band Casting Crowns from their fourth studio album Until the Whole World Hears ( 2009 ) . Written by Mark Hall and Bernie Herms and produced by Mark A. Miller , the song is a re @-@ interpretation of the hymn " Joyful , Joyful We Adore Thee " and Ludwig van Beethoven 's Symphony No. 9 . " Joyful , Joyful " , a CCM and alternative CCM song , is driven by a string section that has been compared to Coldplay 's song " Viva la Vida " . It received positive reviews from music critics and received airplay over the 2010 Christmas season , peaking at number three on the Billboard Hot Christian Songs chart . = = Background and recording = = " Joyful , Joyful " , is a rearrangement of the hymn " Joyful , Joyful We Adore Thee " ( itself a re @-@ arrangement of a theme from Beethoven ) . Hall felt that there are many Christian songs that have been around and sung so long that the meaning behind them is lost ; he commented that " you hear them so many times you don 't really hear what they 're saying anymore " , listing the original version of " Joyful , Joyful We Adore Thee " as an example . Although the song is a re @-@ interpretation of " Joyful , Joyful We Adore Thee " , Mark Hall and Bernie Herms are credited with writing the song . It was produced by Mark A. Miller and recorded by Sam Hewitt , Michael Hewitt , and Dale Oliver at Zoo Studio in Franklin , Tennessee ; the string instrument tracks were recorded by John Painter and Leslie Richter at Ocean Way in Nashville , Tennessee . Digital editing was handled by Michael Hewitt , while mixing was handled by Sam Hewitt . The song was mastered by Andrew Mendelson , Shelly Anderson , Natthaphol Abhigantaphand and Daniel Bacigalupi at Georgetown Masters in Nashville . = = Composition = = " Joyful , Joyful " is a song with a length of four minutes and twenty @-@ eight seconds . According to the sheet music published by Musicnotes.com , " Joyful , Joyful " is a CCM and alternative CCM set in common time in the key of F major with a tempo of 120 beats per minute . Mark Hall 's vocal range in the song spans from the low note of B ♭ 3 to the high note of F5 . The song has regarded as a re @-@ invention of " Joyful , Joyful We Adore Thee " and Beethoven 's Symphony No. 9 , the song alters the format of the former , rearranging the song 's overall structure while adding a chorus . " Joyful , Joyful " is led by a " driving " and " pulsing " string section that has been compared to Coldplay 's " Viva la Vida " . Mark Hall felt that the band 's arrangement brought out the message of one of the song 's final verses ( " God our Father / Christ our brother / all who live in love are thine / teach us how to love each other / and fill us to the joy divine " ) ; Hall described the message by saying " God 's our father and Christ 's our brother , we have this connection with God . But if we can 't love each other , the joy isn 't completed . Its not real joy yet until we know how to love the people that are around us " . = = Reception = = = = = Critical response = = = " Joyful , Joyful " received positive reviews from music critics . Andrew Greer of CCM Magazine praised the song as a " fitting ode " to Beethoven 's Symphony No. 9 . Roger Ham of Christianity Today praised it as one of the best songs off of Until the Whole World Hears . Tony Cummings of Cross Rhythms praised the song as having " the same kind of string arrangement which made Coldplay 's ' Viva La Vida ' so enjoyable " . Debra Akins of Gospel Music Channel regarded the song as a highlight of the album . Roger Gelwicks of Jesus Freak Hideout , while describing the song as " interesting " , felt that it wasn 't much of an improvement over the rest of the album . = = = Chart performance = = = " Joyful , Joyful " received airplay over the 2010 Christmas season , debuting at number forty @-@ two on the Billboard Hot Christian Songs chart for the chart week of December 11 , 2010 . In its fifth week on the chart , the chart week of January 8 , 2011 , it reached its peak position of number three . = = Credits and personnel = = Credits lifted from the album liner notes for Until the Whole World Hears . Recording Recorded Zoo Studio in Franklin , Tennessee . Strings recorded at Ocean Way in Nashville , Tennessee . = = Charts = =

= Hurricane Dot ( 1959 ) = Hurricane Dot of August 1959 was at its time the costliest tropical cyclone in Hawaiian history . Dot was first identified as a strong tropical storm southeast of Hawaiʻi on August 1 . The storm was potentially a continuation of a previously unnamed tropical cyclone that was monitored west of the Baja California Peninsula from July 24 @-@ 27 , but was never confirmed due to a lack of ship reports . Dot was quick to intensify , reaching hurricane intensity six hours after naming . By August 3 , Dot reached its peak intensity , with maximum sustained winds reaching 150 mph ( 240 km / h ) . Intensity leveled off afterwards as Dot tracked westward before making a curve towards the northwest on August 5 , after which the hurricane weakened at a faster clip . Dot made landfall the next day on Kauai as a minimal hurricane before dissipating west of the Hawaiian Islands on August 8 . Dot produced heavy rainfall and gusty winds as it passed south of the Big Island , Lanai , Maui , Molokai , and Oahu , resulting in minor damage . In Oahu , some homes along the coast were unroofed , and damage from wave action was also reported . Damage from these four islands totaled US $ 150 @,@ 000 , and two indirect deaths occurred in Lanai . Extensive damage occurred on Kauai as Dot made landfall , producing wind gusts as high as 103 mph ( 166 km / h ) and toppling trees and power lines . Widespread power outages affected the island , causing telecommunications and water systems to fail . Although infrastructure was damaged to an extent by floodwater and strong winds , crops suffered the most losses . Cane sugar crops sustained US $ 2 @.@ 7 million in losses . Overall , damage from Dot across Hawaii totaled US $ 6 million , and a disaster area declaration and state of emergency took effect for the archipelago after the hurricane 's passage . = = Meteorological history = = On July 24 , the SS Pacificus encountered a storm with maximum sustained winds meeting the threshold of tropical storm status roughly 1 @,@ 000 mi ( 1 @,@ 600 km ) west of the Baja California Peninsula . Despite reports that the location of the system remained vague , the Joint Typhoon Warning Center ( JTWC ) began issuing tropical cyclone advisories and warnings on the unnamed disturbance . Tracking west @-@ northwestward , the tropical storm peaked with winds reported at 65 mph ( 105 km / h ) shortly after its discovery ; however , the JTWC discontinued its monitoring of the cyclone on July 27 due to a lack of ship reports confirming the location of the tropical storm . At 1800 UTC on August 1 , an unidentified ship roughly 950 mi ( 1 @,@ 550 km ) southeast of Hilo , Hawaii reported 70 mph ( 110 km / h ) winds within a storm , prompting the JTWC to initiate advisories on Tropical Storm Dot . Despite an apparent correlation between Dot and the preceding unnamed tropical cyclone , the lack of ship reports between July 27 and August 1 prevented the agency from confirming that the two systems were the same . Nonetheless , development upon designation was rapid as the system tracked westward , with reports from the SS Sonoma indicating that Dot had intensified to hurricane strength by August 2 . Rapid intensification continued , and at 0000 UTC on August 3 , reconnaissance aircraft found winds of 150 mph ( 240 km / h ) and a minimum barometric pressure of 952 mbar ( hPa ; 28 @.@ 11 inHg ) , making Dot a Category 4 hurricane on the modern @-@ day Saffir – Simpson hurricane wind scale . Later analysis indicated that these figures constituted the hurricane 's peak intensity . After peaking , Dot slightly weakened , but maintained its Category 4 status for more than two days ; during that time it boasted an unusually large eye spanning as much as 40 mi ( 65 km ) in diameter . Late on August 4 , a fourth reconnaissance flight into the storm found surface winds of 160 mph ( 260 km / h ) , but this reading was discounted on the basis that pressures were unusually high for a storm of that intensity . On August 5 , Dot passed 90 mi ( 145 km ) south of Ka Lae before the storm curved sharply towards the northwest late that day . A more definite weakening phase began after this point , and during the night of August 6 , Dot made landfall on Kauai with winds estimated at 85 mph ( 140 km / h ) , making the storm a Category 1 @-@ equivalent at the time of landfall . After traversing the island , Dot was downgraded to tropical storm intensity and curved back to the west before eventually dissipating on August 8 . = = Preparations , impact , and aftermath = = On August 3 , the United States Weather Bureau issued a hurricane watch for coastal areas of the Big Island in Kau and Puna districts . As Dot swept by the Hawaiian islands , various gale warnings and small craft warnings shifted westward to reflect the hurricane 's predicted path . Due to the storm 's sudden northward shift in movement , hurricane warnings were issued for portions of Oahu and the Kauai channel before being issued for only the island of Kauai . All watches and warnings were discontinued on August 7 after Dot weakened below hurricane intensity . Disaster workers in Oahu and Kauai were warned by civil defense agencies and the American Red Cross to prepare for emergency . Roughly 400 people fled from the beaches of Kauai due to the threat of storm surge , with an additional 500 people being evacuated by authorities as the storm neared the island . After the storm caused flooding in Kauai , nearly 1 @,@ 000 people evacuated out of submerged areas into schools , armories , and public facilities repurposed as emergency shelters . Passing well to the south of the Big Island , Lanai , Maui , Molokai , and Oahu , damage from Dot on these islands was minor . Rainfall on the Big Island peaking at 4 in ( 100 mm ) caused localized flooding in some areas , while wave damage occurred at Ka Lae and along the island 's Kona coast . Winds at a station on Ka Lae reached 85 mph ( 140 km / h ) . Flooding also occurred on Oahu , and along the coast homes were unroofed and cars were damaged by flying projectiles after being subjected to winds estimated at 60 mph ( 95 km / h ) . Off of Lanai , a tugboat captain was indirectly killed after he slipped between two boats in rough seas while attempting to board another ship , crushing him . Another indirect death occurred on Lanai in a traffic incident resulting from Dot 's rainfall . Damage on the Hawaiian islands outside of Kauai was estimated at $ 150 @,@ 000 . Rough surf along the coasts of Kauai combined with torrential rainfall to produce widespread coastal flooding . Waves at Port Allen peaked at 35 ft ( 10 @.@ 7 m ) . Pineapple plantations were inundated , with losses exceeding US $ 200 @,@ 000 . Infrastructure damage as a result of wave action was spotty but nonetheless amounted to US $ 100 @,@ 000 . The August 1959 rainfall total in Lihue , largely attributed to Dot , measured 8 @.@ 13 in ( 207 mm ) , 6 in ( 150 mm ) in excess of normal . The heavy rainfall caused rivers and streams to swell and inundate adjacent areas . Despite making landfall as a weak Category 1 hurricane , Dot brought damaging winds inland , with a maximum wind gust of 103 mph ( 166 km / h ) reported at Kilauea Light . However , gusts as high as 125 mph ( 200 km / h ) were estimated given the snapping of palm trees . Strong winds damaged hundreds of buildings in the areas of Kilauea , Lihue , and Lawai , Hawaii . Extensive losses resulted from the damaging and toppling of macadamia trees . However , of the crops on Kauai , cane suffered the greatest impact with damage figures reaching US $ 2 @.@ 7 million . The toppling of power lines caused power outages across the island ; fallen lines also blocked roads . Water supply to some communities failed due to the lack of electricity . With the exception of emergency radio transmitters , telecommunications on Kauai failed . The damage toll from Dot for the entirety of Hawaiʻi totaled US $ 6 million , making the hurricane the costliest in Hawaiian history before it was surpassed by hurricanes Iwa , Iniki and Iselle in 1982 , 1992 and 2014 , respectively . Adjusted for inflation , Dot 's damage figure nears US $ 50 million . Due to the damage wrought by Dot on Kauai , the island was declared a major disaster area . Stepping in for governor William F. Quinn , Hawaiian secretary Edward E. Johnston declared a state of emergency for Hawaii and allocated funds towards the repairing of roads and public property . The United States Weather Bureau awarded the SS Sonoma a public service award on October 7 , 1959 for serving as reconnaissance for Hurricane Dot throughout its existence .

= Jacob deGrom = Jacob Anthony deGrom ( born June 19 , 1988 ) , is an American professional baseball pitcher for the New York Mets of Major League Baseball ( MLB ) . Prior to playing professionally , deGrom attended Stetson University and played college baseball for the Stetson Hatters . DeGrom began playing baseball as a shortstop and was converted into a pitcher during his junior year at Stetson . The Mets selected him in the ninth round of the 2010 MLB Draft , and he made his MLB debut with the Mets on May 15 , 2014 . That year , deGrom was named the National League 's ( NL ) Rookie of the Month twice , and the NL Rookie of the Year . In 2015 , deGrom was selected as an MLB All @-@ Star . = = Amateur career = = DeGrom attended Calvary Christian Academy in Ormond Beach , Florida , where he played for the school 's baseball and basketball teams . As a senior , the Florida Sports Writers Association named deGrom to the All @-@ Florida second team . He also played American Legion baseball , where he was noticed by the coaches for the Stetson Hatters , the college baseball team of Stetson University . DeGrom was not selected in the Major League Baseball ( MLB ) Draft out of high school . He enrolled at Stetson University and joined their baseball team where he played exclusively as a shortstop during his freshman and sophomore seasons . Though he was considered a good fielder with a strong throwing arm , deGrom was a light hitter , with a career .263 batting average . He made his first appearance as a pitcher in May 2009 . In the summer of 2009 , between his sophomore and junior years , deGrom received an invitation to play collegiate summer baseball for the DeLand Suns of the Florida Collegiate Summer League , which he declined after discovering that they wanted him to play as a pitcher . When deGrom returned to Stetson that fall , the team used him as a relief pitcher , filling the role of their closer , in addition to playing shortstop . He quickly became one of Stetson 's best pitchers , so the team moved deGrom into their starting rotation midway through the season . In addition to a fastball , deGrom learned to throw a changeup and a slider . MLB scouts began to take notice of deGrom when he pitched against Chris Sale of Florida Gulf Coast University . In that game , deGrom hit his only home run of the season . He made 12 starts for the Hatters , pitching to a 4 – 5 win – loss record with a 4 @.@ 48 earned run average . = = Professional career = = = = = Minor League Baseball = = = The New York Mets selected deGrom in the ninth round as a pitcher , with the 272nd overall selection , of the 2010 MLB Draft . He signed with the Mets , receiving a $ 95 @,@ 000 signing bonus . The Mets assigned deGrom to the Kingsport Mets of the Rookie @-@ level Appalachian League , where he made six starts before he was diagnosed with a partial tear of the ulnar collateral ligament ( UCL ) in his pitching elbow . He attempted to rehabilitate his arm for four months , but underwent Tommy John surgery to repair the UCL in October . He did not pitch in 2011 while he recovered from the surgery . While rehabilitating , deGrom worked on his changeup with Johan Santana . DeGrom pitched for the Savannah Sand Gnats of the Class A South Atlantic League and the St. Lucie Mets of the Class A @-@ Advanced Florida State League in 2012 , finishing the year with a 2 @.@ 43 ERA in 19 games started . In 2013 , he began the season with St. Lucie , but was promoted to the Binghamton Mets of the Class AA Eastern League after two starts due to injuries to Binghamton 's Luis Mateo and Cory Mazzoni . He received a promotion to the Las Vegas 51s of the Class AAA Pacific Coast League in June after the Mets promoted Zack Wheeler and Carlos Torres to the major leagues and traded Collin McHugh . He had a combined 4 @.@ 51 ERA for the season , due to a broken finger suffered during the offseason , which altered the way he threw the ball . The Mets added deGrom to their 40 @-@ man roster on November 20 , 2013 , to protect him from being eligible in the Rule 5 draft . During the offseason , deGrom improved his mechanics , and learned to throw a curveball . He began the 2014 season with Las Vegas , and had a 4 – 0 win – loss record and a 2 @.@ 58 ERA in his first seven games started . = = = Major League Baseball = = = = = = = 2014 = = = = The Mets promoted deGrom to the major leagues on May 12 , 2014 , after Gonzalez Germen was placed on the disabled list . The Mets planned to use deGrom in relief , but an injury to Dillon Gee required the Mets to insert him into their starting rotation . DeGrom made his major league debut on May 15 against cross @-@ town rival New York Yankees in Citi Field . He faced fellow rookie Chase Whitley , also making his MLB debut . He pitched seven innings , allowing only one run and striking out six , but the Yankees shut out the Mets and won 1 – 0 . DeGrom also collected his first MLB hit in the game in his first career at bat . It was the first hit by a Mets pitcher in the 2014 season ending an 0 @-@ for @-@ 64 hitless streak , the worst collective mark by a pitching staff to begin a season in MLB history . DeGrom compiled four quality starts in his first four MLB starts , but did not record a win in any of them . On July 8 , deGrom pitched seven scoreless innings and recorded 11 strikeouts in giving the Mets their 4,000th franchise victory . Along with Steve Cishek of the Miami Marlins , deGrom was named the National League 's ( NL ) Co @-@ Player of the Week for the period of July 21 to July 27 after allowing only one earned run in two starts that week . He was named the NL Rookie of the Month for July . On August 11 , deGrom went on the disabled list with rotator cuff tendinitis . Rafael Montero was called up on August 12 in deGrom 's place . On August 23 , Montero was re @-@ sent back to the 51s to make room for deGrom coming off the disabled list . On September 15 , 2014 , deGrom faced the Marlins and struck out his first eight batters , tying the MLB record . Near the end of the season , deGrom was shut down for the year , ending his season with a 9 – 6 record , a 2 @.@ 69 ERA and 144 strikeouts . DeGrom won the 2014 Sporting News NL Rookie of the Year Award and was named the NL Rookie of the Year by the Baseball Writers ' Association of America , ( the first by a Met since Dwight Gooden in 1984 ) receiving first place votes on 26 of the 30 ballots . = = = = 2015 = = = = DeGrom and Clayton Kershaw of the Los Angeles Dodgers were selected as NL Co @-@ Players of the Week for the week ending June 7 , 2015 . He began the 2015 season with a 8 – 6 win @-@ loss record and a 2 @.@ 30 ERA through the end of June , and was named to the NL roster in the 2015 MLB All @-@ Star Game . During the All @-@ Star Game , deGrom struck out the three batters he faced on ten pitches , becoming the first person to do so since pitch counts were recorded . DeGrom pitched to a 14 – 8 record with a 2 @.@ 54 ERA and a 0 @.@ 99 walks plus hits per inning pitched ratio during the 2015 season . Starting Game 1 of the 2015 NLDS , he allowed no runs and five hits over seven innings pitched and tied a Mets franchise postseason record with 13 strikeouts ( set by Tom Seaver , Game 1 of the 1973 NLCS ) . DeGrom won the deciding Game 5 with a six @-@ inning , two @-@ run effort . In Game 3 of the 2015 NLCS against the Chicago Cubs , deGrom pitched seven @-@ inning game , allowing just two runs on four hits , one walk and seven strikeouts , putting the Mets ahead 3 – 0 and within one game of their first World Series appearance since the 2000 Subway Series . DeGrom started Game 2 of the 2015 World Series on October 28 ; he allowed four runs on six hits and three walks over five innings and took the loss as the Royals went up , 2 – 0 , in the series . Following the season , deGrom received a Wilson Defensive Player of the Year Award as the best defensive player statistically at his position in Major League Baseball . = = = = 2016 = = = = Not yet eligible for salary arbitration , the Mets renewed deGrom 's contract for the 2016 season with a $ 607 @,@ 000 salary , a raise from the $ 556 @,@ 875 they paid him for the previous season . DeGrom refused to sign the contract in protest , but stated that he was open to negotiating a contract extension . = = Personal life = = DeGrom is from DeLeon Springs , Florida . He was raised by his parents , Tony , an AT & T lineman , and Tammy , a customer service representative for a credit card rewards program . Tony built a batting cage in the backyard for his son to practice . He credits his father for his quiet intensity and humility . He has two sisters , Sarah and Jessica . DeGrom met his wife , Stacey , shortly after high school . They were married in November 2014 , and live in DeLand , Florida . They have a Morkie , and welcomed their first son in April 2016 . DeGrom is known for his long hair , which he began to grow out while at Stetson . His starts with the Mets led to the trending hashtag on Twitter of " # hairwego " .

= Battle of Merville Gun Battery = The Battle of Merville Gun Battery occurred on 6 June 1944 , as part of Operation Tonga , part of the Normandy landings , during the Second World War . Allied intelligence believed the Merville Gun Battery was composed of heavy @-@ calibre guns that could threaten the British landings at Sword Beach , only 8 miles ( 13 km ) away . The 9th Parachute Battalion , part of the 3rd Parachute Brigade attached to 6th Airborne Division , was given the objective of destroying the battery . However , when the battalion arrived over Normandy , their parachute descent was dispersed over a large area , so instead of over 600 men , only 150 with no heavy weapons or equipment arrived at the battalion assembly point . Regardless , they pressed home their attack and succeeded in capturing the battery , only to discover that the guns were of a lower caliber than expected [ Czech @-@ manufacture 100mm ] . However , these still had the range ( over 8000 metres ) to hit targets on Sword Beach and in Ouistreham . Using what explosives they had been able to recover , the surviving 75 men tried to disable the guns . When the British paratroopers had withdrawn , two of the guns were put back into action by the Germans . Another attack the next day by British Commandos failed to recapture the battery , which remained under German control until 17 August , when the German Army started to withdraw from the area . = = Background = = On 6 June 1944 , the British 6th Airborne Division was given the task of securing the left flank of the Allied seaborne landings . One of their objectives was the destruction of the Merville Gun Battery . Allied planners had judged from the size of the concrete gun emplacements that the guns must be around 150 mm in calibre . If so , the guns would have a range of about 8 miles ( 13 km ) and could threaten Sword Beach , to the west of Ouistreham , where the 3rd British Infantry Division were due to land later that day . = = = British forces = = = The unit assigned to destroy the battery was the 9th Parachute Battalion , part of the 3rd Parachute Brigade , commanded by Lieutenant Colonel Terence Otway . The battalion 's normal complement of 600 men was supported by a section of sappers from the Royal Engineers , eight Airspeed Horsa glider loads transporting Jeeps and trailers , and stores including explosives , an anti @-@ tank gun and flamethrowers . Three of the gliders , transporting 50 volunteers , were to carry out a coup de main landing onto the position to coincide with the ground assault . In April 1944 , the force was taken to Walbury Hill in Berkshire , where over seven days the Royal Engineers had built a full @-@ scale replica of the battery , including obstacles and barbed wire fences . The following five days were spent holding briefings and getting acquainted with the layout of the battery . They carried out nine practice assaults , four of them at night . Due to the nature of the mission , the battalion was given additional medical support from No. 3 Section 224th ( Parachute ) Field Ambulance . Another unit that would be present during the attack but not directly involved was A Company of the 1st Canadian Parachute Battalion . This company was tasked to provide covering fire for the 9th Battalion 's approach to and withdrawal from the battery . The assault had to be completed and the battalion clear of the position by 05 : 00 , when the Royal Navy cruiser HMS Arethusa would open fire on the battery in an attempt to destroy it with naval gunfire . = = = Battery = = = The Merville Battery was composed of four 6 @-@ foot @-@ thick ( 1 @.@ 8 m ) steel @-@ reinforced concrete gun casemates , built by the Todt Organisation . Each was designed to protect First World War @-@ vintage Czech M.14 / 19 100 mm guns . Other buildings on the site included a command bunker , a building to accommodate the men , and ammunition magazines . During a visit on 6 March 1944 , to inspect the defences , Field Marshal Erwin Rommel ordered the builders to work faster , and by May 1944 , the last two casemates were completed . The battery was defended by a 20 mm anti @-@ aircraft gun and several machine guns in 15 gun positions , all enclosed in an area 700 by 500 yards ( 640 by 460 m ) surrounded by two barbed wire obstacles 15 feet ( 4 @.@ 6 m ) thick by 5 feet ( 1 @.@ 5 m ) high , which also acted as the exterior border for a 100 @-@ yard @-@ deep ( 91 m ) minefield . Another obstacle was an anti @-@ tank ditch covering any approach from the nearby coast . The original commander of the battery , Hauptmann Wolter , was killed during a Royal Air Force bombing raid on 19 May 1944 . He was replaced by Oberleutnant Raimund Steiner , who commanded 50 engineers and 80 artillerymen from the 1st Battery , Artillery Regiment 1716 , part of the 716th Static Infantry Division . The battery had a complement of some one hundred men in all . These were chiefly gunnery crews , of course , such as my team , but also included staff officers and their assistants , medical , cooks , observation teams , maintenance teams and guards with side arms . It was intended that the battery could remain under siege for up to three months , with sufficient rations and generator fuel kept on site for this event ; the water supply came from an aquifer and could not be interrupted . It was a remarkable structure , and it featured prominently in propaganda of the time … = = Assault = = Just after midnight on 6 June , the 9th Parachute Battalion 's advance party landed with the brigade 's pathfinders , and reached the battalion assembly area without any problems . While some men remained to mark out the company positions , the battalion 's second in command , Major George Smith , and a reconnaissance party left to scout the battery . At the same time , Royal Air Force Lancaster bombers started their bombing run , which completely missed the battery , their bombs landing further to the south . The pathfinders in the meantime were having problems . Those who had arrived at the correct drop zone found their Eureka beacons had been damaged when they landed , and in the smoke and debris left over from the bombing , their marker lights could not be seen by the pilots of the transport aircraft . The main body of the 9th Parachute Battalion and their gliders were to land at drop zone ' V ' , located between the battery and Varaville from 01 : 00 . However , the battalion was scattered , with a number of paratroopers landing a considerable distance from the designated drop zone . Lieutenant Colonel Otway landed with the rest of his " stick " 400 yards ( 370 m ) away from the drop zone at a farmhouse being used as a command post by a German battalion ; after a brief fire @-@ fight , they helped other scattered paratroopers , and reached the drop zone at 01 : 30 . By 02 : 50 , only 150 men had arrived at the battalion 's assembly point with 20 Bangalore torpedoes and a machine gun . The mortars , anti @-@ tank gun , mine detectors , jeeps , sappers and field ambulance section were all missing . Aware of the time constraints , Otway decided he could wait no longer , and the reduced battalion headed for the battery and joined up with Major Smith 's reconnaissance party just outside the village of Gonneville en Auge . The reconnaissance party had cut a way through the barbed wire , and marked four routes through the minefield . Otway divided his men into four assault groups , and settled down to await the arrival of the three gliders . In England , one of the gliders never left the ground , as its tow rope had snapped on taxiing . The other two gliders , unable to locate the battery , did not land where expected . On their run in , both gliders were hit by anti @-@ aircraft fire . One landed around 2 miles ( 3 @.@ 2 km ) away , the other at the edge of the minefield . The troops from this glider became involved in a fire fight with German troops heading to reinforce the battery garrison . Otway launched the assault as soon as the first glider overshot the battery , ordering the explosives to be detonated to form two paths through the outer perimeter through which the paratroopers attacked . The defenders were alerted by the explosions , and opened fire , inflicting heavy casualties ; only four attackers survived to reach Casemate Four , which they disabled by firing into apertures and throwing grenades into air vents . The other casemates were cleared with fragmentation and white phosphorus grenades , as the crews had neglected to lock the doors leading into the battery . During the bombing raid , the battery 's guns had been moved inside the casemates and the steel doors left open for ventilation . During the battle , 22 Germans were killed and a similar number made prisoners of war . The rest of the garrison escaped undetected by hiding in the underground bunkers . Steiner was not present during the bombing , but at a command bunker in Franceville @-@ Plage . After the raid , he set out for the battery , but was unable to gain entry due to the volume of fire from the British paratroopers . At the same time , a reconnaissance patrol from an army Flak unit with a half @-@ track mounting a large anti @-@ aircraft gun arrived . The crew had intended to seek cover at the position , but instead used the gun to engage the paratroopers . With the battery in their hands , but no sappers or explosives , the British gathered together what plastic explosives they had been issued for use with their Gammon bombs to try to destroy the guns . By this time , Steiner had returned to Franceville @-@ Plage , and directed his regiment 's 2nd and 3rd Batteries to fire onto the Merville Battery . = = Aftermath = = Just before 05 : 00 , the battalion 's survivors , just 75 men of the 150 who had set out , left the battery and headed for their secondary objective , the village of La Plein . The battalion , being too weak , only managed to liberate around half of the village , and had to await the arrival of the 1st Commando Brigade later in the day to complete its capture . After the British had withdrawn , the Germans reoccupied the battery position . Steiner was unable to see Sword Beach from his command bunker , so even though he was able to get two of his guns back in action , he was unable to direct accurate fire onto the landings . However , observers with the 736th Infantry Regiment , holding out at La Brèche , were able to direct his guns until that position was neutralised . On 7 June , the battery was assaulted again by two troops of commandos from No. 3 Commando , part of the 1st Special Service Brigade . The attack in daylight was repulsed with heavy losses to the commandos . As they withdrew , they were engaged by the battery 's guns firing over open sights . The British never succeeded in completely destroying the battery , and it remained under German control until 17 August , when the German Army started to withdraw from France .

= St Caffo 's Church , Llangaffo = St Caffo 's Church , Llangaffo is a 19th @-@ century church , in the south of Anglesey , north Wales , about 5 miles ( 8 @.@ 0 km ) from the county town , Llangefni . It was constructed in 1846 to replace the previous medieval church in the village of Llangaffo . The new building includes a number of monuments from the old church , and has a spire which is a prominent local landmark . The churchyard has part of a stone cross dating from the 9th or 10th century , and some gravestones from the 9th to 11th centuries . It is dedicated to St Caffo , a 6th @-@ century martyr who was killed in the vicinity . The church is still in use as part of the Church in Wales , one of four churches in a combined parish . It is a Grade II listed building , a designation given to " buildings of special interest , which warrant every effort being made to preserve them " , in particular because it is regarded as " a mid 19th @-@ century rural church , consistently articulated and detailed in an Early English style " . = = History and location = = The date of first construction of a church in Llangaffo ( a village in Anglesey about 5 miles ( 8 @.@ 0 km ) south of the county town of Llangefni ) is uncertain . The village takes its name from the church : the Welsh word llan originally meant " enclosure " and then " church " , and " -gaffo " is a modified form of the saint 's name . St Caffo , a 6th @-@ century Christian , was a companion of St Cybi and was martyred by shepherds in the vicinity of what is now Llangaffo , perhaps in revenge for his brother Gildas insulting Maelgwn Gwynedd , the local ruler . It is thought that there may have at one point been a monastery in this location , known as " Merthyr Caffo " : merthyr is the Welsh word for " martyr " , and in place names means a building erected near a saint 's grave . The present building , which is in the north @-@ eastern part of the village on the south @-@ eastern side of the B4419 road , was erected in 1846 alongside the churchyard to a design by the Sheffield @-@ based architects Weightman and Hadfield . It replaced an older church , which had stood on an adjoining outcrop of rock until it was demolished . It was described by the clergyman and antiquarian Harry Longueville Jones ( writing in 1846 , as the new church was being constructed ) as a " very small and unimportant edifice " ; he also noted that it was the only medieval building remaining in the parish . The 19th @-@ century church is still in use and belongs to the Church in Wales . It is one of four churches in the combined benefice of Llanfihangel Ysgeifiog ( St Michael 's Church , Gaerwen ) with Llangristiolus ( St Cristiolus 's Church ) with Llanffinan ( St Ffinan 's Church ) with Llangaffo . It is within the deanery of Malltraeth , the archdeaconry of Bangor and the Diocese of Bangor . As of 2012 , the vicar of the four churches is Emlyn Williams , assisted by a curate ( E. R. Roberts ) . Williams was appointed in 2007 ; before that , the position had been vacant for 20 years despite many attempts by the Church in Wales to fill it . Services in Welsh are held every Sunday , either Holy Communion or Morning Prayer ; there are no midweek services . Edward Wynn ( 1618 – 1669 ) was rector here from 1658 ; he later became Chancellor of Bangor Cathedral , and is buried at the church . James Williams ( 1790 – 1872 ) was the son of John Williams , rector of St Caffo 's . He succeeded his father when he resigned in 1821 , and later became Chancellor of Bangor Cathedral . = = Architecture and fittings = = St Caffo 's is built of rubble masonry dressed with limestone , in an early English style ( a style of architecture used between about 1180 and 1275 , typically using narrow pointed windows and arches ) . The roof is made of slate . The tower , at the west end , has buttresses at the corners and is topped with a broach spire , which is a prominent local landmark . Entrance is through an arched doorway in the north side of the tower . The chancel , at the east end of the church , is smaller than the nave in both height and width ; there is a transept on the north side of the chancel . The nave has lancet windows , and there is a further lancet window on the south side of the chancel . The church 's east window is set in a pointed arch and has three lights ( sections of window separated by mullions ) . Inside the church , the sanctuary at the east end is raised above the chancel by one step ; the floor of the sanctuary and the reredos behind the altar are made from encaustic tiles . Fittings include a circular decorated 12th @-@ century font and a 17th @-@ century pulpit with carved decorative panels . A 1937 survey by the Royal Commission on Ancient and Historical Monuments in Wales and Monmouthshire recorded that the church owned a silver cup and a paten dated 1736 . The transept has a number of memorials dating from the 17th century ( including one to Edward Wynn ) , and a stone from the early 7th century inscribed with .. VI / RNIN / FILIUS / CUURIS / CINI / ERE / XIT / HUNC / LAPI / DEM . The stone , which is set in the wall , originally came from Newborough , Anglesey . The church porch houses part of a cross head in the shape of a wheel , dating from the 9th or 10th century ; part of the rest of the cross is in the churchyard , but it has suffered significant weather damage with most of the patterns worn away . The oldest graves are to the north of the church , which is unusual : ordinarily the southern part of the churchyard would be used first for burials , with the northern part remaining unconsecrated unless and until extra space for graves was required . The path between the road and the church has sunken , which may partly be explained by the medieval custom of burying the dead on top of each other . One author has suggested that the mound alongside the path might indicate that the church is located in the site of a Bronze Age settlement . The churchyard has seven gravestones that were discovered in the walls of the previous church . Six of them date from between the 9th and 11th centuries , and the seventh is from the 12th or 13th century . The doorway from the old church , dating from the 15th century , has been reused as an entrance to the churchyard . A carved stone human head , from the 12th century , has been inserted into the north wall of the churchyard . A war memorial in the shape of a Celtic cross remembers those who died during the First and Second World Wars . = = Assessment = = The church is a Grade II listed building – the lowest of the three grades of listing , designating " buildings of special interest , which warrant every effort being made to preserve them " . It was given this status on 30 January 1968 and Cadw ( the Welsh Assembly Government body responsible for the built heritage of Wales ) states that it has been listed because it is " a mid 19th @-@ century rural church , consistently articulated and detailed in an Early English style . " The 19th @-@ century writer Samuel Lewis said that the rebuilt church " forms a very good specimen of the early English style of architecture " , adding that it was " effective from its simplicity and the absence of pretension . " He added that the interior had been " fitted up in a neat and appropriate manner , and the details throughout appear to have been carefully studied " . A 2006 guide to the churches of Anglesey says that the " impressive " tower and steeple " form " a landmark visible for many miles . " It also comments that rendering on part of the tower and the south wall makes them less attractive than the north wall . A 2009 guide to the buildings of the region notes the " exceptional number of inscribed fragments " , showing it to be a place of early Christian worship , but considers that the church is " unlovely " . Similarly , a 2005 guide to Wales describes St Caffo 's as " an uninspiring nineteenth @-@ century church from the outside " but says that it has " a remarkable collection " of memorial stones .

= George N. Briggs = George Nixon Briggs ( April 12 , 1796 – September 12 , 1861 ) was an American lawyer and politician from Massachusetts . A Whig , Briggs served for twelve years in the United States House of Representatives , and served seven one @-@ year terms as the 19th Governor of Massachusetts , from 1844 to 1851 . Raised in rural Upstate New York , Briggs studied law in western Massachusetts , where his civic involvement and successful legal practice preceded statewide political activity . He was elected to Congress in 1830 , where he supported the conservative Whig agenda , serving on the Committee on the Post Office and Post Roads . He was also a regular advocate of temperance , abstaining from all alcohol consumption . He was nominated by the Whigs in 1843 to run against Democratic Governor Marcus Morton as part of a Whig bid for more rural votes , and easily won election until 1849 . Although he sought to avoid the contentious issue of slavery , he protested South Carolina policy allowing the imprisonment of free African Americans . He supported capital punishment , notably refusing to commute the death sentence of John White Webster for the murder of George Parkman . Briggs died of an accidental gunshot wound at his home in Pittsfield , Massachusetts . = = Early life and education = = George Nixon Briggs was born in Adams , Massachusetts on April 12 , 1796 . He was the eleventh of twelve children of Allen Briggs , a blacksmith originally from Cranston , Rhode Island , and Nancy ( Brown ) Briggs , of Huguenot descent . His parents moved the family to Manchester , Vermont when he was seven , and , two years later , to White Creek , New York . The household was religious : his father was a Baptist and his mother was a Quaker , and they gave their children religious instruction from the Bible . At the age of 14 , during the Second Great Awakening , which was especially strong in Upstate New York , Briggs experienced a conversion experience and joined the Baptist faith . He spoke at revival meetings of his experience , drawing appreciative applause from the crowds , according to Hiland Hall , who came to know Briggs at that time and who became a lifelong friend and political associate . His faith informed his personal behavior : he remained committed to religious ideals , for instance objecting to Congressional sessions that stretched into Sunday and abstaining from alcohol consumption . Briggs sporadically attended the public schools in White Creek , and was apprenticed for three years to a Quaker hatter . With support from his older brothers he embarked on the study of law in Pittsfield and Lanesboro in 1813 , and was admitted to the Massachusetts bar in 1818 . He first opened a practice in Adams , moved it to Lanesboro in 1823 , and Pittsfield in 1842 . His trial work was characterized by a contemporary as clear , brief , and methodical , even though he was fond of telling stories in less formal settings . In 1817 Briggs helped to establish a Baptist church in Lanesboro ; in this congregation he met Harriet Hall , whom he married in 1818 ; their children were Harriet , George , and Henry . Briggs was also called upon to raise the four orphaned children of his brother Rufus , one of the brothers who supported him in his law studies . Rufus died in 1816 , followed by his wife not long afterward . Briggs ' involvement in civic life began at the local level . From 1824 to 1831 Briggs was the register of deeds for the Northern district of Berkshire County , Massachusetts . He was elected town clerk in 1824 , was appointed chairman of the board of commissioners of highways in 1826 . His interest in politics was sparked by his acquaintance with Henry Shaw , who served in the United States House of Representatives from 1817 to 1821 . A criminal case tried in 1826 brought Briggs wider notice . An Oneida Indian living in Stockbridge was accused of murder . Briggs was appointed by the court to defend him ; convinced by the evidence that the man was innocent , Briggs made what was described by a contemporary as a plea that was " a model of jury eloquence " . The jury , unfortunately , disagreed with Briggs , and convicted the man , who was hanged . In 1830 the true murderer confessed to commission of the crime . = = U.S. House of Representatives = = Despite his rise in prominence , Briggs was at first ineligible for state offices because he did not own property . In 1830 he decided to run for Congress , for which there was no such requirement . He was elected to the twenty @-@ second through the twenty @-@ fourth Congresses as an Anti @-@ Jacksonian , and as a Whig to the twenty @-@ fifth through twenty @-@ seventh Congresses , serving from March 4 , 1831 to March 3 , 1843 . He decided not to run for reelection in 1842 . Briggs was what became known in later years as a " Cotton Whig " . He was in favor of protectionist tariffs , and opposed the expansion of slavery into western territories , but did not seek to threaten the unity of the nation with a strong stance against slavery . He served on the Committee on Public Expenditures and the Committee on the Post Office and Post Roads , serving for a time as the chairman of each . The Post Office committee was a regular recipient of complaints from southern states concerning the transmission of abolitionist mailings , which were seen there as incendiary ; the matter was of some controversy because southern legislators sought to have these types of mailings banned . Briggs ' friend Hiland Hall , who also sat on the committee , drafted a report in 1836 rebutting the rationales used in such legislative proposals , but the committee as a whole , and then the House , refused to accept the report . Although the authorship of the report appears to be entirely Hall 's , Briggs may have contributed to it , and was a signatory to Hall 's publication of the report in the National Intelligencer , a major political journal . The document was influential in driving later Congressional debate on legislative proposals concerning abolitionist mailings , none of which were ever adopted . Briggs and Hall were both instrumental in drafting and gaining passage of the Post Office Act of 1836 , which included substantive accounting reforms in the wake of financial mismanagement by Postmaster General William Taylor Barry . During his time in Congress , Briggs was a vocal advocate for temperance . He formed the Congressional Temperance Society in 1833 , sitting on its executive committee ; at an 1836 temperance convention at Saratoga Springs , New York he advocated the taking of total abstinence pledges as a way to bring more people away from the evils of alcohol , and notably prepared such a pledge for Kentucky Representative Thomas F. Marshall on the floor of the House of Representatives . His moves to organize the temperance movement in Congress died out when he left the body , but it was a cause he would continue to espouse for the rest of his life . In 1860 he was chosen president of the American Temperance Union . = = Governor of Massachusetts = = Briggs was nominated to run for the governorship on the Whig ticket against the incumbent Democrat Marcus Morton in 1843 . Former Governor John Davis had been nominated first , but refused the nomination , possibly because Daniel Webster promised him party support for a future vice presidential bid . Briggs was apparently recommended as a compromise candidate acceptable to different factions within the party ( one controlled by Webster , the other by Abbott Lawrence ) . He was also probably chosen to appeal more directly to the state 's rural voters , a constituency that normally supported Morton . The abolitionist Liberty Party also fielded a candidate , with the result that none of the candidates won the needed majority . The legislature decided the election in those cases ; with a Whig majority there , Briggs ' election was assured . Briggs was reelected annually until 1850 against a succession of Democratic opponents . He won popular majorities until the 1849 election , even though third parties ( including the Liberty Party and its successor , the Free Soil Party ) were often involved . Although Whigs had a reputation for aristocratic bearing , Briggs was much more a man of the people than the preceding Whig governors , John Davis and Edward Everett . In 1844 Briggs , alarmed at a recently enacted policy by South Carolina authorizing the imprisonment of free blacks arriving there from Massachusetts and other northern states , sent representatives to protest the policy . Samuel Hoar and his daughter Elizabeth were unsuccessful in changing South Carolina policy , and after protests against what was perceived as Yankee interference in Southern affairs , were advised to leave the state for their own safety . Capital punishment was a major issue that was debated in the state during Brigg 's tenure , with social reformers calling for its abolition . Briggs personally favored capital punishment , but for political reasons called for moderation in its use , seeking , for example , to limit its application in murder cases to those involving first degree murder . After an acquittal in an 1846 murder case where anti @-@ death penalty sentiment was thought to have a role , Briggs , seeking to undercut the anti @-@ death penalty lobby , proposed eliminating the penalty for all crimes except murder , but expressed concern that more such acquittals by sympathetic juries would undermine the connection between crime and punishment . Briggs ' argument was used in the 1849 trial of Washington Goode , a black mariner accused of killing a rival for the affections of a lady . The case against Goode was essentially circumstantial , but the jury heeded the district attorney 's call for assertive punishment of " crimes of violence " and convicted him . There were calls for Briggs to commute Goode 's capital sentence , but he refused , writing " A pardon here would tend toward the utter subversion of the law . " Not long after the Goode case came the sensational trial of Professor John White Webster in the murder of George Parkman , a crime that took place at the Harvard Medical School in November 1849 . The trial received nationwide coverage , and the prosecution case was based on evidence that was either circumstantial ( complicated by the fact that a complete corpse was not found ) , or founded on new types of evidence ( forensic dentistry was used for the first time in this trial ) . Furthermore , Massachusetts Supreme Judicial Court Chief Justice Lemuel Shaw was widely criticized for bias in the instructions he gave to the jury . Briggs was petitioned to commute Webster 's sentence by death penalty opponents , and even threatened with physical harm if he did not . He refused however , stating that the evidence in the case was clear ( especially after Webster gave a confession ) , and that there was no reason to doubt that the court had acted with due and proper diligence . During Briggs ' time as governor , abolitionist activists continued to make inroads against both the Whigs and Democrats , primarily making common cause with the Democrats against the dominant Whigs . Briggs ' stance as a Cotton Whig put him in opposition to these forces . He opposed the Mexican @-@ American War , but acceded to federal demands that the states assist in raising troops for the war , earning the wrath of activist Wendell Phillips . He did promote other types of reform , supporting Horace Mann in his activities to improve education in the state . In 1849 , Briggs failed to secure a majority in the popular vote because of the rise in power of the Free Soil Party , but the Whig legislature returned him to office . In the 1850 election , anger over the Compromise of 1850 ( a series of federal acts designed to preserve the unity of the nation which included the Fugitive Slave Act ) prompted the Democrats and Free Soilers to form a coalition to gain control over the Massachusetts legislature , and divided the Whigs along pro- and antiabolition lines . With the gubernatorial election again sent to the legislature , Democrat George S. Boutwell was chosen over Briggs . = = Later years = = Briggs resumed the practice of law in Pittsfield . He was a member of the state constitutional convention in 1853 , and sat as a judge of the Court of Common Pleas from 1853 to 1858 . In 1859 he was nominated for governor by the fading Know @-@ Nothing movement , but trailed far behind other candidates . In 1861 Briggs was appointed by President Abraham Lincoln to a diplomatic mission to the South American Republic of New Granada ( roughly present @-@ day Colombia and Panama ) . However , he died before he could take up the position . On September 4 , 1861 Briggs was getting an overcoat out of his closet at his home in Pittsfield , when a gun fell . As Briggs was picking it up , the gun discharged and Briggs was shot . Briggs died early in the morning of September 12 , 1861 , and was buried in the Pittsfield Cemetery .

= Simon Bradstreet = Simon Bradstreet ( baptized March 18 , 1603 / 4 – March 27 , 1697 ) was a colonial magistrate , businessman , diplomat , and the last governor of the Massachusetts Bay Colony . Arriving in Massachusetts on the Winthrop Fleet in 1630 , Bradstreet was almost constantly involved in the politics of the colony but became its governor only in 1679 . He served on diplomatic missions and as agent to the crown in London , and also served as a commissioner to the New England Confederation . He was politically comparatively moderate , arguing minority positions in favor of freedom of speech and for accommodation of the demands of King Charles II following his restoration to the throne . Bradstreet was married to Anne , the daughter of Massachusetts co @-@ founder Thomas Dudley and New England 's first published poet . He was a businessman , investing in land and shipping interests . Due to his advanced age ( he died at 93 ) Cotton Mather referred to him as the " Nestor of New England " . His descendants include the famous jurists Oliver Wendell Holmes , Jr. and David Souter . = = Early life = = Simon Bradstreet was baptized on March 18 , 1603 / 4 in Horbling , Lincolnshire , the second of three sons of Simon and Margaret Bradstreet . His father was the rector of the parish church , and was descended from minor Irish nobility . With his father a vocal Nonconformist , the young Simon acquired his Puritan religious views early in life . At the age of 16 , Bradstreet entered Emmanuel College , Cambridge . He studied there for two years , before entering the service of the Earl of Lincoln as an assistant to Thomas Dudley in 1622 . There is some uncertainty about whether Bradstreet returned to Emmanuel College in 1623 – 1624 . According to Venn , a Simon Bradstreet attended Emmanuel during this time , receiving an M.A. degree , but genealogist Robert Anderson is of the opinion that this was not the same individual . During one of Bradstreet 's stints at Emmanuel he was recommended by John Preston as a tutor or governor to Lord Rich , son of the Earl of Warwick . Rich would have been 12 in 1623 , and Preston was named Emmanuel 's master in 1622 . Bradstreet took over Dudley 's position when the latter moved temporarily to Boston in 1624 . On Dudley 's return several years later , Bradstreet then briefly served as a steward to the Dowager Countess of Warwick . In 1628 he married Dudley 's daughter Anne , when she was 16 . In 1628 , Dudley and others from the Earl of Lincoln 's circle formed the Massachusetts Bay Company , with a view toward establishing a Puritan colony in North America . Bradstreet became involved with the company in 1629 , and in April 1630 , the Bradstreets joined the Dudleys and colonial Governor John Winthrop on the fleet of ships that carried them to Massachusetts Bay . There they founded Boston , the capital of the Massachusetts Bay Colony . = = Massachusetts Bay Colony = = After a brief stay in Boston , Bradstreet made his first residence in Newtowne ( later renamed Cambridge ) , near the Dudleys in what is now Harvard Square . In 1637 , during the Antinomian Controversy , he was one of the magistrates that sat at the trial of Anne Hutchinson , and voted for her banishment from the colony . In 1639 he was granted land in Salem , near that of John Endecott . He lived there for a time , moving in 1634 to Ipswich before becoming one of the founding settlers of Andover in 1648 . In 1666 his Andover home was destroyed by fire , supposedly because of " the carelessness of the maid " . He had varied business interests , speculating in land , and investing with other colonists in a ship involved in the coasting trade . In 1660 he purchased shares in the Atherton Company , a land development company with interests in the " Narragansett Country " ( present @-@ day southern Rhode Island ) . He became one of its leading figures , serving on the management committee , and publishing handbills advertising its lands . When he died he owned more than 1 @,@ 500 acres ( 610 ha ) of land in five communities spread across the colony . He was known to own two slaves , a woman named Hannah and her daughter Billah . Bradstreet was heavily involved in colonial politics . When the council met for the first time in Boston , Bradstreet was selected to serve as colonial secretary , a post he would hold until 1644 . He was politically moderate , arguing against legislation and judicial decisions punishing people for speaking out against the governing magistrates . Bradstreet was also outspoken in opposition to the witch hysteria that infested his home town of Salem , culminating in numerous trials in 1692 . He served for many years as a commissioner representing Massachusetts to the New England Confederation , an organization that coordinated matters of common interest ( principally defense ) among most of the New England colonies . He was regularly chosen as an assistant , serving on the council that dominated the public affairs of the colony , but did not reach higher office until 1678 , when he was first elected deputy governor under John Leverett . He was against military actions against some of the colony 's foreign neighbors , opposing official intervention in a French Acadian dispute in the 1640s , and also spoke against attacking the New Netherland during the First Anglo @-@ Dutch War ( 1652 – 1654 ) . Bradstreet was sent on a number of diplomatic missions , dealing with settlers , other English colonies , and the Dutch in New Amsterdam . In 1650 he was sent to Hartford , Connecticut , where the Treaty of Hartford was negotiated to determine the boundary between the English colonies and New Amsterdam . In the following years he negotiated an agreement with settlers in York and Kittery to bring them under Massachusetts jurisdiction . Following the 1660 restoration of Charles II to the throne of England , colonial authorities again became concerned about preserving their charter rights . Bradstreet in 1661 headed a legislative committee to " consider and debate such matters touching their patent rights , and privileges , and duty to his Majesty , as should to them seem proper . " The letter the committee drafted reiterated the colony 's charter rights , and also included declarations of allegiance and loyalty to the crown . Bradstreet and John Norton were chosen as agents to deliver the letter to London . Charles renewed the charter , but sent the agents back to Massachusetts with a letter attaching conditions to his assent . The colony was expected , among other things , to expand religious tolerance to include the Church of England and religious minorities like the Quakers . The agents were harshly criticized by hardline factions of the legislature , but Bradstreet defended the need to accommodate the king 's wishes as the safest course to take . How to respond to the king 's demands divided the colony ; Bradstreet was part of the moderate " accommodationist " faction arguing that the colony should obey the king 's wishes . This faction lost the debate to the hardline " commonwealth " faction , who were in favor of aggressively maintaining the colony 's charter rights , led through the 1660s by governors John Endecott and Richard Bellingham . With Charles distracted by war with the Dutch and domestic politics in the late 1660s , the issue lay dormant until the mid @-@ 1670s . Relations between colony and crown deteriorated when the king then renewed demands for legislative and religious reforms , which hardline magistrates again resisted . = = Governor = = In early 1679 Governor John Leverett died , and Bradstreet as deputy succeeded him . Leverett had opposed accommodation of the king 's demands , and the change to an accommodationist leadership was too late . Bradstreet would turn out to be the last governor under its original charter . His deputy , Thomas Danforth was from the commonwealth faction . During his tenure , crown agent Edward Randolph was in the colony , attempting to enforce the Navigation Acts , under which certain types of trade involving the colony were illegal . Randolph 's enforcement attempts were vigorously resisted by both the merchant classes and sympathetic magistrates despite Bradstreet 's attempts to accommodate Randolph . Juries frequently refused to condemn ships accused of violating the acts ; in one instance Bradstreet tried three times to get a jury to change its verdict . Randolph 's attempts to enforce the navigation laws eventually convinced the colony 's general court that it needed to create its own mechanisms for their enforcement . A bill to establish a naval office was vigorously debated in 1681 , with the house of deputies , dominated by the commonwealth party , opposing the idea , and the moderate magistrates supporting it . The bill that finally passed was a victory for the commonwealth party , making enforcement difficult and subject to reprisal lawsuits . Bradstreet refused to actually implement the law , and Randolph published open challenges to it . Bradstreet was in some degree vindicated when he won re @-@ election in 1682 , and he then used his judicial authority to further undermine the law 's effects . Randolph 's threats to report the colonial legislature 's intransigence prompted it to dispatch agents to England to argue the colony 's case ; however , their powers were limited . Shortly after their arrival in late 1682 , the Lords of Trade issued an ultimatum to the colony : either grant its agents wider powers , including the ability to negotiate modifications to the charter , or risk having the charter voided . The general court responded by issuing the agents instructions to take a hard line . Following legal processes begun in 1683 , the charter was formally annulled on October 23 , 1684 . = = Dominion , and temporary return as governor = = King Charles II in 1684 established the Dominion of New England . Bradstreet 's brother @-@ in @-@ law Joseph Dudley , who had served as one of the colonial agents , was commissioned by James as President of the Council for New England in 1685 by King James II , and took control of the colony in May 1686 . Bradstreet was offered a position on Dudley 's council , but refused . Dudley was replaced in December 1686 by Sir Edmund Andros , who came to be greatly detested in Massachusetts for vacating existing land titles , and seizing Congregational church properties for Church of England religious services . Andros ' high @-@ handed rule was also unpopular in the other colonies of the dominion . The idea of revolt against Andros arose as early as January 1689 , before news of the December 1688 Glorious Revolution reached Boston . After William and Mary took the throne , Increase Mather and Sir William Phips , Massachusetts agents in London , petitioned them and the Lords of Trade for restoration of the Massachusetts charter . Mather furthermore convinced the Lords of Trade to delay notifying Andros of the revolution . He had already dispatched to Bradstreet a letter containing news that a report ( prepared before the revolution ) stating that the charter had been illegally annulled , and that the magistrates should " prepare the minds of the people for a change . " News of the revolution apparently reached some individuals as early as late March , and Bradstreet is one of several possible organizers of the mob that formed in Boston in April 18 , 1689 . He , along with other pre @-@ Dominion magistrates and some members of Andros ' council , addressed an open letter to Andros on that day calling for his surrender in order to quiet the mob . Andros , who had fled to the safety of Castle Island , surrendered , and was eventually returned to England after several months in confinement . In the wake of Andros ' arrest , a council of safety was formed , with Bradstreet as its president . The council drafted a letter to William and Mary , justifying the colony 's acts in language similar to that used by William in his proclamations when he invaded England . The council fairly quickly decided to revert to the government as it had been under the old charter . In this form Bradstreet resumed the governorship , and was annually re @-@ elected governor until 1692 . He had to defend the colony against those who were opposed to the reintroduction of the old rule , who he characterized in reports to London as malcontents and strangers stirring up trouble . The colony 's northern frontier was also engulfed in King William 's War , where there was frequent Indian raiding . Bradstreet approved the expeditions of Sir William Phips in 1690 against Acadia and Quebec . In 1691 William and Mary issued a charter establishing the Province of Massachusetts Bay , and appointed Phips its first governor . Bradstreet was offered a position on Phips ' council when the new governor arrived in 1692 , but declined . Bradstreet died at his home in Salem on 27 March 1697 at the age of 93 ; due to his advanced age he was called the " Nestor of New England " by Cotton Mather . = = Family and legacy = = Bradstreet was buried in the Charter Street Burying Ground in Salem . Poetry by his first wife Anne was published in England in 1650 , including verses containing expressions of enduring love for her husband . Anne Bradstreet died in 1672 ; the couple had eight children , of whom seven survived infancy . In 1676 Bradstreet married Ann Gardner , the widow of Captain Joseph Gardner , son of Thomas Gardner of Salem . His many descendants include jurists Oliver Wendell Holmes , Jr. and David Souter , U.S. President Herbert Hoover , and actor Humphrey Bogart .

= Etymology of Wicca = In Modern English , the term Wicca ( / ˈwɪkə / ) refers to Wicca , the religion of contemporary Pagan Witchcraft . It is used within the Pagan community under competing definitions . One refers to the entirety of the Pagan Witchcraft movement , while the other refers explicitly to traditions included in what is now called British Traditional Wicca . Although pronounced differently , Wicca is related to the Old English word wicca , which referred to sorcerers in Anglo @-@ Saxon England . In the early 1950s , English Wiccan Gerald Gardner , founder of the Gardnerian tradition , referred to the Pagan Witchcraft community as the Wica . He claimed to have learned the term during his initiation into the New Forest coven in 1939 . By the late 1950s , Gardner 's rival Charles Cardell , founder of his own tradition , had begun referring to the religion 's followers as Wiccens , and possibly used Wicca in reference to the religion itself . The inclusive use of the term Wicca — referring to the entirety of Pagan Witchcraft religion — has been traced to Britain in the early 1960s , when it was used by various groups and publicised through use in adverts , magazines , and other literary sources . It was later adopted by figures like Alex Sanders and Gavin and Yvonne Frost , who took it to the United States . There , practitioners of British Traditional Wicca adopted it exclusively for themselves as a means to differentiate their practices from those of other Pagan Witches . This exclusive meaning was countered by its popularisation as a generic term by prolific authors such as Raymond Buckland , Scott Cunningham and Silver RavenWolf . As it entered popular culture , it gained an increasingly eclectic character in its usage . During the 1990s , some attempted to distance themselves from it by utilising the term Traditional Witchcraft . = = Definitions = = There are two separate definitions of the term Wicca that have been used in Paganism and Pagan studies since circa 1980 . The first developed in England during the 1960s . Broad and inclusive , it covers most , if not all , forms of modern Pagan Witchcraft , especially if they share sufficient theological beliefs and ritual practices to be considered denominations within a common religious movement . In contrast , the second developed in the United States during the late 1970s . It refers specifically to the Gardnerian tradition of Witchcraft and those descended from it with little variation , namely Alexandrian and Algard Witchcraft , which are together known as British Traditional Wicca . = = = Usage within Pagan studies = = = The development and use of the term Wicca within contemporary Paganism has been a recurring topic of discussion in the field of Pagan studies . The majority of academics and independent scholars use the first , more inclusive definition . Given its historical status and prevalent usage within Paganism , Pagan studies scholar Ethan Doyle White thought it the logical and easier choice for academia , although there is still some disagreement and confusion among researchers as to what defines Wicca . Among those who have used the former definition are American sociologist Margot Adler , literary scholar Chas S. Clifton , and religious studies scholar Aidan A. Kelly , while others such as the Britons Graham Harvey and Ronald Hutton failed to make their usage clear . To deal with this problem in future , Doyle White urged scholars to specify which definition they used in their work . = = Origins = = = = = Old English wicca and wicce = = = In the Early Medieval language of Old English , the term wicca ( / ˈwɪttʃɑː / ) was a masculine noun for sorcerer ; wicce was its feminine counterpart . They are ancestral to Modern English witch . The Modern English term Wicca took the Old English wicca as its basis , although the two are fundamentally two distinct words with differing meanings , pronunciation , and grammatical usage , with nearly a millennium between their respective floruits . In 1932 Lewis Spence writes in The Weekly Scotsman , in response to the popularisation of Margaret Murray 's witch @-@ cult hypothesis in Scotland , that " the Saxon word ' wicca ' , a witch " was " of immemorial usage " in the Scottish Lowlands . Doyle White suggests that the early Wiccans adopted the term wicca as the basis for the name of their burgeoning faith because theirs was a new religious movement that took " iconography and inspiration " from the polytheistic cults of pre @-@ Christian Britain . = = = Gerald Gardner 's Wica : 1939 – 1966 = = = Gerald Gardner ( 1884 – 1964 ) , the man largely responsible for propagating the Wiccan religion in Britain during the 1950s and 1960s and the founder of the Gardnerian tradition , never used the term Wicca in either sense that it is used today . He referred to the religion as the " cult of witchcraft " or " the witch @-@ cult " , the latter likely being a term borrowed from Margaret Murray , who wrote a book entitled The Witch @-@ Cult in Western Europe ( 1921 ) . Gardner did use the term Wica , which he always spelled with only one c in his writings , but this did not refer to the religion itself , instead referring to the religion 's practitioners in a plural sense . What are [ the witches ] then ? They are the people who call themselves the Wica , the " wise people " , who practise the age ‑ old rites and who have , along with much superstition and herbal knowledge , preserved an occult teaching and working processes which they themselves think to be magic or witchcraft . In contrast with this plural use of the word , in a 1954 article written by Arnold Field , a reporter for the Daily Dispatch , Gardner had apparently explained to him that " there are man and woman witches . Each is called a wica . " This quote offers the only piece of evidence that Gardner also referred to Pagan Witches individually as a wica . It is possible that Field misunderstood what Gardner was saying by not capitalising Wica , and that therefore Gardner might have never used Wica in a singular sense . In his book The Meaning of Witchcraft ( 1959 ) Gardner states that he first heard the term Wica while being initiated into the New Forest coven in September 1939 , stating that " I realised I had stumbled on something interesting ; but I was half @-@ initiated before the word Wica which they used hit me like a thunderbolt , and I knew where I was , and that the Old Religion still existed . " This account was repeated in his biography , Gerald Gardner : Witch ( 1960 ) , written by Idries Shah but attributed to Jack L. Bracelin , in which he is quoted as saying that " it was halfway through when the word Wica was first mentioned ; and I knew that that which I had thought burnt out hundreds of years ago still survived . " If Gardner 's account was accurate and the New Forest coven had really existed , then the fact that Gardner spelled the word as Wica would not necessarily indicate that the coven members had spelled it the same way . As he relates , from Gardner 's account , " it seems that he had heard rather than read the word in the midst of his initiatory rite " and that , " suffering from a poor grasp of spelling , punctuation , and grammar , something caused by the fact that he was self @-@ educated and possibly also influenced by dyslexia " , he would have therefore spelled the word phonetically as Wica . In The Meaning of Witchcraft , Gardner also notes the term Wica 's resemblance to the Old English word wicca , stating that " It is a curious fact that when the witches became English @-@ speaking they adopted their Saxon name ' Wica ' . " In his published writings , Gardner propounds the idea that his Pagan Witchcraft religion dated back at least to the Anglo @-@ Saxon period , when Old English was the dominant language . Wica soon became an accepted term among the early Gardnerians , as Gardner 's followers and initiates became known . Patricia and Arnold Crowther , a Gardnerian High Priestess and High Priest who operated a coven in Sheffield , use the term in their book The Witches Speak ( 1959 ) , writing that " [ T ] he Red Queen told Alice that she made words mean what [ she ] wanted them to mean . She might very well have been talking about witchcraft , for today it is used to describe anything that one wishes to use it for . From the simple meaning ' the craft of the Wica ' , it is used in connection with Black Magic , Satanism , Black Masses ... " = = = Charles Cardell 's Wiccen : 1958 – 1960 = = = Charles Cardell ( 1892 – 1977 ) was the founder of a Pagan Witchcraft tradition that rivalled that of Gerald Gardner 's in southern England during the 1950s . A psychologist and stage conjurer , Cardell ran a company named Dumblecott Magick Productions from his home in Charlwood , Surrey , from where he also controlled a local coven that was spied on by the press , leading to a well @-@ publicised court case . Having been involved with Spiritualism as well as Pagan Witchcraft , Cardell initially befriended Gardner , but in 1958 they had an argument , and in 1964 Cardell tried to discredit him by publishing much of the then @-@ secret Gardnerian Book of Shadows . Cardell used the term Wiccen to refer not just to members of his own tradition , but to all followers of the Pagan Witchcraft religion , placing an advert in Light magazine , the journal of the College of Psychic Science , entitled " The Craft of the Wiccens " in 1958 . The advert asked fellow Wiccens to get in contact with him . This advert shows that Cardell was responsible for the propagation and possibly invention of the term Wiccen . It is possible Cardell had also used the term Wicca , evidenced by the fact that Margaret Bruce , the owner of a mail @-@ order business selling occult titles , wrote a letter to her friend Gerald Gardner on 23 February 1960 , in which she consoled him on the attacks made against him by Cardell and included a poem in which she referred to " the ' Wicca ' " . In Melissa Seims ' opinion , this use of Wicca was explicitly in reference to the Cardellian Craft , and therefore meant " that this spelling , along with ' Wiccan ' , was used by Cardell . " However , it is also possible that Bruce was referring to " the Wicca " as " a community of Pagan Witches " , in which case it would be a misspelling of Gardner 's " the Wica " . = = = The emergence of Wicca : 1962 – 1970 = = = The term Wicca appears to have developed within the Pagan Witchcraft community during the early 1960s , as increasing numbers of Pagan Witches learned of the Old English term wicca , the etymological origin of the Modern term witch . This etymological fact had been referred to five times in Gerald Gardner 's book The Meaning of Witchcraft ( 1959 ) , as well as in other early texts propagating Pagan Witchcraft , such as Doreen Valiente 's Where Witchcraft Lives ( 1962 ) and Justine Glass ' Witchcraft , The Sixth Sense – and Us ( 1965 ) . None of these specifically referred to the Pagan Witchcraft religion as Wicca . The earliest known published reference for the word Wicca is within an advertisement published in a 1962 issue of Fate magazine ; in this , a Cardiff @-@ based group of Pagan Witches advertised a tradition as " Wicca – Dianic and Aradian " . The advert may have been linked to Charles and Mary Cardell because Mary was allegedly born in Wales and Cardellian Witchcraft had apparently venerated a goddess under the name of Diana . However , many Pagan Witchcraft groups would have adopted the deity name Diana and Aradia , these being the goddesses featured in the American folklorist Charles Leland 's supposed account of a Tuscan witch tradition , Aradia , or the Gospel of the Witches ( 1899 ) . Another early use could be found from December 1965 , in the penultimate issue of Pentagram , the newsletter of the Witchcraft Research Association . Here , a small column on Halloween made reference to " the Craft of the Wiccan " , apparently referring to the entire Pagan Witchcraft community . The author 's name was not printed , although it had probably been produced by one of the figures involved in editing Pentagram , such as Gerard Noel or Doreen Valiente . In July 1968 , a group of British Gardnerians began publishing a magazine titled The Wiccan , while Welshman Gavin Frost founded the Church of Wicca in the United States that same year . In the 1960s , the Gardnerian initiate Alex Sanders founded his own tradition , which became known as Alexandrian Wicca ; he used the terms Wicca and the Wicca in reference to the entire Pagan Witchcraft religion . One of Sanders ' initiates , Stewart Farrar , describes Wicca as " the witches ' name for their Craft " in his book What Witches Do ( 1971 ) . The widespread adoption of Wicca in reference to Pagan Witchcraft would have brought benefits to its practitioners , who were widely maligned and faced persecution for their practice of witchcraft ; an emotive term often associated with Satanism that had negative connotations in the Western imagination . Doyle White argued that the practitioners ' presentation of themselves as Wiccans rather than witches removed some of the social stigma that they faced . = = Popularisation = = = = = Developments in North America : 1970 – 1990 = = = From 1970 onward , increasing numbers of books teaching readers how to become Pagan Witches were published ; the earliest was Paul Huson 's Mastering Witchcraft ( 1970 ) , which made no reference to Wicca . This was followed by Raymond Buckland 's The Tree : The Complete Book of Saxon Witchcraft , in which he propagated his newly developed tradition of Seax @-@ Wica ; utilising Wica as the name of the tradition , he also referenced the Wicca as the name of the religion as a whole . Contrastingly , during the 1970s the term Wicca was rejected by feminist Pagan Witchcraft groups in the United States , in particular the Dianic tradition ; the term does not appear in the early works of Zsuzsanna Budapest and Starhawk , although the latter would adopt it by the 21st century . This was part of a phenomenon that took place during the 1970s and 1980s , as the term Wicca became increasingly associated purely with Gardnerianism and Alexandrianism ( together known as British Traditional Wicca in North America ) , rather than with other variants of Pagan Witchcraft . This was encouraged by elements within the Gardnerian and Alexandrian communities who wished to emphasise what they perceived as their special position within the Pagan community . The word Wicca first appeared in a book title in 1981 as Wicca : The Ancient Way ; written by Janus @-@ Mithras , Nuit @-@ Hilaria and Mer @-@ Amun and published in Canada . It discussed a Gardnerian @-@ based tradition . = = = Increasing popularisation and reaction : 1990 – 2010 = = = In ensuing years , many other authors would publish books containing Wicca in their titles which advocated solitary practice of Pagan Witchcraft ; best known were Scott Cunningham 's Wicca : A Guide for the Solitary Practitioner ( 1988 ) and Silver RavenWolf 's Teen Witch : Wicca for a New Generation ( 1998 ) , but other examples included Gerina Dunwich 's The Wicca Garden ( 1996 ) , D. J. Conway 's Wicca : The Complete Craft ( 2001 ) , Raymond Buckland 's Wicca for Life ( 2004 ) and Wicca for One ( 2004 ) , Arin Murphy @-@ Hiscock 's Solitary Wicca for Life ( 2005 ) and Ann @-@ Marie Gallagher 's The Wicca Bible ( 2005 ) . It was also adopted by American novelist Cate Tiernan as the title of her series of young adult novels . The term Wicca was employed in an increasingly eclectic manner by authors like RavenWolf , who considered it to be a synonym for witchcraft . In turn it began to be adopted on a wider scale , being popularised in India by Ipsita Roy Chakraverti and being adopted by a French Luciferian group , Le Wicca Française . Becoming widely known in western popular culture , it was utilised by the script writers of two popular American television shows , Buffy the Vampire Slayer and Charmed ; the first episode of the latter was titled " Something Wicca This Way Comes " while the tenth was titled " Wicca Envy " . Reacting against the increasingly inclusive use of the term were Pagan Witches who instead characterised their practices as forms of Traditional Witchcraft . Many Pagan Witches who considered themselves to be Traditional Witches exhibited an us @-@ and @-@ them mentality against Gardnerianism and allied traditions , for whom they reserved the term Wicca . Doyle White suggests that they had done so in order to distance themselves from the increasing influence of the New Age movement over the Wiccan mainstream with its " iconographical emphasis on white light " , instead embracing the traditional European view that associated witchcraft with darkness . Historian Ronald Hutton states that he knew of three Wiccan covens founded in the 1980s who began to describe themselves as Traditional Witches in the 1990s . = = = Etymologies = = =

= Bob Dylan = Bob Dylan ( / ˈdɪlən / ; born Robert Allen Zimmerman , May 24 , 1941 ) is an American singer @-@ songwriter , artist and writer . He has been influential in popular music and culture for more than five decades . Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest , although Dylan repudiated suggestions from journalists that he was a spokesman for his generation . Nevertheless , early songs such as " Blowin ' in the Wind " and " The Times They Are a @-@ Changin ' " became anthems for the American civil rights and anti @-@ war movements . After he left his initial base in the American folk music revival , his six @-@ minute single " Like a Rolling Stone " altered the range of popular music in 1965 . His mid @-@ 1960s recordings , backed by rock musicians , reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement . Dylan 's lyrics have incorporated various political , social , philosophical , and literary influences . They defied existing pop music conventions and appealed to the burgeoning counterculture . Initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie , Robert Johnson , and Hank Williams , Dylan has amplified and personalized musical genres . His recording career , spanning more than 50 years , has explored the traditions in American song — from folk , blues , and country to gospel , rock and roll , and rockabilly to English , Scottish , and Irish folk music , embracing even jazz and the Great American Songbook . Dylan performs with guitar , keyboards , and harmonica . Backed by a changing lineup of musicians , he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour . His accomplishments as a recording artist and performer have been central to his career , but songwriting is considered his greatest contribution . Since 1994 , Dylan has published six books of drawings and paintings , and his work has been exhibited in major art galleries . As a musician , Dylan has sold more than 100 million records , making him one of the best @-@ selling artists of all time . He has also received numerous awards including eleven Grammy Awards , a Golden Globe Award , and an Academy Award . Dylan has been inducted into the Rock and Roll Hall of Fame , Minnesota Music Hall of Fame , Nashville Songwriters Hall of Fame , and Songwriters Hall of Fame . The Pulitzer Prize jury in 2008 awarded him a special citation for " his profound impact on popular music and American culture , marked by lyrical compositions of extraordinary poetic power . " In May 2012 , Dylan received the Presidential Medal of Freedom from President Barack Obama . = = Life and career = = = = = Origins and musical beginnings = = = Bob Dylan was born Robert Allen Zimmerman ( Hebrew name שבתאי זיסל בן אברהם [ Shabtai Zisl ben Avraham ] ) in St Mary 's Hospital on May 24 , 1941 , in Duluth , Minnesota , and raised in Hibbing , Minnesota , on the Mesabi Range west of Lake Superior . He has a younger brother , David . Dylan 's paternal grandparents , Zigman and Anna Zimmerman , emigrated from Odessa , in the Russian Empire ( now Ukraine ) , to the United States following the anti @-@ Semitic pogroms of 1905 . His maternal grandparents , Ben and Florence Stone , were Lithuanian Jews who arrived in the United States in 1902 . In his autobiography , Chronicles : Volume One , Dylan wrote that his paternal grandmother 's maiden name was Kirghiz and her family originated from Kağızman district of Kars Province in northeastern Turkey . Dylan 's parents , Abram Zimmerman and Beatrice " Beatty " Stone , were part of a small but close @-@ knit Jewish community . They lived in Duluth until Robert was six , when his father had polio and the family returned to his mother 's hometown , Hibbing , where they lived for the rest of Robert 's childhood . In his early years he listened to the radio — first to blues and country stations from Shreveport , Louisiana and later , when he was a teenager , to rock and roll . He formed several bands while attending Hibbing High School . In the Golden Chords , he performed covers of songs by Little Richard and Elvis Presley . Their performance of Danny & the Juniors ' " Rock and Roll Is Here to Stay " at their high school talent show was so loud that the principal cut the microphone . In 1959 , his high school yearbook carried the caption " Robert Zimmerman : to join ' Little Richard ' . " The same year , as Elston Gunnn [ sic ] , he performed two dates with Bobby Vee , playing piano and clapping . Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota . His focus on rock and roll gave way to American folk music . In 1985 , he said : The thing about rock 'n'roll is that for me anyway it wasn 't enough ... There were great catch @-@ phrases and driving pulse rhythms ... but the songs weren 't serious or didn 't reflect life in a realistic way . I knew that when I got into folk music , it was more of a serious type of thing . The songs are filled with more despair , more sadness , more triumph , more faith in the supernatural , much deeper feelings . He began to perform at the Ten O 'Clock Scholar , a coffeehouse a few blocks from campus , and became involved in the Dinkytown folk music circuit . During his Dinkytown days , Zimmerman began introducing himself as " Bob Dylan " . In his memoir , Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas . Explaining his change of name in a 2004 interview , Dylan remarked , " You 're born , you know , the wrong names , wrong parents . I mean , that happens . You call yourself what you want to call yourself . This is the land of the free . " = = = 1960s = = = = = = = Relocation to New York and record deal = = = = In May 1960 , Dylan dropped out of college at the end of his first year . In January 1961 , he traveled to New York City , to perform there and visit his musical idol Woody Guthrie , who was seriously ill with Huntington 's disease in Greystone Park Psychiatric Hospital . Guthrie had been a revelation to Dylan and influenced his early performances . Describing Guthrie 's impact , he wrote : " The songs themselves had the infinite sweep of humanity in them ... [ He ] was the true voice of the American spirit . I said to myself I was going to be Guthrie 's greatest disciple . " As well as visiting Guthrie in hospital , Dylan befriended Guthrie 's acolyte Ramblin ' Jack Elliott . Much of Guthrie 's repertoire was channeled through Elliott , and Dylan paid tribute to Elliott in Chronicles : Volume One . From February 1961 , Dylan played at clubs around Greenwich Village . He befriended and picked up material from folk singers there , including Dave Van Ronk , Fred Neil , Odetta , the New Lost City Ramblers , and Irish musicians the Clancy Brothers and Tommy Makem . In September , Dylan gained public recognition when Robert Shelton wrote a review in The New York Times of a show at Gerde 's Folk City . The same month Dylan played harmonica on folk singer Carolyn Hester 's third album , which brought his talents to the attention of the album 's producer , John Hammond . Hammond signed Dylan to Columbia Records in October . The performances on his first Columbia album — Bob Dylan — in March 1962 , consisted of familiar folk , blues and gospel with two original compositions . The album sold only 5 @,@ 000 in its first year , just enough to break even . Within Columbia Records , some referred to the singer as " Hammond 's Folly " and suggested dropping his contract , but Hammond defended Dylan and was supported by Johnny Cash . In March 1962 , Dylan contributed harmonica and back @-@ up vocals to the album Three Kings and the Queen , accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records . While working for Columbia , Dylan recorded under the pseudonym Blind Boy Grunt , for Broadside , a folk magazine and record label . Dylan used the pseudonym Bob Landy to record as a piano player on The Blues Project , a 1964 anthology album by Elektra Records . As Tedham Porterhouse , Dylan played harmonica on Ramblin ' Jack Elliott 's 1964 album , Jack Elliott . Dylan made two important career moves in August 1962 : he legally changed his name to Robert Dylan , and he signed a management contract with Albert Grossman . ( In June 1961 , Dylan had signed an agreement with Roy Silver . In 1962 , Grossman paid Silver $ 10 @,@ 000 to become sole manager . ) Grossman remained Dylan 's manager until 1970 , and was notable for his sometimes confrontational personality and for protective loyalty . Dylan said , " He was kind of like a Colonel Tom Parker figure ... you could smell him coming . " Tensions between Grossman and John Hammond led to Hammond 's being replaced as producer of Dylan 's second album by the young African @-@ American jazz producer , Tom Wilson . Dylan made his first trip to the United Kingdom from December 1962 to January 1963 . He had been invited by TV director Philip Saville to appear in a drama , Madhouse on Castle Street , which Saville was directing for BBC Television . At the end of the play , Dylan performed " Blowin ' in the Wind " , one of its first public performances . The film recording of Madhouse on Castle Street was destroyed by the BBC in 1968 . While in London , Dylan performed at London folk clubs , including the Troubadour , Les Cousins , and Bunjies . He also learned material from UK performers , including Martin Carthy . By the time of Dylan 's second album , The Freewheelin ' Bob Dylan , in May 1963 , he had begun to make his name as a singer and a songwriter . Many songs on this album were labeled protest songs , inspired partly by Guthrie and influenced by Pete Seeger 's passion for topical songs . " Oxford Town " , for example , was an account of James Meredith 's ordeal as the first black student to risk enrollment at the University of Mississippi . The first song on the Freewheelin ' album , " Blowin ' in the Wind " , partly derived its melody from the traditional slave song , " No More Auction Block " , while its lyrics questioned the social and political status quo . The song was widely recorded by other artists and became a hit for Peter , Paul and Mary . Another Freewheelin ' song , " A Hard Rain 's a @-@ Gonna Fall " was based on the folk ballad " Lord Randall " . With veiled references to an impending apocalypse , the song gained more resonance when the Cuban Missile Crisis developed a few weeks after Dylan began performing it . Like " Blowin ' in the Wind " , " A Hard Rain 's a @-@ Gonna Fall " marked a new direction in songwriting , blending a stream @-@ of @-@ consciousness , imagist lyrical attack with traditional folk form . Dylan 's topical songs enhanced his early reputation , and he came to be seen as more than just a songwriter . Janet Maslin wrote of Freewheelin ' : " These were the songs that established [ Dylan ] as the voice of his generation — someone who implicitly understood how concerned young Americans felt about nuclear disarmament and the growing movement for civil rights : his mixture of moral authority and nonconformity was perhaps the most timely of his attributes . " Freewheelin ' also included love songs and surreal talking blues . Humor was an important part of Dylan 's persona , and the range of material on the album impressed listeners , including The Beatles . George Harrison said of the album , " We just played it , just wore it out . The content of the song lyrics and just the attitude — it was incredibly original and wonderful . " The rough edge of Dylan 's singing was unsettling to some but an attraction to others . Joyce Carol Oates wrote : " When we first heard this raw , very young , and seemingly untrained voice , frankly nasal , as if sandpaper could sing , the effect was dramatic and electrifying . " Many early songs reached the public through more palatable versions by other performers , such as Joan Baez , who became Dylan 's advocate as well as his lover . Baez was influential in bringing Dylan to prominence by recording several of his early songs and inviting him on stage during her concerts . Others who had hits with Dylan 's songs in the early 1960s included the Byrds , Sonny & Cher , the Hollies , Peter , Paul and Mary , the Association , Manfred Mann and the Turtles . Most attempted a pop feel and rhythm , while Dylan and Baez performed them mostly as sparse folk songs . The covers became so ubiquitous that CBS promoted him with the slogan " Nobody Sings Dylan Like Dylan . " " Mixed @-@ Up Confusion " , recorded during the Freewheelin ' sessions with a backing band , was released as a single and then quickly withdrawn . In contrast to the mostly solo acoustic performances on the album , the single showed a willingness to experiment with a rockabilly sound . Cameron Crowe described it as " a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records . " = = = = Protest and Another Side = = = = In May 1963 , Dylan 's political profile rose when he walked out of The Ed Sullivan Show . During rehearsals , Dylan had been told by CBS television 's head of program practices that " Talkin ' John Birch Paranoid Blues " was potentially libelous to the John Birch Society . Rather than comply with censorship , Dylan refused to appear . By this time , Dylan and Baez were prominent in the civil rights movement , singing together at the March on Washington on August 28 , 1963 . Dylan 's third album , The Times They Are a @-@ Changin ' , reflected a more politicized and cynical Dylan . The songs often took as their subject matter contemporary stories , with " Only A Pawn In Their Game " addressing the murder of civil rights worker Medgar Evers ; and the Brechtian " The Lonesome Death of Hattie Carroll " the death of black hotel barmaid Hattie Carroll , at the hands of young white socialite William Zantzinger . On a more general theme , " Ballad of Hollis Brown " and " North Country Blues " addressed despair engendered by the breakdown of farming and mining communities . This political material was accompanied by two personal love songs , " Boots of Spanish Leather " and " One Too Many Mornings " . By the end of 1963 , Dylan felt both manipulated and constrained by the folk and protest movements . Accepting the " Tom Paine Award " from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy , an intoxicated Dylan questioned the role of the committee , characterized the members as old and balding , and claimed to see something of himself and of every man in Kennedy 's assassin , Lee Harvey Oswald . Another Side of Bob Dylan , recorded on a single evening in June 1964 , had a lighter mood . The humorous Dylan reemerged on " I Shall Be Free No. 10 " and " Motorpsycho Nightmare " . " Spanish Harlem Incident " and " To Ramona " are passionate love songs , while " Black Crow Blues " and " I Don 't Believe You ( She Acts Like We Never Have Met ) " suggest the rock and roll soon to dominate Dylan 's music . " It Ain 't Me Babe " , on the surface a song about spurned love , has been described as a rejection of the role of political spokesman thrust upon him . His newest direction was signaled by two lengthy songs : the impressionistic " Chimes of Freedom " , which sets social commentary against a metaphorical landscape in a style characterized by Allen Ginsberg as " chains of flashing images , " and " My Back Pages " , which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction . In the latter half of 1964 and 1965 , Dylan moved from folk songwriter to folk @-@ rock pop @-@ music star . His jeans and work shirts were replaced by a Carnaby Street wardrobe , sunglasses day or night , and pointed " Beatle boots " . A London reporter wrote : " Hair that would set the teeth of a comb on edge . A loud shirt that would dim the neon lights of Leicester Square . He looks like an undernourished cockatoo . " Dylan began to spar with interviewers . Appearing on the Les Crane television show and asked about a movie he planned , he told Crane it would be a cowboy horror movie . Asked if he played the cowboy , Dylan replied , " No , I play my mother . " = = = = Going electric = = = = Dylan 's late March 1965 album Bringing It All Back Home was another leap , featuring his first recordings with electric instruments . The first single , " Subterranean Homesick Blues " , owed much to Chuck Berry 's " Too Much Monkey Business " ; its free association lyrics described as harkening back to the energy of beat poetry and as a forerunner of rap and hip @-@ hop . The song was provided with an early video , which opened D. A. Pennebaker 's cinéma vérité presentation of Dylan 's 1965 tour of Great Britain , Dont Look Back . Instead of miming , Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground . Pennebaker said the sequence was Dylan 's idea , and it has been imitated in music videos and advertisements . The second side of Bringing It All Back Home contained four long songs on which Dylan accompanied himself on acoustic guitar and harmonica . " Mr. Tambourine Man " became one of his best known songs when The Byrds recorded an electric version that reached number one in the US and UK . " It 's All Over Now , Baby Blue " and " It 's Alright Ma ( I 'm Only Bleeding ) " were two of Dylan 's most important compositions . In 1965 , heading the Newport Folk Festival , Dylan performed his first electric set since high school with a pickup group mostly from the Paul Butterfield Blues Band , featuring Mike Bloomfield ( guitar ) , Sam Lay ( drums ) and Jerome Arnold ( bass ) , plus Al Kooper ( organ ) and Barry Goldberg ( piano ) . Dylan had appeared at Newport in 1963 and 1964 , but in 1965 met with cheering and booing and left the stage after three songs . One version has it that the boos were from folk fans whom Dylan had alienated by appearing , unexpectedly , with an electric guitar . Murray Lerner , who filmed the performance , said : " I absolutely think that they were booing Dylan going electric . " An alternative account claims audience members were upset by poor sound and a short set . This account is supported by Kooper and one of the directors of the festival , who reports his recording proves the only boos were in reaction to the MC 's announcement that there was only enough time for a short set . Nevertheless , Dylan 's performance provoked a hostile response from the folk music establishment . In the September issue of Sing Out ! , Ewan MacColl wrote : " Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time ... ' But what of Bobby Dylan ? ' scream the outraged teenagers ... Only a completely non @-@ critical audience , nourished on the watery pap of pop music , could have fallen for such tenth @-@ rate drivel . " On July 29 , four days after Newport , Dylan was back in the studio in New York , recording " Positively 4th Street " . The lyrics contained images of vengeance and paranoia , and it has been interpreted as Dylan 's put @-@ down of former friends from the folk community — friends he had known in clubs along West 4th Street . = = = = Highway 61 Revisited and Blonde on Blonde = = = = In July 1965 , the single " Like a Rolling Stone " peaked at two in the U.S. and at four in the UK charts . At over six minutes , the song altered what a pop single could convey . Bruce Springsteen , in his speech for Dylan 's inauguration into the Rock and Roll Hall of Fame , said that on first hearing the single , " that snare shot sounded like somebody 'd kicked open the door to your mind " . In 2004 and in 2011 , Rolling Stone listed it as number one of " The 500 Greatest Songs of All Time " . The song opened Dylan 's next album , Highway 61 Revisited , named after the road that led from Dylan 's Minnesota to the musical hotbed of New Orleans . The songs were in the same vein as the hit single , flavored by Mike Bloomfield 's blues guitar and Al Kooper 's organ riffs . " Desolation Row " , backed by acoustic guitar and understated bass , offers the sole exception , with Dylan alluding to figures in Western culture in a song described by Andy Gill as " an 11 @-@ minute epic of entropy , which takes the form of a Fellini @-@ esque parade of grotesques and oddities featuring a huge cast of celebrated characters , some historical ( Einstein , Nero ) , some biblical ( Noah , Cain and Abel ) , some fictional ( Ophelia , Romeo , Cinderella ) , some literary ( T.S. Eliot and Ezra Pound ) , and some who fit into none of the above categories , notably Dr. Filth and his dubious nurse . " In support of the album , Dylan was booked for two U.S. concerts with Al Kooper and Harvey Brooks from his studio crew and Robbie Robertson and Levon Helm , former members of Ronnie Hawkins 's backing band the Hawks . On August 28 at Forest Hills Tennis Stadium , the group was heckled by an audience still annoyed by Dylan 's electric sound . The band 's reception on September 3 at the Hollywood Bowl was more favorable . From September 24 , 1965 , in Austin , Texas , Dylan toured the U.S. and Canada for six months , backed by the five musicians from the Hawks who became known as the Band . While Dylan and the Hawks met increasingly receptive audiences , their studio efforts floundered . Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966 , and surrounded him with top @-@ notch session men . At Dylan 's insistence , Robertson and Kooper came from New York City to play on the sessions . The Nashville sessions produced the double album Blonde on Blonde ( 1966 ) , featuring what Dylan called " that thin wild mercury sound " . Kooper described it as " taking two cultures and smashing them together with a huge explosion " : the musical world of Nashville and the world of the " quintessential New York hipster " Bob Dylan . On November 22 , 1965 , Dylan secretly married 25 @-@ year @-@ old former model Sara Lownds . Some of Dylan 's friends , including Ramblin ' Jack Elliott , say that , immediately after the event , Dylan denied he was married . Journalist Nora Ephron made the news public in the New York Post in February 1966 with the headline " Hush ! Bob Dylan is wed . " Dylan toured Australia and Europe in April and May 1966 . Each show was split in two . Dylan performed solo during the first half , accompanying himself on acoustic guitar and harmonica . In the second , backed by the Hawks , he played electrically amplified music . This contrast provoked many fans , who jeered and slow handclapped . The tour culminated in a raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17 , 1966 . A recording of this concert was released in 1998 : The Bootleg Series Vol . 4 : Bob Dylan Live 1966 . At the climax of the evening , a member of the audience , angered by Dylan 's electric backing , shouted : " Judas ! " to which Dylan responded , " I don 't believe you ... You 're a liar ! " Dylan turned to his band and said , " Play it fucking loud ! " as they launched into the final song of the night — " Like a Rolling Stone " . During his 1966 tour , Dylan was described as exhausted and acting " as if on a death trip " . D. A. Pennebaker , the film maker accompanying the tour , described Dylan as " taking a lot of amphetamine and who @-@ knows @-@ what @-@ else . " In a 1969 interview with Jann Wenner , Dylan said , " I was on the road for almost five years . It wore me down . I was on drugs , a lot of things ... just to keep going , you know ? " In 2011 , BBC Radio 4 reported that , in an interview that Robert Shelton taped in 1966 , Dylan said he had kicked heroin in New York City : " I got very , very strung out for a while ... I had about a $ 25 @-@ a @-@ day habit and I kicked it . " Some journalists questioned the validity of this confession , pointing out that Dylan had " been telling journalists wild lies about his past since the earliest days of his career . " = = = = Motorcycle accident and reclusion = = = = After his tour , Dylan returned to New York , but the pressures increased . ABC Television had paid an advance for a TV show . His publisher , Macmillan , was demanding a manuscript of the poem / novel Tarantula . Manager Albert Grossman had scheduled a concert tour for the latter part of the year . On July 29 , 1966 , Dylan crashed his 500cc Triumph Tiger 100 motorcycle near his home in Woodstock , New York and was thrown to the ground . Though the extent of his injuries was never disclosed , Dylan said that he broke several vertebrae in his neck . Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized . Dylan 's biographers have written that the crash offered Dylan the chance to escape the pressures around him . Dylan confirmed this interpretation in his autobiography : " I had been in a motorcycle accident and I 'd been hurt , but I recovered . Truth was that I wanted to get out of the rat race . " Dylan withdrew from public and , apart from a few appearances , did not tour again for almost eight years . Once Dylan was well enough to resume creative work , he began to edit D. A. Pennebaker 's film of his 1966 tour . A rough cut was shown to ABC Television and rejected as incomprehensible to a mainstream audience . The film was subsequently titled Eat the Document on bootleg copies , and it has been screened at a handful of film festivals . In 1967 he began recording with the Hawks at his home and in the basement of the Hawks ' nearby house , " Big Pink " . These songs , initially demos for other artists to record , provided hits for Julie Driscoll and the Brian Auger Trinity ( " This Wheel 's on Fire " ) , The Byrds ( " You Ain 't Goin ' Nowhere " , " Nothing Was Delivered " ) , and Manfred Mann ( " Mighty Quinn " ) . Columbia released selections in 1975 as The Basement Tapes . Over the years , more songs recorded by Dylan and his band in 1967 appeared on bootleg recordings , culminating in a five @-@ CD set titled The Genuine Basement Tapes , containing 107 songs and alternative takes . In the coming months , the Hawks recorded the album Music from Big Pink using songs they worked on in their basement in Woodstock , and renamed themselves the Band , beginning a long recording and performing career of their own . In October and November 1967 , Dylan returned to Nashville . Back in the studio after 19 months , he was accompanied by Charlie McCoy on bass , Kenny Buttrey on drums , and Pete Drake on steel guitar . The result was John Wesley Harding , a contemplative record of shorter songs , set in a landscape that drew on the American West and the Bible . The sparse structure and instrumentation , with lyrics that took the Judeo @-@ Christian tradition seriously , departed from Dylan 's own work and from the psychedelic fervor of the 1960s . It included " All Along the Watchtower " , with lyrics derived from the Book of Isaiah ( 21 : 5 – 9 ) . The song was later recorded by Jimi Hendrix , whose version Dylan acknowledged as definitive . Woody Guthrie died on October 3 , 1967 , and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20 , 1968 , where he was backed by the Band . Dylan 's next release , Nashville Skyline ( 1969 ) , was mainstream country featuring Nashville musicians , a mellow @-@ voiced Dylan , a duet with Johnny Cash , and the hit single " Lay Lady Lay " . Variety wrote , " Dylan is definitely doing something that can be called singing . Somehow he has managed to add an octave to his range . " Dylan and Cash also recorded a series of duets , but only their recording of Dylan 's " Girl from the North Country " was used on the album . In May 1969 , Dylan appeared on the first episode of Johnny Cash 's television show , duetting with Cash on " Girl from the North Country " , " I Threw It All Away " , and " Living the Blues " . Dylan next traveled to England to top the bill at the Isle of Wight festival on August 31 , 1969 , after rejecting overtures to appear at the Woodstock Festival closer to his home . = = = 1970s = = = In the early 1970s , critics charged that Dylan 's output was varied and unpredictable . Rolling Stone writer Greil Marcus asked " What is this shit ? " on first listening to Self Portrait , released in June 1970 . Self Portrait , a double LP including few original songs , was poorly received . In October 1970 , Dylan released New Morning , considered a return to form . This album included " Day of the Locusts " , a song in which Dylan gave an account of receiving an honorary degree from Princeton University on June 9 , 1970 . In November 1968 , Dylan had co @-@ written " I 'd Have You Anytime " with George Harrison ; Harrison recorded " I 'd Have You Anytime " and Dylan 's " If Not for You " for his 1970 solo triple album All Things Must Pass . Dylan 's surprise appearance at Harrison 's 1971 Concert for Bangladesh attracted media coverage , reflecting that Dylan 's live appearances had become rare . Between March 16 and 19 , 1971 , Dylan reserved three days at Blue Rock , a small studio in Greenwich Village to record with Leon Russell . These sessions resulted in " Watching the River Flow " and a new recording of " When I Paint My Masterpiece " . On November 4 , 1971 , Dylan recorded " George Jackson " , which he released a week later . For many , the single was a surprising return to protest material , mourning the killing of Black Panther George Jackson in San Quentin State Prison that year . Dylan contributed piano and harmony to Steve Goodman 's album , Somebody Else 's Troubles , under the pseudonym Robert Milkwood Thomas in September 1972 . In 1972 , Dylan signed to Sam Peckinpah 's film Pat Garrett and Billy the Kid , providing songs and backing music for the movie , and playing " Alias " , a member of Billy 's gang with some historical basis . Despite the film 's failure at the box office , the song " Knockin ' on Heaven 's Door " became one of Dylan 's most covered songs . = = = = Return to touring = = = = Dylan began 1973 by signing with a new label , David Geffen 's Asylum Records , when his contract with Columbia Records expired . On his next album , Planet Waves , he used the Band as backing group , while rehearsing for a tour . The album included two versions of " Forever Young " , which became one of his most popular songs . As one critic described it , the song projected " something hymnal and heartfelt that spoke of the father in Dylan " , and Dylan himself commented : " I wrote it thinking about one of my boys and not wanting to be too sentimental . " Columbia Records simultaneously released Dylan , a collection of studio outtakes ( almost exclusively covers ) , widely interpreted as a churlish response to Dylan 's signing with a rival record label . In January 1974 , Dylan returned to touring after seven years ; backed by the Band , he embarked on a North American tour of 40 concerts . A live double album , Before the Flood , was on Asylum Records . Soon , according to Clive Davis , Columbia Records sent word they " will spare nothing to bring Dylan back into the fold " . Dylan had second thoughts about Asylum , miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour , Geffen had sold only 700 @,@ 000 copies of Planet Waves . Dylan returned to Columbia Records , which reissued his two Asylum albums . After the tour , Dylan and his wife became estranged . He filled a small red notebook with songs about relationships and ruptures , and recorded an album entitled Blood on the Tracks in September 1974 . Dylan delayed the release and re @-@ recorded half the songs at Sound 80 Studios in Minneapolis with production assistance from his brother , David Zimmerman . Released in early 1975 , Blood on the Tracks received mixed reviews . In the NME , Nick Kent described " the accompaniments [ as ] often so trashy they sound like mere practice takes . " In Rolling Stone , Jon Landau wrote that " the record has been made with typical shoddiness . " Over the years critics came to see it as one of Dylan 's greatest achievements . In Salon.com , Bill Wyman wrote : " Blood on the Tracks is his only flawless album and his best produced ; the songs , each of them , are constructed in disciplined fashion . It is his kindest album and most dismayed , and seems in hindsight to have achieved a sublime balance between the logorrhea @-@ plagued excesses of his mid @-@ 1960s output and the self @-@ consciously simple compositions of his post @-@ accident years . " Novelist Rick Moody called it " the truest , most honest account of a love affair from tip to stern ever put down on magnetic tape . " In the middle of that year , Dylan wrote a ballad championing boxer Rubin " Hurricane " Carter , imprisoned for a triple murder in Paterson , New Jersey , in 1966 . After visiting Carter in jail , Dylan wrote " Hurricane " , presenting the case for Carter 's innocence . Despite its length — over eight minutes — the song was released as a single , peaking at 33 on the U.S. Billboard chart , and performed at every 1975 date of Dylan 's next tour , the Rolling Thunder Revue . The tour featured about one hundred performers and supporters from the Greenwich Village folk scene , including T @-@ Bone Burnett , Ramblin ' Jack Elliott , Joni Mitchell , David Mansfield , Roger McGuinn , Mick Ronson , Joan Baez , and Scarlet Rivera , whom Dylan discovered walking down the street , her violin case on her back . Allen Ginsberg accompanied the troupe , staging scenes for the film Dylan was shooting . Sam Shepard was hired to write the screenplay , but ended up accompanying the tour as informal chronicler . Running through late 1975 and again through early 1976 , the tour encompassed the release of the album Desire , with many of Dylan 's new songs featuring a travelogue @-@ like narrative style , showing the influence of his new collaborator , playwright Jacques Levy . The 1976 half of the tour was documented by a TV concert special , Hard Rain , and the LP Hard Rain ; no concert album from the better @-@ received and better @-@ known opening half of the tour was released until 2002 's Live 1975 . The 1975 tour with the Revue provided the backdrop to Dylan 's nearly four @-@ hour film Renaldo and Clara , a sprawling narrative mixed with concert footage and reminiscences . Released in 1978 , the movie received poor , sometimes scathing , reviews . Later in that year , a two @-@ hour edit , dominated by the concert performances , was more widely released . In November 1976 , Dylan appeared at the Band 's " farewell " concert , with Eric Clapton , Joni Mitchell , Muddy Waters , Van Morrison and Neil Young . Martin Scorsese 's cinematic chronicle , The Last Waltz , in 1978 included about half of Dylan 's set . In 1976 , Dylan wrote and duetted on " Sign Language " for Eric Clapton 's No Reason To Cry . In 1978 , Dylan embarked on a year @-@ long world tour , performing 114 shows in Japan , the Far East , Europe and the US , to a total audience of two million . Dylan assembled an eight piece band and three backing singers . Concerts in Tokyo in February and March were released as the live double album , Bob Dylan At Budokan . Reviews were mixed . Robert Christgau awarded the album a C + rating , giving the album a derisory review , while Janet Maslin defended it in Rolling Stone , writing : " These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals . " When Dylan brought the tour to the U.S. in September 1978 , the press described the look and sound as a ' Las Vegas Tour ' . The 1978 tour grossed more than $ 20 million , and Dylan told the Los Angeles Times that he had debts because " I had a couple of bad years . I put a lot of money into the movie , built a big house ... and it costs a lot to get divorced in California . " In April and May 1978 , Dylan took the same band and vocalists into Rundown Studios in Santa Monica , California , to record an album of new material : Street @-@ Legal . It was described by Michael Gray as , " after Blood On The Tracks , arguably Dylan 's best record of the 1970s : a crucial album documenting a crucial period in Dylan 's own life " . However , it had poor sound and mixing ( attributed to Dylan 's studio practices ) , muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs ' strengths . = = = = Christian period = = = = In the late 1970s , Dylan became a born again Christian and released two albums of contemporary gospel music . Slow Train Coming ( 1979 ) featured the guitar accompaniment of Mark Knopfler ( of Dire Straits ) and was produced by veteran R & B producer Jerry Wexler . Wexler said that Dylan had tried to evangelize him during the recording . He replied : " Bob , you 're dealing with a 62 @-@ year @-@ old Jewish atheist . Let 's just make an album . " Dylan won the Grammy Award for Best Male Rock Vocal Performance for the song " Gotta Serve Somebody " . His second Christian @-@ themed album , Saved ( 1980 ) , received mixed reviews , described by Michael Gray as " the nearest thing to a follow @-@ up album Dylan has ever made , Slow Train Coming II and inferior " When touring in late 1979 and early 1980 , Dylan would not play his older , secular works , and he delivered declarations of his faith from the stage , such as : Years ago they ... said I was a prophet . I used to say , " No I 'm not a prophet " they say " Yes you are , you 're a prophet . " I said , " No it 's not me . " They used to say " You sure are a prophet . " They used to convince me I was a prophet . Now I come out and say Jesus Christ is the answer . They say , " Bob Dylan 's no prophet . " They just can 't handle it . Dylan 's Christianity was unpopular with some fans and musicians . Shortly before his murder , John Lennon recorded " Serve Yourself " in response to Dylan 's " Gotta Serve Somebody " . By 1981 , Stephen Holden wrote in the New York Times that " neither age ( he 's now 40 ) nor his much @-@ publicized conversion to born @-@ again Christianity has altered his essentially iconoclastic temperament . " = = = 1980s = = = In late 1980 , Dylan briefly played concerts billed as " A Musical Retrospective " , restoring popular 1960s songs to the repertoire . Shot of Love , recorded early the next year , featured his first secular compositions in more than two years , mixed with Christian songs . " Every Grain of Sand " reminded some of William Blake 's verses . In the 1980s , reception of Dylan 's recordings varied , from the well @-@ regarded Infidels in 1983 to the panned Down in the Groove in 1988 . Michael Gray condemned Dylan 's 1980s albums for carelessness in the studio and for failing to release his best songs . As an example of the latter , the Infidels recording sessions , which again employed Knopfler on lead guitar and also as the album 's producer , resulted in several notable songs that Dylan left off the album . Best regarded of these were " Blind Willie McTell " , a tribute to the dead blues musician and an evocation of African American history , " Foot of Pride " and " Lord Protect My Child " . These three songs were released on The Bootleg Series Volumes 1 – 3 ( Rare & Unreleased ) 1961 – 1991 . Between July 1984 and March 1985 , Dylan recorded Empire Burlesque . Arthur Baker , who had remixed hits for Bruce Springsteen and Cyndi Lauper , was asked to engineer and mix the album . Baker said he felt he was hired to make Dylan 's album sound " a little bit more contemporary " . Dylan sang on USA for Africa 's famine relief single " We Are the World " . On July 13 , 1985 , he appeared at the climax at the Live Aid concert at JFK Stadium , Philadelphia . Backed by Keith Richards and Ronnie Wood , he performed a ragged version of " Hollis Brown " , his ballad of rural poverty , and then said to the worldwide audience exceeding one billion people : " I hope that some of the money ... maybe they can just take a little bit of it , maybe ... one or two million , maybe ... and use it to pay the mortgages on some of the farms and , the farmers here , owe to the banks . " His remarks were widely criticized as inappropriate , but they did inspire Willie Nelson to organize a series of events , Farm Aid , to benefit debt @-@ ridden American farmers . In April 1986 , Dylan made a foray into rap music when he added vocals to the opening verse of " Street Rock " , featured on Kurtis Blow 's album Kingdom Blow . Dylan 's next studio album , Knocked Out Loaded , in July 1986 contained three covers ( by Little Junior Parker , Kris Kristofferson and the gospel hymn " Precious Memories " ) , plus three collaborations with ( Tom Petty , Sam Shepard and Carole Bayer Sager ) , and two solo compositions by Dylan . One reviewer commented that " the record follows too many detours to be consistently compelling , and some of those detours wind down roads that are indisputably dead ends . By 1986 , such uneven records weren 't entirely unexpected by Dylan , but that didn 't make them any less frustrating . " It was the first Dylan album since Freewheelin ' ( 1963 ) to fail to make the Top 50 . Since then , some critics have called the 11 @-@ minute epic that Dylan co @-@ wrote with Sam Shepard , " Brownsville Girl " , a work of genius . In 1986 and 1987 , Dylan toured with Tom Petty and the Heartbreakers , sharing vocals with Petty on several songs each night . Dylan also toured with the Grateful Dead in 1987 , resulting in a live album Dylan & The Dead . This received negative reviews : Allmusic said , " Quite possibly the worst album by either Bob Dylan or the Grateful Dead . " Dylan then initiated what came to be called the Never Ending Tour on June 7 , 1988 , performing with a back @-@ up band featuring guitarist G. E. Smith . Dylan continued to tour with a small , evolving band for the next 20 years . In 1987 , Dylan starred in Richard Marquand 's movie Hearts of Fire , in which he played Billy Parker , a washed @-@ up rock star turned chicken farmer whose teenage lover , ( Fiona ) , leaves him for a jaded English synth @-@ pop sensation played by Rupert Everett . Dylan also contributed two original songs to the soundtrack — " Night After Night " , and " I Had a Dream About You , Baby " , as well as a cover of John Hiatt 's " The Usual " . The film was a critical and commercial flop . Dylan was inducted into the Rock and Roll Hall of Fame in January 1988 , with Bruce Springsteen 's introduction declaring , " Bob freed your mind the way Elvis freed your body . He showed us that just because music was innately physical did not mean that it was anti @-@ intellectual . The album Down in the Groove in May 1988 sold even more unsuccessfully than his previous studio album . Michael Gray wrote : " The very title undercuts any idea that inspired work may lie within . Here was a further devaluing of the notion of a new Bob Dylan album as something significant . " The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys . Dylan co @-@ founded the band with George Harrison , Jeff Lynne , Roy Orbison , and Tom Petty , and in late 1988 their multi @-@ platinum Traveling Wilburys Vol . 1 reached three on the US album chart , featuring songs that were described as Dylan 's most accessible compositions in years . Despite Orbison 's death in December 1988 , the remaining four recorded a second album in May 1990 with the title Traveling Wilburys Vol . 3 . Dylan finished the decade on a critical high note with Oh Mercy produced by Daniel Lanois . Michael Gray wrote that the album was : " Attentively written , vocally distinctive , musically warm , and uncompromisingly professional , this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s . " The track " Most of the Time " , a lost love composition , was later prominently featured in the film High Fidelity , while " What Was It You Wanted ? " has been interpreted both as a catechism and a wry comment on the expectations of critics and fans . The religious imagery of " Ring Them Bells " struck some critics as a re @-@ affirmation of faith . = = = 1990s = = = Dylan 's 1990s began with Under the Red Sky ( 1990 ) , an about @-@ face from the serious Oh Mercy . The album contained several apparently simple songs , including " Under the Red Sky " and " Wiggle Wiggle " . The album was dedicated to " Gabby Goo Goo " , a nickname for the daughter of Dylan and Carolyn Dennis , Desiree Gabrielle Dennis @-@ Dylan , who was four . Sidemen on the album included George Harrison , Slash from Guns N ' Roses , David Crosby , Bruce Hornsby , Stevie Ray Vaughan , and Elton John . Despite the line @-@ up , the record received bad reviews and sold poorly . In 1991 , Dylan received a Grammy Lifetime Achievement Award from American actor Jack Nicholson . The event coincided with the start of the Gulf War against Saddam Hussein , and Dylan performed " Masters of War " . Dylan then made a short speech , saying " My daddy once said to me , he said , ' Son , it is possible for you to become so defiled in this world that your own mother and father will abandon you . If that happens , God will believe in your ability to mend your own ways . ' " This sentiment was subsequently revealed to be a quote from 19th @-@ century German Jewish intellectual , Rabbi Samson Raphael Hirsch . The next few years saw Dylan returning to his roots with two albums covering folk and blues numbers : Good as I Been to You ( 1992 ) and World Gone Wrong ( 1993 ) , featuring interpretations and acoustic guitar work . Many critics and fans commented on the quiet beauty of the song " Lone Pilgrim " , written by a 19th @-@ century teacher . In November 1994 Dylan recorded two live shows for MTV Unplugged . He said his wish to perform traditional songs was overruled by Sony executives who insisted on hits . The album from it , MTV Unplugged , included " John Brown " , an unreleased 1962 song of how enthusiasm for war ends in mutilation and disillusionment . Dylan 's longtime road manager Victor Maymudes has claimed that the singer quit drinking alcohol in 1994 . Maymudes felt that Dylan sobering up made him " more introverted and a little less social . " With a collection of songs reportedly written while snowed @-@ in on his Minnesota ranch , Dylan booked recording time with Daniel Lanois at Miami 's Criteria Studios in January 1997 . The subsequent recording sessions were , by some accounts , fraught with musical tension . Before the album 's release Dylan was hospitalized with a life @-@ threatening heart infection , pericarditis , brought on by histoplasmosis . His scheduled European tour was cancelled , but Dylan made a speedy recovery and left the hospital saying , " I really thought I 'd be seeing Elvis soon . " He was back on the road by mid @-@ year , and performed before Pope John Paul II at the World Eucharistic Conference in Bologna , Italy . The Pope treated the audience of 200 @,@ 000 people to a homily based on Dylan 's lyric " Blowin ' in the Wind " . September saw the release of the new Lanois @-@ produced album , Time Out of Mind . With its bitter assessment of love and morbid ruminations , Dylan 's first collection of original songs in seven years was highly acclaimed . One critic wrote : " the songs themselves are uniformly powerful , adding up to Dylan 's best overall collection in years . " This collection of complex songs won him his first solo " Album of the Year " Grammy Award . In December 1997 , U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House , paying this tribute : " He probably had more impact on people of my generation than any other creative artist . His voice and lyrics haven 't always been easy on the ear , but throughout his career Bob Dylan has never aimed to please . He 's disturbed the peace and discomforted the powerful . " In 1999 , Dylan embarked on a North American tour with Paul Simon , where each alternated as headline act with a " middle " section where they performed together , starting on the first of June and ending September 18 . The collaboration was generally well @-@ received , with just one critic , Seth Rogovoy , from the Berkshire Eagle , questioning the collaboration . = = = 2000s = = = Dylan commenced the new millennium by winning the Polar Music Prize in May 2000 and his first Oscar ; his song " Things Have Changed " , written for the film Wonder Boys , won an Academy Award in March 2001 . The Oscar , by some reports a facsimile , tours with him , presiding over shows perched atop an amplifier . " Love and Theft " was released on September 11 , 2001 . Recorded with his touring band , Dylan produced the album himself under the pseudonym Jack Frost . The album was critically well received and earned nominations for several Grammy awards . Critics noted that Dylan was widening his musical palette to include rockabilly , Western swing , jazz , and even lounge ballads . " Love and Theft " generated controversy when The Wall Street Journal pointed out similarities between the album 's lyrics and Japanese author Junichi Saga 's book Confessions of a Yakuza . In 2003 , Dylan revisited the evangelical songs from his " born again " period and participated in the CD project Gotta Serve Somebody : The Gospel Songs of Bob Dylan . That year also saw the release of the film Masked & Anonymous , which Dylan co @-@ wrote with director Larry Charles under the alias Sergei Petrov . Dylan played the central character in the film , Jack Fate , alongside a cast that included Jeff Bridges , Penélope Cruz and John Goodman . The film polarised critics : many dismissed it as an " incoherent mess " ; a few treated it as a serious work of art . In October 2004 , Dylan published the first part of his autobiography , Chronicles : Volume One . Confounding expectations , Dylan devoted three chapters to his first year in New York City in 1961 – 1962 , virtually ignoring the mid @-@ 1960s when his fame was at its height . He also devoted chapters to the albums New Morning ( 1970 ) and Oh Mercy ( 1989 ) . The book reached number two on The New York Times ' Hardcover Non @-@ Fiction best seller list in December 2004 and was nominated for a National Book Award . No Direction Home , Martin Scorsese 's acclaimed film biography of Dylan , was first broadcast on September 26 – 27 , 2005 , on BBC Two in the UK and PBS in the US . The documentary focuses on the period from Dylan 's arrival in New York in 1961 to his motorcycle crash in 1966 , featuring interviews with Suze Rotolo , Liam Clancy , Joan Baez , Allen Ginsberg , Pete Seeger , Mavis Staples , and Dylan himself . The film received a Peabody Award in April 2006 and a Columbia @-@ duPont Award in January 2007 . The accompanying soundtrack featured unreleased songs from Dylan 's early career . Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter , 186 times versus 74 by the Beatles , who were second . Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia , both conservatives . The most widely cited lines included " you don 't need a weatherman to know which way the wind blows " from " Subterranean Homesick Blues " and " when you ain 't got nothing , you got nothing to lose " from " Like a Rolling Stone " . = = = = Modern Times = = = = May 3 , 2006 , was the premiere of Dylan 's radio presenting career , hosting a weekly radio program , Theme Time Radio Hour , for XM Satellite Radio , with song selections revolving around a chosen theme . Dylan played classic and obscure records from the 1930s to the present day , including contemporary artists as diverse as Blur , Prince , L.L. Cool J and the Streets . The show was praised by fans and critics as " great radio , " as Dylan told stories and made eclectic references with his sardonic humor , while achieving a thematic beauty with his musical choices . In April 2009 , Dylan broadcast the 100th show in his radio series ; the theme was " Goodbye " and the final record played was Woody Guthrie 's " So Long , It 's Been Good to Know Yuh " . This has led to speculation that Dylan 's radio series may have ended . On August 29 , 2006 , Dylan released his Modern Times album . Despite some coarsening of Dylan 's voice ( a critic for The Guardian characterised his singing on the album as " a catarrhal death rattle " ) most reviewers praised the album , and many described it as the final installment of a successful trilogy , embracing Time Out of Mind and " Love and Theft " . Modern Times entered the U.S. charts at number one , making it Dylan 's first album to reach that position since 1976 's Desire . The New York Times published an article exploring similarities between some of Dylan 's lyrics in Modern Times and the work of the Civil War poet Henry Timrod . Nominated for three Grammy Awards , Modern Times won Best Contemporary Folk / Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for " Someday Baby " . Modern Times was named Album of the Year , 2006 , by Rolling Stone magazine , and by Uncut in the UK . On the same day that Modern Times was released the iTunes Music Store released Bob Dylan : The Collection , a digital box set containing all of his albums ( 773 tracks in total ) , along with 42 rare and unreleased tracks . In August 2007 , the award @-@ winning film biography of Dylan I 'm Not There , written and directed by Todd Haynes , was released — bearing the tagline " inspired by the music and many lives of Bob Dylan " . The movie used six different actors to represent different aspects of Dylan 's life : Christian Bale , Cate Blanchett , Marcus Carl Franklin , Richard Gere , Heath Ledger and Ben Whishaw . Dylan 's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film 's original soundtrack ; all other tracks are covers of Dylan songs , specially recorded for the movie by a diverse range of artists , including Sonic Youth , Eddie Vedder , Mason Jennings , Stephen Malkmus , Jeff Tweedy , Karen O , Willie Nelson , Cat Power , Richie Havens , and Tom Verlaine . On October 1 , 2007 , Columbia Records released the triple CD retrospective album Dylan , anthologising his entire career under the Dylan 07 logo . As part of this campaign , Mark Ronson produced a re @-@ mix of Dylan 's 1966 tune " Most Likely You Go Your Way and I 'll Go Mine " , which was released as a maxi @-@ single . This was the first time Dylan had sanctioned a re @-@ mix of one of his classic recordings . The sophistication of the Dylan 07 marketing campaign was a reminder that Dylan 's commercial profile had risen considerably since the 1990s . This first became evident in 2004 , when Dylan appeared in a TV advertisement for Victoria 's Secret lingerie . Three years later , in October 2007 , he participated in a multi @-@ media campaign for the 2008 Cadillac Escalade . Then , in 2009 , he gave the highest profile endorsement of his career , appearing with rapper will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII . The ad , broadcast to a record audience of 98 million viewers , opened with Dylan singing the first verse of " Forever Young " followed by will.i.am doing a hip hop version of the song 's third and final verse . In October 2008 , Columbia released The Bootleg Series Vol . 8 – Tell Tale Signs as both a two @-@ CD set and a three @-@ CD version with a 150 @-@ page hardcover book . The set contains live performances and outtakes from selected studio albums from Oh Mercy to Modern Times , as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley . The pricing of the album — the two @-@ CD set went on sale for $ 18 @.@ 99 and the three @-@ CD version for $ 129 @.@ 99 — led to complaints about " rip @-@ off packaging " from some fans and commentators . The release was widely acclaimed by critics . The abundance of alternative takes and unreleased material suggested to one reviewer that this volume of old outtakes " feels like a new Bob Dylan record , not only for the astonishing freshness of the material , but also for the incredible sound quality and organic feeling of everything here . " = = = = Together Through Life and Christmas in the Heart = = = = Bob Dylan released his album Together Through Life on April 28 , 2009 . In a conversation with music journalist Bill Flanagan , published on Dylan 's website , Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie , My Own Love Song ; initially only intending to record a single track , " Life Is Hard , " " the record sort of took its own direction " . Nine of the ten songs on the album are credited as co @-@ written by Bob Dylan and Robert Hunter . The album received largely favorable reviews , although several critics described it as a minor addition to Dylan 's canon of work . Andy Gill wrote in The Independent that the record " features Dylan in fairly relaxed , spontaneous mood , content to grab such grooves and sentiments as flit momentarily across his radar . So while it may not contain too many landmark tracks , it 's one of the most naturally enjoyable albums you 'll hear all year . " In its first week of release , the album reached number one in the Billboard 200 chart in the U.S. , making Bob Dylan ( 67 years of age ) the oldest artist to ever debut at number one on that chart . It also reached number one on the UK album chart , 39 years after Dylan 's previous UK album chart topper New Morning . This meant that Dylan currently holds the record for the longest gap between solo number one albums in the UK chart . On October 13 , 2009 , Dylan released a Christmas album , Christmas in the Heart , comprising such Christmas standards as " Little Drummer Boy " , " Winter Wonderland " and " Here Comes Santa Claus " . Dylan 's royalties from the sale of this album will benefit the charities Feeding America in the USA , Crisis in the UK , and the World Food Programme . The album received generally favorable reviews . The New Yorker commented that Dylan had welded a pre @-@ rock musical sound to " some of his croakiest vocals in a while " , and speculated that Dylan 's intentions might be ironic : " Dylan has a long and highly publicized history with Christianity ; to claim there 's not a wink in the childish optimism of ' Here Comes Santa Claus ' or ' Winter Wonderland ' is to ignore a half @-@ century of biting satire . " In USA Today , Edna Gundersen pointed out that Dylan was " revisiting yuletide styles popularized by Nat King Cole , Mel Tormé , and the Ray Conniff Singers . " Gundersen concluded that Dylan " couldn 't sound more sentimental or sincere " . In an interview published in The Big Issue , journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style , and Dylan responded : " There wasn 't any other way to play it . These songs are part of my life , just like folk songs . You have to play them straight too . " = = = 2010s = = = = = = = Tempest = = = = On October 18 , 2010 , Dylan released Volume 9 of his Bootleg Series , The Witmark Demos . This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan 's earliest music publishers : Leeds Music in 1962 , and Witmark Music from 1962 to 1964 . One reviewer described the set as " a hearty glimpse of young Bob Dylan changing the music business , and the world , one note at a time . " The critical aggregator website Metacritic awarded the album a Metascore of 86 , indicating " universal acclaim " . In the same week , Sony Legacy released Bob Dylan : The Original Mono Recordings , a box set that for the first time presented Dylan 's eight earliest albums , from Bob Dylan ( 1962 ) to John Wesley Harding ( 1967 ) , in their original mono mix in the CD format . The CDs were housed in miniature facsimiles of the original album covers , replete with original liner notes . The set was accompanied by a booklet featuring an essay by music critic Greil Marcus . On April 12 , 2011 , Legacy Recordings released Bob Dylan in Concert – Brandeis University 1963 , taped at Brandeis University on May 10 , 1963 , two weeks prior to the release of The Freewheelin ' Bob Dylan . The tape was discovered in the archive of music writer Ralph J. Gleason , and the recording carries liner notes by Michael Gray , who writes the recording captures Dylan " from way back when Kennedy was President and the Beatles hadn 't yet reached America . It reveals him not at any Big Moment but giving a performance like his folk club sets of the period ... This is the last live performance we have of Bob Dylan before he becomes a star . " The extent to which his work was studied at an academic level was demonstrated on Dylan 's 70th birthday on May 24 , 2011 , when three universities organized symposia on his work . The University of Mainz , the University of Vienna , and the University of Bristol invited literary critics and cultural historians to give papers on aspects of Dylan 's work . Other events , including tribute bands , discussions and simple singalongs , took place around the world , as reported in The Guardian : " From Moscow to Madrid , Norway to Northampton and Malaysia to his home state of Minnesota , self @-@ confessed ' Bobcats ' will gather today to celebrate the 70th birthday of a giant of popular music . " On October 4 , 2011 , Dylan 's label , Egyptian Records , released an album of previously unheard Hank Williams songs , The Lost Notebooks of Hank Williams . Dylan had helped to curate this project , in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists , including Dylan himself , his son Jakob Dylan , Levon Helm , Norah Jones , Jack White , and others . On May 29 , 2012 , U.S. President Barack Obama awarded Dylan a Presidential Medal of Freedom in the White House . At the ceremony , Obama praised Dylan 's voice for its " unique gravelly power that redefined not just what music sounded like but the message it carried and how it made people feel " . On September 11 , 2012 , Dylan released his 35th studio album , Tempest . The album features a tribute to John Lennon , " Roll On John " , and the title track is a 14 minute song about the sinking of the Titanic . Reviewing Tempest for Rolling Stone , Will Hermes gave the album five out of five stars , writing : " Lyrically , Dylan is at the top of his game , joking around , dropping wordplay and allegories that evade pat readings and quoting other folks ' words like a freestyle rapper on fire . " Hermes called Tempest " one of [ Dylan 's ] weirdest albums ever " , and opined , " It may also be the single darkest record in Dylan 's catalog . " The critical aggregator website Metacritic awarded the album a score of 83 out of 100 , indicating " universal acclaim " . On August 27 , 2013 , Columbia Records released Volume 10 of Dylan 's Bootleg Series , Another Self Portrait ( 1969 – 1971 ) . The album contained 35 previously unreleased tracks , including alternate takes and demos from Dylan 's 1969 – 1971 recording sessions during the making of the Self Portrait and New Morning albums . The box set also included a live recording of Dylan 's performance with the Band at the Isle of Wight Festival in 1969 . Another Self Portrait received favorable reviews , earning a score of 81 on the critical aggregator , Metacritic , indicating " universal acclaim " . AllMusic critic Thom Jurek wrote , " For fans , this is more than a curiosity , it 's an indispensable addition to the catalog . " On November 4 , 2013 , Columbia Records released Bob Dylan : Complete Album Collection : Vol . One , a boxed set containing all 35 of Dylan 's studio albums , six albums of live recordings , and a collection , entitled Sidetracks , of singles , songs from films and non @-@ album material . The box includes new album @-@ by @-@ album liner notes written by Clinton Heylin with an introduction by Bill Flanagan . On the same date , Columbia released a compilation , The Very Best of Bob Dylan , which is available in both single CD and double CD formats . To publicize the 35 album box set , an innovative video of the song " Like a Rolling Stone " was released on Dylan 's website . The interactive video , created by director Vania Heymann , allowed viewers to switch between 16 simulated TV channels , all featuring characters who are lip @-@ synching the lyrics of the 48 @-@ year @-@ old song . On February 2 , 2014 , Dylan appeared in a commercial for the Chrysler 200 car which was screened during the 2014 Super Bowl American football game . At the end of the commercial , Dylan says : " So let Germany brew your beer , let Switzerland make your watch , let Asia assemble your phone . We will build your car . " Dylan 's Super Bowl commercial generated controversy and op @-@ ed pieces discussing the protectionist implications of his words , and whether the singer had " sold out " to corporate interests . In 2013 and 2014 , auction house sales demonstrated the high cultural value attached to Dylan 's mid @-@ 1960s work , and the record prices that collectors were willing to pay for artefacts from this period . In December 2013 , the Fender Stratocaster which Dylan had played at the 1965 Newport Folk Festival fetched $ 965 @,@ 000 , the second highest price paid for a guitar . In June 2014 , Dylan 's hand @-@ written lyrics of " Like a Rolling Stone " , his 1965 hit single , fetched $ 2 million dollars at auction , a record for a popular music manuscript . On October 28 , 2014 , Simon & Schuster published a massive 960 page , thirteen and a half pound edition of Dylan 's lyrics , Lyrics : Since 1962 . The book was edited by literary critic Christopher Ricks , Julie Nemrow and Lisa Nemrow , to offer variant versions of Dylan 's songs , sourced from out @-@ takes and live performances . A limited edition of 50 books , signed by Dylan , was priced at $ 5 @,@ 000 . " It ’ s the biggest , most expensive book we ’ ve ever published , as far as I know , " said Jonathan Karp , Simon & Schuster ’ s president and publisher . On November 4 , 2014 , Columbia Records / Legacy Recordings released The Basement Tapes Complete by Bob Dylan and The Band . These 138 tracks in a six @-@ CD box form Volume 11 of Dylan 's Bootleg Series . The 1975 album , The Basement Tapes , contained some of the songs which Dylan and the Band recorded in their homes in Woodstock , New York , in 1967 . Subsequently , over 100 recordings and alternate takes have circulated on bootleg records . The sleeve notes for the new box set are by Sid Griffin , American musician and author of Million Dollar Bash : Bob Dylan , The Band , and The Basement Tapes . = = = = Shadows in the Night and Fallen Angels = = = = On February 3 , 2015 , Dylan released Shadows in the Night , featuring ten songs written between 1923 and 1963 , which have been described as part of the Great American Songbook . All the songs on the album were recorded by Frank Sinatra but both critics and Dylan himself cautioned against seeing the record as a collection of " Sinatra covers " . Dylan explained , " I don 't see myself as covering these songs in any way . They 've been covered enough . Buried , as a matter a fact . What me and my band are basically doing is uncovering them . Lifting them out of the grave and bringing them into the light of day . " In an interview , Dylan said he had been thinking about making this record since hearing Willie Nelson 's 1978 album Stardust . Shadows In the Night received favorable reviews , scoring 82 on the critical aggregator Metacritic , which indicates " universal acclaim " . Critics praised the restrained instrumental backings and Dylan 's singing , saying that the material had elicited his best vocal performances in recent years . Bill Prince in GQ commented : " A performer who 's had to hear his influence in virtually every white pop recording made since he debuted his own self @-@ titled album back in 1962 imagines himself into the songs of his pre @-@ rock 'n'roll early youth . " In The Independent , Andy Gill wrote that the recordings " have a lingering , languid charm , which ... help to liberate the material from the rusting manacles of big @-@ band and cabaret mannerisms . " The album debuted at number one in the UK albums chart in its first week of release . On October 5 , 2015 , IBM launched a marketing campaign for its Watson computer system which featured Dylan . Dylan is seen conversing with the computer which says it has read all his lyrics and reports : " My analysis shows that your major themes are that time passes and love fades . " Dylan replies : " That sounds about right . " On November 6 , 2015 , Sony Music released The Bootleg Series Vol . 12 : The Cutting Edge 1965 – 1966 . This work consists of previously unreleased material from the three albums Dylan recorded Between January 1965 and March 1966 : Bringing It All Back Home , Highway 61 Revisited and Blonde on Blonde . The records have been released in three formats : a 2 @-@ CD " Best Of " version , a 6 @-@ CD " Deluxe edition " , and an 18 @-@ CD " Collector 's Edition " in a limited edition of 5 @,@ 000 units . On Dylan 's website the " Collector 's Edition " was described as containing " every single note recorded by Bob Dylan in the studio in 1965 / 1966 " . The critical aggregator website Metacritic awarded Cutting Edge a score of 99 , indicating universal acclaim . The Best of the Cutting Edge entered the Billboard Top Rock Albums chart at number one on November 18 , based on its first @-@ week sales . On March 2 , 2016 , it was announced that Dylan had sold an extensive archive of about 6 @,@ 000 items to the George Kaiser Family Foundation and the University of Tulsa . It was reported that the sale price was " an estimated $ 15 million to $ 20 million " , and the archive comprises notebooks , drafts of Dylan lyrics , recordings , and correspondence . Filmed material in the collection includes 30 hours of outtakes from the 1965 tour documentary Dont Look Back , 30 hours of footage shot on Dylan 's legendary 1966 electric tour , and 50 hours shot on the 1975 Rolling Thunder Revue . The archive will be housed at Helmerich Center for American Research , a facility at the Gilcrease Museum . On May 20 , 2016 , Dylan released his 37th studio album , Fallen Angels , which was described as " a direct continuation of the work of ' uncovering ' the Great Songbook that he began on last year ’ s Shadows In the Night . " The album contained twelve songs by classic songwriters such as Harold Arlen , Sammy Cahn and Johnny Mercer , eleven of which had been recorded by Sinatra . Jim Farber wrote in Entertainment Weekly : " Tellingly , [ Dylan ] delivers these songs of love lost and cherished not with a burning passion but with the wistfulness of experience . They ’ re memory songs now , intoned with a present sense of commitment . Released just four days ahead of his 75th birthday , they couldn ’ t be more age @-@ appropriate . " The album received a score of 79 on critical aggregator website Metacritic , denoting " generally favorable reviews " . = = Never Ending Tour = = The Never Ending Tour commenced on June 7 , 1988 , and Dylan has played roughly 100 dates a year for the entirety of the 1990s and 2000s — a heavier schedule than most performers who started out in the 1960s . By May 2013 , Dylan and his band had played more than 2 @,@ 500 shows , anchored by long @-@ time bassist Tony Garnier , drummer George Recile , multi @-@ instrumentalist Donnie Herron , and guitarist Charlie Sexton . To the dismay of some of his audience , Dylan 's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night . Critical opinion about Dylan 's shows remains divided . Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material . Others have criticized his live performances for mangling and spitting out " the greatest lyrics ever written so that they are effectively unrecognisable " , and giving so little to the audience that " it is difficult to understand what he is doing on stage at all . " Dylan 's performances in China in April 2011 generated controversy . Some criticised him for not making any explicit comment on the political situation in China , and for , allegedly , allowing the Chinese authorities to censor his set list . Others defended Dylan 's performances , arguing that such criticism represented a misunderstanding of Dylan 's art , and that no evidence for the censorship of Dylan 's set list existed . In response to these allegations , Dylan posted a statement on his website : " As far as censorship goes , the Chinese government had asked for the names of the songs that I would be playing . There 's no logical answer to that , so we sent them the set lists from the previous 3 months . If there were any songs , verses or lines censored , nobody ever told me about it and we played all the songs that we intended to play . " Dylan commenced a tour of Japan in Tokyo on April 4 , 2016 , which concluded in Yokohama on April 28 . Dylan announced a tour of the US starting in Woodinville WA on June 4 , 2016 , and finishing in Gilford NH on July 17 . Dylan has also announced his participation in a so @-@ called " Mega @-@ Fest " titled Desert Trip , in California on October 7 , when he will perform at the same event as the Rolling Stones , Neil Young , Paul McCartney , the Who and Roger Waters . = = Visual artist = = The cover of Dylan 's album Self Portrait ( 1970 ) is a reproduction of a painting of a face by Dylan . Another of his paintings is reproduced on the cover of the 1974 album Planet Waves . In 1994 Random House published Drawn Blank , a book of Dylan 's drawings . In 2007 , the first public exhibition of Dylan 's paintings , The Drawn Blank Series , opened at the Kunstsammlungen in Chemnitz , Germany ; it showcased more than 200 watercolors and gouaches made from the original drawings . The exhibition coincided with the publication of Bob Dylan : The Drawn Blank Series , which includes 170 reproductions from the series . From September 2010 until April 2011 , the National Gallery of Denmark exhibited 40 large @-@ scale acrylic paintings by Dylan , The Brazil Series . In July 2011 , a leading contemporary art gallery , Gagosian Gallery , announced their representation of Dylan 's paintings . An exhibition of Dylan 's art , The Asia Series , opened at the Gagosian Madison Avenue Gallery on September 20 , displaying Dylan 's paintings of scenes in China and the Far East . The New York Times reported that " some fans and Dylanologists have raised questions about whether some of these paintings are based on the singer 's own experiences and observations , or on photographs that are widely available and were not taken by Mr. Dylan . " The Times pointed to close resemblances between Dylan 's paintings and historic photos of Japan and China , and photos taken by Dmitri Kessel and Henri Cartier @-@ Bresson . The Magnum photo agency confirmed that Dylan had licensed the reproduction rights of these photographs . Dylan 's second show at the Gagosian Gallery , Revisionist Art , opened in November 2012 . The show consisted of thirty paintings , transforming and satirizing popular magazines , including Playboy and Babytalk . In February 2013 , Dylan exhibited the New Orleans Series of paintings at the Palazzo Reale in Milan . In August 2013 , Britain 's National Portrait Gallery in London hosted Dylan 's first major UK exhibition , Face Value , featuring twelve pastel portraits . In November 2013 , the Halcyon Gallery , in London , exhibited seven wrought iron gates created by Dylan ( the exhibition was entitled Mood Swings ) . In a statement released by the gallery , Dylan said , " I 've been around iron all my life ever since I was a kid . I was born and raised in iron ore country , where you could breathe it and smell it every day . Gates appeal to me because of the negative space they allow . They can be closed but at the same time they allow the seasons and breezes to enter and flow . They can shut you out or shut you in . And in some ways there is no difference . " Since 1994 , Dylan has published six books of paintings and drawings . = = Discography = = = = Accolades = = Dylan has won many awards throughout his career including eleven Grammy Awards , one Academy Award and one Golden Globe Award . He has been inducted into the Rock and Roll Hall of Fame , Nashville Songwriters Hall of Fame , and Songwriters Hall of Fame . In May 2000 , Dylan was awarded the Polar Music Prize . He received the Presidential Medal of Freedom in May 2012 . In February 2015 , Dylan accepted the MusiCares Person of the Year award from the National Academy of Recording Arts and Sciences , in recognition of his philanthropic and artistic contributions to society . = = Personal life = = = = = Family = = = Dylan married Sara Lownds on November 22 , 1965 . Their first child , Jesse Byron Dylan , was born on January 6 , 1966 , and they had three more children : Anna Lea ( born July 11 , 1967 ) , Samuel Isaac Abram ( born July 30 , 1968 ) , and Jakob Luke ( born December 9 , 1969 ) . Dylan also adopted Sara 's daughter from a prior marriage , Maria Lownds ( later Dylan , born October 21 , 1961 ) . Bob and Sara Dylan were divorced on June 29 , 1977 . Maria married musician Peter Himmelman in 1988 . In the 1990s , Dylan 's son Jakob became well known as the lead singer of the band The Wallflowers . Jesse Dylan is a film director and a successful businessman . Desiree Gabrielle Dennis @-@ Dylan , Dylan 's daughter with his backup singer Carolyn Dennis ( often professionally known as Carol Dennis ) , was born on January 31 , 1986 , and Dylan married Carolyn Dennis on June 4 , 1986 . The couple divorced in October 1992 . Their marriage and child remained a closely guarded secret until the publication of Howard Sounes ' Dylan biography , Down the Highway : The Life Of Bob Dylan in 2001 . When not touring , Dylan is believed to live primarily in Point Dume , a promontory on the coast of Malibu , California , though he also owns property around the world . = = = Religious beliefs = = = Growing up in Hibbing , Minnesota , Dylan and his family were part of the area 's small but close @-@ knit Jewish community , and in May 1954 Dylan had his Bar Mitzvah . Around the time of his 30th birthday , in 1971 , Dylan visited Israel , and also met Rabbi Meir Kahane , founder of the New York @-@ based Jewish Defense League . Time magazine quoted him saying about Kahane , " He 's a really sincere guy . He 's really put it all together . " Subsequently , Dylan downplayed the extent of his contact with Kahane . During the late 1970s and early 1980s , Dylan converted to Christianity . From January to April 1979 , he participated in Bible study classes at the Vineyard School of Discipleship in Reseda , California . Pastor Kenn Gulliksen has recalled : " Larry Myers and Paul Emond went over to Bob 's house and ministered to him . He responded by saying , ' Yes he did in fact want Christ in his life . ' And he prayed that day and received the Lord . " By 1984 , Dylan was distancing himself from the " born again " label . He told Kurt Loder of Rolling Stone magazine : " I 've never said I 'm born again . That 's just a media term . I don 't think I 've been an agnostic . I 've always thought there 's a superior power , that this is not the real world and that there 's a world to come . " In response to Loder 's asking whether he belonged to any church or synagogue , Dylan laughingly replied , " Not really . Uh , the Church of the Poison Mind . " In 1997 he told David Gates of Newsweek : Here 's the thing with me and the religious thing . This is the flat @-@ out truth : I find the religiosity and philosophy in the music . I don 't find it anywhere else . Songs like " Let Me Rest on a Peaceful Mountain " or " I Saw the Light " — that 's my religion . I don 't adhere to rabbis , preachers , evangelists , all of that . I 've learned more from the songs than I 've learned from any of this kind of entity . The songs are my lexicon . I believe the songs . In an interview published in The New York Times on September 28 , 1997 , journalist Jon Pareles reported that " Dylan says he now subscribes to no organized religion . " Dylan has been a supporter of the Chabad Lubavitch movement in the last 20 years , and has privately participated in Jewish religious events , including the Bar Mitzvahs of his sons and attending Hadar Hatorah , a Chabad Lubavitch yeshiva . In September 1989 and September 1991 , he appeared on the Chabad telethon . Dylan reportedly visits Chabad synagogues ; on Yom Kippur in 2007 he attended Congregation Beth Tefillah , in Atlanta , Georgia , where he was called to the Torah for the sixth aliyah . Dylan has continued to perform songs from his gospel albums in concert , occasionally covering traditional religious songs . He has also made passing references to his religious faith — such as in a 2004 interview with 60 Minutes , when he told Ed Bradley that " the only person you have to think twice about lying to is either yourself or to God . " He also explained his constant touring schedule as part of a bargain he made a long time ago with the " chief commander — in this earth and in the world we can 't see . " In a 2009 interview with Bill Flanagan promoting Dylan 's Christmas LP , Christmas in the Heart , Flanagan commented on the " heroic performance " Dylan gave of " O Little Town of Bethlehem " and that he " delivered the song like a true believer " . Dylan replied : " Well , I am a true believer . " = = Legacy = = Dylan has been described as one of the most influential figures of the 20th century , musically and culturally . He was included in the Time 100 : The Most Important People of the Century where he was called " master poet , caustic social critic and intrepid , guiding spirit of the counterculture generation " . In 2008 , The Pulitzer Prize jury awarded him a special citation for " his profound impact on popular music and American culture , marked by lyrical compositions of extraordinary poetic power . " President Barack Obama said of Dylan in 2012 , " There is not a bigger giant in the history of American music . " In their 2008 assessment of the " 100 Greatest Singers " , Rolling Stone magazine ranked him at number seven . Rolling Stone then ranked Dylan at number two in its 2011 list of " 100 Greatest Artists " of all time , while " Like A Rolling Stone " was listed as the " Greatest Song of all Time . " In 2008 , it was estimated that Dylan had sold about 120 million albums worldwide . Initially modeling his writing style on the songs of Woody Guthrie , the blues of Robert Johnson , and what he termed the " architectural forms " of Hank Williams songs , Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s , infusing it " with the intellectualism of classic literature and poetry " . Paul Simon suggested that Dylan 's early compositions virtually took over the folk genre : " [ Dylan 's ] early songs were very rich ... with strong melodies . ' Blowin ' in the Wind ' has a really strong melody . He so enlarged himself through the folk background that he incorporated it for a while . He defined the genre for a while . " When Dylan made his move from acoustic folk and blues music to a rock backing , the mix became more complex . For many critics , his greatest achievement was the cultural synthesis exemplified by his mid @-@ 1960s trilogy of albums — Bringing It All Back Home , Highway 61 Revisited and Blonde on Blonde . In Mike Marqusee 's words : Between late 1964 and the middle of 1966 , Dylan created a body of work that remains unique . Drawing on folk , blues , country , R & B , rock 'n'roll , gospel , British beat , symbolist , modernist and Beat poetry , surrealism and Dada , advertising jargon and social commentary , Fellini and Mad magazine , he forged a coherent and original artistic voice and vision . The beauty of these albums retains the power to shock and console . " Dylan 's lyrics began to receive detailed scrutiny from academics and poets . Literary critic Christopher Ricks published a 500 @-@ page analysis of Dylan 's work , placing him in the context of Eliot , Keats and Tennyson , claiming that Dylan was a poet worthy of the same close analysis . Former British poet laureate Sir Andrew Motion argued that his lyrics should be studied in schools . Since 1996 , academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature . Dylan 's voice also received critical attention . New York Times critic Robert Shelton described his early vocal style as " a rusty voice suggesting Guthrie 's old performances , etched in gravel like Dave Van Ronk 's . " David Bowie , in his tribute , " Song for Bob Dylan " , described Dylan 's singing as " a voice like sand and glue " . His voice continued to develop as he began to work with rock 'n'roll backing bands ; critic Michael Gray described the sound of Dylan 's vocal work on " Like a Rolling Stone " as " at once young and jeeringly cynical " . As Dylan 's voice aged during the 1980s , for some critics , it became more expressive . Christophe Lebold writes in the journal Oral Tradition , " Dylan 's more recent broken voice enables him to present a world view at the sonic surface of the songs — this voice carries us across the landscape of a broken , fallen world . The anatomy of a broken world in " Everything is Broken " ( on the album Oh Mercy ) is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality . " Dylan is considered a seminal influence on several musical genres , especially folk rock , country rock and Christian rock . As Edna Gundersen stated in USA Today : " Dylan 's musical DNA has informed nearly every simple twist of pop since 1962 . " Punk musician Joe Strummer praised Dylan for having " laid down the template for lyric , tune , seriousness , spirituality , depth of rock music . " Other major musicians who acknowledged Dylan 's importance include Johnny Cash , Jerry Garcia , John Lennon , Paul McCartney , Pete Townshend , Neil Young , Bruce Springsteen , David Bowie , Bryan Ferry , Nick Cave , Patti Smith , Syd Barrett Joni Mitchell , and Tom Waits . Dylan significantly contributed to the initial success of both the Byrds and the Band : the Byrds achieved chart success with their version of " Mr. Tambourine Man " and the subsequent album , while the Band were Dylan 's backing band on his 1966 tour , recorded The Basement Tapes with him in 1967 , and featured three previously unreleased Dylan songs on their debut album . Some critics have dissented from the view of Dylan as a visionary figure in popular music . In his book Awopbopaloobop Alopbamboom , Nik Cohn objected : " I can 't take the vision of Dylan as seer , as teenage messiah , as everything else he 's been worshipped as . The way I see him , he 's a minor talent with a major gift for self @-@ hype . " Australian critic Jack Marx credited Dylan with changing the persona of the rock star : " What cannot be disputed is that Dylan invented the arrogant , faux @-@ cerebral posturing that has been the dominant style in rock since , with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook . " Fellow musicians also presented dissenting views . Joni Mitchell described Dylan as a " plagiarist " and his voice as " fake " in a 2010 interview in the Los Angeles Times , in response to a suggestion that she and Dylan were similar since they had both created personas . Mitchell 's comment led to discussions of Dylan 's use of other people 's material , both supporting and criticizing him . In 2013 Mitchell told the Canadian Broadcasting Corporation ( CBC ) in an interview that her remarks in the Los Angeles Times had been taken " completely out of context " , and that the interviewer was a " moron " . Mitchell added : " I like a lot of Bob 's songs . Musically he 's not very gifted . He 's borrowed his voice from old hillbillies . He 's got a lot of borrowed things . He 's not a great guitar player . He 's invented a character to deliver his songs . " Talking to Mikal Gilmore in Rolling Stone in 2012 , Dylan responded to the allegation of plagiarism , including his use of Henry Timrod 's verse in his album Modern Times , by saying that it was " part of the tradition " . If Dylan 's work in the 1960s was seen as bringing intellectual ambition to popular music , critics in the 21st century described him as a figure who had greatly expanded the folk culture from which he initially emerged . Following the release of Todd Haynes ' Dylan biopic I 'm Not There , J. Hoberman wrote in his 2007 Village Voice review : Elvis might never have been born , but someone else would surely have brought the world rock ' n ' roll . No such logic accounts for Bob Dylan . No iron law of history demanded that a would @-@ be Elvis from Hibbing , Minnesota , would swerve through the Greenwich Village folk revival to become the world 's first and greatest rock ' n ' roll beatnik bard and then — having achieved fame and adoration beyond reckoning — vanish into a folk tradition of his own making . Prior to the June 2014 sale of the original lyrics of " Like a Rolling Stone " , written on four sheets of hotel stationery by Dylan in 1965 , Richard Austin , of Sotheby 's , New York , said : " Before the release of Like a Rolling Stone , music charts were overrun with short and sweet love songs , many clocking in at three minutes or less . By defying convention with six and a half minutes of dark , brooding poetry , Dylan rewrote the rules for pop music . "

= Stephanolepis cirrhifer = Stephanolepis cirrhifer , commonly known as the thread @-@ sail filefish , is a species of marine fish in the family Monacanthidae . It is found in the western Pacific , in an area that ranges from northern Japan to the East China Sea , to Korea . Other common names for the fish include " Kawahagi " ( Japanese ) and " Jwi @-@ chi " ( Korean ) . The fish grows to a maximum length of about 12 inches ( 30 centimetres ) , and consumes both plant material and small marine organisms like skeleton shrimp . S. cirrhifer is host of the parasite Peniculus minuticaudae . Some minor genetic differentiation between S. cirrhifer born in the wild and those bred in a hatchery for consumer use has been shown . The fish is edible and sold commercially for culinary purposes in many Asian countries . = = Taxonomy = = The fish was first described in 1850 by Coenraad Jacob Temminck and Hermann Schlegel , when it was observed along with other fauna off the coasts of Japan . They initially placed it in the genus Monacanthus , as Monacanthus cirrhifer ; however , it was transferred to the genus Stephanolepis by David Starr Jordan and Henry Weed Fowler in 1903 . The species name derives from the Latin word cirrhifer , which means " bearing fringes of hair " . Other common names : Japanese - Kawahagi Korean - Jwi @-@ chi English - File fish , Fool fish , Porky Russian - Small striped triggerfish ( Спинорог малый полосатый ) = = Description and habitat = = Thread @-@ sail filefish grow to a maximum adult length of about 30 centimetres ( 12 inches ) . The first dorsal fin is a strong retractable ( folding backwards ) spine . The second dorsal fin and anal fin are soft . They have comparatively small pectoral fins and truncated , fan @-@ shaped tail fins . The dorsal and anal fins are colorless . Their second dorsal , anal and caudal fins rounded . In males , 1 @-@ 3 soft dorsal fin rays extended as filaments ; the first ray has a particularly long thread . The fish have a small abdominal spike . The fish are colored from light brown , to grayish- to light greenish @-@ beige , and are slightly patterned with irregular , broken stripes that range from medium brown to blackish . Juveniles of the species usually seek shelter and safety from predators within clusters of drifting seaweed . The adult thread @-@ sail filefish usually reside near the seabed , where the depth is around 10 metres ( 33 feet ) . The fish migrate wholly in ocean waters ( " oceanodromous " ) between their feeding and spawning grounds , which can cover a range of over 100 kilometres ( 62 miles ) . The spawning season lasts from May to August . Juveniles under 5 centimetres ( 2 @.@ 0 inches ) inhabit shallow water and feed on small crustaceans , mollusks and algae . Adult fish are mostly solitary and live among the coral and seaweeds . = = Ecology = = The thread @-@ sail filefish is an omnivore , and can feed on plant or animal matter . Its diet includes kelp , but consists mainly of amphipods such as gammarids and skeleton shrimp , as well as the seagrass species Zostera marina . The fish also feeds upon smaller organisms , including bryozoans and some species of serpulid tube worms . Thread @-@ sail filefish feed on fish , amphipods , isopods , cirripeds , polychaetes , pelecypods , seaweeds such as those of the genus Sargassum ; and gelatinous plankton , such as the moon jellyfish Aurelia sp. and the giant jellyfish Nemopilema nomurai . S. cirrhifer is host of the pennellid copepod parasite Peniculus minuticaudae , which mostly infects the fins of the female fish . = = Uses = = The thread @-@ sail filefish is cultured and sold commercially as food in Asian countries , including Korea and Japan . The demand for the fish in Korea is very high , and fisheries often employ the services of fish hatcheries for breeding more of the fish to supplement and enhance the supply of stock . This has been done to such a degree that some . As many as 95 alleles have been found to be unique to one of the populations , resulting from minor variations in certain genes that occur exclusively within either population ; genetic differentiation between S. cirrhifer born in the wild and those bred in a hatchery has apparently occurred .

= Mogadishu = Mogadishu ( / ˌmɔːɡəˈdiːʃuː / ; Somali : Muqdisho ; Arabic : مقديشو Maqadīshū ) , known locally as Hamar , is the capital and most populous city of Somalia . Located in the coastal Banaadir region on the Indian Ocean , the city has served as an important port for millennia . As of 2015 , it had a population of 2 @,@ 120 @,@ 000 residents . Tradition and old records assert that southern Somalia , including the Mogadishu area , was historically inhabited by hunter @-@ gatherers . These were later joined by Cushitic agro @-@ pastoralists , who would go on to establish local aristocracies . During its medieval Golden Age , Mogadishu was ruled by the Muzaffar dynasty , a vassal of the Ajuran Sultanate . It subsequently fell under the control of an assortment of local Sultanates and polities , most notably the Geledi Sultanate . The city later became the capital of Italian Somaliland ( 1889 @-@ 1936 ) in the colonial period . After the Somali Republic became independent in 1960 , Mogadishu became known and promoted as the White Pearl of the Indian Ocean . After the ousting of the Siad Barre regime in 1991 and the ensuing civil war , various militias fought for control of the city , later to be replaced by the Islamic Courts Union in the mid @-@ 2000s . The ICU thereafter splintered into more radical groups , notably Al @-@ Shabaab , which fought the Transitional Federal Government ( 2004 @-@ 2012 ) and its AMISOM allies . With a change in administration in late 2010 , government troops and their military partners had succeeded in forcing out Al @-@ Shabaab by August 2011 . Mogadishu has subsequently experienced a period of intense reconstruction . As Somalia 's capital city , many important national institutions are based in Mogadishu . It is the seat of the Federal Government of Somalia established in August 2012 , with the Somalia Federal Parliament serving as the government 's legislative branch . Yusuf Hussein Jimaale has been the Mayor of Mogadishu since October 2015 . Villa Somalia is the official residential palace and principal workplace of the President of Somalia , Hassan Sheikh Mohamud . In May 2012 , the First Somali Bank was established in the capital , which organized Mogadishu 's first ever Technology , Entertainment , Design ( TEDx ) conference . The establishment of a local construction yard has also galvanized the city 's real @-@ estate sector . Arba 'a Rukun Mosque is one of the oldest Islamic places of worship in the capital , built circa 667 ( 1268 / 9 AD ) . The Mosque of Islamic Solidarity in Mogadishu is the largest masjid in the Horn region . Mogadishu Cathedral was built in 1928 by the colonial authorities in Italian Somaliland in a Norman Gothic style , and served as the traditional seat of the Roman Catholic Diocese of Mogadiscio . The National Museum of Somalia is based in Mogadishu and holds many culturally important artefacts . The National Library of Somalia is undergoing a $ 1 million Somali federal government funded renovation , including a new library complex . Mogadishu is home to a number of scholastic and media institutions . As part of the municipality 's urban renewal program , 100 schools across the capital are scheduled to be refurbished and reopened . The Somali National University ( SNU ) was established in the 1950s , and professors from the university later founded the non @-@ governmental Mogadishu University ( MU ) . Benadir University ( BU ) was established in 2002 with the intention of training doctors . Various national sporting bodies have their headquarters in Mogadishu , including the Somali Football Federation and the Somali Olympic Committee . Mogadishu Stadium was constructed in 1978 during the Siad Barre administration , with the assistance of Chinese engineers . It hosts football matches with teams from the Somalia League and the Somalia Cup . Additionally , the Port of Mogadishu serves as a major national seaport and is the largest harbour in Somalia . Mogadishu International Airport , the capital 's main airport , is the hub of the relaunched national carrier Somali Airlines . = = Etymology = = The origins of the name Mogadishu ( Muqdisho ) has many theories but it is most likely derived from a morphology of the Persian words Maq 'ad @-@ i @-@ Shah For a long time , it was thought to be derived from the Persian Maq 'ad @-@ i @-@ Shah ( مقعد شاه ) , which means " the seat of the Shah " ( a reflection of the city 's early Persian influence ) . It is known locally as Xamar ( English : Hamar ) . = = History = = = = = Early history = = = Tradition and old records assert that southern Somalia , including the Mogadishu area , was inhabited very early by hunter @-@ gatherers of Khoisan descent . Although most of these early inhabitants are believed to have been either overwhelmed , driven away or , in some cases , assimilated by later migrants to the area , physical traces of their occupation survive in certain ethnic minority groups inhabiting modern @-@ day Jubaland and other parts of the south . The latter descendants include relict populations such as the Eile , Aweer , the Wa @-@ Ribi , and especially the Wa @-@ Boni . By the time of the arrival of peoples from the Cushitic Rahanweyn ( Digil and Mirifle ) clan confederacy , who would go on to establish a local aristocracy , other Cushitic groups affiliated with the Oromo ( Wardai ) and Ajuuraan ( Ma 'adanle ) had already formed settlements of their own in the sub @-@ region . The ancient city of Sarapion is believed to have been the predecessor state of Mogadishu . It is mentioned in the Periplus of the Erythraean Sea , a Greek travel document dating from the first century AD , as one of a series of commercial ports on the Somali littoral . According to the Periplus , maritime trade already connected peoples in the Mogadishu area with other communities along the Indian Ocean coast . The Sultanate of Mogadishu later developed with the immigration of Emozeidi Arabs , a community whose earliest presence dates back to the 9th or 10th century . This evolved into the Muzaffar dynasty , a joint Somali @-@ Arab federation of rulers , and Mogadishu became closely linked with the powerful Somali Ajuran Sultanate . Following his visit to the city , the 12th century Syrian historian Yaqut al @-@ Hamawi wrote that it was inhabited by dark @-@ skinned Berbers , the ancestors of the modern Somalis . For many years , Mogadishu stood as the pre @-@ eminent city in the Bilad @-@ ul @-@ Barbar ( بلاد البربر ) , meaning " Land of the Berbers , " which was the medieval Arabic term for the Somali coast . By the time of the Moroccan traveller Ibn Battuta 's appearance on the Somali coast in 1331 , the city was at the zenith of its prosperity . He described Mogadishu as " an exceedingly large city " with many rich merchants , which was famous for the high quality fabric that it exported to destinations including Egypt . Batutta added that the city was ruled by a Somali Sultan , Abu Bakr ibn Sayx ' Umar , who was originally from Barbara in northern Somalia and spoke both Somali ( referred to by Battuta as Mogadishan , the Benadir dialect of Somali ) and Arabic with equal fluency . The Sultan also had a retinue of wazirs ( ministers ) , legal experts , commanders , royal eunuchs , and other officials at his service . Additionally , there appears to have been a strong Persian presence in both Mogadishu and Zeila for a time . A Shi 'a influence can still be seen in some areas , as in the southern Somalia veneration of Fatimah , the Prophet Muhammad 's daughter . This fact is also reflected in the etymology of the city 's name , which derives from the Persian Maq 'ad @-@ i @-@ Shah ( مقعد شاه ) and means " the seat of the Shah . " The Portuguese would subsequently attempt to occupy the city , but never managed to take it . In his journal of an expedition to the region in 1497 @-@ 1499 , the explorer João de Sá , who accompanied Vasco da Gama on the voyage , wrote that Magadoxo ( Mogadishu ) was controlled by Moors . A big town surrounded by four towers , it had houses several storeys high and large palaces in its center . De Sá and his men bombarded the city before continuing southwards along the seaboard . The Hawiye Somali , however , were later successful in defeating the Ajuran State and bringing about the end of Muzaffar rule . = = = Sultanates ( 1800s – 1900s ) = = = By 1892 , Mogadishu was under the joint control of the Somali Sultanate of the Geledi and the Omani Sultanate of Zanzibar . The Geledi Sultans were at the height of their power . They dominated the southern ivory trade , and also held sway over the Jubba and Shebelle valleys in the hinterland . The Omani Sultans ' authority in Mogadishu , however , was largely nominal . When Imam Azzan bin Qais of Oman sought to build a fort in the city , he was thus obligated to request permission from Sultan Ahmed Yusuf of Geledi . This Fort of Garessa was eventually constructed in 1870 . The Sultan of Zanzibar later leased and then sold the infrastructure that he had built to the Italians , but not the land itself , which was Somali owned . = = = Italian Somaliland ( late 1800s @-@ 1960 ) = = = In 1905 , Italy made Mogadishu the capital of the newly established Italian Somaliland . The Italians subsequently referred to the city as Mogadiscio . After World War I , the surrounding territory came under Italian control with some resistance . Thousands of Italians settled in Mogadishu and founded small manufacturing companies . They also developed some agricultural areas in the south near the capital , such as Janale and the Villaggio duca degli Abruzzi ( present @-@ day Jowhar ) . In the 1930s , new buildings and avenues were built . A 114 km ( 71 mi ) narrow @-@ gauge railway was laid from Mogadishu to Jowhar . An asphalted road , the Strada Imperiale , was also constructed and intended to link Mogadishu to Addis Ababa . In 1940 , the Italo @-@ Somali population numbered 22 @,@ 000 , accounting for over 44 % of the city 's population of 50 @,@ 000 residents . Mogadishu remained the capital of Italian Somaliland throughout the latter polity 's existence . In World War II it was captured by British forces in February 1941 . After World War II Mogadishu was made the capital of the Trust Territory of Somaliland , an Italian administered fiduciary political entity under the ONU mandate , for ten years ( 1950 – 1960 ) . = = = Somali Republic ( 1960 – 1990 ) = = = British Somaliland became independent on 26 June 1960 as the State of Somaliland , and the Trust Territory of Somalia ( the former Italian Somaliland ) followed suit five days later . On 1 July 1960 , the two territories united to form the Somali Republic , with Mogadishu serving as the nation 's capital . A government was formed by Abdullahi Issa and other members of the trusteeship and protectorate governments , with Haji Bashir Ismail Yusuf as President of the Somali National Assembly , Aden Abdullah Osman Daar as President of the Somali Republic , and Abdirashid Ali Shermarke as Prime Minister ( later to become President from 1967 to 1969 ) . On 20 July 1961 and through a popular referendum , the people of Somalia ratified a new constitution , which was first drafted in 1960 . In 1967 , Muhammad Haji Ibrahim Egal became Prime Minister , a position to which he was appointed by Shermarke . On 15 October 1969 , while paying a visit to the northern town of Las Anod , Somalia 's then President Abdirashid Ali Shermarke was assassinated by one of his own bodyguards . His assassination was quickly followed by a military coup d 'état on 21 October 1969 ( the day after his funeral ) , in which the Somali Army seized power without encountering armed opposition — essentially a bloodless takeover . The putsch was spearheaded by Major General Mohamed Siad Barre , who at the time commanded the army . Alongside Barre , the Supreme Revolutionary Council ( SRC ) that assumed power after President Sharmarke 's assassination was led by Lieutenant Colonel Salaad Gabeyre Kediye and Chief of Police Jama Korshel . Kediye officially held the title of " Father of the Revolution , " and Barre shortly afterwards became the head of the SRC . The SRC subsequently renamed the country the Somali Democratic Republic , arrested members of the former civilian government , banned political parties , dissolved the parliament and the Supreme Court , and suspended the constitution . The revolutionary army established various large @-@ scale public works programmes , including the Mogadishu Stadium . In addition to a nationalization programme of industry and land , the Mogadishu @-@ based new regime 's foreign policy placed an emphasis on Somalia 's traditional and religious links with the Arab world , eventually joining the Arab League in 1974 . After fallout from the unsuccessful Ogaden campaign of the late 1970s , the Barre administration began arresting government and military officials under suspicion of participation in the abortive 1978 coup d 'état . Most of the people who had allegedly helped plot the putsch were summarily executed . However , several officials managed to escape abroad and started to form the first of various dissident groups dedicated to ousting Barre 's regime by force . = = = Civil war = = = By the late 1980s , Barre 's regime had become increasingly unpopular . The authorities became ever more totalitarian , and resistance movements , encouraged by Ethiopia 's communist Derg administration , sprang up across the country . This eventually led in 1991 to the outbreak of the civil war , the toppling of Barre 's government , and the disbandment of the Somali National Army . Many of the opposition groups subsequently began competing for influence in the power vacuum that followed the ouster of Barre 's regime . Armed factions led by United Somali Congress commanders General Mohamed Farah Aidid and Ali Mahdi Mohamed , in particular , clashed as each sought to exert authority over the capital . UN Security Council Resolution 733 and UN Security Council Resolution 746 led to the creation of UNOSOM I , the first stabilization mission in Somalia after the dissolution of the central government . United Nations Security Council Resolution 794 was unanimously passed on 3 December 1992 , which approved a coalition of United Nations peacekeepers led by the United States . Forming the Unified Task Force ( UNITAF ) , the alliance was tasked with assuring security until humanitarian efforts were transferred to the UN . Landing in 1993 , the UN peacekeeping coalition started the two @-@ year United Nations Operation in Somalia II ( UNOSOM II ) primarily in the south . Some of the militias that were then competing for power interpreted the UN troops ' presence as a threat to their hegemony . Consequently , several gun battles took place in Mogadishu between local gunmen and peacekeepers . Among these was the Battle of Mogadishu of 1993 , a successful attempt by US troops to apprehend two high @-@ ranking lieutenants of faction leader Aidid . The UN soldiers eventually withdrew altogether from the country on 3 March 1995 , having incurred more significant casualties . In 2006 , the Islamic Courts Union ( ICU ) , an Islamist organization , assumed control of much of the southern part of the country and promptly imposed Shari 'a law . The new Transitional Federal Government ( TFG ) , established two years earlier , sought to re @-@ establish its authority . With the assistance of Ethiopian troops , AMISOM peacekeepers and air support by the United States , it managed to drive out the rival ICU and solidify its rule . On 8 January 2007 , as the Battle of Ras Kamboni raged , TFG President and founder Abdullahi Yusuf Ahmed , a former colonel in the Somali Army , entered Mogadishu for the first time since being elected to office . The government then relocated to Villa Somalia in Mogadishu from its interim location in Baidoa , marking the first time since the fall of the Barre regime in 1991 that the federal government controlled most of the country . Following this defeat , the Islamic Courts Union splintered into several different factions . Some of the more radical elements , including Al @-@ Shabaab , regrouped to continue their insurgency against the TFG and oppose the Ethiopian military 's presence in Somalia . Throughout 2007 and 2008 , Al @-@ Shabaab scored military victories , seizing control of key towns and ports in both central and southern Somalia . At the end of 2008 , the group had captured Baidoa but not Mogadishu . By January 2009 , Al @-@ Shabaab and other militias had managed to force the Ethiopian troops to retreat , leaving behind an under @-@ equipped African Union peacekeeping force to assist the Transitional Federal Government 's troops . Between 31 May and 9 June 2008 , representatives of Somalia 's federal government and the moderate Alliance for the Re @-@ liberation of Somalia ( ARS ) group of Islamist rebels participated in peace talks in Djibouti brokered by the UN . The conference ended with a signed agreement calling for the withdrawal of Ethiopian troops in exchange for the cessation of armed confrontation . Parliament was subsequently expanded to 550 seats to accommodate ARS members , which then elected a new president . With the help of a small team of African Union troops , the coalition government also began a counteroffensive in February 2009 to retake control of the southern half of the country . To solidify its control of southern Somalia , the TFG formed an alliance with the Islamic Courts Union , other members of the Alliance for the Re @-@ liberation of Somalia , and Ahlu Sunna Waljama 'a , a moderate Sufi militia . In November 2010 , a new technocratic government was elected to office , which enacted numerous reforms , especially in the security sector . By August 2011 , the new administration and its AMISOM allies had managed to capture all of Mogadishu from the Al @-@ Shabaab militants . Mogadishu has subsequently experienced a period of intense reconstruction spearheaded by the Somali diaspora , the municipal authorities , and Turkey , a historic ally of Somalia . = = = Reconstruction = = = In August 2011 , militant group al Shabaab made a strategic withdrawal from Mogadishu to return to hit @-@ and @-@ run tactics . Mayor Mohamed Nur recognized the opportunity as critical to stabilizing and rebuilding the city by any means necessary . Working closely with the UN , USAID , and DRC , Nur 's administration also started large @-@ scale rehabilitation of roads and general infrastructure , with residents closely cooperating with the civil and police authorities to tighten up on security . Nur recognized the opportunity to transform Mogadishu although resources were limited . Working closely with urban strategist Mitchell Sipus , the Benadir government sought to design and deploy a data @-@ driven approach to post @-@ war reconstruction . With the passing of a new Constitution in 2012 and the subsequent election of an inaugural President in the new Federal Government , the mayorship continued to oversee Mogadishu 's ongoing post @-@ conflict reconstruction . Building off the initial pilot , the Benadir administration launched a city @-@ wide street naming , house numbering and postal codes project . Officially called the House Numbering and Post Code System , it is a joint initiative of the municipal authorities and Somali business community representatives . According to Nur , the initiative also aims to help the authorities firm up on security and resolve housing ownership disputes . As of 2016 , there are postal codes for 176 localities and sub @-@ localities , including the Mogadishu metropolitan area . = = Geography = = Mogadishu is situated on the Indian Ocean coast of the Horn of Africa , in the Banaadir administrative region ( gobol ) in southeastern Somalia . The region itself is coextensive with the city and is much smaller than the historical province of Benadir . The city is administratively divided into the districts of Abdiaziz , Bondhere , Daynile , Dharkenley , Hamar @-@ Jajab , Hamar @-@ Weyne , Heliwa , Hodan , Howl @-@ Wadag , Karan , Shangani , Shibis , Waberi , Wadajir , Wardhigley and Yaqshid . Features of the city include the Hamarwein old town , the Bakaara Market , and Gezira Beach . The sandy beaches of Mogadishu have vibrant coral reefs , and are prime real estate for the first tourist resorts in many years . The Shebelle River ( Webiga Shabelle ) rises in central Ethiopia and comes within 30 kilometers ( 19 mi ) of the Indian Ocean near Mogadishu before turning southwestward . Usually dry during February and March , the river provides water essential for the cultivation of sugarcane , cotton , and bananas . = = = Climate = = = For a city situated so near the equator , Mogadishu has a relatively dry climate . It is classified as hot and semi @-@ arid ( Köppen climate classification BSh ) , as with much of southeastern Somalia . By contrast , towns in northern Somalia generally have a hot arid climate ( Köppen BWh ) . Mogadishu is located in or near the tropical thorn woodland biome of the Holdridge global bioclimatic scheme . The mean temperature in the city year round is 27 ° C , with an average maximum of 30 ° C and an average minimum of 24 ° C. Mean temperature readings per month vary by 3 ° C ( 5 @.@ 4 ° F ) , corresponding with a hyperoceanic and subtype truly hyperoceanic continentality type . Precipitation per year averages 429 @.@ 2 millimetres ( 16 @.@ 9 in ) . There are 47 wet days annually , which are associated with a 12 % daily probability of rainfall . The city has an average of 3 @,@ 066 hours of sunshine per year , with 8 @.@ 4 hours of sunlight per day . Mean daylight hours and minutes per day are 8h 24 ' . The annual percentage of sunny versus cloudy daylight hours is 70 and 30 , respectively . Average sun altitude at solar noon on the 21st day of the month is 75 . = = Government = = = = = Federal = = = The Transitional Federal Government ( TFG ) was the internationally recognized central government of Somalia between 2004 and 2012 . Based in Mogadishu , it constituted the executive branch of government . The Federal Government of Somalia was established on 20 August 2012 , concurrent with the end of the TFG 's interim mandate . It represents the first permanent central government in the country since the start of the civil war . The Federal Parliament of Somalia serves as the government 's legislative branch . = = = Municipal = = = Mogadishu 's municipal government is currently led by Yusuf Hussein Jimaale , who succeeded Mayor Hassan Mohamed Hussein Mungab , a former military court chairman . Among the administration 's development initiatives are a US $ 100 million urban renewal project , the creation of garbage disposal and incineration plants , the launch of a city @-@ wide cleanup project , the creation of asphalt and cement plants , rehabilitation of the Town Hall and parliament buildings , reconstruction of the former Defence Ministry offices , reconstruction of correctional facilities , rehabilitation and construction of health facilities , establishment of a Police Training Center and a permanent base in Jasiira for the new Somali Armed Forces , rebuilding of the Somali Postal Service headquarters , and rehabilitation of public playgrounds in several districts . In January 2014 , the Benadir administration launched the House Numbering and Post Code System . It also began distributing national identity cards in March of the same year . In addition , the municipal authorities started renovating important local government centers in September 2014 , including the capital 's former Fisho Guverno compound . In January 2015 , the Benadir administration also opened a new Health & Safety Office to supervise health and safety practices in the city , and launched a municipal beautification campaign ahead of various international conferences that are slated to be held there . In March 2015 , the Benadir administration completed the SECIL project in conjunction with the EU and UNHABITAT . The 3 @.@ 5 million EUR initiative lasted three and a half years , and saw the establishment in Mogadishu of a new sustainable waste collection system , a Technical Training Centre , water quality testing laboratories , ameliorated access to clean drinking water , improved employment and livelihood opportunities in the low @-@ cost fuel production sector , strengthened skills training and regulation in the construction sector , and laboratories for the testing of construction material quality . = = = Diplomatic missions = = = A number of countries maintain foreign embassies and consulates in Mogadishu . As of January 2014 , these diplomatic missions include the embassies of Djibouti , Ethiopia , Sudan , Libya , Yemen , Saudi Arabia , Turkey , Iran , Uganda , Nigeria , the United Kingdom , Japan , China , and Qatar . Embassies that are scheduled to reopen in the city include those of Egypt , the United Arab Emirates , Italy and South Korea . In May 2015 , in recognition of the sociopolitical progress made in Somalia and its return to effective governance , US Secretary of State John Kerry announced a preliminary plan to reestablish the US embassy in Mogadishu . He indicated that although there was no set timetable for the premises ' relaunch , the US government had immediately begun upgrading its diplomatic representation in the country . President of Somalia Hassan Sheikh Mohamud and Prime Minister Omar Abdirashid Ali Sharmarke also presented to Kerry the real estate deed for land reserved for the new US embassy compound . Mohamud concurrently signed an Establishment Agreement with the EU Head of Delegation in Somalia Michele Cervone d ’ Urso , which facilitates the opening of more embassies in Mogadishu by European Union member states . The EU also announced that it had opened a new EU Delegation office in the city . In February 2014 , Somalia 's Minister of Foreign Affairs and International Cooperation Abdirahman Duale Beyle announced that the federal government was slated to reopen the former Institute of Diplomacy in Mogadishu . The center historically served as one of the most important national institutions for diplomacy and international relations . Beyle also pledged to reestablish the institute 's diplomacy department , its information and broadcasting department , as well as its library . = = Economy = = Mogadishu traditionally served as a commercial and financial centre . Before the importation of mass @-@ produced cloth from Europe and America , the city 's textiles were forwarded far and wide throughout the interior of the continent , as well as to the Arabian peninsula and as far as the Persian coast . Mogadishu 's economy has grown rapidly since the city 's pacification in mid 2011 . The SomalFruit processing factory was reopened , as was the local Coca Cola factory , which was also refurbished . In May 2012 , the First Somali Bank was established in the capital , representing the first commercial bank to open in southern Somalia since 1991 . The Somali civil engineer and entrepreneur Nasra Agil also opened the city 's first dollar store . Additionally , the Historic Central Bank was regenerated , with the Moumin Business Center likewise under construction . The galvanization of Mogadishu 's real estate sector was in part facilitated by the establishment of a local construction yard in November 2012 by the Municipality of Istanbul and the Turkish Red Crescent . With 50 construction trucks and machines imported from Turkey , the yard produces concrete , asphalt and paving stones for building projects . The Istanbul Municipality was also scheduled to bring in 100 specialists to accelerate the construction initiative , which ultimately aims to modernize the capital 's infrastructure and serve it over the long @-@ term . In mid @-@ 2012 , Mogadishu concurrently held its first ever Technology , Entertainment , Design ( TEDx ) conference . The event was organized by the First Somali Bank to showcase improvements in business , development and security to potential Somali and international investors . A second consecutive TEDx entrepreneurial conference was held the following year in the capital , highlighting new enterprises and commercial opportunities , including the establishment of the city 's first dry cleaning business in several years . A number of large firms also have their headquarters in Mogadishu . Among these is the Trans @-@ National Industrial Electricity and Gas Company , an energy conglomerate founded in 2010 that unites five major Somali companies from the trade , finance , security and telecommunications sectors . Other firms based in the city include Hormuud Telecom , the largest telecommunications company in southern and central Somalia . Telcom is another telecommunications service provider that is centered in the capital . The local Somali Energy Company specializes in the generation , transmission and distribution of electric power to residents and businesses within its service area in Banaadir . Villa and Mansion Architects , an international architectural firm founded by the Somali @-@ British architect Alexander Yusuf , likewise has its regional offices in Mogadishu . Additionally , the International Bank of Somalia , which opened downtown in 2014 , offers Islamic finance and international banking services via a swift code system . The Islamic Insurance Company ( First Takaful and Re @-@ Takaful Insurance Company ) was concurrently established , and is the city 's first full service insurance firm in many years . The Central Bank of Somalia , the national monetary authority , also has its headquarters in Mogadishu . In June 2013 , former Prime Minister Abdi Farah Shirdon signed a new foreign investment law . The draft bill was prepared by the Ministry of Commerce and Industry in conjunction with government attorneys . Approved by the Cabinet , it establishes a secure legal framework for foreign investment in Mogadishu and elsewhere in the country . In October 2014 , the firm Tawakal Money Express ( Tawakal ) also began construction of the seven @-@ storey Tawakal Plaza Mogadishu . The new high rise is slated to be completed by the end of 2015 , and will feature a Tawakal Global Bank customer and financial services center , a large , 338 square meter supermarket , a 46 @-@ room luxury hotel , restaurant and coffee shop facilities , and conference and event halls . In addition , the Nabaad Supermarket provides major retail service to local shoppers . Open daily until 10 pm , the convenience chain imports most of its products from the United Arab Emirates and China . The Al Buruuj firm also launched a major real estate project in January 2015 , Daru @-@ Salam City . Financed by the Salaam Somali Bank , the new urban complex includes town houses , apartment flats , a mosque , recreational areas , playgrounds , a supermarket and roads . It is slated to be erected just outside the northern part of the capital , within a 7 kilometer radius of the Industrial Road . = = Demographics = = Mogadishu is a multi @-@ ethnic city . Its original core population consisted of Bushmen aboriginals , and later Cushitic , Arab and Persian migrants . The mixture of these various groups produced the Benadiri or Reer Xamar ( “ People of Mogadishu ” ) , a composite population unique to the larger Benadir region . In the colonial period , European expatriates , primarily Italians , would also contribute to the city 's cosmopolitan populace . The main area of inhabitation of Bantu ethnic minorities in Somalia has historically been in village enclaves in the south , particularly between the Jubba and Shebelle river valleys as well as the Bakool and Bay regions . Beginning in the 1970s , more Bantus began moving to urban centres such as Mogadishu and Kismayo . The displacement caused by the onset of the civil war in the 1990s further increased the number of rural minorities migrating to urban areas . As a consequence of these movements , Mogadishu 's traditional demographic makeup changed significantly over the years . Following a greatly improved security situation in the city in 2012 , many Somali expatriates began returning to Mogadishu for investment opportunities and to take part in the ongoing post @-@ conflict reconstruction process . Through both private efforts and public initiatives like the Somali Diaspora Corps , they have participated in the renovation of schools , hospitals , banks and other infrastructure , and have played a leading role in the capital 's recovery . They have also helped to propel the local real estate market . According to Demographia , Mogadishu has a population of around 2 @,@ 120 @,@ 000 residents as of 2015 . It is the 222nd largest city in the world by population size . The urban area occupies 91 square kilometres ( 35 sq mi ) , with a population density of around 23 @,@ 400 inhabitants per square kilometre ( 61 @,@ 000 / sq mi ) . As of September 2014 , the Ministry of Planning and International Cooperation is scheduled to launch the first population census for Somalia in over two decades . The UNFPA assisted the Ministry in the project , which is slated to be finalized ahead of the planned plebiscite and local and national elections in 2016 . = = Landmarks = = = = = Places of worship = = = Arba 'a Rukun Mosque is one of the oldest Islamic places of worship in the capital . It was built circa 667 ( 1268 / 9 AD ) , concurrently with the Fakr ad @-@ Din Mosque . Arba 'a Rukun 's mihrab contains an inscription dated from the same year , which commemorates the masjid 's late founder , Khusra ibn Mubarak al @-@ Shirazi ( Khusrau ibn Muhammed ) . The Mosque of Islamic Solidarity was constructed in 1987 with financial support from the Saudi Fahd bin Abdul Aziz Al Saud Foundation . It is the main mosque in the city , and an iconic building in Somali society . With a capacity of up to 10 @,@ 000 worshippers , it is the single largest masjid in the Horn region . In 2015 , the federal authorities completed formal refurbishments on the mosque 's infrastructure . The upgrades are part of a larger governmental renovation campaign aimed at all of the masjids in Mogadishu . To this end , the municipal authority is refurbishing the historic Central Mosque , situated downtown . The Mogadishu Cathedral was built in 1928 by the colonial authorities in Italian Somaliland . Known as the " Cattedrale di Mogadiscio " , it was constructed in a Norman Gothic style , based on the Cefalù Cathedral in Cefalù , Sicily . The church served as the traditional seat of the Roman Catholic Diocese of Mogadiscio . It later incurred significant damage during the civil war . In April 2013 , after a visit to the site to inspect its condition , the Diocese of Mogadiscio announced plans to refurbish the building . = = = Palaces = = = Villa Somalia is the official residential palace and principal workplace of the President of Somalia , Hassan Sheikh Mohamud . It sits on high ground that overlooks the city on the Indian Ocean , with access to both the harbour and airport . The Governor 's Palace of Mogadishu was the seat of the governor of Italian Somaliland , and then the administrator of the Trust Territory of Somalia . = = = Museums , libraries and theatres = = = The National Museum of Somalia was established after independence in 1960 , when the old Garesa Museum was turned into a National Museum . The National Museum was later moved in 1985 , renamed to the Garesa Museum , and converted to a regional museum . After shutting down , the National Museum later reopened . As of January 2014 , it holds many culturally important artefacts , including old coins , bartering tools , traditional artwork , ancient weaponry and pottery items . The National Library of Somalia was established in 1975 , and came under the responsibility of the Ministry of Education , Culture and Higher Education . In 1983 , it held approximately 7 @,@ 000 books , little in the way of historical and cultural archival material , and was open to the general public . The National Library later closed down in the 1990s . In June 2013 , the Heritage Institute for Policy Studies organized a shipment of 22 @,@ 000 books from the United States to Somalia as part of an initiative to restock the library . In December of the year , the Somali authorities officially launched a major project to rebuild the National Library . With Zainab Hassan serving as Director , the $ 1 million federal government funded initiative will see a new library complex built in the capital within six months . In preparation for the relaunch , 60 @,@ 000 additional books from other Arab League states are expected to arrive . The National Theatre of Somalia opened in 1967 as an important cultural landmark in the national capital . It closed down after the start of the civil war in the early 1990s , but reopened in March 2012 after reconstruction . In September 2013 , the Somali federal government and its Chinese counterpart signed an official cooperation agreement in Mogadishu as part of a five @-@ year national recovery plan in Somalia . The pact will see the Chinese authorities reconstruct the National Theatre of Somalia in addition to several other major infrastructural landmarks . = = = Markets = = = Bakaara Market was created in late 1972 by the Barre administration . It served as an open market for the sale of goods and services , including produce and clothing . After the start of the civil war , the market was controlled by various militant groups , who used it as a base for their operations . Following Mogadishu 's pacification in 2011 , renovations resumed at the market . Shops were rehabilitated , selling everything from fruit and garments to building materials . As in the rest of the city , Barkaara Market 's real estate values have also risen considerably . As of 2013 , the local Tabaarak firm was renting out a newly constructed warehouse at the market for $ 2 @,@ 000 per month . In February 2014 , the Benadir administration began renovations at the Ansaloti Market in the Hamar Jajab district . It was one of the largest markets in the city before closing down operations in the early 1990s . In September 2014 , the municipal authorities officially reopened the Ansaloti to the public , with officials supervising all parts of the market . According to the Benadir Political Affairs Vice Chairman Mohamed Adan " Anagel " , the facility is now open for business and will compete with other regional markets . = = = Institutes = = = The Regional Somali Language Academy is an intergovernmental regulating body for the Somali language in the Horn region . In January 2015 , President of Somalia Hassan Sheikh Mohamud announced that the institute was slated to be finalized in conjunction with the governments of Djibouti and Ethiopia . Among the scheduled projects was the construction of a new headquarters for the Academy in Mogadishu , in recognition of Somalia 's traditional position as the center for the development and promotion of the Somali language . In February 2015 , the foundation stone for the new Regional Somali Language Academy was officially laid at an inauguration ceremony in the city . = = = Hotels = = = Mogadishu has a number of hotels , most of which were recently constructed . The city 's many returning expatriates , investors and international community workers are among these establishments ' main customers . To meet the growing demand , hotel representatives have also begun participating in international industry conferences , such as the Africa Hotel Investment Forum . Among the new hotels is the six floor Jazeera Palace Hotel . It was built in 2010 and officially opened in 2012 . Situated within a 300m radius of the Aden Adde International Airport , it has a 70 @-@ room capacity with a 70 % occupancy rate . The hotel expects to host over 1 @,@ 000 visitors by 2015 , for which it plans to construct a larger overall building and conference facilities . A new landslide hotel within the airport itself is also slated to be completed by the end of the year . Other hotels in the city include the Lafweyn Palace Hotel , Amira Castle Hotel , Sahafi Hotel , Hotel Nasa @-@ Hablod , Oriental Hotel , Hotel Guuleed , Hotel Shamo , Peace Hotel , Aran Guest House , Muna Hotel , Hotel Taleex , Hotel Towfiq , Benadir Hotel , Ambassador Hotel , Kuwait Plaza Hotel , Safari Hotel Diplomat , Dayax Hotel , Safari Guesthouse and Bin Ali Hotel . = = Education = = Mogadishu is home to a number of scholastic institutions . As part of the government 's urban renewal program , 100 schools across the capital are scheduled to be refurbished and reopened . The Somali National University ( SNU ) was established in the 1950s , during the trusteeship period . In 1973 , its programmes and facilities were expanded . The SNU developed over the next 20 years into an expansive institution of higher learning , with 13 departments , 700 staff and over 15 @,@ 000 students . On 14 November 2013 , the Cabinet unanimously approved a federal government plan to reopen the Somali National University , which had been closed down in the early 1990s . The refurbishing initiative cost US $ 3 @.@ 6 million , and was completed in August 2014 . Mogadishu University ( MU ) is a non @-@ governmental university that is governed by a Board of Trustees and a University Council . It is the brainchild of a number of professors from the Somali National University as well as other Somali intellectuals . Financed by the Islamic Development Bank in Jeddah , Saudi Arabia , as well as other donor institutions , the university counts hundreds of graduates from its seven faculties , some of whom continue on to pursue Master 's degrees abroad thanks to a scholarship programme . Mogadishu University has established partnerships with several other academic institutions , including the University of Aalborg in Denmark , three universities in Egypt , seven universities in Sudan , the University of Djibouti , and two universities in Yemen . As of 2012 , MU also has accreditation with the Board of the Intergovernmental Organization EDU . In 1999 , the Somali Institute of Management and Administration ( SIMAD ) was co @-@ established in Mogadishu by incumbent President of Somalia Hassan Sheikh Mohamud . The institution subsequently grew into the SIMAD University , with Mohamud acting as dean until 2010 . It offers a range of undergraduate courses in various fields , including economics , statistics , business , accountancy , technology , computer science , health sciences , education , law and public administration . Benadir University ( BU ) was established in 2002 with the intention of training doctors . It has since expanded into other fields . Another tertiary institution in the city is the Jamhuriya University of Science and Technology . The Turkish Boarding School was also established , with the Mogadishu Polytechnic Institute and Shabelle University campus likewise undergoing renovations . Additionally , a New Islamic University campus is being built . In April 2014 , Prime Minister Abdiweli Sheikh Ahmed also laid the foundation stone for the reconstruction of the former meteorological school in Mogadishu . A new national Aviation Training Academy is likewise being built at the Aden Adde International Airport . Other tertiary institutions in the capital include City University . It was established in 2012 with the aim of providing quality instruction and research . The college is staffed by an accredited and experienced master 's @-@ level faculty , and governed by a Board of Trustees consisting of academics and prominent entrepreneurs . City University 's syllabus features an advanced curriculum and foundation programs in English . Its campus includes physical and digital libraries , as well as IT and scientific laboratories . The university is a member of the Somali Research and Educational Network , and is authorized as a degree granting institution by the national Ministry of Education Directorate of Higher Education and Culture . = = Sport = = Mogadishu Stadium was constructed in 1978 during the Barre administration , with the assistance of Chinese engineers . The facility was mainly used for hosting sporting activities , such as the Somalia Cup and for football matches with teams from the Somalia League . Presidential addresses and political rallies , among other events , were also held there . In September 2013 , the Somali federal government and its Chinese counterpart signed an official cooperation agreement in Mogadishu as part of a five @-@ year national recovery plan in Somalia . The pact will see the Chinese authorities reconstruct several major infrastructural landmarks , including the Mogadishu Stadium . The Banadir Stadium and Konis Stadium are two other major sporting facilities in the capital . In 2013 , the Somali Football Federation launched a renovation project at the Konis facility , during which artificial football turf contributed by FIFA was installed at the stadium . The Ex @-@ Lujino basketball stadium in the Abdulaziz District also underwent a $ 10 @,@ 000 rehabilitation , with funding provided by the local Hormuud Telecom firm . Additionally , the municipal authority oversaw the reconstruction of the Banadir Stadium . Various national sporting bodies also have their headquarters in Mogadishu . Among these are the Somali Football Federation , Somali Olympic Committee and Somali Basketball Federation . The Somali Karate and Taekwondo Federation is likewise centered in the city , and manages the national Taekwondo team . = = Transportation = = = = = Road = = = Roads leading out of Mogadishu connect the city to other localities in Somalia as well as to neighbouring countries . The capital itself is cut into several grid layouts by an extensive road network , with streets supporting the flow of both vehicular and pedestrian traffic . In October 2013 , major construction began on the 23 kilometer road leading to the airport . Overseen by Somali and Turkish engineers , the upgrade was completed in November and included lane demarcation . The road construction initiative was part of a larger agreement signed by the Somali and Turkish governments to establish Mogadishu and Istanbul as sister cities , and in the process bring all of Mogadishu 's roads up to modern standards . Following the treaty , the Turkish International Cooperation and Development Agency ( TIKA ) launched a citywide cleaning project in conjunction with the municipal cleaning department . The initiative saw around 100 rubbish collection vehicles and other equipment operated by TIKA clean the city 's roads , with the Benadir municipality taking over operation of the cleaning project in March 2015 . In 2012 – 2013 , Mogadishu 's municipal authority in conjunction with the British and Norwegian governments began a project to install solar @-@ powered street lights on all of the capital 's major roads . With equipment imported from Norway , the initiative cost around $ 140 @,@ 000 and lasted several months . The solar panels have helped to improve night @-@ time visibility and enhance the city 's overall aesthetic appeal . Minibuses are the most common type of public transportation in Mogadishu . The next most frequently used public vehicles in the city are auto rickshaws ( bajaj ) . They number around 3 @,@ 000 units and come in various designs . The auto rickshaws represent a lower cost alternative to taxis and minibuses , typically charging half the price for the same distance , with flexible rates . Due to their affordability , capacity to negotiate narrow lanes and low fuel consumption , the three @-@ wheeled vehicles are often appealing investment opportunities for small @-@ scale entrepreneurs . They are generally preferred for shorter commutes . In June 2013 , two new taxi companies also started offering road transportation to residents . Part of a fleet of over 100 vehicles , Mogadishu Taxi 's trademark yellow cabs offer rides throughout the city at flat rates of $ 5 . City Taxi , the firm 's nearest competitor , charges the same flat rate , with plans to add new cabs to its fleet . In January 2014 , the Benadir administration launched a city @-@ wide street naming , house numbering and postal codes project . Officially called the House Numbering and Post Code System , it is a joint initiative of the municipal authorities and Somali business community representatives . The project is part of the ongoing modernization and development of the capital . According to former Mayor Mohamed Ahmed Nur , the initiative also aims to help the authorities firm up on security and resolve housing ownership disputes . In March 2015 , the Benadir administration likewise launched a renovation project on the Hawo Asir @-@ Fagah major road in Mogadishu . The government @-@ public partnership aims to facilitate vehicle access in the area . According to Karaan district commissioner Ahmed Hassan Yalah 'ow , the reconstruction initiative will also make the road all @-@ weather resistant and is slated to be completed shortly . = = = Air = = = During the post @-@ independence period , Mogadishu International Airport offered flights to numerous global destinations . In the mid @-@ 1960s , the airport was enlarged to accommodate more international carriers , with the state @-@ owned Somali Airlines providing regular trips to all major cities . By 1969 , the airport 's many landing grounds could also host small jets and DC 6B @-@ type aircraft . The facility grew considerably in size in the post @-@ independence period after successive renovation projects . With the outbreak of the civil war in the early 1990s , Mogadishu International Airport 's flight services experienced routine disruptions and its grounds and equipment were largely destroyed . In the late 2000s , the K50 Airport , situated 50 kilometers to the south , served as the capital 's main airport while Mogadishu International Airport , now renamed Aden Adde International Airport , briefly shut down . However , in late 2010 , the security situation in Mogadishu had significantly improved , with the federal government eventually managing to assume full control of the city by August 2011 . In May 2011 , the Ministry of Transport announced that SKA @-@ Somalia had been contracted to manage operations at the re @-@ opened Aden Adde International Airport over a period of ten years . Among its first initiatives , worth an estimated $ 6 million , SKA invested in new airport equipment and expanded support services by hiring , training and equipping 200 local workers to meet international airport standards . The company also assisted in comprehensive infrastructure renovations , restored a dependable supply of electricity , revamped the baggage handling facilities as well as the arrival and departure lounges , put into place electronic check @-@ in systems , and firmed up on security and work @-@ flow . Additionally , SKA connected the grounds ' Somali Civil Aviation and Meteorological Agency ( SCAMA ) and immigration , customs , commercial airlines and Somali Police Force officials to the internet . By January 2013 , the firm had introduced shuttle buses to ferry travelers to and from the passenger terminal . In December 2011 , the Turkish government unveiled plans to further modernize the airport as part of Turkey 's broader engagement in the local post @-@ conflict reconstruction process . Among the scheduled renovations were new systems and infrastructure , including a modern control tower to monitor the airspace . In September 2013 , the Turkish company Favori LLC began operations at the airport . The firm announced plans to renovate the aviation building and construct a new one , as well as upgrade other modern service structures . A $ 10 million project , it will increase the airport 's existing 15 aircraft capacity to 60 . In January 2015 , a new , state @-@ of @-@ the @-@ art terminal was opened at the airport . Featuring modern passenger facilities and a glass façade , it will enable the airport to double its number of daily commercial flights to 60 , with a throughput of around 1 @,@ 000 passengers per hour . As of January 2015 , the largest airline services using Aden Adde International Airport include the Somali @-@ owned private carriers Jubba Airways , Daallo Airlines , and African Express Airways , in addition to UN charter planes , Turkish Airlines , and Felix Airways ( Al Saeeda Airlines ) . The airport also offers flights to other cities in Somalia , such as Galkayo , Berbera and Hargeisa , as well as to international destinations like Djibouti , Jeddah , and Istanbul . In July 2012 , Mohammed Osman Ali ( Dhagah @-@ tur ) , the General Director of the Ministry of Aviation and Transport , also announced that the Somali government had begun preparations to revive the Mogadishu @-@ based national carrier , Somali Airlines . The first new aircraft were scheduled for delivery in December 2013 . = = = Sea = = = The Port of Mogadishu , also known as the Mogadishu International Port , is the official seaport of Mogadishu . Classified as a major class port , it is the largest harbour in the country . After incurring some damage during the civil war , the federal government launched the Mogadishu Port Rehabilitation Project , an initiative to rebuild , develop and modernize the port . The renovations included the installation of Alpha Logistics technology . A joint international delegation consisting of the Director of the Port of Djibouti and Chinese officials specializing in infrastructure reconstruction concurrently visited the facility in June 2013 . According to Mogadishu Port manager Abdullahi Ali Nur , the delegates along with local Somali officials received reports on the port 's functions as part of the rebuilding project 's planning stages . In 2013 , the Port of Mogadishu 's management reportedly reached an agreement with representatives of the Iranian company Simatech Shipping LLC to handle vital operations at the seaport . Under the name Mogadishu Port Container Terminal , the firm is slated to handle all of the port 's technical and operational functions . In October 2013 , the federal Cabinet endorsed an agreement with the Turkish firm Al @-@ Bayrak to manage the Port of Mogadishu for a 20 @-@ year period . The deal was secured by the Ministry of Ports and Public Works , and also assigns Al @-@ Bayrak responsibility for rebuilding and modernizing the seaport . In September 2014 , the federal government officially delegated management of the Mogadishu Port to Al @-@ Bayrak . The firm 's modernization project will cost $ 80 million . = = = Railway = = = There were projects during the 1980s to reactivate the 114 km ( 71 mi ) railway between Mogadishu and Jowhar , built by the Italians in 1926 but dismantled in World War II by British troops . It was originally intended that this railway would reach Addis Ababa . Only a few remaining tracks inside Mogadishu 's harbour area are still used . = = Media = = Mogadishu has historically served as a media hub . In 1975 , the Somali Film Agency ( SFA ) , the nation 's film regulatory body , was established in Mogadishu . The SFA also organized the annual Mogadishu Pan @-@ African and Arab Film Symposium ( Mogpaafis ) , which brought together an array of prominent filmmakers and movie experts from across the globe , including other parts of Northeast Africa and the Arab world , as well as Asia and Europe . In addition , there are a number of radio news agencies based in Mogadishu . Radio Mogadishu is the federal government @-@ run public broadcaster . Established in 1951 in Italian Somaliland , it initially aired news items in both Somali and Italian . The station was modernized with Russian assistance following independence in 1960 , and began offering home service in Somali , Amharic and Oromo . After closing down operations in the early 1990s due to the civil war , the broadcaster was officially re @-@ opened in the early 2000s by the Transitional National Government . Other radio stations headquartered in the city include Mustaqbal Radio , Radio Shabelle , Radio Bar @-@ Kulan , Radio Kulmiye , Radio Dannan , Radio Dalsan , Radio Banadir , Radio Maanta , Gool FM , Radio Xurmo , and Radio Xamar , also known as Voice of Democracy . The Mogadishu @-@ based Somali National Television ( SNTV ) is the central government @-@ owned broadcaster . On 4 April 2011 , the Ministry of Information of the Transitional Federal Government officially re @-@ launched the station as part of an initiative to develop the national telecommunications sector . SNTV broadcasts 24 hours a day , and can be viewed both within Somalia and abroad via terrestrial and satellite platforms . Somali popular music enjoys a large audience in Mogadishu , and was widely sold prior to the civil war . With the government managing to secure the city in mid @-@ 2011 , radios once again play music . On 19 March 2012 , an open concert was held in the city , which was broadcast live on local television . In April 2013 , the Waayaha Cusub ensemble also organized the Reconciliation Music Festival , the first international music festival to be held in Mogadishu in two decades . = = Notable Mogadishans = = = = Twin towns – Sister cities = = Mogadishu is twinned with :

= The Moth ( Lost ) = " The Moth " is the seventh episode of the first season of Lost . The episode was directed by Jack Bender and written by Jennifer Johnson and Paul Dini . It first aired on November 3 , 2004 , on ABC . The character of Charlie Pace ( Dominic Monaghan ) is featured in the episode 's flashbacks . Charlie begins experiencing the effects of heroin withdrawal , while Jack becomes trapped in a cave . Meanwhile , Sayid Jarrah ( Naveen Andrews ) , Kate Austen ( Evangeline Lilly ) and Boone Carlyle ( Ian Somerhalder ) attempt to triangulate the signal of the French woman 's broadcast . Charlie 's involvement in his band Drive Shaft is featured in the episode 's flashbacks . " The Moth " was watched by 18 @.@ 73 million people live , almost two million more than the previous episode . This episode marks the first time " You All Everybody " by Drive Shaft was sung in its entirety , as it had not been written yet in previous episodes . The episode received mixed @-@ to @-@ positive reviews , with some reviewers commenting that the episode was not of the same caliber as previous episodes . = = Plot = = = = = Flashbacks = = = Charlie ( Dominic Monaghan ) tells a priest that he is going to quit his band because it has a bad influence on him . Soon after , his brother , Liam Pace ( Neil Hopkins ) , tells Charlie that Drive Shaft has gotten a recording contract . Charlie doesn 't want to sign the contract because he has qualms about the sex and drugs the band engages in . Liam talks him into signing , promising that Charlie can quit any time he 's had enough . One evening at a show , Liam , to Charlie 's frustration , starts singing the chorus to " You All Everybody " , which is supposed to be sung by Charlie . Liam assures Charlie it won 't happen again . Later , Charlie finds Liam high on heroin with groupies . Charlie kicks the groupies out , and tells Liam that he 's done with the band . Liam says to Charlie that he , Liam , is Drive Shaft , and that nobody knows who the bass player ( Charlie ) is . He goes on to tell Charlie that without the band , Charlie is nothing , which spurs Charlie to use heroin for the first time . Years later , Charlie visits Liam 's house in Australia and wants Liam to rejoin Drive Shaft for a comeback tour . Liam declines , but the band can 't do the tour without him . He criticizes Charlie for still using drugs , and Charlie blames Liam for getting him started with drugs . Liam asks Charlie to stay with him for a few weeks , saying that Sydney has some good rehab programs and that he can get Charlie help . Charlie angrily leaves , saying he has a plane to catch . = = = On the Island = = = It is Day 8 , September 29 , 2004 , and Charlie is suffering from heroin withdrawal since he voluntarily gave his heroin to John Locke ( Terry O 'Quinn ) in the previous episode . After finding him , Charlie asks Locke for the heroin back , and Locke says that he 'll give Charlie the drugs the third time he asks , because he wants Charlie to have the choice to quit . Sayid Jarrah ( Naveen Andrews ) , Kate Austen ( Evangeline Lilly ) and Boone Carlyle ( Ian Somerhalder ) attempt to find where the French transmission is coming from , so they make a plan to turn on antennas at different points on the island in an attempt to triangulate the signal . At the caves , Charlie searches through Jack Shephard 's ( Matthew Fox ) medicine supply for something to ease his heroin withdrawal . When Jack catches him , Charlie says he has a headache and wants aspirin . When Jack upsets Charlie by telling him to move his guitar , Charlie angrily shouts at him , causing the entrance of the cave they are in to collapse . Charlie manages to escape , but Jack is trapped inside . Using his construction experience , Michael Dawson ( Harold Perrineau ) leads the rescue attempt with Steve Jenkins ( Christian Bowman ) and Scott Jackson ( Dustin Watchman ) . In the jungle , James " Sawyer " Ford ( Josh Holloway ) goes to tell Kate ( who is traveling to set up her antenna for the triangulation attempt ) about Jack 's predicament , but decides against it because he doesn 't like Kate 's hostile attitude . Charlie tells Locke about Jack 's situation , but reveals the real reason for his going to Locke is to ask for his drugs a second time . Locke shows Charlie a moth cocoon , and explains that he could help the moth by slitting the cocoon and letting the moth free , but it would not survive because it would be too weak . Instead , the moth needs to struggle to break free . Nature and struggle make people stronger , Locke says , indicating to Charlie that he needs to fight through his suffering . Kate and Sawyer stay at the second triangulation point , while Sayid goes to the third . After learning of Jack 's situation from Sawyer , Kate goes to help , leaving the job of turning on the signal to Sawyer . Charlie squeezes through an opening at the cave and finds Jack , but while doing so , the opening collapses and traps Charlie and Jack inside . Charlie hesitantly pops Jack 's shoulder back into place at Jack 's request . Jack correctly guesses that Charlie is suffering from withdrawal , and Charlie assures Jack he 's okay . Kate desperately tries to dig them out along with the other castaways , while the two worry about losing oxygen . Charlie sees a moth which leads him to an opening and the pair dig out of the cave . Sayid sets off his bottle rocket to signal the antenna power up process . Shannon Rutherford ( Maggie Grace ) sets off Boone 's rocket from the beach , as Boone had gone to help rescue Jack , as does Sawyer from his location . Sayid turns on the transceiver , but before he is able to triangulate the signal , an unseen person knocks Sayid unconscious with a stick . Later Hurley brings Jack and Charlie water , he notes Charlie doesn 't look well but Jack covers for him saying that he has the flu . Hurley tells him to get better and Charlie looks thankful to Jack . He sees Locke and asks him for his heroin and Locke gives it back . Charlie looks at it for a moment before tossing it into the fire , smiling . Locke tells Charlie he 's proud of him and that he always knew he could do it . Charlie and Locke see a moth flying away . = = Production = = " The Moth " aired on November 3 , 2004 . The episode was directed by Jack Bender and written by Jennifer Johnson and Paul Dini . The church scene with Charlie and Liam at the church in Manchester was actually filmed on Honolulu , where the scenes on the Island are filmed . Monaghan says that he feels Charlie 's black hoodie is a sort of " security blanket " that he hides underneath and uses it when he feels " lost . " The " heroin " that Charlie is supposedly snorting is actually brown sugar . Monaghan revealed this in an interview with Stuff magazine in October 2005 , saying , " [ The heroin is ] brown sugar . You get some really sweet boogers . You have to be careful not to snort too much of it , but it 's happened a few times . You just find dessert up your nose couple of hours later . " According to Monaghan , Drive Shaft is similar to Oasis , in that " [ Charlie 's ] first album was kind of like Oasis 's first album : critically acclaimed , didn 't sell big numbers , but in the industry , people gave it respect . " J.J Abrams and Damon Linelof told Monaghan that if he wanted to write the song that would be Charlie 's " one hit wonder " , they would consider using it in the show . Monaghan wrote a song called " Photos and Plans " with a friend ; Abrams and Lindelof liked the song , but it did not make it into Lost . The lyrics were inspired by an incident on The Phil Donahue Show , where Matt Reeves , who was close friends with producers Bryan Burk and Damon Lindelof , saw a female audience member yell out , " You all everybody , acting like it 's the stupid people wearing expensive clothes . " The producers had an inside joke where they would say this quotation to each other . According to Burk , " At one point , in a delirious stupor , we realized we had said it so many times that that had to be the song . " In the Pilot , Monaghan 's voice when he sang " You All Everybody " was based on " when Prince puts on his female voice " , since the song had not been composed yet . For " The Moth " the producers contacted Los Angeles @-@ based singer Jude to write a full version . The song is sung by Chris Seefried , former lead singer of Gods Child and Joe 90 . = = Reception = = " The Moth " first aired in the United States on November 3 , 2004 . 18 @.@ 73 million people in America watched the episode live . The episode received generally mixed @-@ to @-@ positive reviews . Ryan McGee of Zap2it wrote that " this episode wasn 't a stinker by any measure , but after the run of early episodes , this is the first that really didn 't hold its own when compared to the others " , adding that " The moth imagery / metaphor just beats you down by episode 's end , making you long for the more subtle writing the show has produced up until this point . " The TV Critic gave the episode a 68 / 100 , writing that it falls between being " obvious and cheesy " and " beautifully paced and structured " . Myles McNutt of The A.V. Club gave the episode a B , and shared his opinion that it is " one of the more intensely metaphorical — and thus writerly — episodes of the series . The eponymous metaphor — delivered by Locke — is one of the series ’ most blatant , and the moth ’ s consistent reappearance in the episode calls a lot of attention to the construction of the narrative . " IGN staff rated " The Moth " as the 36th best episode in all of Lost , explaining , " The moth of the episode 's title appears both as a metaphorical and physical symbol of the struggle to find strength within yourself , as Locke explains to Charlie , and to take charge of your own life without relying on anyone else to do it for you . " In a review focusing solely on " The Moth " , Chris Carabott of IGN gave the episode a 9 / 10 , writing that the episode " does a great job of utilizing screen time for most the major characters on the show " , and that " Locke 's analogy of ' The Moth ' in comparison to Charlie 's situation perfectly encapsulates what many of the characters are going through on the island . " In a ranking of all of Lost 's episodes , Todd VanDerWerff of the Los Angeles Times placed " The Moth " at number 102 , complimenting Monaghan and O 'Quinn 's acting , but criticizing the storyline for containing " nonsensical drug abuse storytelling . " " The Moth " , along with " Pilot " and " House of the Rising Sun " , won a PRISM Award for Charlie 's drug storyline .

= Charmbracelet = Charmbracelet is the ninth studio album by American singer and songwriter Mariah Carey , released on December 3 , 2002 through MonarC Entertainment and Island Records . The album was her first release since her breakdown following the release of her film Glitter ( 2001 ) and its accompanying soundtrack album , both of which were critical and commercial failures from the previous year . Critics described Charmbracelet as one of her most personal records , following 1997 's Butterfly , Throughout the project , Carey collaborated with several songwriters and producers , including Jermaine Dupri , Jimmy Jam and Terry Lewis , 7 Aurelius and Dre & Vidal . According to Carey , love is the album 's main theme , and the songs combine introspective and personal themes with celebration and fun . The album contains a mixture of pop ballads and R & B beats , and the songs incorporate elements of other genres , such as gospel and soul . Compared to Glitter , which featured a variety of sampled melodies from the 1980s , Charmbracelet has a softer hip hop and R & B sound to it . Cam 'ron , Jay @-@ Z and Freeway also appear on the album . Charmbracelet debuted at number three on the US Billboard 200 chart , and sold 241 @,@ 000 copies in its first week . The album peaked within the top 40 in seven countries , and attained top ten positions in Japan and Switzerland . Three singles were released to promote the album . The lead single , " Through the Rain " reached the top ten in Canada , Switzerland , Sweden and Italy and the United Kingdom . In the US , it topped the Hot Dance Club Play chart , but stalled at number 81 on the Billboard Hot 100 . Carey embarked on the Charmbracelet World Tour , and performed 69 shows in over eight months . She also performed on televised shows and promotional tours like the 30th annual American Music Awards , Today and The Oprah Winfrey Show . = = Background = = Before the release of Charmbracelet , Carey experienced a year of critical , commercial , personal and professional struggles , following the poor reception of her debut film Glitter ( 2001 ) , and her subsequent hospitalization . After divorcing her husband , Tommy Mottola , Carey released Butterfly ( 1997 ) . With her next release , Rainbow ( 1999 ) , Carey incorporated elements of R & B and hip @-@ hop into her music , particularly on the lead single " Heartbreaker " . According to The Sacramento Bee , she attempted to sound more " ghetto " . She stopped working with longtime pop producers such as Babyface and Walter Afanasieff , in order to pursue a new sound and audience , and worked with writers Sean Combs and Jermaine Dupri . Following the worldwide success of Rainbow , Carey left Columbia Records . Controversially , Mottola and executive Benny Medina in 1999 used several songs Carey had written and co @-@ written for Jennifer Lopez . Carey 's 2001 film debut Glitter was panned by movie critics , and earned less than eight million dollars at the box office . Carey 's $ 100 million recording contract was bought out by Virgin Records , who paid her $ 28 million to leave the label . Carey checked into a hospital in Connecticut , following a controversial appearance on Total Request Live , in which she gave ice cream to fans , left troubling messages on her website and demonstrated what was considered by the media as " erratic behavior " . Carey said she had had an " emotional and physical breakdown . " After a fortnight 's hospitalization , Carey flew to Capri , Italy , where she stayed for five months and began writing and producing material for a new studio album about her recent troubles . She was signed by Island Records , and started her own imprint , MonarC Entertainment , for her intended " comeback " release , Charmbracelet . = = Development and recording = = Carey started writing songs for the album in early 2002 , before she signed the record deal . She decided to rest , traveled to Capri and moved into a recording studio where she could focus on writing and recording without distractions . Most of the album was recorded in Capri , although she traveled to Atlanta , New York and Philadelphia to record some tracks . That year , Carey claimed Charmbracelet to be the " most personal album " she had ever made . She worked with longtime collaborators Jermaine Dupri , Jimmy Jam and Terry Lewis and Randy Jackson and other songwriters and producers 7 Aurelius , Just Blaze , Damizza and Dre & Vidal . The opening track and the first track to be written for the album , " Through the Rain " , was written by Carey and Lionel Cole , was inspired Carey 's recent experiences , and was co @-@ produced by Jam and Lewis . It was released as the lead single from the album . Jam , Lewis and Carey also worked " Yours " , which Jam said contains " probably one of the best hooks [ ever ] " , and likened it to one of trio 's previous collaborations , " Thank God I Found You " ( 2000 ) . Initially , the song was recorded as duet with pop singer Justin Timberlake . However , due to contractual complications , it was never released and the a solo version was featured on the album . Jam and Lewis produced two more songs , " Wedding Song " and " Satisfy " — the latter featuring background vocals from Michael Jackson — which were not released on the album . Carey decided to work with Just Blaze after she heard the song " Oh Boy " , which he produced for Cam 'ron . Just Blaze and Carey produced " Boy ( I Need You ) " , a remake of " Oh Boy " , and " You Got Me " . Carey said " Boy ( I Need You ) " was one of her favorites on the album . " You Got Me " features rap verses from Jay @-@ Z and Freeway , was noted by Carey as a " signature Just Blaze track " . Jay @-@ Z was in Capri on vacation , and went to the studio to hear the song and said that he wanted to contribute to it and added rap verses of his own . Dupri produced " The One " and " You Had Your Chance " . He said that they wanted to stick to the " same familiar sound " from his previous collaborations with Carey . Carey said " The One " was a personal song , which was about being hurt in past relationships and the uncertainty about forming new ones . Carey decided to experiment with a live band for the album . In April 2002 , she met 7 Aurelius and asked him to produce songs for the album . They flew to Nassau , Bahamas and recorded a mixture of mid @-@ tempo and up @-@ tempo tracks and ballads with a live band . 7 Aurelius said that Carey was " an amazing writer " and described the process of recording : We did three or four songs in three or four days . The way we was doing it , I had [ a horn section ] down there along with me . We had the whole room set up with candles , some nice wine — [ it was ] a very good vibe . It was completely stripped down , like ' Mariah Carey Unplugged ' . She stripped herself down to her talent . She was really trusting of me and my vision , and I was trusting of who she was . Randy Jackson contributed to four tracks on the album , and said it was " the most real and honest record she 's made . She didn 't care what anyone thought of the lyrics . They were only important to her . " Carey included a cover of Def Leppard 's song " Bringin ' On the Heartbreak " . During the photo shoot for Charmbracelet at Capri , Carey happened to listen to Def Leppard 's album Vault ( 1995 ) , which contains the song , and decided to cover it . In an interview with Billboard , Carey said that the song is " an example of her musical diversity " . Jackson also worked on " My Saving Grace " , which Carey said describes her thoughts about the writing , recording and mastering process . While working in Capri , Carey 's father became ill with cancer and she returned to New York to spend some time with him ; he died soon after . In his memory , Carey wrote and produced the song " Sunflowers for Alfred Roy " . Carey said that the song represents " his side of the family and is kind of hard to talk about . " The song proved to be " very emotional " for Carey , and she sang it only once in the studio . DJ Quik also produced songs for the album , but none of them were included . = = Music and lyrics = = Carey attempted to make a musical comeback with Charmbracelet , which focused on bringing Carey back to her R & B and soul roots in an attempt to recapture her audience . Critics both praised and criticized the condition of Carey 's voice on the album ; many called the songs average , and felt that most lacked sufficient hooks . The album 's lead single , and Carey 's boldest attempt at recreating the ballads from the early years of her career , was " Through the Rain " , which was produced by Carey , and was described by one critic as " the sort of self @-@ help ballad Ms. Carey was singing a decade ago " . The songs on the album are a mixture of several genres . Carey 's cover of " Bringin ' On the Heartbreak " , was recorded using live instrumentation , and was the album 's third single . It begins as a " piano @-@ driven slow jam " , which is followed by a " dramatic chord progression " after the second chorus , and Carey 's " precise and fluttery voice reaches incredible heights " as it " turns the power ballad into something more delicate . " Kelefa Sanneh from The New York Times called " Yours " " a delectable combination of breathy vocals and playful rhythms . " Barry Walters from Rolling Stone wrote that on " Yours " , " Carey 's lead vocals blend into choruses of overdubbed Mariah 's cooing overlapping phrases . Circling these are choirs of more Mariahs singing harmonies and countermelodies . Topping it off are generous sprinklings of the singer 's patented birdcalls , wails , sighs and whispers . " Critics considered " Subtle Invitation " to be one of the album 's strongest songs because of its " well executed " jazz influence . The song begins with the sounds of people dining , then introduces the strong bassline and drums . Towards the end of the song , Carey belts out the climax . Sarah Rodman from The Boston Herald described it as fascinating and wrote , " it sounds as though Carey is singing in falsetto while still in her chest voice . " " Clown " drew strong media attention , and its lyrical content led critics to speculate that Carey aimed it at rapper Eminem , who had publicly announced that he had had a relationship with Carey . Rodman said " Clown " was " languidly sinister " , with lyrics such as , " I should 've left it at ' I like your music too ' ... You should never have intimated we were lovers / when you know very well we never even touched each other . " Critics compared " I Only Wanted " with " My All " ' s instrumentation and structure of verse , chorus and guitar solo . According to Sal Cinquemani from Slant Magazine , Carey makes vague allusions to her ex @-@ husband Tommy Mottola with the line , " Wish I 'd stayed beneath my veil " . The song uses Latin @-@ inspired guitar instrumentation and wind sounds as an additional backbone to the melody , and dripping water as its percussion . " Sunflowers for Alfred Roy " , one of the album 's most personal songs , is named after Carey 's father ; she makes direct reference to him and a moment they shared at his death bed . The song is backed with a simple piano accompaniment , and Carey recounts a visit with her father in his hospital room : " Strange to feel that proud , strong man / Grip tightly to my hand . " = = Singles = = Three singles were released from the album . The lead single , " Through the Rain " was released on September 24 , 2002 . It received mixed reviews from critics , some of whom said it was too similar to her earlier ballads , such as " Hero " and " Outside " , while others praised Carey 's vocals in the song . It was one of Carey 's poorest @-@ selling US singles , reaching number 81 on the US Billboard Hot 100 chart . However , it topped the Hot Dance Club Play charts and reached the top twenty of the Adult Contemporary chart . Outside the US , the single performed moderately , peaking within the top ten in Canada , Switzerland , Sweden , Italy and the UK , and within the top 20 in Ireland , Australia , Norway and Denmark . The music video of " Through the Rain " , directed by Daver Meyers , is based on the courtship and eloping of Carey 's parents . Scenes of Carey singing in a street when rain starts to fall are juxtaposed with the story of a mixed @-@ race couple who run away from their families , who oppose their relationship . " Boy ( I Need You ) " , which was released as the second single on November 26 , 2002 , received mixed reviews from critics . The single failed to make much impact on charts worldwide ; it reached number 68 on the US Billboard Hip @-@ Hop / R & B Songs chart and number 57 on the US Hot Singles Sales chart . Elsewhere , the song reached number 17 in the UK , and peaked within the top 40 in Australia , the Netherlands , Ireland and New Zealand . The music video for " Boy ( I Need You ) " was directed by Joseph Kahn and was filmed at Shibuya and Los Angeles . Initially , " The One " was scheduled to be released as the second single and the music video was shot for that song . However , halfway through the filming , the single was changed to " Boy ( I Need You ) " . Described as " Speed Racer meets Hello Kitty meets me and Cam 'ron " by Carey , the video incorporates elements of Japanese culture and features Carey 's alter @-@ ego Bianca . The third single from the album was Carey 's cover version of " Bringin ' On the Heartbreak " , released on November 25 , 2003 . Though it gained mostly positive reviews , it failed to chart on the Billboard Hot 100 , but reached number five on the Hot Dance Club Play chart . Outside the US , the song saw its highest peak in Switzerland , reaching number 28 and staying on the charts for eight weeks . It also charted in Austria and the Wallonia region of Belgium . The music video for the song was directed by Sanaa Hamri . Another cut from the album , " Irresistible ( Westside Connection ) " charted at number 81 on the US Billboard Hip @-@ Hop / R & B Songs . = = Critical reception = = Aggregator website Metacritic , which averages professional reviews into a numerical score , gave Charmbracelet a score of 43 / 100 , indicating " generally mixed or average reviews . " Stephen Thomas Erlewine from AllMusic rated the album two out of five stars , and criticized its production and the condition of Carey 's voice . He wrote , " Whenever she sings , there 's a raspy whistle behind her thin voice and she strains to make notes throughout the record ... Her voice is damaged , and there 's not a moment where it sounds strong or inviting . " Tom Sinclair of Entertainment Weekly said she was " in fine voice " , He wrote that " Through the Rain " sinks in its own sodden sentimentality , as do by @-@ the @-@ numbers efforts like ' Yours ' and ' I Only Wanted ' " , and added that " ' Clown ' is a moody number graced with mournful acoustic guitar and a gorgeously nuanced vocal , while ' Sunflowers for Alfred Roy ' is a short , sweet song sung to a lovely piano accompaniment " . He finished by saying that " too much of Charmbracelet is mired in middle @-@ of @-@ the @-@ road muck . " Billboard editor Michael Paoletta praised Carey 's return to her core audience . He said that although Carey might have alienated her hip @-@ hop followers from her previous three albums , her older fans from the 1990s would be more receptive to the material and her new image . Kelefa Sanneh from The New York Times wrote that the album " is generally pleasant , although it 's not always exciting , and a few of the collaborations go awry " . He called Carey 's voice " invariably astonishing " , and said that " she can hit high notes that barely sound human " , praised her versatility , and wrote that she " also knows how to make a hip @-@ hop hit by holding back and letting the beat shine . " Ethan Browne of New York slated the album 's whimsical chimes and tinkling keyboards , and wrote , " Was Charmbracelet recorded in a Casio shop ? This instrument needs to be stopped . " Rating Charmbracelet two out of five stars , Barry Walters from Rolling Stone wrote that none of the songs were bold , that the lack of hooks made the album weak , and said , " Carey needs bold songs that help her use the power and range for which she is famous . Charmbracelet is like a stream of watercolors that bleed into a puddle of brown . " Sal Cinquemani from Slant Magazine complimented Carey 's mixture of pop and hip @-@ hop melodies , and wrote , " Though there 's nothing as immediate as ' Fantasy ' or ' My All ' here , Charmbracelet is significantly less contrived than 1999 's Rainbow and almost as creatively liberating as Butterfly . British columnist Angus Batey , writing for Yahoo ! Music UK called the songs on Charmbracelet forgettable , and wrote , " She used to take risks , but ' Charmbracelet ' is conservative , unadventurous and uninspiring ; and , while it 's understandable that simply to make another record marks a triumph of sorts , it 's impossible to admire Mariah to the degree that her talent ought to merit . " John Mulvey from NME criticized its content , writing , " Nominally , ' Charmbracelet ' is R & B , much like Tony Blair is nominally a socialist ... Tragedies , all told , have been worse " At the 17th Japan Gold Disc Award in 2003 , the album was nominated in the category of Rock and Pop Album of the Year ( International ) . = = Commercial performance = = Charmbracelet was initially slated for release in the US on December 10 , 2002 . However , the date was revised to December 3 , 2002 . It was released through Island Records and Carey 's label MonarC Entertainment . A highly anticipated release , it debuted at number three on the US Billboard 200 , with first @-@ week sales of 241 @,@ 000 , more than the first @-@ week sales of the critically panned Glitter soundtrack , but fewer than 1999 's Rainbow , which sold 323 @,@ 000 units in its first week . It stayed on the chart for 22 weeks , Charmbracelet was certified Platinum by the Recording Industry Association of America ( RIAA ) for shipments of one million units in the US . As of April 2013 , the estimated sales of the album in the US ( compiled by Nielsen Soundscan ) were 1 @,@ 166 @,@ 000 copies . In Canada , the album debuted on the Canadian Albums Chart at number thirty , in contrast to Glitter , which debuted at number four on the chart . It was certified Gold by the Canadian Recording Industry Association ( CRIA ) for shipments of 50 @,@ 000 copies . On the week dated December 15 , 2002 , Chamrbracelet entered the Australian Albums Chart at its peak position of number 42 . It exited the chart the next week , becoming one of Carey 's lowest charting albums in the country . In Japan , Charmbracelet debuted at number four on the Oricon Albums Chart , its second @-@ highest peak worldwide , and sold 63 @,@ 365 units in its first week . The album spent another week at number four , and sold 71 @,@ 206 units . It stayed on the charts for a total of 15 weeks and according to Oricon , has sold 240 @,@ 440 copies . The Recording Industry Association of Japan ( RIAJ ) certified Charmbracelet platinum for shipments of 200 @,@ 000 copies . In Austria , the album peaked at number 34 and stayed on the charts for seven weeks . In the Flemish region of Belgium it charted and peaked at number 48 and reached number 28 in the Walloon region of that country . Charmbracelet entered the French Albums Chart at number 20 in the week dated December 7 , 2002 , spent 30 weeks on the chart and was certified Gold by the Syndicat National de l 'Édition Phonographique ( SNEP ) , denoting shipments of 100 @,@ 000 units . Charmbracelet charted and peaked at number 32 in Germany It reached number 50 in Sweden . In Switzerland , the album peaked at number nine on the Swiss Albums Chart and stayed on the charts for ten weeks ; it was certified Gold by the International Federation of the Phonographic Industry ( IFPI ) . In the United Kingdom , the album peaked at number 52 , selling 19 @,@ 000 copies in its first week . It has sold a total of 122 @,@ 010 copies as of April 2008 . In February 2003 , it was certified Gold by the British Phonographic Industry ( BPI ) for shipments of 100 @,@ 000 copies in the UK . In the Netherlands , the album debuted at number 48 , the issue dated December 14 , 2002 . The following week , it peaked at number 30 . It stayed on the charts for 19 weeks , and made two re @-@ entries , one in June 2003 and other in August 2003 . Charmbracelet was certified Gold in both Brazil and Hong Kong by Associação Brasileira dos Produtores de Discos ( ABPD ) and IFPI Hong Kong respectively . = = Promotion = = Following the release of " Through the Rain " , Carey embarked on several US and international promotional tours in support of Charmbracelet and its accompanying singles . Promotion for " Through the Rain " began at the 2002 NRJ Awards , where Carey performed wearing a long black skirt and denim blazer . Three days before the album 's US release , a one @-@ hour program titled Mariah Carey : Shining Through the Rain , in which Carey was interviewed and sang several songs from Charmbracelet and her back catalog , aired on MTV . Carey addressed rumors of her breakdown and its cause , and spoke about the album and its inspiration , and conducted a question and answer session with fans . During the first month after the album 's release , Carey appeared on several television talk shows . She launched her promotional tour on Today , where she performed four songs at Mall of America for a crowd of over 10 @,@ 000 . On December 2 , Carey traveled to Brazil for South American promotion of Charmbracelet , appearing on the popular television program Fantástico . She sang " My All " , and performed " Through the Rain " and " I Only Wanted " wearing a long pink gown . On December 3 , 2002 , Carey appeared on The Oprah Winfrey Show , where she performed " Through the Rain " and " My Saving Grace " , and gave a highly publicized interview about her hospitalization . Before her breakdown , Carey had been booked for a private interview with ABC 's Barbara Walters , executive producer of The View , following Glitter 's release . Instead of giving Walters the full @-@ coverage interview following Carey 's return to the public eye , Island decided Oprah was more appropriate , and changed the appearance . Carey 's interview with Matt Lauer on Dateline NBC aired the same evening . On December 17 , Carey performed " I Only Wanted " on The View after guest co @-@ hosting the program . One month later , Carey was one of the headlining performers at the 30th annual American Music Awards , held on January 13 , 2003 . She performed " Through the Rain " alongside a live gospel choir , and wore a long black evening gown . During the performance , images of newspaper headlines reporting Carey 's breakdown were projected on a large curtain behind her , with one reading , " When you fall down , you get back up . " Carey received a standing ovation . In mid @-@ February , Carey was the headline performer at the NBA all @-@ star game , which was Michael Jordan 's last game . She wore a long , purple , skin @-@ tight Washington Wizard 's dress , and performed " Boy ( I Need You ) " , " My Saving Grace " and " Hero " , which received a standing ovation and brought Jordan to tears . On March 1 , 2003 , Carey performed at the Soul Train Music Awards , sporting a retro @-@ curled hairstyle and wearing a burgundy evening gown . She performed " My Saving Grace " , and as at the American Music Awards , images of newspaper headlines and inspirational photographs were projected onto a large screen . Following the performance , Carey was awarded a lifetime achievement award for her contribution to music . Towards the end of March , Charmbracelet was released in Europe and Carey appeared on several television programs to promotion the album . She performed the album 's leading two singles on the British music chart show , Top of the Pops , and a similar set on The Graham Norton Show and Fame Academy . On the latter program , Carey was joined on stage by the show 's finalists , who sang the climax on " Through the Rain " alongside her . = = = Tour = = = To promote the album , Carey announced a world tour in April 2003 . As of 2003 , " Charmbracelet World Tour : An Intimate Evening with Mariah Carey " was her most extensive tour , lasting over eight months and performing sixty @-@ nine shows in venues worldwide . Before tickets went on sale in the US , venues were switched from large arenas to smaller , more intimate theater shows . According to Carey , the change was made in order to give fans a more intimate show , and something more Broadway @-@ influenced . She said , " It 's much more intimate so you 'll feel like you had an experience . You experience a night with me . " However , while smaller productions were booked for the US leg of the tour , Carey performed at stadia and arenas in Asia and Europe , and performed for a crowd of over 35 @,@ 000 in Manila , 50 @,@ 000 in Malaysia , and to over 70 @,@ 000 people in China . In the UK , it was Carey 's first tour to feature shows outside London ; she performed in Glasgow , Birmingham and Manchester . " Charmbracelet World Tour : An Intimate Evening with Mariah Carey " garnered generally positive reviews from music critics and audiences , many of whom complimented the quality of Carey 's live vocals and the production of the shows . Fans were given the opportunity to request songs from Carey 's catalog , which added to its positive reception . At her concert in Manila , Rito P. Asilo from Philippine Daily Inquirer wrote , " I didn 't expect her voice to be that crystal clear ! " He added , " After 15 songs , we couldn 't seem to get enough of Mariah — and we became a believer ! " . = = Re @-@ release = = While preparing for the Asian leg of the Charmbracelet World Tour , Carey announced that Charmbraclet would be re @-@ released with four additional tracks on July 26 , 2003 , the first day of the North American leg of the tour . Carey included her duet with Busta Rhymes , " I Know What You Want " , which was released as a single from his album , It Ain 't Safe No More ( 2002 ) , and became Carey 's highest charting song internationally since 2001 , reaching top five peaks in Australia , Canada , the Netherlands , Ireland , Italy , Switzerland , the US and the UK . In an interview with Carson Daly , Carey said , " The Busta Rhymes duet ... has become so successful and we always said I would put it on my album as well . " The re @-@ release also included " There Goes My Heart " , " Got a Thing 4 You " featuring Da Brat and Elephant Man , and " The One ( So So Def Remix ) " featuring Bone Crusher . The re @-@ released version of the album charted for three weeks on the Oricon album chart in Japan , where it peaked at number 96 on the issue dated July 14 , 2003 . = = Track listing = = " Boy ( I Need You ) " contains samples of " Oh Boy " by Cam 'ron & " Call Me " by Tweet . " You Had Your Chance " contains a sample of " I Want 'a Do Something Freaky To You " by Leon Haywood . " Irresistible ( Westside Connection ) " contains a sample of " You Know How We Do It " by Ice Cube " Bringin ' on the Heartbreak " is a cover of " Bringin ' on the Heartbreak " by Def Leppard . = = Credits and personnel = = Credits for Charmbracelet taken from the album 's liner notes . = = = Recording locations = = = Recording locations are adapted from Charmbracelet liner notes . = = Charts and certifications = =

= Thomas Quiney = Thomas Quiney ( baptised 26 February 1589 - c . 1662 or 1663 ) was the husband of William Shakespeare 's daughter Judith Shakespeare , and a vintner and tobacconist in Stratford @-@ upon @-@ Avon . Quiney held several municipal offices in the corporation of Stratford @-@ upon @-@ Avon , the highest being chamberlain in 1621 and 1622 , but was also fined for various minor offences . In 1616 , Quiney married Judith Shakespeare . The marriage took place during a season when a special licence was required by the church , and the couple had failed to obtain one , leading to Quiney 's brief excommunication . Quiney was also summoned before the Bawdy Court fewer than two months after the wedding to answer charges of “ carnal copulation ” with a Margaret Wheeler , who died in childbirth . Scholars believe that as a result of these events William Shakespeare altered his will to favour his other daughter , Susanna Hall , and excluded Quiney from his inheritance . Judith and Thomas had three children : Shakespeare , Richard , and Thomas . Shakespeare Quiney died at six months of age , and neither Richard nor Thomas lived past 21 . The death of Judith 's last child led to legal wrangling over William Shakespeare 's will that lasted until 1652 . Scholars speculate that Thomas Quiney may have died in 1662 or 1663 when the burial records are incomplete . = = Birth and early life = = Thomas Quiney was born in Stratford @-@ upon @-@ Avon and baptised on 26 February 1589 in Holy Trinity Church . He was the son of Richard and Elizabeth Quiney . He had 10 siblings , among them a Richard Quiney who was a grocer in London , Mary Quiney who later married Richard Watts , the vicar of Harbury , and Elizabeth Quiney who married William Chandler . There is no record of Thomas Quiney 's attendance at the local school , but he had sufficient education to write short passages in French , run a business , and hold several municipal offices in his life . = = Business and municipal offices = = Quiney was a vintner and dealt in tobacco . He held the lease to a house known as “ Atwood 's ” for the purpose of running a tavern , and later traded houses with his brother @-@ in @-@ law , William Chandler , for the larger house known as “ The Cage ” where he set up his vintner 's shop in the upper half . He is recorded as selling wine to the corporation of Stratford @-@ upon @-@ Avon as late as 1650 . He was a man of some education , with knowledge of French and calligraphy . In signing his accounts for 1621 and 1622 as chamberlain he decorated them with a couplet in French from a romance by Mellin de Saint @-@ Gelais . Quiney writes “ Bien heureux est celui qui pour devenir sage , Qui pour le mal d 'autrui fait son apprentissage ” but the original is “ Heureux celui qui pour devenir sage , Du mal d 'autrui fait son apprentissage ” . The original translates into English as “ Happy is he who to become wise , serves his apprenticeship from other men 's troubles ” but Quiney 's version “ … is ungrammatical and without sense ” . He was a well @-@ respected man in the borough , and was elected a burgess and constable in Stratford @-@ upon @-@ Avon in 1617 . In 1621 and 1662 he was acting Chamberlain . In signing his accounts for 1622 – 3 , he did so " with flourishes ” , but the records show that the council voted them “ imperfect ” . Quiney did not attend this meeting , but he did attend the later meeting where the accounts were passed , so they appear to have needed further explanation . Quiney 's reputation was slightly spotted ; he was fined for swearing and for “ suffering townsmen to tipple in his house ” , and was at one point in danger of prosecution for “ dispensing unwholesome and adulterated wine ” . = = Marriage = = On 10 February 1616 , Thomas Quiney married Judith Shakespeare , William Shakespeare 's daughter , in Holy Trinity Church . The assistant vicar , Richard Watts , who later married Quiney 's sister Mary , probably officiated . The wedding took place during the Lenten season , which was prohibited . In 1616 Lent started on 23 January , Septuagesima Sunday , and ended on 7 April , the Sunday after Easter . The marriage therefore required a special licence , issued by the Bishop of Worcester , which the couple had failed to obtain . A Walter Wright of Stratford was cited for marrying without either banns or licence , so since Quiney was only cited for marrying without the required licence it is presumed that they had posted banns in church . The infraction was a minor one , apparently caused by the minister , as three other couples were also wed that February . Quiney was nevertheless summoned by Walter Nixon to appear before the Consistory court in Worcester . ( This same Walter Nixon was later involved in a Star Chamber case and was found guilty of forging signatures and taking bribes ) . Quiney failed to appear by the required date . The register recorded the judgement , which was excommunication , on or about 12 March 1616 . It is unknown if Judith was also excommunicated , but in any case the punishment did not last long . In November of the same year they were back in church for the baptism of their firstborn child . The marriage did not begin well : Quiney had recently impregnated another woman , Margaret Wheeler , who was to die in childbirth along with the child and was buried on 15 March 1616 . On 26 March 1616 , Quiney appeared before the Bawdy Court , which dealt , among other things , with " whoredom and uncleanliness " . Confessing in open court to " carnal copulation " with Margaret Wheeler , he submitted himself for correction . He was sentenced to open penance " in a white sheet ( according to custom ) " before the congregation on three Sundays . He also had to admit to his crime , this time wearing ordinary clothes , before the Minister of Bishopton in Warwickshire . The first part of the sentence was remitted , essentially letting him off with a five @-@ shilling fine to be given to the parish 's poor . Since Bishopton only had a chapel , he was spared any public humiliation . = = Chapel Lane , Atwood 's and The Cage = = Where the Quineys lived after being married is unknown . Judith owned her father 's cottage on Chapel Lane , Stratford , while Thomas had held , since 1611 , the lease on a tavern called " Atwood 's " on High Street . The cottage later passed from Judith to her sister as part of the settlement in their father 's will . In July 1616 Thomas swapped houses with his brother @-@ in @-@ law , William Chandler , moving his vintner 's shop to the upper half of a house at the corner of High Street and Bridge Street . Known as " The Cage " , it is the house traditionally associated with Judith Quiney . In the 20th century The Cage was for a time a Wimpy restaurant before being turned into the Stratford Information Office . The Cage provides further insight into why Shakespeare would not have trusted Judith 's husband . Around 1630 Quiney tried to sell the lease on the house but was prevented by his kinsmen . In 1633 , to protect the interests of Judith and the children , the lease was signed over to the trust of : John Hall , Susanna 's husband ; Thomas Nash , the husband of Judith 's niece ; and Richard Watts , vicar of nearby Harbury , who was Quiney 's brother @-@ in @-@ law and who had officiated at Thomas and Judith 's wedding . Eventually , in November 1652 , the lease to The Cage ended up in the hands of Thomas ' eldest brother , Richard Quiney , a grocer in London . = = William Shakespeare 's last will and testament = = The inauspicious beginnings of Judith 's marriage , in spite of her husband and his family being otherwise unexceptionable , has led to speculation that this was the cause for William Shakespeare 's hastily altered last will and testament . He first summoned his lawyer , Francis Collins , in January 1616 . On 25 March he made further alterations , probably because he was dying and because of his concerns about Quiney . In the first bequest of the will there had been a provision " vnto my sonne in L [ aw ] " ; but " sonne in L [ aw ] " was then struck out , with Judith 's name inserted in its stead . To this daughter he bequeathed £ 100 " in discharge of her marriage porcion " ; another £ 50 if she were to relinquish the Chapel Lane cottage ; and , if she or any of her children were still alive at the end of three years following the date of the will , a further £ 150 , of which she was to receive the interest but not the principal . This money was explicitly denied to Thomas Quiney unless he were to bestow on Judith lands of equal value . In a separate bequest , Judith was given " my broad silver gilt bole " . Finally , for the bulk of his estate , which included his main house , " New Place " , his two houses on Henley Street and various lands in and around Stratford , Shakespeare had set up an entail . His estate was bequeathed , in descending order of choice , to the following : 1 ) his daughter , Susanna Hall ; 2 ) upon Susanna 's death , " to the first sonne of her bodie lawfullie yssueing & to the heires Males of the bodie of the saied first Sonne lawfullie yssueing " ; 3 ) to Susanna 's second son and his male heirs ; 4 ) to Susanna 's third son and his male heirs ; 5 ) to Susanna 's " ffourth ... ffyfth sixte & Seaventh sonnes " and their male heirs ; 6 ) to Elizabeth , Susanna and John Hall 's firstborn , and her male heirs ; 7 ) to Judith and her male heirs ; or 8 ) to whatever heirs the law would normally recognise . This elaborate entail is usually taken to indicate that Thomas Quiney was not to be entrusted with Shakespeare 's inheritance , although some have speculated that it may simply indicate that Susanna was the favoured child . = = Children = = Judith and Thomas Quiney had three children : Shakespeare ( baptised 23 November 1616 — buried 8 May 1617 ) ; Richard ( baptised 9 February 1618 — buried 6 February 1639 ) ; and Thomas ( baptised 23 January 1620 — buried 28 January 1639 ) . Shakespeare was named for his mother 's father . Richard 's name was common among the Quineys : his other grandfather and an uncle were both named Richard . Shakespeare Quiney died at six months of age . Richard and Thomas Quiney were buried within a month of each other ; they were 19 and 21 years old , respectively . The deaths of all of Judith 's children brought on new legal consequences . The entail on her father 's inheritance led Susanna , along with her daughter and son @-@ in @-@ law , to make a settlement , by use of a rather elaborate legal device , for the inheritance of her own branch of the family . Legal wrangling continued for another thirteen years , until 1652 . = = Death = = Of Thomas Quiney 's fate the records show little . It is speculated that he may have died in 1662 or 1663 when the parish burial records are incomplete . He certainly had a nephew in London , who by this time held the lease to The Cage .